Andrea Andreani Paintings & Artwork for Sale | Andrea Andreani Art Value Price Guide

Apr. 18, 2024
ANDREA ANDREANI (AFTER GIAMBOLOGNA) Pilate Washing his Hands.
Est: $1,500 - $2,500
ANDREA ANDREANI (AFTER GIAMBOLOGNA) Pilate Washing his Hands. Woodcut on two joined sheets, circa 1590. 436x640 mm; 17¼x25¼ inches. The letters GF watermark or counter mark to an unidentified watermark. With small upper and lower margins, trimmed on the border line right edge and on or just inside the border line left edge. A very good impression of this extremely scarce woodcut. Based on Giambologna's (1529-1608) bronze bas-relief in the Soccorso Chapel, Santissima Annunziata, Florence, from circa 1585-87. The black key block only. A chiaroscuro woodcut by Andreani (1540-1623) of only the right half of the scene sold at Christie's, London, December 2, 1987, lot 94. We have not found another impression of the entire composition at auction in the past 30 years. Bartsch 19.
Swann Auction Galleries
May. 25, 2023
Andreani, Andrea
Est: €1,800 - €2,700
(1540 Mantua 1610). Triumph des Glaubens. Triumphzug in 8 Blättern (A-H). Holzschnitte nach Tizian Vecellio, um 1608. Zusammengesetzt auf Karton aufgezogen. Ca. 38,5 x 259 cm. Bl. 1 mit der Adresse im linken unt. Eck. Alters- und Gebrauchsspuren. - Bitte genaue Beschreibung anfordern. - Triumphal procession in 8 sheets (A-H), woodcuts after Tizian Vecellio. Mounted on cardboard. Worn. Please request a detailed description. R
Kiefer Buch- und Kunstauktionen
Apr. 27, 2023
Andrea Andreani (1558-1629) - The entombment - Chiaroscuro Woodcut - 1585
Est: €350 - €550
The entombment of Christ after Raffaellino da Reggio. 1585, Chiaroscuro woodcut from four blocks in brown. After a lost drawing by Ligozzi, for which a preliminary design is preserved in a drawing in the Uffizi (inv.914 S). The large woodcut has gaps that are filled in by overpainting. The signature Adrea Andreano Intagliatore still visible at left towards the bottom.
Old Master Print
Jan. 28, 2023
Andrea Andreani (Italian, 1558/1559–1629), After da Reggio (Italian, 1550-1578), "The Entombment"
Est: $800 - $1,200
Andrea Andreani (Italian, 1558/1559–1629), After Raffaellino Motta da Reggio (Italian, 1550-1578) "The Entombment" chiaroscuro woodcut on laid paper, bearing a watermark unsigned, and pencil inscription identifying artists en verso. Unframed. 14-7/8" x 12-5/8"
New Orleans Auction Galleries
Dec. 17, 2022
Andreani, Andrea
Est: €2,800 - €4,000
(1540 Mantua 1610). Triumph des Glaubens. Triumphzug in 8 Blättern (A-H). Holzschnitte nach Tizian Vecellio, um 1608. Zusammengesetzt auf Karton aufgezogen. Ca. 38,5 x 259 cm. Bl. 1 mit der Adresse im linken unt. Eck. Alters- und Gebrauchsspuren. - Bitte genaue Beschreibung anfordern. - Triumphal procession in 8 sheets (A-H), woodcuts after Tizian Vecellio. Mounted on cardboard. Worn. Please request a detailed description. R
Kiefer Buch- und Kunstauktionen
Dec. 04, 2022
Andrea Andreani (Italian, 1558/1559–1629), After da Reggio (Italian, 1550-1578), "The Entombment"
Est: $1,000 - $1,500
Andrea Andreani (Italian, 1558/1559–1629), After Raffaellino Motta da Reggio (Italian, 1550-1578) "The Entombment" chiaroscuro woodcut on laid paper, bearing a watermark unsigned, and pencil inscription identifying artists en verso. Unframed. 14-7/8" x 12-5/8"
New Orleans Auction Galleries
Jul. 21, 2022
* Andreani (Andrea, 1558/59-1629). The Triumph of Caesar, two chiaroscuro woodcuts, 1599
Est: £600 - £800
* Andreani (Andrea, 1558/59-1629). The Triumph of Caesar, two chiaroscuro woodcuts, 1599 Andreani (Andrea, 1558/59-1629). The Triumph of Caesar: Plate IV (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey, and three shades of ochre, a good, clear impression, printing with gaufrage verso, trimmed to the borderline, generally in good condition, a small plugged hole at the left sheet corner and to the right of the central urn, a small loss at the lower sheet edge, touched in with pen and ink, a short tear at the right sheet edge, a central vertical fold mainly visible verso, a further diagonal fold, sheet size 37 x 37cm (14 1/2x 14 1/2 ins), framed (65 x 62 cm), together with The Triumph of Caesar: Plate IX (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey and three shades of ochre, a good impression, printing with gaufrage recto and verso, with margins on three sides, generally in good condition, backed, one or two short tears at the sheet edges and a small loss at the right sheet edge, a central horizontal fold, sheet size 39 x 38 cm (15 3/8 x 15 ins), framed (65 x 62 cm) QTY: (2) NOTE: Literature: Bartsch XII.101.11[4]; See The Chiaroscuro Woodcut in Renaissance Italy, edited by Naoko Takaharake, 108. Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna, made for the Gonzaga ducal palace in Mantua between 1484 and 1492, now residing in Hampton Court. The set, his last large-scale publication, took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page, Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of colour.
Dominic Winter Auctions
Jul. 05, 2022
ANDREA ANDREANI (1558/59-1629) AFTER RAFFAELINO DA REGGIO (1550-1578) The
Est: £2,500 - £3,500
ANDREA ANDREANI (1558/59-1629) AFTER RAFFAELINO DA REGGIO (1550-1578) The Entombment Block 413 x 322 mm. Sheet 416 x 323 mm.
Christie's
Jun. 01, 2022
Andreani, Andrea: Die Anbetung der Könige
Est: €800 - €1,200
[*] Die Anbetung der Könige. Clair-obscur-Holzschnitt von 3 Platten in Hellocker, Olivgrau und Schwarz, nach Aurelio Luini. 38,4 x 27,7 cm. B. XII, S. 30, 4. Ausst.Kat. In Farbe! Clair-obscur-Holzschnitte der Renaissance. Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, hrsg. von Achim Gnann, München 2013, S. 420, Nr. 208. Wz. Sonne. -- -- Obwohl der vorliegende Farbholzschnitt nicht das Monogramm des Mantuaner Meisters Andrea Andreani trägt, wird er seit der Zuschreibung Adam von Bartschs klassischerweise seinem Werk zugeordnet. Lange glaubte man, die Vorlage ginge auf Tommaso Luini zurück. Dies konnte ebenso widerlegt werden, wie die Annahme Bernardino Luini hätte sie geliefert. Vielmehr dürfte jedoch dessen Sohn Aurelio Luini für die Vorlage verantwortlich gewesen sein; es existiert ein um 1565 entstandenes Fresko in San Maurizio al Monastero Maggiore, das enge Verbindungen zu dem Clair-obscur-Holzschnitt aufweist. - Die insgesamt von drei Stöcken gedruckte Darstellung in einem ganz ausgezeichneten, klaren Druck, meist auf die Einfassung geschnitten. Geringfügig fleckig, einige nur unmerklich ausgebesserte Randläsuren, die Einfassung teils mit (verblasster) Feder ergänzt, sonst insgesamt ganz vorzüglich. Aus der Sammlung Luciana Simonetti (Lugt 3616). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 09, 2022
* Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar, woodcut, 1599
Est: £500 - £800
* Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar, woodcut, 1599 Andreani (Andrea, 1558/59-1629). The Triumph of Caesar: Plate IV (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey, and three shades of ochre, a good, clear impression, printing with gaufrage verso, trimmed to the borderline, generally in good condition, a small plugged hole at the left sheet corner and to the right of the central urn, a small loss at the lower sheet edge, touched in with pen and ink, a short tear at the right sheet edge, a central vertical fold mainly visible verso, a further diagonal fold, sheet size 37 x 37cm (14 1/2x 14 1/2 ins), framed (65 x 62 cm) Qty: (1) Footnote: Literature: Bartsch XII.101.11[4]; See The Chiaroscuro Woodcut in Renaissance Italy, edited by Naoko Takaharake, 108. Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna, made for the Gonzaga ducal palace in Mantua between 1484 and 1492, now residing in Hampton Court. The set, his last large-scale publication, took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page, Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes, including the present woodcut, were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of colour.
Dominic Winter Auctions
Mar. 09, 2022
* Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar, chiaroscuro woodcut, 1599
Est: £500 - £800
* Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar, chiaroscuro woodcut, 1599 Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar: Plate IX (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey and three shades of ochre, a good impression, printing with gaufrage recto and verso, with margins on three sides, generally in good condition, backed, one or two short tears at the sheet edges and a small loss at the right sheet edge, a central horizontal fold, sheet size 39 x 38 cm (15 3/8 x 15 ins), framed (65 x 62 cm) Qty: (1) Footnote: Literature: Bartsch XII.101.11[4]; See The Chiaroscuro Woodcut in Renaissance Italy, edited by Naoko Takaharake, 108. Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna, made for the Gonzaga ducal palace in Mantua between 1484 and 1492, now residing in Hampton Court. The set, his last large-scale publication, took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page, Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes, including the present woodcut, were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of colour.
Dominic Winter Auctions
Oct. 16, 2021
Andreani, Andrea
Est: €6,500 - €10,000
(1540 Mantua 1610). Triumph des Glaubens. Triumphzug in 8 Blättern (A-H). Holzschnitte nach Tizian Vecellio, um 1608. Zusammengesetzt auf Karton aufgezogen. Ca. 38,5 x 259 cm. Bl. 1 mit der Adresse im linken unt. Eck. Alters- und Gebrauchsspuren. - Bitte genaue Beschreibung anfordern. - Triumphal procession in 8 sheets (A-H), woodcuts after Tizian Vecellio. Mounted on cardboard. Worn. Please request a detailed description. R
Kiefer Buch- und Kunstauktionen
Sep. 28, 2021
Andrea Andreani (1560-1626); After Andrea Mantegna (c. 1431-1506) The Triumphs of Julius Caesar; (8)
Est: $6,000 - $8,000
Andrea Andreani (1560-1626), After Andrea Mantegna (c. 1431-1506) The Triumphs of Julius Caesar, c. 1598 The incomplete set of 8 chiaroscuro woodcuts printed in grey and ochre, on cream laid paper, printed from 4 blocks, some trimmed to or slightly within borderline, each framed. (8) each sheet approx. 15 x 14 3/4in (38.1 x 37.5cm) For further information on this lot please visit the Bonhams website
Bonhams
Jun. 24, 2021
Andreani, Andrea - Beccafumi, Domenico - Moses breaks the tablets of the law
Est: €3,000 - €5,000
Woodcut, undated but after 1590, mm. & nbsp; 600 x 1770, bottom center, restorations, minor browning, mounted on a passepartout in a modern wooden frame. & Nbsp;
Finarte
Jun. 09, 2021
Andreani, Andrea: Die Anbetung der Könige
Est: €1,200 - €1,500
[*] Die Anbetung der Könige. Clair-obscur-Holzschnitt von 3 Platten in Hellocker, Oliv-grau und Schwarz, nach Aurelio Luini. 38,4 x 27,7 cm. B. XII, S. 30, 4. Ausst.Kat. In Farbe! Clair-obscur-Holzschnitte der Renaissance. Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, hrsg. von Achim Gnann, München 2013, S. 420, Nr. 208. Wz. Sonne. Obwohl der vorliegende Farbholzschnitt nicht das Monogramm des Mantuaner Meisters Andrea Andreani trägt, wird er seit der Zuschreibung Adam von Bartschs klassischerweise seinem Werk zugeordnet. Lange glaubte man, die Vorlage ginge auf Tommaso Luini zurück. Dies konnte ebenso wiederlegt werden, wie die Annahme Bernardino Luini hätte die Vorlage geliefert. Vielmehr dürfte jedoch dessen Sohn Aurelio Luini für die Vorlage verantwortlich gezeichnet haben; es existiert ein um 1565 entstandenes Fresko in San Maurizio al Monastero Maggiore, das enge Verbindungen zu dem Clair-obscur-Holzschnitt aufweist. - Die insgesamt von drei Stöcken gedruckte Darstellung in einem ganz ausgezeichneten, klaren Druck, meist auf die Einfassung geschnitten. Geringfügig fleckig, einige nur unmerklich ausgebesserte Randläsuren, die Einfassung teils mit (verblasster) Feder ergänzt, sonst insgesamt ganz vorzüglich. Aus der Sammlung Luciana Simonetti (Lugt 3616). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 05, 2021
ANDREANI Andrea (Mantoue 1540 † 1623) - "L'Enlèvement d'une sabine".
Est: €2,000 - €3,000
ANDREANI Andrea (Mantoue 1540 † 1623) - "L'Enlèvement d'une sabine". 1584. Gravure sur bois en clair-obscur d'après Giovanni da Bologna (1529 † 1608) , imprimée en divers tons de brun. Epreuve sur papier vergé (sans filigrane) . Réf.: Bartsch, n°3. Cette estampe monumentale reproduit la célèbre sculpture florentine de Giambologna "L'enlèvement de Sabine". Andrea Andreani est sans aucun doute l'un des pionniers de la gravure sur bois en couleurs au XVIè siècle en Italie. Pour capturer la qualité tridimensionnelle de la sculpture, l'artiste a réalisé trois différentes gravures sur bois d'après le chef-d'œuvre de Giambologna, chacune représentant la sculpture sous un angle différent. 39 x 19,2 cm. Etat C (Coupé à l'intérieur du sujet (manque dans la tablette) , quelques plis marqués et d'impression, un peu empoussiéré, quelques petites taches et courtes déchrirures anciennement restaurées...)
ERIC CAUDRON
Mar. 23, 2021
Andrea Andreani, Italian 1558/9-1629- The Adoration of the Magi, c.1580-1610, after Aurelio Luini
Est: £1,000 - £1,500
Andrea Andreani, Italian 1558/9-1629- The Adoration of the Magi, c.1580-1610, after Aurelio Luini; chiaroscuro woodcut on laid paper, 37x27.5cm: Nicolas Le Sueur, French 1690-1764- The Rape of Europe, after Paolo Farinati; chiaroscuro woodcut, 44x28.5cm: Giuseppe Nicolo Vicentino, Italian 1470-1560- The Presentation in the Temple, after Parmigianino, c.1540-50; 41.5x30cm, (3) (mounted, unframed) Please refer to department for condition report
Roseberys
Jul. 15, 2020
ANDREA ANDREANI (1558/59 - 1629) AFTER FRANCESCO VANNI (1563-1610) - Virgin and Child
Est: £1,500 - £2,500
ANDREA ANDREANI (1558/59 - 1629) AFTER FRANCESCO VANNI (1563-1610) Virgin and Childchiaroscuro woodcut printed from two blocks in black and brownish-grey, circa 1591-93, on laid paper, watermark Fleur-de-Lys, a very good, clear and rich impressionSheet 257 x 205 mm.
Christie's
Jul. 15, 2020
ANDREA ANDREANI (CIRCA 1558–1629) AFTER ALESSANDRO CASOLANI (1552-1606) - Virgin and Child with a Bishop
Est: £1,000 - £1,500
ANDREA ANDREANI (CIRCA 1558–1629) AFTER ALESSANDRO CASOLANI (1552-1606) Virgin and Child with a Bishopchiaroscuro woodcut printed from three blocks in black two shades of mushrooms, 1591, on laid paper, watermark Eagle in a Circle (Briquet 208; Takahatake 23) , a fine impression, printing with gaufrage versoBlock 286 x 215 mm.Sheet 300 x 235 mm.
Christie's
Jul. 15, 2020
ANDREA ANDREANI (CIRCA 1558–1629) AFTER ALESSANDRO CASOLANI (1552-1606) - Christ carrying the Cross
Est: £1,200 - £1,800
ANDREA ANDREANI (CIRCA 1558–1629) AFTER ALESSANDRO CASOLANI (1552-1606) Christ carrying the Crosschiaroscuro woodcut printed from three blocks in black and two shades of mushroom, 1591, on laid paper, watermark Eagle in a Circle, a fine impressionBlock & Sheet 351 x 235 mm.
Christie's
Jul. 08, 2020
Andrea Andreani (c. 1558/59-1629)
Est: €3,000 - €4,000
Andrea Andreani (c. 1558/59-1629) Le Triomphe de Jules César. 1518. Frise composée des 9 sujets précédés d’un titre, rempliés en un vol. broché (partiellement débroché), 410 x 380. Bois gravé en clair-obscur au moyen de 4 bois, de teintes différentes pour chaque sujet, sur des dessins de B. Malpizzi d’après les toiles de Mantegna (réalisées pour F. Gonzague, 4e marquis de Mantoue, à présent conservées à Hampton Court, Londres). Bartsch (vol. 11), p. 101, n° 11. Bonnes épreuves collées sur vergé (sauf la pl. 7). Accidents dont plis, fractures et déchirures à certaines pl. Accidents, taches et reprises dans quelques manques au titre. Manquent les colonnes gravées destinées à séparer les 9 sujets. Rare. Timbre de la collection J.-J. Senon (Lugt non décrit). « Andreani a repris ici le sujet de la suite des tableaux de Mantegna, peints à la détrempe sur toile pour la famille Gonzaga entre 1485-1486 et les années 1490. Mantegna lui-même a gravé plusieurs de ces compositions d’après ses dessins préparatoires, mais Andreani est le premier à avoir reproduit la série complète des Triomphes. Il n’a pas travaillé directement d’après les tableaux de Mantegna, même si ceux-ci se trouvaient à Mantoue à l’époque, et ce jusqu’en 1630, date de leur vente à Charles Ier d’Angleterre. Non ; il a pris comme modèle les grisailles de Bernardo Malpizzi (vers 1556-1623), spécialement exécutés dans ce but, et a réduit le format des tableaux originaux, d’environ 266 x 278 cm, au format des bois grâce à une mise au carreau. […] Les dates de 1598 et 1599 figurant sur les deux planches de la suite indiquent que six années de travail ont été nécessaires à Andreani pour terminer la gravure de ses trente-six bois. » (P. Fuhring, in S. Lepape dir., Gravure en clair-obscur ; Cranach, Raphaël, Rubens, cat. d’exposition, Paris, Musée du Louvre-Liénart éditions, 2018, p. 162).
Ader
Dec. 10, 2019
ANDREA ANDREANI (CIRCA 1558-1629) ANDREA MANTEGNA (1431-1506) The Triumph of Caesar Blocks 368 x 380 mm., Sheets 382 x 384 mm. each (and similar) Joined sheets 382 x 2025 mm. and 382 x 2105 mm. (respectively) (2)
Est: £30,000 - £50,000
ANDREA ANDREANI (CIRCA 1558-1629) ANDREA MANTEGNA (1431-1506) The Triumph of Caesar the complete set of chiaroscuro woodcuts printed from three blocks in greyish-black, beige and grey, 1599, including the frontispiece printed from three blocks in black, two shades of grey and a separate text block, and nine pilasters printed from two blocks in black and dark grey, all on laid paper, five pilasters printed on blueish paper, four on beige-tinted paper, a very fine, uniform set, with small margins above and below, the pilasters cut out to shape, all mounted in the correct order onto two sheets of thin support paper and cloth-covered panels, generally in very good condition, in two frames Blocks 368 x 380 mm., Sheets 382 x 384 mm. each (and similar) Joined sheets 382 x 2025 mm. and 382 x 2105 mm. (respectively) (2)
Christie's
Dec. 10, 2019
ANDREA ANDREANI (CIRCA 1558-1629) AFTER DOMENICO BECCAFUMI (1486-1551) Moses breaking the Tablets of the Law: Lower Half Block 630 x 1830 mm., Sheet 645 x 1852 mm. (overall) Frame 870 x 2100 mm.
Est: £20,000 - £30,000
ANDREA ANDREANI (CIRCA 1558-1629) AFTER DOMENICO BECCAFUMI (1486-1551) Moses breaking the Tablets of the Law: Lower Half woodcut, 1590, on ten joined sheets of laid paper, printed in black only, presumably from two blocks, a strong but later impression, lacking all letters, some cracks, small losses and wormholes in the blocks, some handcolouring in pale brown wash, with small margins on all sides, a few minor tears and paper splits, some minor paper losses at the sheet edges, a few tiny holes in places, some pale adhesive staining along the horizontal paper joints in the lower subject, generally in good condition, laid down onto a thin support sheet and a cloth-covered backboard, framed Block 630 x 1830 mm., Sheet 645 x 1852 mm. (overall) Frame 870 x 2100 mm.
Christie's
Dec. 10, 2019
ANDREA ANDREANI (CIRCA 1558-1629) AFTER JACOPO LIGOZZI (1547-1627) Allegory of Virtue Block 473 x 325 mm., Sheet 482 x 332 mm.
Est: £2,000 - £3,000
ANDREA ANDREANI (CIRCA 1558-1629) AFTER JACOPO LIGOZZI (1547-1627) Allegory of Virtue chiaroscuro woodcut printed from four blocks in black and three shades of ochre, 1585, on laid paper, watermark Serpent (not in Briquet; Takahatake 24), a good, slightly dry impression of the second, final state, with narrow margins, laid down onto a laid paper backing sheet, a small hole at lower right, a few other small holes, short tears and paper losses at the sheet corners and edges Block 473 x 325 mm., Sheet 482 x 332 mm.
Christie's
Oct. 03, 2019
Andreani (Andrea, 1558-1629) Roman soldiers carrying banners depicting various triumphant battles of Julius Caesar, after Mantegna, [c. 1599].
Est: £100 - £150
Andreani (Andrea, 1558-1629) Roman soldiers carrying banners depicting various triumphant battles of Julius Caesar, after Mantegna, the first section from the 'Triumph of Julius Caesar', chiaroscuro woodcut printed from four blocks in grey and greyish-black, on laid paper mounted on later wove paper support, sheet 375 x 380 mm. (14 3/4 x 15 in), repairs to old splits, handling creases, surface dirt, unframed, [circa 1599] Literature: Bartsch 11. 1
Forum Auctions - UK
Jan. 29, 2019
ANDREA ANDREANI (1558/59-1629) AFTER GIOVANNI FORTUNA (1535-1611) - Allegory of Death
Est: $7,000 - $10,000
ANDREA ANDREANI (1558/59-1629) AFTER GIOVANNI FORTUNA (1535-1611) Allegory of Death Block 506 x 336 mm., Sheet 520 x 341 mm.
Christie's
Jan. 29, 2019
ANDREA ANDREANI (1558/59-1629) AFTER RAFFAELINO DA REGGIO (1550-1578) - The Entombment
Est: $5,000 - $7,000
ANDREA ANDREANI (1558/59-1629) AFTER RAFFAELINO DA REGGIO (1550-1578) The Entombment Block & Sheet 415 x 320 mm.
Christie's
Jan. 29, 2019
ANDREA ANDREANI (1558/59-1629) AFTER JEAN DE BOULOGNE, CALLED GIAMBOLOGNA - Pilate washing his Hands (right half)
Est: $3,000 - $5,000
ANDREA ANDREANI (1558/59-1629) AFTER JEAN DE BOULOGNE, CALLED GIAMBOLOGNA Pilate washing his Hands (right half) Block 438 x 323 mm., Sheet 442 x 323 mm.
Christie's
May. 08, 2018
ANDREA ANDREANI (after Mantegna) The Triumph of Ceasar
Est: $1,500 - $2,500
ANDREA ANDREANI (after Mantegna) The Triumph of Ceasar. Chiaroscuro woodcut printed in dark brown, greenish tan and black on cream laid paper, circa 1595. 370x370 mm; 14 1/2x14 1/2 inches, thread margins. A very good impression of this scarce woodcut with strong colors and with the rel;ief from the blocks distinct on the verso. Bartsch 102-9.
Swann Auction Galleries
May. 08, 2018
ANDREA ANDREANI (after Ligozzi) Virtue Chained by Love, Error, Ignorance and Opinion
Est: $3,000 - $5,000
ANDREA ANDREANI (after Ligozzi) Virtue Chained by Love, Error, Ignorance and Opinion. Chiaroscuro woodcut printed in dark brown, dark tan and black on cream laid paper, 1585. 474x323 mm; 18 5/8x12 3/4 inches, thread margins. A very good impression of this extremely scarce woodcut with strong colors. Bartsch 9.
Swann Auction Galleries
Jun. 17, 2017
Andrea Andreani (1560 - 1623) Rape of Sabine Women
Est: $600 - $1,200
Andrea Andreani (1560 - 1623) "Rape of Sabine Women" Woodcut. Image Size: 8.75 x 6.5 in.
Sarasota Estate Auction
Nov. 24, 2016
Andreani, Andrea: Der christliche Held
Est: €300 - €400
Der christliche Held. Holzschnitt. 38,1 x 28,1 cm. B., Bd. XII, S. 136, 14, TIB Vol. 48, (136) 14.Guter Druck mit der inneren Einfassungslinie, am linken Rand teils knapp, unten mit dem inneren Textrand. Horizontale Trockenfältchen, Gebrauchsspuren, sonst gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 26, 2016
Andreani, Andrea: Theaterprospekt für die Komödie „L’Ortensio"
Est: €500 - €750
Theaterprospekt für die Komödie „L’Ortensio“ von Alessandro Piccolomini. Clair-obscur-Holzschnitt von zwei Blatten in Schwarz und Grau-Grün, nach einem Entwurf von Bartolomeo Neroni, gen. Riccio. 26,3 x 35,8 cm. (1589). B. XII, S. 156, 29. Wz. Adler im Kreis mit Krone darüber. Für den ausführenden Holzschneider ließ sich bisher kein Konsens finden. Bartsch vermutete den Sienesischen Künstler Girolamo Bolsi, der auch auf den frühen Abzügen untenr rechts genannt wird. Der Autor des Illustrated Bartsch wiederum sieht den Verleger Andrea Andreani auch als verantwortlichen Schneider. Eindeutig hingegen ist der Urheber des Entwurfs: Bartolomeo Neroni, gen. Il Roccio, hat das Bühnenbild für die um 1560 geschriebene Komödie geschaffen. - Ganz ausgezeichneter, klarer Druck verso mit teils schönem Relief des Linienblocks, mit schmalem Rand an drei Seiten, der untere typographische Schriftteil fehlt, sowie das untere Ende des Bühnenentwurfs mit leichtem Darstellungsverlust abgerissen. Etwas angestaubt und fleckig, kleine Randläsuren, vor allem entlang des unteren Randes hinterfasert, feinen Quetschfalten oben, leichte geglättete vertikale Falzspuren, schwache Knitter- und Gebrauchsspuren, sonst noch gut.
Bassenge Auctions
Jun. 16, 2015
École italienne - [Suiveur de MAZZOLA dit IL PARMIGIANINO, Girolamo Francesco (1503-1540)].- L' Adoration des mages. DESSIN ORIGINAL, pinceau et lavis à l'encre bistre, rehauts de blanc, papier vergé, 16,8 x 24,5 cm, monogrammé "F.P." en bas à
Est: €500 - €600
Dessin aux dimensions exactes de la gravure sur bois en chiaroscuro par Nicolo Vicentino (c. 1510-?) donnée par Andrea Andreani (c. 1558-1629) d'après le dessin du Parmigianino conservé au Louvre. Le premier état de cette planche porte le monogramme "F.P." comme notre dessin, le second le monogramme d'Andreani et la date 1605. Attribution erronée à Frans Francken (1546-1616) sur le carton de support.# https://art.famsf.org/niccol%C3%B2-vicentino-niccol%C3%B2-rossigliani/adoration-magi-after-drawing-parmigianino-19861339 Provenance : Gaston de Ramaix (cachet; # Lugt 4099); H.Ch. Napier (mention ms. sur le carton de support).
Arenberg Auctions
Aug. 02, 2014
ANDREANI, Andrea (Italian 1558-1629)
Est: $1,000 - $3,000
Bathing Nymphs, after Parmigianino, 1605. 29x20cm
Davidson Auctions
Jul. 22, 2014
ANDREA ANDREANI (ITALIAN 1560-1626) THE ADORATION OF THE MAGI 37cm x 26cm (14.5in x 10.25in)
Est: £500 - £700
ANDREA ANDREANI (ITALIAN 1560-1626) THE ADORATION OF THE MAGI After Luini, chiaroscuro woodcut 37cm x 26cm (14.5in x 10.25in)
Lyon & Turnbull
Oct. 30, 2013
ANDREA ANDREANI St. Longinus and St. Andrew.
Est: $1,500 - $2,500
ANDREA ANDREANI St. Longinus and St. Andrew. Chiaroscuro woodcut printed in brown, tan and black. 237x180 mm; 9 3/8x7 inches. Ex-collection Friedrich August II (Lugt 971, lower right recto). A superb, well-inked impression with the relief from the blocks showing on the verso. Bartsch 24. With--NICOLAS LE SUEUR (after Farinati). Europa and the Bull, chiaroscuro woodcut printed in light blue, dark brown, brown and tan, circa 1740. 430x280 mm; 17x11 inches, wide margins. A very good impression. Nagler 24.
Swann Auction Galleries
Sep. 20, 2011
Andrea Andreani (1558/9-1629) after Jacopo Ligozzi (1547-1627)
Est: £1,000 - £2,000
Andrea Andreani (1558/9-1629) after Jacopo Ligozzi (1547-1627) Virtue chained by Love, Error, Ignorance and Opinion (Bartsch 9) chiaroscuro woodcut printed from four blocks in three shades of mushroom and black, 1585, on laid paper, watermark Eagle in a Circle (most similar to Heawood 1256, Florence 1588), trimmed slightly inside the borderline, a brown spot and a nick at the right sheet edge, otherwise in good condition B., S. 468 x 320 mm.
Christie's
Jul. 07, 2011
Andrea Andreani (1558/9-1629) after Domenico Beccafumi (1484-1551)
Est: £1,000 - £1,500
Andrea Andreani (1558/9-1629) after Domenico Beccafumi (1484-1551) The Sacrifice of Abraham: lower left panel (cf. B. 4) chiaroscuro woodcut printed from four blocks in three shades of grey and black, 1586, from the extremely rare monumental print consisting of ten panels, on heavy laid paper, without watermark, a very good impression, trimmed to the borderline at left and on or just into the borderline below, to the subject at right and above, a skilfully repaired tear at upper right corner, a diagonal crease at the lower right corner, generally in good condition B., S. 375 x 380 mm.
Christie's
Apr. 28, 2011
ANDREA ANDREANI (after Luini) The Adoration of the Magi
Est: $3,000 - $5,000
ANDREA ANDREANI (after Luini) The Adoration of the Magi. Chiaroscuro woodcut printed in light gray, dark gray and black, circa 1600. 393x278 mm; 15 3/8x10 inches, thread margins. Eagle watermark. A very good well-inked impression of this large, scarce chiaroscuro woodcut. Bartsch 4.
Swann Auction Galleries
Dec. 08, 2010
Andrea Andreani (1558/9- 1629) after Parmigianino
Est: £2,000 - £3,000
Andrea Andreani (1558/9- 1629) after Parmigianino The Presentation in the Temple (Bartsch 6-1) woodcut printed from four blocks in different shades of grey, 1608, on laid paper, watermark Sun, with 150 mm. margin on three sides and 200 mm. at the top, glued down to left and right of the extreme upper sheet, a rust spot to the lower right of the subject, a few minor repairs and defects along the upper side of the image B. 413 x 303 mm., S. 445 x 330 mm.
Christie's
Sep. 22, 2010
Andrea Andreani (Italian, 1560-1626) Madonna and Child Chiaroscuro woodcut, after Alessandro Casolani, printed from three blocks, on laid, 300 x 203mm (11 3/4 x 8in)(B) unframed
Est: £600 - £800
Madonna and Child (Bartsch 13) Chiaroscuro woodcut, after Alessandro Casolani, printed from three blocks, on laid, 300 x 203mm (11 3/4 x 8in)(B) (unframed)
Bonhams
Sep. 22, 2010
Andrea Andreani (Italian, 1560-1626) Adoration of the Magi Chiaroscuro woodcut from three blocks, a good impression, on thin laid, after Luini, 390 x 280mm (15 3/8 x 11in)(SH) unframed
Est: £500 - £700
Adoration of the Magi (Bartsch 4) Chiaroscuro woodcut from three blocks, a good impression, on thin laid, after Luini, 390 x 280mm (15 3/8 x 11in)(SH) (unframed)
Bonhams
Dec. 13, 2009
Andrea Andreani, (Italian, circa 1558-1629), Christ before Pilate
Est: $700 - $900
Andrea Andreani (Italian, circa 1558-1629) Christ before Pilate woodcut 17 x 25 inches.
Hindman
Sep. 16, 2009
Andrea Andreani (1558/59-1629) after Alessandro Casolani (1552/53-1607)
Est: £800 - £1,200
Andrea Andreani (1558/59-1629) after Alessandro Casolani (1552/53-1607) Woman contemplating a Skull (Bartsch 14) chiaroscuro woodcut printed from four blocks in pale green, two shades of grey and black, 1591, watermark Eagle in a Circle, trimmed to the borderline, lacking the text below, window-mounted, some thin spots in the corners visible only verso, traces of old adhesive along the sheet edges verso, otherwise in very good condition B., S. 289 x 214 mm.
Christie's
Apr. 30, 2009
ANDREA ANDREANI (1558-1629)
Est: -
ANDREA ANDREANI (1558-1629) La Mise au Tombeau d'après Raffaellino da Reggio (Bartsch 24) Bois en clair-obscur, impression en bistre et noir, 1585, épreuve usée, coupée au sujet, contrecollée, petits accidents et manques sur les bords de la feuille, pliure transversale B., F. 41,8 x 31,8 cm. (16½ x 12½ in.)
Christie's
Apr. 28, 2009
ANDREA ANDREANI (1558-1629)
Est: €300 - €400
ANDREA ANDREANI (1558-1629) La Mise au Tombeau d'après Raffaellino da Reggio (Bartsch 24) Bois en clair-obscur, impression en bistre et noir, 1585, épreuve usée, coupée au sujet, contrecollée, petits accidents et manques sur les bords de la feuille, pliure transversale B., F. 41,8 x 31,8 cm. (16½ x 12½ in.)
Christie's
Jan. 30, 2009
Andrea Andreani (c. 1558-1629), after Jacopo Ligozzi
Est: $2,000 - $3,000
Andrea Andreani (c. 1558-1629), after Jacopo Ligozzi Virtue chained by Love, Error, Ignorance and Opinion (Bartsch 9) chiaroscuro woodcut in black and two shades of red, 1585, trimmed to the border line, with a central horizontal drying crease, creasing towards the sheet corners, occasional very small nicks and losses at the sheet edges, remains of old paper hinges and adhesive in places at the sheet edges on the reverse S. 18¾ x 12¾ in. (476 x 324 mm.)
Christie's