Antonio Acquaroni Paintings & Artwork for Sale | Antonio Acquaroni Art Value Price Guide

Oct. 14, 2023
G. BALZAR (*1777) after ACQUARONI (*1800), Arch of Janus, Rome, 1831, Etching
Est: €150 - €200
Giovanni Battista Balzar (1777 - 1831 ) after Antonio Acquaroni (around 1800 - 1874 ): Janusbogen, Rom, 'Prospectus of the Arch of Janus Quadrifrons', 1831, Etching Technique: Etching on Paper Date: 1831 Description: Very nice view of the Arch of Janus in the shape of a tetrapylon in Rome; on the right side of the picture the portal of St. Giorgio di Velabro.signed below the image "A. Acquaroni dis. / G. Balzar inc.", titled in the centre below. Keywords: 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Feb. 28, 2023
ANTONIO ACQUARONI (1800-1874). "Views of Rome". Ink paper (x2). It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (1800-1874). "Views of Rome. Ink paper (x2). With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “Cecilia Metela Mausoleum” and “San Onofre Church”. Ink paper (x2). It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "Mausoleum of Cecilia Metella" and "Church of San Onofre". Ink paper (x2). With period passe-partout. Provenance: private collection conceived from the 70s between London and Madrid. Measurements: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). "Arch of Seventh Severus" and "Arch of Constantine". Ink paper (x2). They have vintage Passepartout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "Arch of Septimus Severus" and "Arch of Constantine". Ink paper (x2). With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). "Arch of Janus" and "Arc of the Argentarios". paper ink (x2) They have vintage Passepartout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "Arch of Janus" and "Arch of the Argentinians". Ink paper (x2) With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “Puerta de San Lorenzo” and “View of the Tiber Island” Ink paper (x2). It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "San Lorenzo Gate" and "View of Tiber Island". Ink paper (x2). With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Size: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “View of the temple of Antonio and Faustina in the forum” and “View from the Colosseum”. paper ink (x2) It has a vintage passe-partout.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "View of the Temple of Antonio and Faustina in the Forum" and "View from the Coliseum". Ink paper (x2) With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Size: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “Two views of Saint Paul from the Vatican”. paper ink (x2) It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "Two views of St Paul's from the Vatican". Ink paper (x2) With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “View of the Pantheon” and “View of Piazza del Popolo”. Ink paper (x2). It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "View of the Pantheon" and "View of the Piazza del Popolo". Ink paper (x2). With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Size: 14 x 18 cm (x2). Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 28, 2023
ANTONIO ACQUARONI (Italian, 1800-1874). “Porta Angelica”, “Porta de Ripetta”, “Trinité dei Monti”. paper ink. It has a vintage passe-partout. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €400 - €500
ANTONIO ACQUARONI (Italy, 1800-1874). "Porta Angelica", "Porta de Ripetta", "Trinité dei Monti". Paper ink. With period passe-partout. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 14 x 18 cm. Acquaroni was a topographical draughtsman and engraver who trained and worked in Rome. His works represent mostly views influenced by the current of Vedutism. The term "Vedutism" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a greater or lesser number of figures. The protagonist of the painting is therefore the urban landscape, always depicted according to the laws of perspective.
Setdart Auction House
Feb. 18, 2023
Aquaroni, Antonio.
Est: €100 - €150
(1800 Rom 1974). 5 Ansichten der Stadt Rom. Radierungen. Jew. Plgr. 17 x 22,5 cm. Blgr. 17,5 x 40 cm. Tls. brfl. und mit kl. Rissen am Rand. Romantisches Ansichtenwerk in der Tradition Piranesis, ähnlich wie die Ansichten Rossinis.- Veduta laterale del Campidoglio. -Veduta dell'Arco di Settimio Severo. - Parte interna del Portico di Ottavia. -Avanzi del Tempio della Pace. - Tempio di Venere die Roma. R
Kiefer Buch- und Kunstauktionen
Oct. 15, 2021
Aquaroni, Antonio.
Est: €80 - €120
(1800 Rom 1974). 5 Ansichten der Stadt Rom. Radierungen. Jew. Plgr. 17 x 22,5 cm. Blgr. 17,5 x 40 cm. Tls. brfl. und mit kl. Rissen am Rand. Romantisches Ansichtenwerk in der Tradition Piranesis, ähnlich wie die Ansichten Rossinis.- Veduta laterale del Campidoglio. -Veduta dell'Arco di Settimio Severo. - Parte interna del Portico di Ottavia. -Avanzi del Tempio della Pace. - Tempio di Venere die Roma. R
Kiefer Buch- und Kunstauktionen
Jun. 24, 2020
OLD MASTER PEN AND INK, SIGNED
Est: $250 - $500
ANTONIO AQUARONI (Italian 1800-1874) Marcus Aurelius Column, Rome Pen and ink Signed lower right 5.75 inches x 7.25 inches (14.6 x 18.4 cm) SHIPPING NOTICE: Jackson's is your sole and only source for one stop packing and shipping. With over 50 years of experience, our professional, affordable and efficient in-house shipping department will be happy to provide you a fair and reasonable shipping quote on this lot. Simply email us before the auction for a quick quote: shipping@jacksonsauction.com or call 1-800-665-6743. Jackson's can expertly pack and ship to meet any of your needs. To ensure quality control Jackson's DOES NOT release to third party shippers.
Jackson's International
Dec. 18, 2019
ACQUARONI. Veduta fantastica di Roma. Attribuito a.
Est: €800 - €1,000
Acquarello monocromo e penna su carta pesante. Riquadrato a penna. Foglio 162x234 mm; Immagine 157x231 mm. Ottimo stato di conservazione. Veduta prospettica con colonne, palazzi, statue, di ispirazione romana. Antonio Acquaroni, nato a Civitavecchia, disegnatore e incisore, fu al servizio della Calcografia Camerale e le sue stampe furono apprezzate soprattutto per il lato documentario della città. Allorché la Calcografia Camerale volle arricchire il suo fondo di vedute romane, lo chiamò a far parte dei suoi collaboratori ordinari. Così il nome dell'Acquaroni si vide comparire, accanto a quelli di G. Balzar, di F.M. Giuntotardi, di A. Testa, di F. Troiani, in una raccolta di Vedute di monumenti antichi e moderni, uscita nel 1829, e poi in altre raccolte antologiche, fino a quella (1864) della cosiddetta Scenografia dei più celebri Monumenti sacri e profani antichi e moderni di Roma e adiacenze.
Bado e Mart
Dec. 18, 2019
ACQUARONI. Veduta prospettica di scorcio romano. Attribuito a.
Est: €800 - €1,000
Acquarello monocromo e penna su carta pesante. Riquadrato a penna. Foglio 162x230 mm; Immagine 159x224 mm. Ottimo stato di conservazione.Prospettiva con portici e arco, veduta fantastica di un angolo di Roma. Antonio Acquaroni, nato a Civitavecchia, disegnatore e incisore, fu al servizio della Calcografia Camerale e le sue stampe furono apprezzate soprattutto per il lato documentario della città. Allorché la Calcografia Camerale volle arricchire il suo fondo di vedute romane, lo chiamò a far parte dei suoi collaboratori ordinari. Così il nome dell'Acquaroni si vide comparire, accanto a quelli di G. Balzar, di F.M. Giuntotardi, di A. Testa, di F. Troiani, in una raccolta di Vedute di monumenti antichi e moderni, uscita nel 1829, e poi in altre raccolte antologiche, fino a quella (1864) della cosiddetta Scenografia dei più celebri Monumenti sacri e profani antichi e moderni di Roma e adiacenze.
Bado e Mart