Domenico Anderson Paintings & Artwork for Sale | Domenico Anderson Art Value Price Guide

Jul. 02, 2024
Domenico Anderson, Roman Panorama
Est: $100 - $200
Domenico Anderson (Italian, 1854-1939), early 20th century photographic print on paper depicting a panoramic view of Rome, including Saint Peter's Basilica and Castle of Saint Angelo, 21 1/2" x 32 1/4" sight size, 28 1/4" x 39" framed.
Old Kinderhook Auction Company
Jun. 17, 2024
Domenico Anderson (attribuito a) (1854-1939) - Roma, 1880s
Est: €500 - €800
Album containing 80 albumen prints (applied to the front of the pages only) cm 29,4 x 40 x 6,5 (album) ; cm 20 x 25 approx. (each albumen print) | 11.6 x 15.7 x 2.5 in. (album) ; 7.8 x 9.8 in. approx. (each albumen print) James' Son, an English pioneer of photography who had moved to Rome and opened an important studio, Domenico Anderson successfully continued in his father's footsteps, also producing an important documentation of the city's artistic heritage well documented in this precious album.
Finarte
Jun. 05, 2024
Rome: Views of Rome
Est: €360 - €500
Photographer: Domenico Anderson (1854-1938). Views of Rome. 1890s-1900. Circa 108 albumen prints. Each circa 20 x 26 cm. Each with title and number and photographer's name in lower edge in the negative. Inserted in album board slits, bound in contemporary half leather album (some scratch marks, edges rubbed). - - The son of the photography pioneer James Anderson (1813-1877), Domenico Anderson inherited his father's business and continued the firm in Rome. He is particularly known for his photographs of monumental architecture, Roman antiquities, church interiors, and religious art. After his death, his archive was acquired by the Fratelli Alinari archive in Florence. – Most prints with rich dark tones and in very good condition. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
May. 07, 2024
Domenico Anderson, Roman Forum
Est: $100 - $200
Domenico Anderson (Italian, 1854-1939), early 20th century photographic print on paper depicting a panorama of the Roman Forum, 21 1/2" x 46 1/4" sight size, 28 1/4" x 53" framed.
Old Kinderhook Auction Company
Apr. 27, 2024
D. ANDERSON (1854-1938), Basilica of San Zeno, Verona, around 1880, albumen paper print
Est: €600 - €800
Domenico Anderson (1854 Rom - 1938 ibid.): View across the forecourt to Basilica di San Zeno with the Campanile on the right and the defence tower on the left, Verona, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle inscribed in the printing plate: "S. Zeno | Magazzino Fotografie Arche Scaligere V. Florianello Verona". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Verona, church, Campanile, Basilica Minor, wheel window, 19th century, Historicism, Architecture, Italy,
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938), Castel Gandolfo on Lake Albano, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): Panoramic view of Castel Gandolfo above Lake Albano in the Alban Hills, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Castel Gandolfo [...]". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Lazio, Alban Hills, Lazio, papal residence, 19th century, Historicism, Nature, Italy, Castel Gandolfo (Latium),
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938) Circle, Farmer in the Alban Hills, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.) Circle: Farmer with donkey in the landscape of the Alban Hills, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "[...] Albano [...]". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Albanian Mountains, Albanian Mountains, Vulcano Laziale, country life, donkey, farmer, 19th century, Historicism, Landscape, Italy, Albano Laziale,
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938) Circle, View from Albano, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.) Circle: View of the roofs of the town of Albano with a wanderer sitting on a wall at the front of the picture, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Albano [...]". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, city view, Lazio, view, 19th century, Historicism, Landscape, Italy, Albano Laziale,
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938), Lake Nemi and Alban Hills, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): View of Lake Nemi covered with branches, leaves and reeds, Alban Hills, Vulcano Laziale, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "In Nemi [...]". Date: c. 1880 Description: Lake Nemi, a crater lake in the Alban Hills about 30 kilometres south-east of Rome, has been a popular motif for painters travelling to Italy since the beginning of the 19th century and has also been repeatedly visited by photographers. The nature piece shows a view of the water covered by branches, grasses and leaves. The limited detail is unusual for landscape photography, which usually shows panoramas of nature. As the long exposure time means that sky phenomena or wave movements cannot be captured, the surface of the lake is smooth and the sky is cloudless. In the distance is the steep shore opposite, reflected in the water. The camera has captured a play of contrasts. While the rocks in the background appear pale, the fine, shaded leaves and grasses in the foreground stand out sharply and clearly. Their curved silhouettes are reflected in the water, making it difficult to distinguish between the reality depicted and the mirror image, but giving them added aesthetic value. A beautiful interplay of curved lines. Original photography with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, volcanic lake, crater lake, shore landscape, lake, reflection, water reflection, plants, shore, 19th century, Historicism, Nature, Italy, Nemi,
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938), Lady at Lake Albano with parasol, around 1880, albumen paper print
Est: €600 - €800
Domenico Anderson (1854 Rom - 1938 ibid.): View over Lake Albano with woman resting with parasol looking at the lake, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, excursion, parasol, lake view, leisure, Sunday excursion, 19th century, Historicism, Landscape, Italy,
Fichter Kunsthandel
Apr. 27, 2024
D. ANDERSON (1854-1938), Lake Nemi with pine trees on the shore, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): View of the volcanic Lake Nemi with pine trees on the shore, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Aug' der Diana : Nemisee, [...]". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, photo album, travel, Albanian mountains, crater lake, volcano, Eye of Diana, 19th century, Historicism, Landscape, Italy, Nemi,
Fichter Kunsthandel
Feb. 17, 2024
D. ANDERSON (1854-1938), Self-portrait Angelika Kauffmann, around 1890, albumen paper print
Est: €300 - €400
Domenico Anderson (1854 Rom - 1938 ibid.): Self-portrait Angelika Kauffmann, c. 1890, albumen paper print Technique: albumen paper print, mounted on Inscription: At the lower part inscribed in the printing plate: "7900 FIRENZE Angelica Kauffman ritratto di sè stessa Gall Uff Riproduzione interdetta. ANDERSON ROMA". Date: c. 1890 Description: The artwork presents a graceful female figure in a classical pose, set in a blurred landscape background, accentuated by a simple toga and enriched with a touch of antique aesthetics. Person: Depicted: Angelika Kauffmann (1741 Chur - 1807 Rom) Keywords: portrait; classical; antiquisation; female figure; toga; grace; pose; blurred background; artwork; property sign; reproduction ban, 19th century, Classicism, Depiction of Artists, Italy,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938), Basilica of San Zeno, Verona, around 1880, albumen paper print
Est: €600 - €800
Domenico Anderson (1854 Rom - 1938 ibid.): View across the forecourt to Basilica di San Zeno with the Campanile on the right and the fortified tower on the left, Verona, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle inscribed in the printing plate: "S. Zeno | Magazzino Fotografie Arche Scaligere V. Florianello Verona". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Verona, church, Campanile, Basilica Minor, wheel window, 19th century, Historicism, Architecture, Italy,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938), Castel Gandolfo on Lake Albano, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): Panoramic view of Castel Gandolfo above Lake Albano in the Albano Mountains, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Castel Gandolfo [...]". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Lazio, Alban Hills, Latium, Pope's Residence, 19th century, Historicism, Nature, Italy, Castel Gandolfo (Latium),
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938) Circle, Farmer in the Alban Hills, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.) Circle: Farmer with donkey in the landscape of the Alban Hills, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "[...] Albano [...]". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architecture photography, travel photography, Albanian Mountains, Albanian Mountains, Vulcano Laziale, country life, donkey, farmer, 19th century, Historicism, Landscape, Italy, Albano Laziale,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938) Circle, Albano view, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.) Circle: View of the roofs of the town of Albano with wanderer sitting on a wall in the front of the picture, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Albano [...]". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, city view, Lazio, panoramic view, 19th century, Historicism, Landscape, Italy, Albano Laziale,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938), Lake Nemi and the Albanian Mountains, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): View of Lake Nemi with view obscured by branches, leaves and reeds, Alban Hills, Vulcano Laziale, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "In Nemi [...]". Date: c. 1880 Description: Lake Nemi, a crater lake in the Alban Hills about 30 kilometres southeast of Rome, has been a popular motif for painters travelling to Italy since the beginning of the 19th century and was also frequently visited by photographers. The nature piece shows a view of the body of water obscured by branches, grasses and leaves. The limited detail is unusual for landscape photography, which mostly shows nature panoramas. Since sky phenomena or wave movements cannot be captured due to the long exposure time, the surface of the lake is smooth and the sky cloudless. In the distance is the steep shore opposite, reflected in the water. The camera has captured a play of contrasts. While the rocks in the background appear pale, the fine leaves and grasses in the foreground, lying in shadow, stand out sharply and clearly. Their curved silhouettes are reflected in the water, making it difficult to distinguish between the depicted reality and the mirror image, but they gain in aesthetic value. A beautiful play of curved lines. Original photography with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, volcanic lake, crater lake, shore landscape, lake, reflection, water reflection, plants, shore, 19th century, Historicism, Nature, Italy, Nemi,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938), Lady at Lake Albano with parasol, around 1880, albumen paper print
Est: €600 - €800
Domenico Anderson (1854 Rom - 1938 ibid.): View over Lake Albano with woman with parasol resting looking at the lake, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architecture photography, travel photography, excursion, parasol, lake view, leisure, sunday outing, 19th century, Historicism, Landscape, Italy,
Fichter Kunsthandel
May. 07, 2023
D. ANDERSON (1854-1938), Lake Nemi with pine trees on the shore, around 1880, albumen paper print
Est: €750 - €1,000
Domenico Anderson (1854 Rom - 1938 ibid.): View of the volcanic Lake Nemi with pine trees on the shore, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "Aug' der Diana : Nemisee, [...]". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home cities and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, photo album, travel, Albanian mountains, crater lake, volcano, eye of Diana, 19th century, Historicism, Landscape, Italy, Nemi,
Fichter Kunsthandel
Dec. 01, 2022
Domenico Anderson, Roma. Terme di Caracalla. La Palestra. [1877-1880].
Est: €500 - €1,000
Albumina, mm. 304x401, su cartone, mm. 547x707. Fotografia riquadrata da doppio filetto a inchiostro. Stampa in ottimo stato, dai toni vigorosi. Ondulazioni e piccole macchie di foxing sul cartone. (1)
Gonnelli Casa d'Aste
Dec. 01, 2022
Domenico Anderson, Roma. Veduta del Foro verso il Campidoglio. [1875-1880].
Est: €500 - €1,000
Albumina, mm. 315x418, su cartone, mm. 547x707. Fotografia riquadrata da doppio filetto a inchiostro. Stampa in ottimo stato, dai toni vigorosi. Ondulazioni e piccole macchie di foxing sul cartone. (1)
Gonnelli Casa d'Aste
Dec. 01, 2022
Domenico Anderson, Roma. Arco di Costantino. [1870-1880].
Est: €500 - €1,000
Albumina, mm. 307x410, su cartone, mm. 547x707. Fotografia riquadrata da doppio filetto a inchiostro. Stampa in ottimo stato, dai toni vigorosi. Ondulazioni e piccole macchie di foxing sul cartone. (1)
Gonnelli Casa d'Aste
Dec. 01, 2022
Domenico Anderson, Roma. Fontana di Trevi. [1870-1873, stampa anni 1870-1880].
Est: €500 - €1,000
Albumina, mm. 296x395, su cartone, mm. 547x707. Fotografia riquadrata da doppio filetto a inchiostro. Stampa in ottimo stato, dai toni vigorosi. Ondulazioni e piccole macchie di foxing sul cartone. (1)
Gonnelli Casa d'Aste
Aug. 29, 2022
Domenico Anderson (1854-1939), Ita
Est: -
Domenico Anderson (1854-1939), Italian photographer, monumental panorama of the Roman Forum in Rome. Album print on three sheets, these joined vertically, partly somewhat stained/creased, lower right embossed stamp ''Fotografia Anderson Roma'', sheet dimensions: 94.5 x 167 cm, framed 89 x 161 cm.
Historia Auctionata
Jun. 30, 2021
DOMENICO ANDERSON (ITALIAN, 1854-1914)
Est: £2,000 - £3,000
Domenico Anderson (Italian, 1854-1914) A Panoramic view of the Forum, Rome with embossed oval stamp lower left 'PHOTOGRAFIA/D.ANDERSON/ROMA' albumen print, on three sheets joined 82.5 x 157.5cm
Cheffins
Jun. 13, 2020
Domenico Anderson (1854-1939)
Est: -
Domenico Anderson (1854-1939), Italian photographer, monumental panorama of the Roman Forum in Rome. Album print on three sheets, these vertically connected, sometimes a little stained / creased, and. re. the embossed stamp ''Fotografia Anderson Roma'', sheet dimensions: 94.5 x 167 cm, behind glass fr. 89 x 161 cm
Historia Auctionata
Jun. 10, 2020
Anderson, Domenico: View of the Forum Romanum; View of St. Peter's Basilica over the Tiber River
Est: €200 - €300
View of the Forum Romanum; View of St. Peter's Basilica over the Tiber River. 1906. 2 sepia-toned gelatin silver prints. Each circa 28 x 39,5 cm. Each with photographer's blindstamp with year in lower right corner; each with 2 photographer's stamps on the verso. Some light edge wear, traces of previous mounting on the verso, second print with light scuffing in lower edge, otherwise in very good condition. - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Nov. 30, 2016
Anderson, Domenico: View of the Forum Romanum; View of St. Peter's Basilica over the Tiber River
Est: €200 - €300
View of the Forum Romanum; View of St. Peter's Basilica over the Tiber River. 1906. 2 sepia-toned gelatin silver prints. Each circa 28 x 39,5 cm. Each with photographer's blindstamp with year in lower right corner; each with 2 photographer's stamps on the verso.Some light edge wear, traces of previous mounting on the verso, second print with light scuffing in lower edge, otherwise in very good condition.
Bassenge Auctions
Dec. 02, 2015
attr. a Domenico Anderson (1854-1939)
Est: €1,500 - €2,200
Roma, Panoramica, Il Tevere con Castel Sant’Angelo, ca. 1870
Finarte Roma
Nov. 26, 2015
Anderson, D. (1854-1939). (View from the Tiber tow
Est: €300 - €500
Anderson, D. (1854-1939). (View from the Tiber towards Castel Sant'Angelo and the Sant'angelo bridge). Sepia-toned carbon print, 28,2x39,4 cm., photographer's blindstamp (dated 1905), photographer's stamp on verso. - Sl. duststained. AND 4 albumen views of Rome, i.a. the Arch of Titus and views of Roman interiors.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 26, 2015
Anderson, D. (1854-1939). (Forum Romanum). Sepia-t
Est: €200 - €300
Anderson, D. (1854-1939). (Forum Romanum). Sepia-toned carbon print, 29x41,4 cm., photographer's blindstamp, dated 1905. - Two scratches in lower part. AND 2 albumen views of Rome and one of Florence.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Jun. 03, 2015
Anderson, Domenico: Panoramic view of the Forum Romanum
Est: €900 - €1,000
(Attributed to). Panoramic view of the Forum Romanum, the Temple of Saturn in the foreground. 1887. 3-part panoramic albumen view. Each print circa 74,5 x 52 cm, mammoth size, entire size 74,5 x 157 cm. Mounted to original board (soiled, traces of use in edges). Some foxing spots, especially in left portion, both side portions partially faded, a few small tears in edges, otherwise in good condition.
Bassenge Auctions
Jun. 23, 2014
Domenico Anderson (1854-1939) Photograph, View of the Forum, Rome
Est: $800 - $1,000
A Grand Tour era photograph which retains the original stained oak frame.
Locati LLC
May. 31, 2010
[ PHOTOGRAPHS ]
Est: €3,000 - €4,000
DOMENICO ANDERSON 1854 - 1938 PANORAMA DI ROMA Vor 1871 Albuminabzug. 38,9 x 256,2 cm (46,8 x 261,3 cm).
Kunsthaus Lempertz KG
Dec. 02, 2009
Anderson, Domenico: Views of Rome
Est: €300 - €400
Anderson, Domenico: Views of Rome Views of Rome and sculptures. 1880s. 10 albumen prints. Each circa 20 x 26 cm. Most with photographer's name, title and number in lower edge in the negative. In original paper envelope with Libreria Spithöver, Roma paper label (annotated in ink and pencil in German) affixed to front. Attractive views of Rome mostly showing architecture and fine reproductions of sculptures of the Vatican museum. - In very good condition and with strong contrasts - With: Views of Rome. 1880s. 9 albumen prints. Each circa 20,5 x 26 cm. Most with title and number in the negative in lower edge, each mounted to board - Most in good to very good condition.
Bassenge Auctions
Oct. 20, 2007
Domenico Anderson (tillskriven) omkr 1900
Est: -
Domenico Anderson (tillskriven) omkr 1900 fotografi, Peterskyrkan, Rom.
Crafoord Auktioner