Juan de Anchieta Paintings & Artwork for Sale | Juan de Anchieta Art Value Price Guide

Dec. 17, 2024
Attributable to JUAN DE ANCHIETA (1533-1588) - St Anthony
Est: €7,500 - €10,000
Spain, 16th century, richly carved wood with polychrome decoration predominantly in black and gilded. Small faults and defects. Dim.: 110 cm
Marques dos Santos
Nov. 25, 2024
Attributed to JUAN DE ANCHIETA (Azpeitia, Guipúzcoa, c. 1540 - Pamplona, 1588). "Saint". Carved and polychrome wood. Presents restorations.
Est: €6,000 - €7,000
Attributed to JUAN DE ANCHIETA (Azpeitia, Guipúzcoa, c. 1540 - Pamplona, 1588). "Saint". Carved and polychrome wood. Presents restorations. Measurements: 95 x 42 x 24 cm. The figure represents the image of a young woman with long hair, symbolizing her virgin condition, covered by the golden mantle. The clothes give it volume not without a certain movement that is generated through the folds of the fabrics. The back of the sculpture is not worked, indicating that it is a sculpture designed to be seen only frontally and probably as part of a larger sculptural group, as was common at the time. Aesthetically, the work shows a great delicacy in the carving of the facial features, which indicates the knowledge of the artist. Due to its style, this work can be attributed to Juan de Anchieta, a baroque sculptor belonging to the Romanist School, a current of Spanish mannerism that shows a marked influence of the Italian authors who worked in Rome, especially Raphael and Michelangelo. The Romanist style is especially characterized by its monumentality and powerful anatomies, features that can be clearly appreciated in this carving. In fact, Juan de Ancheta was probably trained in Italy, given that his style reveals influences from Italian masters, although there is no documentation to support this trip. By 1565 Ancheta was in Valladolid, but shortly thereafter he was in Briviesca, presumably collaborating with Gaspar Becerra on an altarpiece for the church of the convent of Santa Clara. In fact, Ancheta's style shows the influence of Becerra's mannerism, enriched with the classicism of contemporary Roman sculpture. It is believed that the sculptor returned to work with Becerra around 1558, on an altarpiece. It presents restorations.
Setdart Auction House
Oct. 24, 2024
Juan de Anchieta (Azpeitia, Guipzcoa, Spain, 1533 - Pamplona, Spain, 1588) “Sibyl”
Est: €10,000 - €12,000
Juan de Anchieta (Azpeitia, Guipzcoa, Spain, 1533 - Pamplona, Spain, 1588) “Sibyl” A parcel-gilt polychrome-painted carved figure 96 cm 10.000 - 12.000 €
Greco Subastas
Jun. 26, 2024
Attributed to JUAN DE ANCHIETA (Azpeitia, Guipúzcoa, c. 1540 - Pamplona, 1588). "Saint". Carved and polychrome wood. Presents restorations.
Est: €8,000 - €9,000
Attributed to JUAN DE ANCHIETA (Azpeitia, Guipúzcoa, c. 1540 - Pamplona, 1588). "Saint". Carved and polychrome wood. Presents restorations. Measurements: 95 x 42 x 24 cm. The figure represents the image of a young woman with long hair, symbolizing her virgin condition, covered by the golden mantle. The clothes give it volume not without a certain movement that is generated through the folds of the fabrics. The back of the sculpture is not worked, indicating that it is a sculpture designed to be seen only frontally and probably as part of a larger sculptural group, as was common at the time. Aesthetically, the work shows a great delicacy in the carving of the facial features, which indicates the knowledge of the artist. Due to its style, this work can be attributed to Juan de Anchieta, a baroque sculptor belonging to the Romanist School, a current of Spanish mannerism that shows a marked influence of the Italian authors who worked in Rome, especially Raphael and Michelangelo. The Romanist style is especially characterized by its monumentality and powerful anatomies, features that can be clearly appreciated in this carving. In fact, Juan de Ancheta was probably trained in Italy, given that his style reveals influences from Italian masters, although there is no documentation to support this trip. By 1565 Ancheta was in Valladolid, but shortly thereafter he was in Briviesca, presumably collaborating with Gaspar Becerra on an altarpiece for the church of the convent of Santa Clara. In fact, Ancheta's style shows the influence of Becerra's mannerism, enriched with the classicism of contemporary Roman sculpture. It is believed that the sculptor returned to work with Becerra around 1558, on an altarpiece. It presents restorations.
Setdart Auction House
Jun. 24, 2021
Juan de Anchieta, 1533 Azpeitia – 1588 Pamplona, zug.
Est: €25,000 - €35,000
KREUZTRAGUNG CHRISTI, UM 1574 – 1588 Holz, geschnitzt und gefasst. 91,5 x 116 cm. Beigegeben ein Gutachten von Dr. Alvaro Pascual Chenel, in Kopie. Hochrechteckiges Bildfeld in Hoch- und Flachrelief mit auf einem stilisierten Steinsockel stehenden Figurengruppe, die um den unter dem Kreuz zusammengesackten Christus angeordnet ist. Links von ihm Veronika, die im Begriff ist, Christus das Schweißtuch zu reichen (Jes 53,2). Hinter beiden die Soldaten, welche auch semantisch durch das zwischen der vorderen und hinteren Personengruppe diagonal nach oben gerichtete Kreuz von der vorderen Gruppe getrennt sind. Rückwärtig abschließende Architekturkulisse. Rest. Anmerkung: Als Vergleich kann etwa der Johannes der Täufer im Metropolitan Museum of Art, New York, herangezogen werden. Auch die gebeugte Haltung und die Tiefenstaffelung des Martyrium des Johannes des Täufers im Monasterio de las Huelgas in Burgos bietet sich - auch wegen des architektonischen Prospektes – an. Hinsichtlich der Polychromität und des Faltenwurfs, wie auch der Haarbehandlung und der profilierten Gesichter lässt sich die Pieta in der Iglesia de Santa Maria in Tafalla heranziehen. Literatur: Vgl. Salvador Andrés Ordax, La escultura romanista en Álava, Vitoria-Valladolid 1973. Vgl. Salvador Andrés Ordax, Dos nuevos relieves de Anchieta en San Miguel de Vitoria, Boletin del Seminario de Arte y Arqueologia, Bd. 42, 1976, S. 469-472. Vgl. M. A. Arrazola Echeverria, El Renacimiento en Guipuzcoa, San Sebastián 1968. Vgl. José Camon Aznar, El escultor Juan de Anchieta, Pamplona 1943. Vgl. Pedro Luis Echeverría Goñi, José Javier Vélez Chaurri, López de Gámiz y Anchieta comparados. Las claves del romanismo norteño, Principe de Viana, 185, 1988, S. 477-534. Vgl. Imanol Elias Odriozola, Juan de Anchieta. Apuntes historicos, San Sebastian 1981. Vgl. Maria Concepcion Garcia Gainza, La escultura Romanista en Navarra. Discipulos y seguidores de Juan de Anchieta, Pamplona 1986. Vgl. Maria José Redondo Cantera, El aprendizaje y los años vallisoletanos de Juan de Anchieta, 2003, S. 481-495. (12707545) (13) Juan de Anchieta, 1533 Azpeitia – 1588 Pamplona, attributed THE BEARING OF THE CROSS, ca. 1574 – 1588 Carved and polychrome wood. 91.5 x 116 cm. A copy of an expert’s report by Dr Alvaro Pascual Chenel is enclosed. Notes: A painting by Saint John the Baptist held at the Metropolitan Museum of Art, New York is a good comparative example. Literature: Compare S. Andrés Ordax, La escultura romanista en Álava, Vitoria-Valladolid 1973. Compare S. Andrés Ordax, Dos nuevos relieves de Anchieta en San Miguel de Vitoria, Boletin del Seminario de Arte y Arqueologia, vol. 42, 1976, pp. 469-472. Compare M. A. Arrazola Echeverria, El Renacimiento en Guipuzcoa, San Sebastián 1968. Compare José Camon Aznar, El escultor Juan de Anchieta, Pamplona 1943. Compare Pedro Luis Echeverría Goñi, José Javier Vélez Chaurri, López de Gámiz y Anchieta comparados. Las claves del romanismo norteño, Principe de Viana, 185, 1988, pp. 477-534. Compare Imanol Elias Odriozola, Juan de Anchieta. Apuntes historicos, San Sebastian 1981. Compare Maria Concepcion Garcia Gainza, La escultura Romanista en Navarra. Discipulos y seguidores de Juan de Anchieta, Pamplona 1986. Compare Maria José Redondo Cantera, El aprendizaje y los años vallisoletanos de Juan de Anchieta, 2003, pp. 481-495.
Hampel Fine Art Auctions
Mar. 11, 2021
ESCUELA CASTELLANA DEL SIGLO XVI. CÍRCULO DE JUAN DE ANCHETA. (AZPEITIA, H. 1533-PAMPLONA, 1588) ECCE HOMO.
Est: €7,500 - €10,000
Escuela castellana del siglo XVI. Círculo de Juan de Ancheta. (Azpeitia, h. 1533-Pamplona, 1588) Ecce Homo. Escultura en madera tallada y policromada. 61 x 24 x 14 cm. El estilo romanista se caracteriza especialmente por su monumentalidad y sus potentes anatomías, rasgos que se aprecian con claridad en esta talla.
Aletheia Subastas
Mar. 11, 2021
ESCUELA CASTELLANA DEL SIGLO XVI. CÍRCULO DE JUAN DE ANCHETA (AZPEITIA, H. 1533-PAMPLONA, 1588) VIRGEN CON NIÑO.
Est: €14,250 - €19,000
Escuela castellana del siglo XVI. Círculo de Juan de Ancheta (Azpeitia, h. 1533-Pamplona, 1588). Virgen con Niño. Escultura en madera tallada, policromada, estofada y dorada. 84 x 50 x 42 cm. Se trata de una talla de medio bulto que representa a María sentada en un trono de respaldo bajo, con el Niño sentado en su rodilla derecha, viste túnica roja, símbolo de la Pasión de Cristo y manto azul que alude a los conceptos de verdad y eternidad. El Niño, desnudo, tiene su brazo derecho alzado y sostiene con su mano izquierda el orbe (símbolo de la universalidad de la doctrina cristiana y del acto redentor de Cristo). Obra perteneciente a la Escuela Romanista, corriente del manierismo español que muestra una marcada influencia de los autores italianos que trabajaron en Roma, especialmente Rafael y Miguel Ángel. De hecho, Juan de Ancheta se formó con probabilidad en Italia, dado que su estilo delata influencias de maestros italianos.
Aletheia Subastas
Oct. 30, 2019
Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588)
Est: €4,500 - €6,500
Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588) "Saint John" Carved, gilded, silvered and polychromed wooden sculpture. Height: 79 cm. Our sculpture has similarities, in our opinion, with the figure of Saint John, of the group "Virgin and Saint John the Evangelist at the foot of the Cross" in alabaster that is preserved in the Museu Nacional d’Art de Catalunya, in Barcelona. Juan de Anchieta, was one of the greatest exponents of sculpture from Rome, cognisant of Spanish Mannerism, which is heavily influenced by Italian artists who worked in Rome, especially Raphael and Michelangelo, initiated by Gaspar Becerra in his imposing Main Altarpiece for Astorga Cathedral. Bibliography: García Gainza, Mª Concepción: Juan de Anchieta, escultor del Renacimiento, 2008.
La Suite Subastas
Oct. 30, 2019
Martirio de San Sebastián
Est: -
Martirio de San Sebastián 88 cm ATRIBUIDO A JUAN DE ANCHIETA (Azpeitia, h. 1532 – Pamplona, 1588)EsculturaMadera tallada y policromada,. , ATTRIBUTED TO JUAN DE ANCHIETA (Azpeitia, c. 1532 - Pamplona, 1588) The Martyrdom of Saint Sebastian. A carved polychrome wood figure
Isbilya Subastas
Jan. 31, 2019
ATTRIBUTED TO JUAN DE ANCHIETA (AZPEITIA C.1533 - PAMPLONA 1588) SPANISH, 16TH CENTURY | Reliquary bust of Saint Ursula
Est: $40,000 - $60,000
gilt and polychrome wood
Sotheby's
Dec. 14, 2017
Attributed to Juan de Anchieta (Azpeitia, c. 1533 - Pamplona, 1588)
Est: €1,800 - €2,000
Attributed to Juan de Anchieta (Azpeitia, c. 1533 - Pamplona, 1588) Renaissance. Door of a shrine. Carved gilt and polychrome wooden relief. The back preserves its original gilding. The magnificent sculptural execution of anatomy and faces is outstanding. The sculptor manages to give the scene movement and perspective through the table top and the folds in the table. The upper part depicts the moment in the Last Supper when Jesus instituted the Holy Eucharist, represented iconographically with the bread He holds in His left hand as He raises His eyes to the ceiling. Before Him, on the table, is the chalice. Two angels kneel in adoration and contemplate the scene. 54 x 36 cm.
La Suite Subastas
Dec. 14, 2017
Attributed to Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588)
Est: €3,000 - €5,000
Attributed to Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588) Renaissance. Carved, gilded and polychromed stewed wooden sculpture. Mary, in a vertical posture, holds the Christ Child in her arms, who is giving blessing with His right hand. The sweetness of the Virgin and Child´s faces is really exceptional. Mary wears a tunic and a large cloak which falls from her shoulders to her feet, forming folds which give the figure great movement and naturalness. Although there are small repaints on the skin tones, this is a very interesting and beautiful sculpture. High: 79 cm. Provenance: - Former Schäfer - Private collection Barcelona
La Suite Subastas
Oct. 26, 2017
17th CENTURY SCHOOL OF VALLADOLID. JUAN DE ANCHIETA FOLLOWER
Est: -
ESCUELA DE VALLADOLID SIGLO XVII Seguidor de Juan de Anchieta (Azpeitia, c. 1533-Pamplona, 1588). "Verdugo", en madera tallada y policromada, 100 cm. alt.
Sala de Ventas
Jul. 06, 2017
ATTRIBUTED TO JUAN DE ANCHIETA (1533-1588) NORTHERN SPANISH, POSSIBLY PAMPLONA, CIRCA 1574-1588 | Christ on the Road to Calvary
Est: £50,000 - £70,000
gilt and polychromed wood
Sotheby's
Apr. 26, 2017
CIRCLE OF JUAN DE ANCHIETA (Azpeitia, c. 1532 – Pamplona, 1588). A polychrome carved wood figure
Est: -
CÍRCULO DE JUAN DE ANCHIETA (Azpeitia, h. 1532 – Pamplona, 1588) Talla Madera tallada y policromada 98 cm
Isbilya Subastas
Feb. 23, 2017
Attributed to Juan de Anchieta (Azpeitia, c. 1533 - Pamplona, 1588)
Est: €3,000 - €5,000
Attributed to Juan de Anchieta (Azpeitia, c. 1533 - Pamplona, 1588) Door of a shrine. Carved gilt and polychrome wooden relief. The back preserves its original gilding. Sculpture The magnificent sculptural execution of anatomy and faces is outstanding. The sculptor manages to give the scene movement and perspective through the table top and the folds in the table. The upper part depicts the moment in the Last Supper when Jesus instituted the Holy Eucharist, represented iconographically with the bread He holds in His left hand as He raises His eyes to the ceiling. Before Him, on the table, is the chalice. Two angels kneel in adoration and contemplate the scene. 54 x 36 cm.
La Suite Subastas
Oct. 27, 2016
Attributed to Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588) "Virgi
Est: €20,000 - €26,000
Attributed to Juan de Anchieta. (Azpeitia, c. 1533 - Pamplona, 1588) "Virgin Mary with Child" Imposing carved gilt and polychrome wooden sculpture. The Virgin, seated on her throne, holds the Child on her left knee, who is in an attitude of giving blessing, while at the same time she covers him with her veil, drawing him to her. In the right hand is an orb, symbol of the universality of the Christian doctrine and the redemptive act of Christ, and a rosary. As has already been seen in the Gothic period, with the advance of naturalism, the depiction of the Virgin and Child becomes more and more humanized, reflecting maternal-filial love. The figures have more movement. They move close to each other and transmit tenderness to touch the faithful. This statue is attributable to the Basque sculptor Juan de Anchieta, one of the greatest exponents of sculpture from Rome, cognisant of Spanish Mannerism, which is heavily influenced by Italian artists who worked in Rome, especially Raphael and Michelangelo, initiated by Gaspar Becerra in his imposing Main Altarpiece for Astorga Cathedral. Our sculpture bears great similarities with the Virgin with Child and Saint John at the church of Saint John the Baptist in Obanos, as well as the Virgin and Child from the church of St. Michael in Aoiz. In the same way, similar features and characteristics can be seen in the main altarpiece of Saint Mary of Tafalla, especially in the strength of the forms, polychrome and flesh tones of its central figure of the Assumption. Bibliography: García Gainza, Mª Concepción: Juan de Anchieta, escultor del Renacimiento, 2008. 103 x 59 x 35 cm.
La Suite Subastas
Dec. 01, 2012
Juan de Anchieta (Azpeitia, ca. 1462 - Azpeitia, 1523)
Est: - €9,600
Juan de Anchieta (Azpeitia, ca. 1462 - Azpeitia, 1523) "Santa Ana, la Virgen y el Niño" Puerta de sagrario. Relieve en madera tallada, dorada y policromada. Al dorso ángeles músicos pintados sobre fondo de oro. Medidas: 51 x 30 cm.
La Suite Subastas