Loading Spinner

Hendrick Christian Andersen Sold at Auction Prices

Sculptor, Painter

See Artist Details

0 Lots

Sort By:

Categories

        Auction Date

        Seller

        Seller Location

        Price Range

        to
        • Hendrik Christian Andersen An International World Center
          Nov. 14, 2024

          Hendrik Christian Andersen An International World Center

          Est: €400 - €800

          Lithograph, 715 x 1020 mm. Bird's eye view of the International World Center, a project for an ideal city conceived for the vicinity of Rome by Hendrik Christian Andersen, an American and urban planner of Norwegian origin. Sheet with discoloration from display and signs of foxing.

          Bertolami Fine Art s.r.l.
        • Andersen Hendrik Christian, Création d'un centre mondial de communication. Paris: s.e., 1913.
          Oct. 03, 2023

          Andersen Hendrik Christian, Création d'un centre mondial de communication. Paris: s.e., 1913.

          Est: €360 - €720

          In-folio (mm 470x320). Pagine [8], XV, [3], 3-102, [2] bianche con numerose tavole calcografiche fuori testo, di cui 15 più volte ripiegate. Vignetta xilografica al frontespizio stampato in rosso e nero, e numerose, belle illustrazioni nel testo. Marginoso esemplare in barbe, con ampie fioriture che coinvolgono anche le tavole. Legatura editoriale in piena tela verde, con titoli impressi in oro al dorso e al piatto anteriore, entro cornici di filetti concentrici e sguardie in carta decorata. Lotto non passibile di restituzione. (1)

          Gonnelli Casa d'Aste
        • Architettura - Andersen, Hendrik Christian - Creation of a world center of communication
          Mar. 10, 2023

          Architettura - Andersen, Hendrik Christian - Creation of a world center of communication

          Est: €300 - €500

          Paris, 1913. In 2nd. Two parts in one volume. With 25 tipped-in heliotypes and 123 plates in the text, two lithographic plates depicting transport systems and urban heating, all protected by original tissue paper, binding in blond calfskin, spine with 3 raised bands, in the compartments author, title and frieze imprinted in gold, slight defect on the hinge, some scratches on the plates and minor losses.

          Finarte
        • Andersen, Hendrik Christian - Creation of a world center of communication
          Nov. 18, 2020

          Andersen, Hendrik Christian - Creation of a world center of communication

          Est: €600 - €1,000

          Paris, 1913. In 2nd. Two parts in one volume. With 25 heliotypes out of the text and 123 plates in the text, two lithographic plates depicting the transport and urban heating systems, all protected by original tissues, binding in blond calfskin, back with 3 nerves, to the author's compartments, title and frieze imprinted in gold, some scratches on the dishes and slight lacks.

          Finarte
        • HENDRIK CHRISTIAN ANDERSEN (1872-1940)
          Mar. 09, 2017

          HENDRIK CHRISTIAN ANDERSEN (1872-1940)

          Est: €1,500 - €2,000

          HENDRIK CHRISTIAN ANDERSEN (1872-1940) Paysage de Bagnorea Huile sur panneau de bois tendre signe au dos Artiste d ' origine norvegienne, travaillant a Rome. Un mue a Rome a ete edifie a son honneur. Dimensions : 34,5 x 25 cm

          Accademia Fine Art
        • ANDERSEN, Hendrik Christian (1872-1940). Création d'un centre mondial de communication par Hendrik Christian Andersen. Ernest M. Hébrard, architecte . Paris: 1913.
          Oct. 27, 2010

          ANDERSEN, Hendrik Christian (1872-1940). Création d'un centre mondial de communication par Hendrik Christian Andersen. Ernest M. Hébrard, architecte . Paris: 1913.

          Est: £700 - £1,000

          ANDERSEN, Hendrik Christian (1872-1940). Création d'un centre mondial de communication par Hendrik Christian Andersen. Ernest M. Hébrard, architecte. Paris: 1913. Two parts in one volume, 2° (455 x 322mm). Pp.[6], xv, 128, 102. Half-title and part-titles. Title printed in red and black with vignette. Recto of dedication leaf in heliogravure. 25 heliogravure plates (9 double-page and 5 double-page and folding), including the plate 'A World Centre' at the beginning of part I not called for in the list of illustrations, 123 heliogravure text-illustrations (9 full-page) including that of Athena, Apollo and Herakles on p. iii not called for in the list of illustrations, 2 lithographic plans with manuscript coloured lines depicting public transport systems and central city heating, engraved vignette to pt II, p.30, woodcut head- and tailpieces to pt II. (First 4 preliminary leaves very lightly creased, occasional light soiling and spotting, plate I dampstained, plate XVII with light marginal creasing and soiling.) Contemporary marbled-paper covered boards, recently rebacked with red crushed morocco spine, top edge gilt, others uncut (extremities lightly rubbed, corners very slightly bumped). FIRST FRENCH EDITION OF ANDERSEN'S VISION OF A UTOPIAN WORLD CITY. Andersen was born in Bergen, Norway, and emigrated as an infant with his family to Newport, Rhode Island. As a young artist, he mingled among Newport's wealthy elite, and spent some time as Gertrude Vanderbilt Whitney's art teacher. At the age of 21, Andersen travelled to Europe, eventually settling in Rome. There he pursued his artistic interest in monumental classically inspired pieces, believing that they stimulated in the viewer a desire for self-improvement. He devoted much of his time designing a perfect 'World City,' filled with art, which would motivate humanity to achieve a near Utopian state. The present work is the culmination of his theories, and may be seen as a precursor to later modernist visions, such as Le Corbusier's Ville Contemporaine, 1922. The book is in two parts. The first deals with the history of the city and monumental architecture, and seeks inspiration in classical and contemporary notions of city planning - Paris and Washington DC feature prominently. The second part details Andersen's imaginary urban landscape, complete with works of art, for the 'World City'. Olympic stadia, galleries for the arts and sciences, as well as government buildings are all outlined, and placed upon a defined grid plan with an emphasis on a grand central avenue acting as the axis of the city. ONE OF ONLY 75 COPIES ON JAPAN PAPER, the present work numbered XXVII.

          Christie's
        Lots Per Page: