Manuel Angeles Ortiz Paintings & Artwork for Sale | Manuel Angeles Ortiz Art Value Price Guide

Oct. 08, 2024
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). Untitled, 1958. Oil on canvas. Signed and dated in the lower right corner.
Est: €40,000 - €45,000
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). Untitled, 1958. Oil on canvas. Signed and dated in the lower right corner. Measurements: 132 x 98 cm; 156 x 121 cm (frame). In 1957, a year before creating this work, Manuel Ángeles Ortiz returned to Granada after 32 years and in a new contact with the landscape and the culture of the city his painting was highly influenced by this change. In this particular case this piece is at a fundamental moment in his career, created just before his mythical series dedicated to the Albaicín. In the exhibition dedicated by the Reina Sofía Museum and Art Center in Madrid, it was pointed out that the work of Manuel Ángeles Ortiz is difficult to classify. This difficulty can be appreciated even in this work where an alternation of languages is evident (late Cubism, line drawing and round and monumental volumes of classical inspiration, etc.), a symptom of the different approaches to a return to order, promulgated by different voices, from Cahiers d'Art to Jean Cocteau or Amédée Ozenfant. Ángeles Ortiz was an independent artist, difficult to classify stylistically, as he did not stop experimenting throughout his career. Representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city, and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a collective exhibition, receiving very good reviews in the local press. At the same time, he began to make drawings for different publications. In the early twenties, following the death of his wife, the painter moved to Paris. There he paints frenetically, and has in Picasso his main support and first enthusiast. His painting abandons cubic forms to focus on fully dreamlike images, which he will present in Paris in his first solo exhibition, held at the Quatre Chemins gallery in 1926. In 1932 he returns to Spain, but his anti-fascist stance leads him to take refuge, once again in France, at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated in the artistic environment and lived there until 1948, when he returned to Paris for good. He is currently represented in the Reina Sofía National Museum in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Contemporary Art Museum in Seville, the Fine Arts Museum in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera Gallery in Cologne, among other public and private collections.
Setdart Auction House
Sep. 17, 2024
MANUEL ANGELES ORTIZ - Tribute to El Greco
Est: -
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984 Tribute to El Greco Ballpoint pen on paper Stamped signature Measurements 21 x 14.5 cm PROVENANCE (label on the back) Sala Dalmau, Barcelona Private collection
Subastas Segre
Jul. 02, 2024
MANUEL ANGELES ORTIZ Jaén 1885-París 1984
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Profile Pen and pencil on paper Signed Measurements 21 x 15 cm PROVENANCE (label on back) Dalmau Room, Barcelona Particular collection
Subastas Segre
Jun. 25, 2024
Manuel Ángeles Otríz. La Castañera / River
Est: -
Ink drawing on paper. Signed in the lower right corner. Reproduced in Contemporary Masters of Drawing, Manuel Angeles Ortiz, European Iberian editions by Gerad Xuriguera.
Duran Arte y Subastas
Jun. 25, 2024
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). Untitled, 1958. Oil on canvas. Signed and dated in the lower right corner.
Est: €40,000 - €45,000
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). Untitled, 1958. Oil on canvas. Signed and dated in the lower right corner. Measurements: 132 x 98 cm; 156 x 121 cm (frame). In 1957, a year before creating this work, Manuel Ángeles Ortiz returned to Granada after 32 years and in a new contact with the landscape and the culture of the city his painting was highly influenced by this change. In this particular case this piece is at a fundamental moment in his career, created just before his mythical series dedicated to the Albaicín. In the exhibition dedicated by the Reina Sofía Museum and Art Center in Madrid, it was pointed out that the work of Manuel Ángeles Ortiz is difficult to classify. This difficulty can be appreciated even in this work where an alternation of languages is evident (late Cubism, line drawing and round and monumental volumes of classical inspiration, etc.), a symptom of the different approaches to a return to order, promulgated by different voices, from Cahiers d'Art to Jean Cocteau or Amédée Ozenfant. Ángeles Ortiz was an independent artist, difficult to classify stylistically, as he did not stop experimenting throughout his career. Representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city, and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a collective exhibition, receiving very good reviews in the local press. At the same time, he began to make drawings for different publications. In the early twenties, following the death of his wife, the painter moved to Paris. There he paints frenetically, and has in Picasso his main support and first enthusiast. His painting abandons cubic forms to focus on fully dreamlike images, which he will present in Paris in his first solo exhibition, held at the Quatre Chemins gallery in 1926. In 1932 he returns to Spain, but his anti-fascist stance leads him to take refuge, once again in France, at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated in the artistic environment and lived there until 1948, when he returned to Paris for good. He is currently represented in the Reina Sofía National Museum in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Contemporary Art Museum in Seville, the Fine Arts Museum in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera Gallery in Cologne, among other public and private collections.
Setdart Auction House
Jun. 19, 2024
Retrato
Est: -
Firmado en el ángulo inferior derecho.
Isbilya Subastas
Jun. 19, 2024
Arquitectura
Est: -
Firmado en el ángulo inferior derecho.
Isbilya Subastas
May. 21, 2024
MANUEL ANGELES ORTIZ - Homenaje a Lorca
Est: -
MANUEL ANGELES ORTIZ Jaén 1895-París 1984 Homenaje a Lorca Lápiz sobre papel Firma estampada Medidas 22 x 23 cm PROCEDENCIA (etiqueta al dorso) Sala Dalmau, Barcelona Colección particular
Subastas Segre
Apr. 23, 2024
MANUEL ÁNGELES ORTIZ (1895-1984)
Est: €600 - €800
'Animation'. Oil paint and felt pen on panel. Provenance: Folin Gallery Private collection Antwerp Description FR 'Animation'. Peinture à l'huile et feutre sur panneau. Provenance: Galerie Folin Collection privée, Anvers Beschrijving NL 'Animation'. Olieverf en viltstift op paneel. Herkomst: Folin Gallery Privé-verzameling, Antwerpen
Bernaerts Auctioneers
Mar. 21, 2024
Manuel Ángeles Ortiz (1895 - 1984), signed, night landscape, Granada School, 20th century
Est: €3,000 - €4,000
Oil on canvas. Signed at the lower right angle: M. A. Ortiz. Painter born in Jaén but established in Granada, a city that inspired him to produce most of his pictorial series. Measures without frame: 44 x 32 cm. Framed measures: 56 x 44 cm.
Templum Fine Art Auctions
Mar. 19, 2024
MANUEL ANGELES ORTIZ - Head
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Head Ink on paper Signed stamped Measurements 24.5 x 12 cm PROVENANCE (label on the back ) Sala Dalmau, Barcelona Private collection
Subastas Segre
Jan. 24, 2024
Manuel Ángeles Ortiz. To Paulette
Est: -
Drawing on paper. Signed, dedicated and dated (1-20-1949) in the lower right corner. Remnants of adhesive on the back.
Duran Arte y Subastas
Dec. 12, 2023
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Untitled Watercolor and pencil on pape
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Untitled Watercolor and pencil on paper Stamped signature Measurements 56 x 44 cm
Subastas Segre
Nov. 29, 2023
"Heads" in charcoal on paper by Manuel Ángeles Ortiz (Jaén, January 13, 1895-Paris, April 4, 1984), a contemporary Spanish school of the 20th century
Est: €1,200 - €1,400
Charcoal on paper, paper measurements: 30 x 21 cm, framed measurements: 43 x 34 cm
Templum Fine Art Auctions
Oct. 24, 2023
MANUEL ANGELES ORTIZ - Les meilleurs voeux pour 1959
Est: -
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984 Les meilleurs voeux pour 1959. 1959 Gouache and wax on paper Signed and dated 1959 Measurements 12 x 16.5 cm
Subastas Segre
Oct. 04, 2023
MANUEL ÁNGELES ORTIZ Jaén (1895) / Paris (1984) "Vineyards of Vallauris", 1950
Est: €1,350 - €1,800
Marker on paper Signed and dated in the lower right corner. Reproduced in "Contemporary Masters of Drawing", Editorial Iberico Europea de Ediciones Measurements: 35 x 48 cm
Ansorena
Sep. 19, 2023
MANUEL ANGELES ORTIZ - Portrait of Mrs. Fina Gómez Revenga
Est: -
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984 Portrait of Mrs. Fina Gómez Revenga. c. 1961 Oil on canvas Signed Measures 116 x 89 cm.
Subastas Segre
Sep. 19, 2023
MANUEL ANGELES ORTIZ - Study for the Portrait of Fina Gómez Revenga
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Study for the Portrait of Fina Gómez Revenga. 1960 Ballpoint pen on paper Signed Size 22 x 14 cm
Subastas Segre
Jul. 19, 2023
ORTIZ, MANUEL ÁNGELES (1895 - 1984)
Est: -
Drawn with blue and black pen and red pencil on paper. Signed in the lower left corner.
Duran Arte y Subastas
Jul. 04, 2023
MANUEL ANGELES ORTIZ - Untitled
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984 Untitled Gouache on paper Signed Size 23 x 14.5 cm
Subastas Segre
Jun. 13, 2023
MANUEL ÁNGELES ORTIZ Jaén (1895) / Paris (1984) "Naked", 1964
Est: €750 - €1,000
Oil on panel. Signed and dated in the lower right corner. On the back titled Measurements: 14 x 18 cm
Ansorena
May. 30, 2023
Manuel Angeles Ortiz. the castañera
Est: -
Ink drawing on paper. Signed in the lower right corner. Reproduced in Contemporary Masters of Drawing, Manuel Angeles Ortiz, Iberico Europea editions by Gerad Xuriguera.
Duran Arte y Subastas
May. 30, 2023
View of Plaza de Pueblo, Manuel Ángeles Ortiz (Jaén, January 13, 1895-Paris, April 4, 1984)
Est: €3,000 - €3,500
Oil on tablex, tablex measures: 55 x 79 cm. With Exhibition label and Gallery Seal on the back.
Templum Fine Art Auctions
May. 30, 2023
Abstract composition on panel, signed and dedicated Manuel Ángel Ortiz (Jaén, January 13, 1895-Paris, April 4, 1984
Est: €6,000 - €6,500
Oil on tablex, board measures: 48 x 48 cm
Templum Fine Art Auctions
Mar. 22, 2023
Manuel Angeles Ortiz. Head
Est: -
Mixed technique on paper. Signed in the lower right corner. Dated on the back.
Duran Arte y Subastas
Feb. 27, 2023
MANUEL ÁNGELES ORTIZ (Jaén, 1895 – Paris, 1984). "Walk under the trees." Paper cut out. Work reproduced in "Manuel Ángeles Ortiz. Tribute Exhibition. Spanish Museum of Contemporary Art, 1980. Fig 132.
Est: €2,000 - €2,500
MANUEL ÁNGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Walk under the trees". Cut-out paper. Work reproduced in "Manuel Ángeles Ortiz. Homage Exhibition. Spanish Museum of Contemporary Art, 1980. Fig 132. Signed in the lower right corner. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 61 x 47 cm; 90 x 74 cm (frame). A representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a group exhibition, receiving very good reviews in the local press. At the same time, he began to produce drawings for various publications. In the early 1920s, following the death of his wife, the painter moved to Paris. There he painted frenetically, with Picasso as his main supporter and first enthusiast. His painting abandoned cubic forms to focus on fully dreamlike images, which he presented in Paris in his first one-man show, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to take refuge in France once again at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated into the artistic scene and lived until 1948, when he returned to Paris for good. He is currently represented in the Museo Nacional Reina Sofía in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Museo de Arte Contemporáneo in Seville, the Museo de Bellas Artes in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera gallery in Cologne, among other public and private collections.
Setdart Auction House
Feb. 27, 2023
MANUEL ÁNGELES ORTIZ (Jaén, 1895 – Paris, 1984). "Albaicín". Pencil on paper. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €1,800 - €2,000
MANUEL ÁNGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Albaicín". Pencil on paper. Provenance: private collection conceived since the 1970s between London and Madrid. Measurements: 99,5 x 65 cm; 77 x 94 cm (frame). In this specific case the artist recreates the narrow streets of the Albaicín, thanks to the use of geometrical structures that form the buildings, in spite of the apparent order there is a certain chaos that brings a certain dynamism to the scene. This use of geometric structures, which in a conceptual way represent the architecture of the Albaicín, was recurrent in the work of Manuel Ángeles Ortiz, in fact, an example can be seen in the Museo Nacional Centro de Arte Reina Sofía, whose collection has a painting of the same title and year. In 1957 Manuel Ángeles Ortiz returned to Granada and in a new contact with the landscape and culture of the city, a year later he decided to undertake an artistic series that would last until the 1970s. This series, called Albaicín, brought together a large number of works conceived in different media such as paper or cardboard, and portrayed the mythical quarter through the use of a wide panoramic view and different lighting approaches. A representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a group exhibition, receiving very good reviews in the local press. At the same time, he began to produce drawings for various publications. In the early 1920s, following the death of his wife, the painter moved to Paris. There he painted frenetically, with Picasso as his main supporter and first enthusiast. His painting abandoned cubic forms to focus on fully dreamlike images, which he presented in Paris in his first one-man show, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to take refuge in France once again at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated into the artistic scene and lived until 1948, when he returned to Paris for good. He is currently represented in the Museo Nacional Reina Sofía in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Museo de Arte Contemporáneo in Seville, the Museo de Bellas Artes in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera gallery in Cologne, among other public and private collections.
Setdart Auction House
Feb. 27, 2023
MANUEL ÁNGELES ORTIZ (Jaén, 1895 – Paris, 1984). No title. Mixed technique on paper. Signed in the lower left corner. It has a dry stamp in the lower left corner. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €1,800 - €2,200
MANUEL ÁNGELES ORTIZ (Jaén, 1895 - Paris, 1984). Untitled. Mixed media on paper. Signed in the lower left corner. Presents a dry stamp in the lower left corner. Provenance: private collection conceived since the 70s between London and Madrid. Measurements: 61 x 44 cm; 87 x 72 cm (frame). Representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a group exhibition, receiving very good reviews in the local press. At the same time, he began to produce drawings for various publications. In the early 1920s, following the death of his wife, the painter moved to Paris. There he painted frenetically, with Picasso as his main supporter and first enthusiast. His painting abandoned cubic forms to focus on fully dreamlike images, which he presented in Paris in his first one-man show, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to take refuge in France once again at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated into the artistic scene and lived until 1948, when he returned to Paris for good. He is currently represented in the Museo Nacional Reina Sofía in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Museo de Arte Contemporáneo in Seville, the Museo de Bellas Artes in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera gallery in Cologne, among other public and private collections.
Setdart Auction House
Dec. 13, 2022
MANUEL ÁNGELES ORTIZ Jaén (1895) / Paris (1984) "Tree"
Est: €225 - €300
Charcoal on paper Signed with the artist's stamp in the lower right corner Measurements: 27 x 18 cm
Ansorena
Oct. 25, 2022
MANUEL ANGELES ORTIZ Jaén 1885-París 1984 Sailboat Marker and pen on paper
Est: -
MANUEL ANGELES ORTIZ Jaén 1885-París 1984 Sailboat Marker and pen on paper Printed signature Measures 17 x 14 cm
Subastas Segre
Jul. 19, 2022
Manuel Ángeles Ortiz. Head
Est: -
Mixed technique on paper. Signed in the lower right corner. Back dated (1975).
Duran Arte y Subastas
May. 25, 2022
Manuel Ángeles Ortiz. Interior with nude
Est: -
Watercolor. Signed and dated (1950) in the lower left side. Bibliography: .-Art Notebooks. Drawings by MA Ortiz. Nº 49. Collection "Contemporary masters of drawing and painting". Reproduced full page. A copy of the publication is attached with the work.
Duran Arte y Subastas
Mar. 29, 2022
MANUEL ANGELES ORTIZ Jaén 1885-París 1984 Sailboat Marker and pen on paper
Est: €500 - €1,000
MANUEL ANGELES ORTIZ Jaén 1885-París 1984 Sailboat Marker and pen on paper Stamped signature Measures 17 x 14 cm
Subastas Segre
Mar. 29, 2022
MANUEL ANGELES ORTIZ Jaén 1895-París 1984 Still life. 1945 Oil on canvas Si
Est: €5,000 - €10,000
MANUEL ANGELES ORTIZ Jaén 1895-París 1984 Still life. 1945 Oil on canvas Signed and dated 1945 Measures 56.5 x 73 cm
Subastas Segre
Mar. 29, 2022
Manuel Angeles Ortiz. cypress walk
Est: -
Mixed technique on paper. Signed in the lower left corner.
Duran Arte y Subastas
Feb. 15, 2022
MANUEL ÁNGELES ORTIZ (Jaén, 1895 – Paris, 1984). "Albaicin", 1962. Watercolor on paper. Work reproduced in: -GERARD XURIGUERA., Art Notebooks, Miguel Ángel Ortiz, Iberian European Editions, 1976.
Est: €10,000 - €12,000
MANUEL ÁNGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Albaicín", 1962. Watercolour on paper. Work reproduced in: -GERARD XURIGUERA, Cuadernos de Arte, Miguel Ángel Ortiz, Ibérico Europea de Ediciones,1976. Signed and dated on the lower right-hand side. Measurements: 50 x 65 cm; 67 x 83 cm (frame). In 1957 Manuel Ángeles Ortiz returned to Granada and in a new contact with the landscape and culture of the city, a year later he decided to undertake an artistic series which would last until the 70s. This series, called Albaicín, brought together a large number of works conceived in different media such as paper or cardboard, and portrayed the mythical quarter through the use of a wide panoramic view and different lighting approaches. In this particular case the artist recreates the narrow streets of the Albaicín, thanks to the use of geometric structures that make up the buildings, despite the apparent order there is a certain chaos that brings a certain dynamism to the scene. This use of geometric structures, which in a conceptual way represent the architecture of the Albaicín, was recurrent in the work of Manuel Ángeles Ortiz, in fact, an example can be seen in the Museo Nacional Centro de Arte Reina Sofía, whose collection has a painting of the same title and year. A representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a group exhibition, receiving very good reviews in the local press. At the same time, he began to produce drawings for various publications. In the early 1920s, following the death of his wife, the painter moved to Paris. There he painted frenetically, with Picasso as his main supporter and first enthusiast. His painting abandoned cubic forms to focus on fully dreamlike images, which he presented in Paris in his first one-man show, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to take refuge in France once again at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated into the artistic scene and lived until 1948, when he returned to Paris for good. He is currently represented in the Museo Nacional Reina Sofía in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Museo de Arte Contemporáneo in Seville, the Museo de Bellas Artes in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera gallery in Cologne, among other public and private collections.
Setdart Auction House
Feb. 15, 2022
MANUEL ÁNGELES ORTIZ (Jaén, 1895 – Paris, 1984). "Interior with nude", 1950. Watercolor on paper. Work reproduced in: -GERARD XURIGUERA
Est: €5,000 - €6,000
MANUEL ÁNGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Interior with nude", 1950. Watercolour on paper. Work reproduced in: -GERARD XURIGUERA, Cuadernos de Arte, Miguel Ángel Ortiz, Ibérico Europea de Ediciones, 1976. Signed and dated in the lower left area. Measurements: 56 x 45 cm; 67 x 55,5 cm (frame). According to the Museo Reina Sofía "From his first stay in Paris, Pablo Picasso's imprint on his work is profound. His painting shows the same alternation of languages (late Cubism, line drawing and rounded and monumental volumes of classical inspiration, etc.), a symptom of the different approaches to a return to order promulgated by different voices, from Cahiers d'Art to Jean Cocteau or Amédée Ozenfant. On the other hand, as Carmona points out, his friendship and professional relationship with the composer Manuel de Falla influenced his work in two ways: the aesthetic appreciation of music and the strengthening of "the relationship between the popular figurative tradition and modern art". A representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city, before moving to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a group exhibition, receiving very good reviews in the local press. At the same time, he began to produce drawings for various publications. In the early 1920s, following the death of his wife, the painter moved to Paris. There he painted frenetically, with Picasso as his main supporter and first enthusiast. His painting abandoned cubic forms to focus on fully dreamlike images, which he presented in Paris in his first one-man show, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to take refuge in France again at the end of the Civil War. After a brief stay in Paris he went to Buenos Aires, where he became fully integrated into the artistic scene and lived until 1948, when he returned to Paris for good. He is currently represented in the Museo Nacional Reina Sofía in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Museo de Arte Contemporáneo in Seville, the Museo de Bellas Artes in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera gallery in Cologne, among other public and private collections.
Setdart Auction House
Dec. 14, 2021
MANUEL ANGELES ORTIZ - Seated lady
Est: €350 - €700
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984 Lady seated Pencil on paper Signed size 46 x 32 cm
Subastas Segre
Oct. 19, 2021
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Sculpture", 1972. Oil on canvas.
Est: €6,000 - €7,000
MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984). "Sculpture", 1972. Oil on canvas. Signed and dated in the lower right corner. Titled on the back. Measurements: 46 x 38 cm; 58 x 50 cm (frame). In the exhibition dedicated by the Museo y Centro de Arte Reina Sofía in Madrid, it was pointed out that the work of Manuel Ángeles Ortiz is difficult to classify. This difficulty is appreciated even in this work, where the artist makes a game through the title and the support, thus inviting the viewer to reflect on the work. This same reflection is what he transferred to all his artistic work, for this reason it is difficult to classify it as part of a movement, or a specific aesthetic. During the 60's he created his work geometric head, he was interested in the human figure and compositional analysis. In this work you can appreciate these interests, but at the same time a surrealist heritage. The work of Manuel Ángeles Ortiz shows the same alternation of languages (late Cubism, line drawing and round and monumental volumes of classical inspiration, etc.), a symptom of the different approaches to a return to order, promulgated by different voices, from Cahiers d'Art to Jean Cocteau or Amédée Ozenfant. He was an independent artist, difficult to classify stylistically, as he did not stop experimenting throughout his career, although he rejected abstract painting. That is why he is attracted to surrealism for "its enigmatic lyricism, not its morbid aberrations of psychotic subjection", as he himself points out. Manuel Ángeles Ortiz was an essential artist in the renewal of art in Spain throughout the 1920s and until the Civil War in Spain. Representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city, and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a collective exhibition, receiving very good reviews in the local press. At the beginning of the twenties he moves to Paris, where he will have in Picasso his main support and first enthusiast. There he had his first individual exhibition, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to go first to Paris and then to Buenos Aires, where he became fully integrated in the artistic environment and lived until 1948, when he returned to Paris for good. From his first stay in Paris, Pablo Picasso's imprint on his work is profound. The same happens in Buenos Aires, his series of woods are not found objects, but pieces worked following his own intuitions. All this is linked to the tradition of the poetics of the primitive, developed by artists such as Benjamin Palencia, Angel Ferrant, or Alberto Sanchez, but also by Paul Klee, Jean Arp and Constantin Brancusi. From the fifties in his work persist the landscape and the human figure but approaches informalism. He is currently represented in the Reina Sofía National Museum in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Contemporary Art Museum in Seville, the Fine Arts Museum in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera Gallery in Cologne, among other public and private collections.
Setdart Auction House
Sep. 29, 2021
MANUEL ÁNGELES ORTIZ (1895 / 1984) "No title"
Est: €750 - €1,000
Signed in pencil in the lower right-hand corner . Mixed technique and collage on paper
Ansorena
Dec. 15, 2020
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984
Est: -
Geometric composition Paper cutout Signed with stamp Back signed with stamp Size 25.5 x 14.5 cm PROVENANCE(label on the back) Dalmau Room, Barcelona Particular collection
Subastas Segre
Dec. 15, 2020
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984
Est: -
Alhambra Watercolor and pencil on paper Signed Size 25 x 25.7 cm
Subastas Segre
Dec. 15, 2020
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984
Est: -
Landscape Oil on canvas Signed Size 27 x 35.5 cm
Subastas Segre
Dec. 10, 2020
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "Proyecto para contrucción de monumento".
Est: €180 -
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "Proyecto para contrucción de monumento". Dibujo a lápiz sobre papel. Firmado y titulado. 27,5 x 15,5 cm.
Aletheia Subastas
Dec. 10, 2020
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "Sin título".
Est: €180 -
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "Sin título". Dibujo a tinta sobre papel. Firmado. 17 x 22 cm.
Aletheia Subastas
Dec. 10, 2020
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "El beso".
Est: €250 -
Manuel Ángeles Ortiz (Jaén, 1895-París, 1984) "El beso". Dibujo a carboncillo sobre cartulina. Firmado. 42 x 56 cm.
Aletheia Subastas
Oct. 27, 2020
MANUEL ANGELES ORTIZ Jaén 1885-Paris 1984
Est: -
Multiple heads Ink on paper Size 19 x 12 cm
Subastas Segre
Oct. 27, 2020
MANUEL ANGELES ORTIZ Jaén 1895-Paris 1984
Est: -
Pigeon. 1962 Waxes on paper Signed and dated 1962 Size 53 x 48 cm BIBLIOGRAPHY: -Gerard Xuriguera, "Manuel Ángeles Ortiz. Contemporary Notebooks of Drawing and Painting No. 49", Ed. Ibérico Europea de Ediciones, Madrid 1976, rperod. s / p
Subastas Segre