Stephen Andrews Paintings & Artwork for Sale | Stephen Andrews Art Value Price Guide

Mar. 12, 2024
Stephen Andrews (1922-1995)
Est: £150 - £200
Stephen Andrews (1922-1995) 'Still Life with Mask signed 'S ANDREWS' and inscribed with title on stretcher, oil on canvas 38 x 46cm Condition Report: Framed: 55 x 63cm Some light suface scuffs with very minor losses but overall the paint is stable. Not examined under UV light, for a full report please contact the department.
Sworders
Apr. 08, 2021
STEPHEN ANDREWS - GROUP, TWO (2) COLLAGE WORKS
Est: $200 - $400
Lot 112 Stephen Andrews Canadian (1922-1995) Group, two (2) collage works (1984) collage and watercolor on paper each initialed lower right, signed verso each: 12 1/2 x 9 3/4 inches Provenance: From a private New York collection
Capsule Gallery Auction
Oct. 22, 2020
STEPHEN ANDREWS (1922-1995): "LANDSCAPE" ABSTRACT
Est: $300 - $500
oil on canvas titled and dated 1953 on label verso Provenance: exhibited Montreal Museum of Fine Arts 11 x 14 inches; frame: 19 1/4 x 22 1/2 inches
Abell Auction
Oct. 14, 2020
STEPHEN ANDREWS - SMIRNOFF
Est: $200 - $400
Lot 142 Stephen Andrews Canadian (b. 1956) Smirnoff (1984) collage and watercolor on paper initialed lower right, signed verso 12 1/2 x 9 3/4 inches Provenance: from a private New York collection
Capsule Gallery Auction
Oct. 14, 2020
STEPHEN ANDREWS - TIERRA DE GARBANZOS
Est: $200 - $400
Lot 138 Stephen Andrews Canadian (b. 1956) Tierra de Garbanzos (1984) collage and watercolor on paper initialed lower right, signed verso 12 1/2 x 9 3/4 inches Provenance: from a private New York collection
Capsule Gallery Auction
Oct. 14, 2020
STEPHEN ANDREWS - AYUNTAMEINETO
Est: $200 - $400
Lot 127 Stephen Andrews Canadian (b. 1956) Ayuntameineto collage and watercolor on paper initialed lower right, signed verso 12 1/2 x 9 3/4 inches Provenance: from a private New York collection
Capsule Gallery Auction
Oct. 14, 2020
STEPHEN ANDREWS - SRI LANKA
Est: $200 - $400
Lot 126 Stephen Andrews Canadian (b. 1956) Sri Lanka (1984) collage and watercolor on paper collage and watercolor on paper 12 1/2 x 9 3/4 inches Provenance: from a private New York collection
Capsule Gallery Auction
May. 21, 2020
Stephen Andrews (Canada/Spain, 1922-1995), EspaÃ±a and Homage to Hans Coper
Est: $25 - $25,000
Stephen Andrews (Canada/Spain, 1922-1995), EspaÃ±a and Homage to Hans Coper the first is acrylic and collage on Arches paper, titled EspaÃ±a on the verso, signed at lower right, inscribed and stamped on the verso, framed under glass (DOA 33 x 25 in.) (good estate condition); the second is watercolor on paper, signed at lower right, inscribed on the verso "'Homage to Hans Coper / Stephen Andrews / Finca La Jordana / Casares / 1982" and stamped in Hebrew, framed under glass (DOA 32 x 24 in.) (extensive foxing to sheet). Additional high-resolution photos are available at LelandLittle.com
Leland Little Auctions
Dec. 02, 2015
Stephen ANDREWS (Canadian, b. 1956)
Est: $2,000 - $4,000
UNTITLED: two encauastic panels based on early quilt designs, stamped by the artist verso. Unframed, each 8" x 16" / 20.3cm x 40.6cm. Stephen Andrews is a successful Canadian artist, whose most recent commission, a mosaic version of his work " a small part of something larger" (2009) can be seen at Trump Tower in downtown Toronto.
A. H. Wilkens Auctions & Appraisals
Nov. 18, 2015
ANDREWS Stephen A small part of something big,
Est: €6,000 - €8,000
A small part of something big, 3 lithographs - triptych on Somerset paper, each signed and numbered by the artist. Dimensions 101,5 x 71,5 cm. A small part of something big, 3 lithographies - triptyque - sur papier Somerset, signées et numérotés par l'artiste. Dimensions de l'oeuvre 101,5 x 71,5 cm. parfait état
Artimore Auctions
Apr. 13, 2015
STEPHEN ANDREWS, CRY ME A RIVER, etching, 13 ins x 19.75 ins; 33 cms x 50.2 cms
Est: $1,000 - $1,500
STEPHEN ANDREWS CRY ME A RIVER etchingdated "12/XII.89" and numbered 13/14; signed and titled on the backing 13 ins x 19.75 ins; 33 cms x 50.2 cms Provenance:Private Collection, TorontoNote:With a mix of drawing, painting, printmaking, and animation, Toronto-based artist Stephen Andrews questions the role of personal memory and visual interpretations in his contemporary art practice. Focusing on themes of identity, technology, the human body and their representations in various forms of media, Andrews illustrated many portraits of men in the 1980s who died of AIDS or AIDS-related causes. The 1989 etching Cry Me a River (1989) is one such example. Andrews was greatly impacted by the virus and its effects, choosing to express himself and the people he lost through art. Here we see a group of men mourning the loss of a friend, exposing themselves both literally and figuratively to the effects of the epidemic.Andrews has said that one of the characteristics he most values in his art is the "ability to fail miserably." With that in mind he has always allowed himself to experiment with various techniques that give weight to his chosen topics and encourage self-reflection, no matter the form. The work of Stephen Andrews can be found in many prestigious collections throughout North America including the Art Gallery of Ontario; the Schwartz Collection at Harvard University (Cambridge, Massachusetts); Canada Council Art Bank; the Museum of Contemporary Canadian Art (Toronto) and the National Gallery of Canada in Ottawa.
Waddington's
Dec. 11, 2014
Stephen Andrews (British, b.1922) Continental lan
Est: £300 - £500
Stephen Andrews (British, b.1922) Continental landscape signed (lower right) oils on canvas 49.5cm x 60cm.
Mallams
Nov. 20, 2014
S. J. Andrews, 'City of Sheffield locomotive 6249
Est: £80 - £120
S. J. Andrews, 'City of Sheffield locomotive 6249 at Crewe station' 1983, oil on canvas, signed and dated lower right; sight size 75cm x 49cm.
Humbert & Ellis Ltd
Oct. 23, 2014
S. J. Andrews, 'City of Sheffield locomotive 6249
Est: £80 - £120
S. J. Andrews, 'City of Sheffield locomotive 6249 at Crewe station' 1983, oil on canvas, signed and dated lower right; sight size 75cm x 49cm.
Humbert & Ellis Ltd
Sep. 18, 2014
FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A., MISTY MORNING, LAKE OF THE WOODS, watercolour on board, 12.5 ins x 18.5 ins; 31.8 cms x 47 cms
Est: -
FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.MISTY MORNING, LAKE OF THE WOODSwatercolour on boardsigned; titled on the reverse and signed and titled on the backing 12.5 ins x 18.5 ins; 31.8 cms x 47 cms Estimate: $5,000-7,000
Waddington's
Mar. 04, 2014
STEPHEN ANDREWS, DISSOLVE, A PORTFOLIO OF SIX PRINTS, lithographs, each 22 ins x 30 ins; 55.9 cms x 76.2 cms
Est: $4,000 - $6,000
STEPHEN ANDREWSDISSOLVE, A PORTFOLIO OF SIX PRINTS, lithographs; each signed, dated '13 and numbered 9/15; unframed each 22 ins x 30 ins; 55.9 cms x 76.2 cms Note: With a mix of drawing, painting, printmaking, and animation, Toronto artist Stephen Andrews questions the role of personal memory and media imagery in contemporary self-understanding using familiar visual tropes: the Ben-Day dots of commercial printing and the digital degradation of pixilated news media, for instance. His well-known monochrome Facsimile series (1991-92) was based on faxed versions of obituary portraits of men who had died of AIDS; the drawings of The Quick and the Dead series (2004) renders media images from the Iraq war in candy-coloured pastels. Known for his dot paintings of crowds, Andrews used his signature pixilated style in The View from Here, a commission for the entryway of Toronto's brand new Trump Tower. The huge three-paneled work is comprised of 500,000 pieces of porcelain, glass, stone and gold tiles creating an image of a multicultural crowd of cheering people. Throughout the last twenty-five years, Andrews has exhibited across Canada as well as in the US, Brazil, France, Scotland, and Japan. Extensively collected both privately and publicly, Andrews' work can be found in the National Gallery of Canada, the Art Gallery of Ontario, and the Schwarz Art Collection at the Harvard Business School.
Waddington's
Mar. 08, 2012
VARIOUS ARTISTS, PORTFOLIO 1 (5 Pieces)
Est: $3,000 - $4,000
VARIOUS ARTISTS, PORTFOLIO 1, various sizes, each signed and numbered 14/25, each printed in 1997; published by Paul M. ConwayNote: The folio includes prints by Stephen Andrews, Wanda Koop, Micah Lexier, Kim Moodie and Jeannie Thib
Waddington's