Anni Albers Paintings & Artwork for Sale | Anni Albers Art Value Price Guide

Oct. 15, 2024
ANNI ALBERS (1899-1994). J.H.A. II. screenprint on paper image: 11 7⁄8 x 10
Est: £2,000 - £3,000
ANNI ALBERS (1899-1994). J.H.A. II. screenprint on paper image: 11 7⁄8 x 10in. (30.1 x 25.3cm.) sheet: 19 ½ x 17in. (49.3 x 43.2cm.).
Christie's
Oct. 15, 2024
ANNI ALBERS (1899-1994). J.H.A. I. screenprint on paper image: 11 7⁄8 x 10i
Est: £2,000 - £3,000
ANNI ALBERS (1899-1994). J.H.A. I. screenprint on paper image: 11 7⁄8 x 10in. (30.1 x 25.3cm.) sheet: 19 ½ x 17in. (49.3 x 43.2cm.).
Christie's
Sep. 26, 2024
Albers, Anni
Est: €300 - €500
Albers, Anni Berlin, 1899 - Orange/Connecticut, 1994 48,3 x 48,3 cm, o. R. DO IV, 197. Silkscreen print on wove paper. Publisher: Edition Domberger, Filderstadt. Private property, Baden-Württemberg. Albers, Anni Berlin, 1899 - Orange/Connecticut, 1994 48,3 x 48,3 cm, o. R. DO IV, 1973. Farbserigraphie auf Bütten. Herausgeber: Edition Domberger, Filderstadt. Privatbesitz, Baden-Württemberg.
Nagel Auction
Aug. 14, 2024
Anni Albers, GR I
Est: $4,000 - $6,000
Anni Albers GR I 1970 screenprint in colors on Arches image: 20 h x 16 w in (51 x 41 cm) sheet: 28.875 h x 24 w in (73 x 61 cm) Signed, titled, dated and numbered to lower margin 'GR I 76/100 Anni Albers 1970'. This work is number 76 from the edition of 100 published by Grippi Gallery, New York. Literature: Weber/Danilowitz 71 This work will ship from Chicago, Illinois.
Wright
Jun. 22, 2024
Albers, Anni Double Weave. 1925 - 1983. Serigraphie auf Velin. 68 x 68 cm. …
Est: - €1,600
Concrete Art Albers, Anni Double Weave. 1925 - 1983. Serigraphie auf Velin. 68 x 68 cm. Signiert, datiert und römisch nummeriert. - Kanten leicht angestoßen, insgesamt gut. Ausgezeichneter, kraftvoller und satter Druck mit schmalem Rand. Eines von 25 römisch nummerierten Exemplaren. - Nach dem ikonischen Wandteppich von 1964, der auf dem Design von Albers von 1927 beruht, jedoch erst in den 1960e Jahren unter Albers Anleitung in der Werkstatt realisiert werden konnte. Silkscreen on wove paper. Signed, dated and roman numbered. - One of 25 Roman numbered copies. - Edges slightly bumped, good overall. Excellent, powerful and rich impression with narrow margins. - After the iconic tapestry from 1964, which is based on the design by Albers from 1927, but could only be realized in the 1960s under Albers' guidance in the workshop. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.
Jeschke Jádi Auctions Berlin GmbH
Jun. 06, 2024
ANNI ALBERS GR 1.
Est: $6,000 - $9,000
ANNI ALBERS GR 1. Color screenprint on Arches, 1970. 510x409 mm; 20¼x16¼ inches, full margins. Signed, titled, dated and numbered 56/100 in pencil, lower margin. Published by Grippi Gallery, New York. A very good impression with strong colors. According to Nicholas Fox Weber, in his introduction to the Guggenheim Museum's 1999 retrospective on the artist, Albers (1899-1994) became a printmaker late in her career and collaborated with leading printers to combine screenprinting with photo-offset lithography, as well as with other print media to create unprecedented, experimental works. Fox Weber wrote, "No wonder she so often quoted Kandinsky's, 'There is always an 'and'.' That verity certainly applied to her . . . Her faith in art, and the encapsulation of its possibilities was nothing short of marvelous." Weber/Danilowitz 71.
Swann Auction Galleries
Jun. 05, 2024
Anni Albers, Fox I
Est: $1,500 - $3,000
(Connecticut, North Carolina/Germany, 1899-1994) (Weber & Danilowitz 29),1972, edition 132/150, signed lower right 'Anni Albers 1972', titled lower left, stamped verso, Fox Press, West Hartford, printer, the artist and Fox Press, West Hartford, publisher, photo offset print on paper, sheet 24 x 20 in. (61 x 50 cm.); metal frame, 24-3/8 x 20-1/4 x 1 in. Provenance: The Collection of Clare and Jared Edwards, West Hartford, Connecticut Note: In the 1999 Anni Albers retrospective exhibition catalog, Nicholas Weber comments on Anni Albers' beginnings with photo offset prints and this series specifically, 'When we began to discuss the possibility of her working with photo-offset, Anni proved to be a quick study. She decided that she would utilize the medium to make a print of two horizontal rectangular forms stacked one on top of the other. Each of the rectangles would contain a triangulated pattern, in keeping with the artist's recent geometric experimentations, a design full of diversion and ins and outs, but deliberately lacking in internal symmetry or repetition. At the Bauhaus, Anni had been deeply moved by Wilhelm Worringer's pivotal book Abstraction and Empathy; she embraced Worringer's idea of abstraction providing the opportunity to create 'visual resting places' removed from the often painful realities of the natural world. She was interested in art that was timeless and universal rather than art with specific links to a known locale or moment in history, or to the maker's personal experience. This pure realm of art could provide some of the harmony that life itself sometimes lacked. To keep the viewer engaged, the new creation, like all of Anni's compositions, had to eschew easy resolution; like Josef, Anni imbued abstraction with a certain tension, a perpetual in/out motion, an ongoing play between image and ground. The artist's own persona was to fade in deference to the sacred realm of art and the comforts as well as the realities of the technical. Anni had no wish to reveal private emotions or the sometimes troubling fluctuations of her own mind and heart; she preferred, instead, to focus on the purely aesthetic and practical issues of printmaking, just as she had for many years reveled in the construction of textiles.'
Brunk Auctions
May. 11, 2024
ANNI ALBERS EMBOSSED GEOMETRIC PRINT
Est: $60 - $80
Anni Albers embossed geometric print. Sheet measures 9 7/8" x 9 1/8". Note: Crease and spots of staining present.
Antiques & Modern Auction Gallery
Jan. 14, 2024
Anni Albers Double Weave. 1925 - 1983. Serigraphie…
Est: -
Concrete Art Albers, Anni Double Weave. 1925 - 1983. Serigraphie auf Velin. 68 x 68 cm. Signiert, datiert und römisch nummeriert. - Kanten leicht angestoßen, insgesamt gut. Ausgezeichneter, kraftvoller und satter Druck mit schmalem Rand. Eines von 25 römisch nummerierten Exemplaren. - Nach dem ikonischen Wandteppich von 1964, der auf dem Design von Albers von 1927 beruht, jedoch erst in den 1960e Jahren unter Albers Anleitung in der Werkstatt realisiert werden konnte. Silkscreen on wove paper. Signed, dated and roman numbered. - One of 25 Roman numbered copies. - Edges slightly bumped, good overall. Excellent, powerful and rich impression with narrow margins. - After the iconic tapestry from 1964, which is based on the design by Albers from 1927, but could only be realized in the 1960s under Albers' guidance in the workshop. This work is subject to under the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and inside the EU 7% (Books) and 19% (Art, Autographs and Manuscripts) VAT on the final invoice amount.
Jeschke Jádi Auctions Berlin GmbH
Dec. 07, 2023
Anni Albers, Blue Meander
Est: $2,000 - $3,000
Anni Albers Blue Meander 1970 screenprint in colors image: 19.5 h x 16 w in (50 x 41 cm) sheet: 27.875 h x 24 w in (71 x 61 cm) Signed, titled, dated and numbered to lower margin 'Blue Meander 19/75 Anni Albers 1970'. This work is number 19 from the edition of 75. Provenance: Alice Simsar Gallery, Ann Arbor | Private Collection This work will ship from Chicago, Illinois.
Wright
Nov. 25, 2023
Albers, Anni Double Weave. 1925 - 1983. Serigraphi…
Est: €1,600 -
Concrete Art Albers, Anni Double Weave. 1925 - 1983. Serigraphie auf Velin. 68 x 68 cm. Signiert, datiert und römisch nummeriert. - Kanten leicht angestoßen, insgesamt gut. Ausgezeichneter, kraftvoller und satter Druck mit schmalem Rand. Eines von 25 römisch nummerierten Exemplaren. - Nach dem ikonischen Wandteppich von 1964, der auf dem Design von Albers von 1927 beruht, jedoch erst in den 1960e Jahren unter Albers Anleitung in der Werkstatt realisiert werden konnte. Silkscreen on wove paper. Signed, dated and roman numbered. - One of 25 Roman numbered copies. - Edges slightly bumped, good overall. Excellent, powerful and rich impression with narrow margins. - After the iconic tapestry from 1964, which is based on the design by Albers from 1927, but could only be realized in the 1960s under Albers' guidance in the workshop. * Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% or 19% VAT on the final invoice amount in the European Union.
Jeschke Jádi Auctions Berlin GmbH
Nov. 16, 2023
ANNI ALBERS Connections 1925/1983.
Est: $12,000 - $18,000
ANNI ALBERS Connections 1925/1983. Portfolio with complete text and 9 color screenprints on 150-gram Umbria paper, 1984. 700x497 mm; 27 5/8x19 1/2 inches (sheets), full margins, loose as issued. One of 125 numbered copies. Numbered "61" in pencil, on the justification page. Each color screenprint signed, dated and numbered 61/125 in pencil, lower margin. Printed by Samuele Villa, Muggiò. Published by Fausta Squatriti, Milan. With the original printed cardboard portfolio folder. Superb, richly-inked impressions of these scarce screenprints. The portfolio is a survey of Albers' (1899-1994) graphic work from 1925 to 1983. According to the introduction by Squatriti, "Anni Albers has always thought that art is the continuation and the development of the ancient craftmanship on a plane no longer practical but purely intellectual. Her graphic work, therefore, has the value of a profound analysis of the logical structure of perception or, more precisely, of the substantial unity of the sensorial and the psychological moments of vision: in other words, of the active, and not merely receptive, character of vision. This publication of very limited selection of her graphic work is an homage to an authentic artist, who in fifty years of dedicated work has chosen above all to remain faithful to the glorious school in which she was trained and to the aesthetics and ethics of art which she learned. Always modern, she has never sought the new for its own sake. Serenely she has followed the thread of her first research, working with it, making it into context, without ever repeating or boring herself."
Swann Auction Galleries
Oct. 19, 2023
Connections
Est: $6,000 - $8,000
Anni Albers 1899 - 1994 Connections The complete portfolio, comprising nine screenprints in colors, 1984, each signed in pencil, dated, titled and numbered 61/125, also numbered 61 on the publisher's foreword, on wove paper, loose (as issued), published by Fausta Squatriti, contained in the original paper-covered cardboard portfolio with the title printed on the cover (9 prints) sheets: 700 by 492 mm 27½ by 19⅜ in overall: 705 by 510 mm 27¾ by 20⅛ in
Sotheby's
Sep. 30, 2023
Anni Albers Do I Color Screenprint Signed 1973
Est: $2,000 - $3,000
Albers, Anni (German/American, 1899-1994), Do I, 1973, screenprint on Fabriano Cottone paper, signed, dated, titled and numbered 23/50 in pencil to bottom edge, image 17 inches square, full sheet 25.5 inches square, published and printed by Edition Domberger with their blindstamp to lower left corner. WEBER/DANILOWITZ 31.
Concept Art Gallery
Sep. 20, 2023
Anni Albers (American, 1899-1994) Connections 1925/1983 The complete portfolio comprising nine screenprints in colours, 1984, on Cartiere Miliani of Fabriano Umbria Italia and Fabriano Cotton papers, with introduction by the publisher, each sign...
Est: £5,000 - £7,000
Anni Albers (American, 1899-1994) Connections 1925/1983 (Danilowitz 71-79) The complete portfolio comprising nine screenprints in colours, 1984, on Cartiere Miliani of Fabriano Umbria Italia and Fabriano Cotton papers, with introduction by the publisher, each signed, variously dated from 1925-1983 and numbered 50/125 in pencil, additionally numbered 50 in pencil on the justification page, printed by Samuele Villa, Muggiò, published by Fausta Squatriti Editore, Milan, with full margins, the sheets loose (as issued), within the original paper covered portfolio with printed title Sheet 697 x 496mm (27 3/8 x 19 1/2in)(and similar)(10) Folio 703 x 507 x 10mm (27 5/8 x 20 x 3/8in)
Bonhams
Sep. 10, 2023
*ANNIE ALBERS [GERMANY] 1899-1994 [ATTRIBUTED] "DESIGN 11/25 FOR JAQUARD" MIXED MEDIA ON CARD, INSCRIBED & DATED 12/29 IN PENCIL BOTTOM MARGIN, 26.4X24.6CMS FRAMED. RARE BAUHAUS EXAMPLE.
Est: $2,000 - $5,000
*ANNIE ALBERS [Germany] 1899-1994 [attributed] "Design 11/25 for Jaquard" mixed media on card, inscribed & dated 12/29 in pencil bottom margin, 26.4x24.6cms framed. Rare Bauhaus example.
WA Art Auctions
Jul. 08, 2023
Anni Albers 1899-1994 "Blue Meander" Signed Print
Est: $500 - $800
Description: This lot includes a signed print by Anni Albers. The title of this artwork is "Blue Meander". Our client believes that his parents knew the artist during the mid-20th century and received these pieces directly from the artist herself. Condition: Unfortunately there are signs of past moisture damage on the print, see photos. Frame glass is broken Measurements: 24.25"L x 28.25"W
East-Wing Estate Sales & Auction Co.
Jul. 08, 2023
Anni Albers (1899-1994) "Yellow Meander"
Est: $1,000 - $1,200
Description: This lot includes a print by Anni Albers. The title of this artwork is "Yellow Meander". UPDATE (6/28): Upon a closer inspection of the piece outside of the frame it appears to be a screen print done on paper. The ink is thick and layers can be clearly seen between colors and patterns. We are still not 100% confidant on if this is an original piece by the artist OR not. See photos for details and see for yourself. Our client believes that his parents knew the artist during the mid-20th century and received these pieces directly from the artist herself. The backboard has writing indicating it was a Christmas gift in 1970, and is titled and dated in 1970 as well. Condition: Minor expected surface wear associated with age and use, otherwise in overall good condition. Measurements: 24.25"L x 28.25"W
East-Wing Estate Sales & Auction Co.
Jun. 23, 2023
Anni Albers Do-C. 1973. Farbserigraphie auf leicht…
Est: €3,200 -
Concrete Art Anni Albers Do-C. 1973. Farbserigraphie auf leicht strukturiertem Velin. 39 x 39 cm (47,2 x 42 cm). Signiert, datiert, betitelt und nummeriert. - Punktuell blasser, kaum merklicher kleiner Fleck, unten rechts winzige Oberflächenbereibung in der Darstellung, vereinzelte leichte Griffspur im Rand, verso oben rechts kaum merkliche Oberflächenbereibung, insgesamt sehr gut. Prachtvoller, farbintensiver und klarer Druck mit schmalem, unten mit breitem Rand. Eines von 20 Exemplaren. - Meisterlich verschränkt Anni Albers in ihrem Schaffen Kunst mit Weberei, revolutioniert das Handwerk mit modernistischen Ideen. Gefeiert als eine der innovativsten und einflussreichsten Textil-Künstlerinnen unserer Zeit, steht sie ihrem Mann Josef Albers und seinem Schaffen in nichts nach. Vielmehr sind beide als künstlerisches Powerduo zu begreifen, das sich der Kunst auf erforschende Weise widmete. Beide lernen und lehren am Bauhaus, der Institution, die Kunst als Gesamtwerk betrachtete. Ausgehend hiervon, wird Anni Albers zur Pionierin eines ganz eigenen, einzigartigen Webstils und erhält 1949 als erste Textil-Künstlerin eine Einzelausstellung im New Yorker Museum of Modern Art. Verstärkt wendet sie sich in ihren letzten Lebensjahren der Graphik zu, verarbeitet die Farbfelder ihrer geometrisch-konkreten Kompositionen zu webartigen Mustern von spielerischer Sensibilität. In den zunächst scharfkantigen abstrakten Darstellungen entfaltet sich ein unendliches Fließen und Bewegen. Colour silk-screen on light structured wove paper. Signed, dated, titled and numbered. - Isolated faint, hardly noticeable stain, tiny surface abrasion on lower right depiction area, isolated very light handling traces in margins, hardly notcieable surface abrasion on the verso, all in all very good. Splendid, colour-intense and clear impression with narrow margin, at the bottom with wide margin. - One of 20 copies. - In her work, Anni Albers masterfully intertwines art with weaving, revolutionising the craft with modernist ideas. Celebrated as one of the most innovative and influential textile artists of our time, she is in no way inferior to her husband Josef Albers and his work. Rather, both are to be understood as an artistic power duo who devoted themselves to art in an exploratory manner. Both studied and taught at the Bauhaus, the institution that regarded art as a complete work. Based on this, Anni Albers became a pioneer of her own unique weaving style and became the first textile artist to receive a solo exhibition at the New York Museum of Modern Art in 1949. In the last years of her life, she turned increasingly to graphic art, processing the colour fields of her geometric-concrete compositions into web-like patterns of playful sensitivity. In the initially sharp-edged abstract representations an infinite flow and movement unfolds. * Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% or 19% VAT on the final invoice amount in the European Union.
Jeschke Jádi Auctions Berlin GmbH
Jun. 08, 2023
ANNI ALBERS Do IV.
Est: $4,000 - $6,000
ANNI ALBERS Do IV. Color screenprint on Fabriano Cottone paper, 1973. 483x483 mm; 19x19 inches, full margins. Signed, titled, dated and numbered 47/50 in pencil, lower margin. Published by Edition Domberger, Stuttgart, with the blind stamp lower left. A very good impression of this scarce print. According to Nicholas Fox Weber, in his introduction to the Guggenheim Museum's 1999 retrospective on the artist, Albers became a printmaker late in her career and collaborated with leading printers to blend screenprinting with photo-offset lithography, as well as with other print media to create unprecedented, experimental works. Fox Weber wrote, "No wonder she so often quoted Kandinsky's, 'There is always an 'and'.' That verity certainly applied to her . . . Her faith in art, and the encapsulation of its possibilities was nothing short of marvelous." Weber/Danilowitz 35.
Swann Auction Galleries
Jun. 08, 2023
ANNI ALBERS Line Involvement V.
Est: $5,000 - $8,000
ANNI ALBERS Line Involvement V. Lithograph on Arches, 1964. 505x375 mm; 19 3/4x14 1/2 inches (sheet), full margins. Signed and numbered 20/20 in pencil, lower margin. Printed and published by Tamarind Lithography Workshop, Inc., Los Angeles. From the same-titled series. A very good impression. According to Nicholas Fox Weber, in his introduction to the Guggenheim Museum's 1999 retrospective on the artist, Albers became a printmaker late in her career and collaborated with leading printers to blend screenprinting with photo-offset lithography, as well as with other print media to create unprecedented, experimental works. Fox Weber wrote, "No wonder she so often quoted Kandinsky's, 'There is always an 'and'.' That verity certainly applied to her . . . Her faith in art, and the encapsulation of its possibilities was nothing short of marvelous." Weber/Danilowitz 10.
Swann Auction Galleries
Jun. 08, 2023
ANNI ALBERS GR I.
Est: $6,000 - $9,000
ANNI ALBERS GR I. Color screenprint on Arches, 1970. 510x409 mm; 20 1/4x16 1/4 inches, full margins. Signed, titled, dated and numbered 42/100 in pencil, lower margin. Published by Grippi Gallery, New York. A very good, richly-inked impression with vibrant colors. According to Nicholas Fox Weber, in his introduction to the Guggenheim Museum's 1999 retrospective on the artist, Albers became a printmaker late in her career and collaborated with leading printers to blend screenprinting with photo-offset lithography, as well as with other print media to create unprecedented, experimental works. Fox Weber wrote, "No wonder she so often quoted Kandinsky's, 'There is always an 'and'.' That verity certainly applied to her . . . Her faith in art, and the encapsulation of its possibilities was nothing short of marvelous." Weber/Danilowitz 71.
Swann Auction Galleries
Jun. 08, 2023
ANNI ALBERS PO II.
Est: $3,000 - $5,000
ANNI ALBERS PO II. Screenprint and photo-offset on Arches, 1973. 380x318 mm; 15x12 1/2 inches, full margins. Signed, dated, titled and numbered 3/30 in pencil, lower margin. Printed by Sirocco Screenprints, North Haven, and Fox Press, West Hartford. Published by Jack Pollock Gallery, Toronto. A very good impression. According to Nicholas Fox Weber, in his introduction to the Guggenheim Museum's 1999 retrospective on the artist, Albers became a printmaker late in her career and collaborated with leading printers to blend screenprinting with photo-offset lithography, as well as with other print media to create unprecedented, experimental works. Fox Weber wrote, "No wonder she so often quoted Kandinsky's, 'There is always an 'and'.' That verity certainly applied to her . . . Her faith in art, and the encapsulation of its possibilities was nothing short of marvelous." Weber/Danilowitz 40.
Swann Auction Galleries
Jun. 06, 2023
Anni ALBERS (1899-1994), Do V, sérigraphie couleur
Est: CHF1,200 - CHF1,500
Anni ALBERS (1899-1994), Do V, sérigraphie couleur. Titré et numéroté "Do V 18/50" en bas à gauche et signé et daté "Anni Albers 1973" en bas à droite. Edition Domberger Stuttgart-New York. 41 x 41 cm (planche) 65 x 65 cm (feuille)
Dogny Auction
Jun. 06, 2023
Anni ALBERS (1899-1994), Do III, Sérigraphie couleur
Est: CHF1,200 - CHF1,500
Anni ALBERS (1899-1994), Do III, sérigraphie couleur. Titrée et numéroté "Do III 18/50" en bas à gauche et signé et daté "Anni Albers 1973" en bas à droite. Edition Domberger Stuttgart-New York. 41 x 41 cm (planche) 65 x 65 cm (feuille)
Dogny Auction
Jun. 06, 2023
Anni ALBERS (1899-1994), Do II, Sérigraphie couleur
Est: CHF1,200 - CHF1,500
Anni ALBERS (1899-1994), Do II, sérigraphie couleur. Titrée et numérotée "Do II 18/50" en bas à gauche et signé et daté "Anni Albers 1973" en bas à droite. Edition Domberger Stuttgart-New York. 41 x 41 cm (planche) 65 x 65 cm (feuille)
Dogny Auction
Jun. 06, 2023
Anni ALBERS (1899-1994), Do I, sérigraphie couleur
Est: CHF1,200 - CHF1,500
Anni ALBERS (1899-1994), Do I, sérigraphie couleur. Titrée et numérotée "Do I 18/50" en bas à gauche et signé et daté "Anni Albers 1973" en bas à droite. Edition Domberger Stuttgart-New York. 41 x 41 cm (planche) 65 x 65 cm (feuille)
Dogny Auction
Jun. 01, 2023
Anni Albers, Fox I
Est: $1,500 - $2,500
Anni Albers Fox I 1972 photo offset lithograph in colors on BFK Rives image: 14.75 h x 13.375 w in (37 x 34 cm) sheet: 23.875 h x 19.875 w in (61 x 50 cm) Signed, titled, dated and numbered to lower edge 'Fox I 123/150 Anni Albers 1972'. This work is number 123 from the edition of 150 printed by Fox Press, West Hartford, CT and published by the artist and Fox Press, West Hartford, CT. Provenance: The Katonah Gallery, Katonah, NY | Private Collection Literature: Weber/Danilowitz 29 This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Apr. 25, 2023
ANNI ALBERS (1899-1994) W/Co Image: 15 x 12 1/2 in. (381 x 318 mm.) Sheet:
Est: $2,000 - $3,000
ANNI ALBERS (1899-1994) W/Co Image: 15 x 12 1/2 in. (381 x 318 mm.) Sheet: 29 3/4 x 21 7/8 in. (757 x 555 mm.)
Christie's
Apr. 25, 2023
ANNI ALBERS (1899-1994) Do IV Image: 19 x 19 in. (483 x 483 mm.) Sheet: 25
Est: $2,000 - $3,000
ANNI ALBERS (1899-1994) Do IV Image: 19 x 19 in. (483 x 483 mm.) Sheet: 25 5/8 x 25 5/8 in. (651 x 651 mm.)
Christie's
Apr. 25, 2023
ANNI ALBERS (1899-1994) Camino Real Image: 16 x 15 in. (406 x 381 mm.) Shee
Est: $2,000 - $3,000
ANNI ALBERS (1899-1994) Camino Real Image: 16 x 15 in. (406 x 381 mm.) Sheet: 23 3/8 x 22 in. (597 x 559 mm.)
Christie's
Apr. 18, 2023
ANNI ALBERS (1899-1994) Second Movement I-VI Largest Sheet: 30 x 29 7/8 in.
Est: $8,000 - $12,000
ANNI ALBERS (1899-1994) Second Movement I-VI Largest Sheet: 30 x 29 7/8 in. (760 x 758 mm.)
Christie's
Apr. 15, 2023
Anni Albers GR I Signed Screenprint 1970
Est: $5,000 - $7,000
Albers, Anni (German/American, 1899-1994), GR I, 1970, screenprint on Arches paper, signed, dated, titled and numbered 42/100 in pencil to bottom edge, image 20 x 16 inches, full sheet 29 x 24 inches, published by Grippi Gallery, New York. WEBER/DANILOWITZ 71.
Concept Art Gallery
Apr. 15, 2023
Anni Albers Do VI Screenprint Signed 1973
Est: $2,000 - $3,000
Albers, Anni (German/American, 1899-1994), Do VI, 1973, screenprint on Fabriano Cottone paper, signed, dated, titled and numbered 23/50 in pencil to bottom edge, image 16 inches square, full sheet 25.5 inches square, published and printed by Edition Domberger, with their blindstamp to lower left corner. WEBER/DANILOWITZ 37.
Concept Art Gallery
Mar. 08, 2023
ANNI ALBERS (1899-1994) F, from Triadic Series Image: 17 1/2 x 16 in. (445
Est: $3,000 - $5,000
ANNI ALBERS (1899-1994) F, from Triadic Series Image: 17 1/2 x 16 in. (445 x 405 mm.) Sheet: 24 3/8 x 23 in. (620 x 582 mm.)
Christie's
Feb. 23, 2023
Anni Albers (1899-1994); Triangulated Intaglio I;
Est: $2,000 - $3,000
Anni Albers (1899-1994) Triangulated Intaglio I, 1976 Etching and aquatint on white Arches Cover paper, signed in pencil, dated and numbered 16/60 (there were also 9 artist's proofs), with the blindstamp of the publisher/printer Tyler Graphics Ltd., Bedford Village, with full margins. 12 3/4 x 11 3/4in (32.4 x 29.8cm) sheet 23 3/4 x 20in (60.3 x 50.8cm)
Bonhams
Feb. 08, 2023
Albers, Anni
Est: €1,200 - €1,600
Albers, Anni Berlin, 1899 - Orange/Connecticut, 1994 Blattgröße: 65 x 65 cm; 40,5 x 40,5 cm, o. R. "Do. VI", 1973. Silkscreen print on wove paper. Signed, dated and numbered 33/50. Add.: Untitled, 1978. Silkscreen print on wove paper. Embossing stamp: Edition Domberger. Los ist regelbesteuert / The lot is regularly taxed.
Nagel Auction
Feb. 08, 2023
Albers, Anni
Est: €1,200 - €1,600
Albers, Anni Berlin, 1899 - Orange/Connecticut, 1994 Blattgröße: 65 x 65 cm; 43 x 43 cm, o. R. "Do II", 1973. Silkscreen print on wove paper. Signed, dated and numbered 41/50. Embossing stamp: Edition Domberger. Los ist regelbesteuert / The lot is regularly taxed.
Nagel Auction
Dec. 07, 2022
Anni Albers – Connections 1925/1983 (Connections 1925/1983)
Est: €14,000 - €18,000
Portfolio of 9 silkscreens in colours on wove, partially by Umbria, and title leaf. In the original cardboard folder with typewritten title. Published by Fausta Squatriti Editore, Milan. 1983. Prints ca. 70 x 50 cm (sheet size). A numbered copy from an edition of 125 numbered on each sheet and on the title leaf. Each signed lower right and dated lower left.
Karl & Faber
Nov. 27, 2022
ANNI ALBERS, AMERICAN, 1899-1944
Est: $100 - $25,000
Red Meander II, 1970/71, Screenprint On Paper, Titled And Numbered 43/75 Lower Left, Signed And Dated Lower Right, Image 19.75 X 16, Sight 27.5 X 23.5 Inches, Wood And Aluminum Frame 29.5 X 25.5 X 1 Inches, Provenance: Estate Of Robert Keely, Dallas, Texas, Slight Ripple To Paper, Color Strong, No Tears, Creases, Stains Or Losses Visible Through Frame. See Photos For Additional Condition. Wire Transfer Or In-Person Cashier's Check Required For This Lot.
J. Garrett Auctioneers
Nov. 27, 2022
ANNI ALBERS, AMERICAN, 1889-1994
Est: $100 - $25,000
Blue Meander, 1970, Screenprint On Paper, Titled And Numbered 44/75 Lower Left, Signed And Dated Lower Right In Pencil, Image 19 X 16, Sight 27.5 X 23.5 Inches, Wood And Aluminum Frame 29 X 25 X 1 Inches, Provenance: Estate Of Robert Keely, Dallas, Texas, Slight Ripple To Paper, No Tears Creases, Stains Or Losses Visible Through Frame, Light Scratches To Period Frame. See Photos. Wire Transfer Or In-Person Cashier's Check Required For This Lot.
J. Garrett Auctioneers
Sep. 29, 2022
Anni Albers (American, 1899-1994) Triangulated Intaglio II
Est: $1,500 - $2,500
Anni Albers (American, 1899-1994) Triangulated Intaglio II 1976, pencil signed, dated and numbered 2/20 (there were also 9 artist’s proofs, one printer’s proof, one right to print proof, archive copy and cancellation proof), with full margins, Tyler Graphics, New York, publisher. Single-color copper plate etching and aquatint on mould-made white Arches Cover. image: 13 x 12 in. (33 x 30.5cm) sheet: 24 x 20 in. (61 x 50.8cm) [Weber & Danilowitz, 43] Slight toning to the paper. All four edges are deckled. Slight toning and discoloration along the left edge, near bottom. Scattered areas of foxing are present in margin toward the bottom of paper, primarily to the lefthand quadrant. This does not affect the image area. All four corners are protected by paper pockets. These pockets on the sheet’s corners are affixed to mount with white tape. Framed Dimensions: 26 1/8 x 23 x 7/8 in.
Freeman's | Hindman
Jun. 25, 2022
Anni Albers
Est: €900 - €1,800
Anni Albers 1899 Berlin - 1994 Orange, Connecticut - "St (Stunke)" - Farbserigrafie/Karton. 52/150. 47,6 x 41,9 cm, 78,8 x 59,2 cm (Sichtmaß). Sign. und dat. r. u.: anni albers 1971. Das Blatt liegt lose. Leicht gebräunt. Minim. Farbverlust außerhalb der Darstellung. Wasserfleckig im unteren Randbereich. - Lit.: Weber-Danilowitz 28.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Dec. 04, 2021
Anni Albers Double Weave Screenprint Signed 1985
Est: $1,000 - $1,600
Albers, Anni (German/American, 1899-1994), Double Weave (1925-83), 1985, screenprint on Fabriano paper, signed and dated in pencil lower right, from the edition of 120 prints plus 25 artist's proofs, this one not numbered, image 24.75 x 19.75 inches, full sheet 26.5 inches square. WEBER & DANILOWITZ 94. One of Anni Albers' two prints for the Exacta portfolio printed under the direction of Italian artist Fausta Squatriti (see last photo for reference). Made by Albers in her mid-80s, this print pays homage to one of her weavings done while at the Bauhaus in the 1920s. In all, it represents the culmination of her life's work from a Bauhaus trained textile artist to her final act as a master printmaker. Provenance: from the collection of Italian artist Manfredo Massironi.
Concept Art Gallery
Dec. 01, 2021
Anni Albers – „Do-C“
Est: €2,500 - €3,000
Farbige Serigraphie auf leicht strukturiertem Bütten. 1973. Ca. 39 x 39 cm (Blattgröße ca. 48,5 x 42 cm). Eines von 20 nummerierten Exemplaren. Signiert und datiert unten rechts, betitelt unten links. Unten mittig gewidmet. Herausgegeben von der Edition Domberger, Stuttgart, für den Kalender 1974 der Edition Domberger. Dieses Blatt zeigt das gleiche Motiv wie „Do III“, jedoch in etwas verkleinerten Maßen. – Vereinzelte schwache Bereibungen in der Darstellung, links unten winzige Unregelmäßigkeit im Druck. Teils winzige Fleckchen. An den Blatträndern leichte Knickspuren und Griffknicke sowie mit oberflächlichen Papierläsuren, wohl von alter Montierung. Links unten kleine kreisförmige Druckspur. Sonst in guter Erhaltung. Taxation: differenzbesteuert (VAT: Margin Scheme)
Karl & Faber - Timed
Nov. 16, 2021
ANNI ALBERS GR I.
Est: $4,000 - $6,000
ANNI ALBERS GR I. Color screenprint on Arches, 1970. 510x409 mm; 20 1/4x16 1/4 inches, full margins. Signed, titled, dated and numbered 35/100 in pencil, lower margin. Published by Grippi Gallery, New York. A brilliant, richly-inked impression of this scarce print with vibrant colors. Weber/Danilowitz 71.
Swann Auction Galleries
Oct. 17, 2021
Anni Albers W/CO
Est: $200 - $400
Annie Albers - W/CO 1974. 38/60. Signed LR in pencil. Framed size H 30-7/8" 21-7/8". Sight size 29-1/2" 21-1/2". Excellent condition. Copy and paste this link for high-res images. https://www.dropbox.com/sh/jqaf6vnq7o02j3y/AAC55VMKILho_9i-msU3WSkCa?dl=0
New England Auctions
Aug. 29, 2021
ANNI ELSA FRIEDA (FLEISCHMANN) ALBERS (CT/NC/GERMANY, 1899-1984)
Est: $3,000 - $4,000
Pair of Untitled Op Art Aquatint Etchings in Black and Grey, pencil signed and numbered, embossed lower right, titled on labels verso from Alice Simsar Gallery of Ann Arbor, Michigan, also indicating the Publisher was Tyler Graphics, Inc. Including: "Second Movement V", 1978, Artist Proof 3/8, ed/20: "Second Movement VI", 1978, Artist Proof 5/8, ed/20, in matching black metal frames, floated under plexi, OS: 30 3/4" x 30 3/4", sheet size: 28" x 28". Good condition. Anni was the wife of Josef Albers.
Thomaston Place Auction Galleries