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Mark Antokolsky Sold at Auction Prices

b. 1842 - d. 1902

Mark Matveyevich Antokolsky (Russian: 2 November 1840 – 14 July 1902) was a Russian Imperial sculptor of Lithuanian Jewish[2] descent.

Mordukh Matysovich Antokolsky[3] was born in Vilnius (Antokol city district), Lithuania (at the time part of the Russian Empire). He studied in the Imperial Academy of Arts (1862–68) at St. Petersburg. He first began with Jewish themes, statues: "Jewish Tailor", "Nathan The Wise", "Inquisition's Attack against Jews", "The Talmudic Debate".

From 1868–1870, Mark Antokolsky lived in Berlin. His statue of Ivan the Terrible (1870) was purchased for the Hermitage by Emperor Alexander II of Russia. The latter approved his work and awarded the sculptor the title of Academic. Antokolsky believed that sculpture was a social and humane ideal. In order to improve his failing health, he moved to the Italian resorts in 1871 and settled in Paris six years later.

Every year Antokolsky would come back to his native town of Vilnius during his summer holidays. Namely here he created his first significant work, high relief "A Jewish Tailor", during his summer holidays of 1864.

The work of the young sculptor provoked debate in the Academy in Petersburg. On 28 October 1864, the Council of the Academy decided to award Antokolski with the Small Silver Medal for the "Tailor" by the majority of votes.

While in Vilnius the following year, Antokolski created another high relief - "A Stingy Man," which is sometimes referred to as "A Stingy Jew Counting his Coins". The artist was born into a poor family and saw how his father's financial situation improved. The sculpture might have reflected Antokolski's feelings towards his native town of Vilnius, and firstly to his father. This work as well as the first sculpture was positively evaluated by Vasily Stasov who saw "the features of the simple truth, the things that, previously, nobody dared to think about in sculpture" in the works of the artist. In 1865, the high relief "Stingy Man" was awarded the Grand Silver Medal of the Academy. In later years the sculptor continued working on Jewish themes, which developed into complex, yet unfinished compositions: "Talmud Dispute" (1866–1868) and "Inquisition Attacks the Jews" (1868–1869). The "Inquisition" was M. Antokolski's last work on the Jewish topic in his student years.

According to the review of the Art Academy, Antokolsky was granted personal name of honorary citizen "for wonderful knowledge of art" on 7 April 1870. This fact was also entered into an archival record. Moreover, an inscription remained that Morduchas was excluded from the revision register of Antakalnis Jewish community as a person awarded the name of an honorary citizen.

In 1871 Antokolsky started his first "Russian" sculpture, "Ivan the Terrible", which made an enormous impression on all valuators and connoisseurs of art. When Emperor Alexander II saw the sculpture he asked to make its bronze copy and allocated the sculptor advance payment of 4,000 roubles. Pavel Tretyakov ordered a marble copy for his gallery. The funds received enabled the artist to resolve his personal problems. In 1871 (in Vilnius) Antokolski met Jelena (Gene), daughter of a rich Vilnius merchant Judelis Giršovicius Apatovas. The two married on 6 September 1872.

Antokolsky used 4,000 rubles for the "Ivan the Terrible" to buy half of a big house in Vilnius, the other part of which had previously belonged to his wife. In 1876, upon his regular visits to Vilnius, Antokolsky rebuilt the house. After 1876, Antokolsky was a rare visitor to his native town due to illnesses, work, and exhibitions in Paris and Italy, which took almost all of his time. However, the artist did not break his links with Jewish life. Concern over his nation urged Antokolsky to return to his work "Inquisition Attacks the Jews", started 30 years before in Vilnius.

In Rome, Antokolsky completed the statue of Peter the Great for Peterhof Palace in 1872, with its copies for Taganrog and Archangelsk. In 1878 Antokolski exhibited most of his works at the Paris Universal exposition, and received the Grand Prize. In 1880, the personal exhibition of the artist was held in Saint Petersburg, and he was given the rank of professor. Antokolsky left for Paris the same year, and stayed in the French capital until the end of his life, apart from periods on Lake Maggiore, in northern Italy. He realised here the following works: "Spinoza" (1881), "Mephistopheles" (1884), "Yaroslav the Wise" (1889), "Nestor the Chronicler" (1889) and "Yermak Timofeevich" (1891). Several of his small-size sculptures are in the European Art collection of the Israel Museum, Jerusalem.

He had also planned a monument to Catherine II in Vilnius. However, with the chronic stomach disease getting more severe, the artist suddenly died on 9 July (27 June according to the old calendar) in Frankfurt (Germany). The last work was completed by I. Ginzburg after the sculptor's death. The monument has not survived.

Antokolski was buried in St. Petersburg. The train with a special carriage went via Vilnius. Antokolski was buried on the 18th (6th according to the old calendar) of July 1902 in the Jewish part of Preobrazhenskoye Cemetery in St. Petersburg. His grave and tombstone can still be found there, not far from the entrance gate, but were not well maintained and cared for at least up to the 1990s.

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      • MARK MATVEEVICH ANTOKOLSKY (1843-1902)
        Nov. 09, 2024

        MARK MATVEEVICH ANTOKOLSKY (1843-1902)

        Est: $50,000 - $70,000

        MARK MATVEEVICH ANTOKOLSKY (1843-1902) Mephistopheles, ca. 1883 gilt patinated bronze mounted on polished stone height: 85 cm (33 1/2 in.) (including base) signed in the base, Antocolsky, bronze stamped with foundry mark F. Barbedienne. Fondeur. Paris. PROVENANCE Private Collection, New York LOT NOTES An exceedingly rare version of Antokolsky's masterpiece Mephistopheles, the present lot exemplifies the minute detail for which he was renowned, and that only Barbedienne could achieve. It has a resonating dark gilt patina, which blends harmoniously with the smoothness of the carved rock base. Of the few examples which have come to auction in the last decades, most consisted only of bronze. It is worth noting, that in the present version, Antokolsky chose to sign his name on the base, further accentuating the integral part of it to the overall composition. N.B. Condition reports are available upon request. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

        Shapiro Auctions LLC
      • Mark Antokolsky (Russian, 1843-1902)
        Jan. 24, 2024

        Mark Antokolsky (Russian, 1843-1902)

        Est: $30,000 - $50,000

        Mephistopheles Signed Antocolsky, with F. Barbedienne Foundry mark on the base Bronze with brown patina Height 33 1/2 inches (85 cm). The premier Russian sculptor of the late nineteenth century, Mark Antokolsky (1843-1902) was born in Vilnius and studied at the Imperial Academy of Arts in St. Petersburg under the tutorship of N. Pimenov and I. Reimerce. He was awarded silver medals for his work at the academy, and when his sculpture of Ivan the Terrible was purchased by Emperor Alexander II for the Imperial Hermitage, Antokolsky was given the title of Academician. Antokolsky conceived of Mephistopheles in 1874 while working on Christ Before the Judgment of the People, aiming to create a character as strong as Christ but in complete moral opposition to him, with the intention of exhibiting the two works together. Concerned as he was with the problems of humanity, Antokolsky considered the process of artistic creation as the embodiment of moral principles. And as with his works, Ivan the Terrible and Peter I, Antokolsky sought to embody both the dark and the light aspects of human nature. While developing the concept of Mephistopheles in the succeeding years, Antokolsky was inspired by Goethe's Faust, and in 1876 he produced a bust as a study for a full-scale work. However, we was unsatisfied with the result, as he felt it lacked depth and complexity. In 1882, Antokolsky began to produce clay studies of the full-scale work and continued throughout 1883. The finished work, a thoroughly modern and deeply psychological portrait, was realized in marble and cast in bronze. “My Mephistopheles,” Antokolsky wrote in a letter to E.G. Mamontov in May 1883, “is the product of all ages, especially our age. My Mephistopheles is mystery, plague, decay, which is carried in the air; it infects and kills people. Mephistopheles is evil, fathomless evil, evil without mercy. He is helpless in his spirit, but his jealousy, his self-love is strong. He is irritated by everything: joy, laughter, young kisses. He wants everything around him to be gloomy, dead, empty and lifeless as he is himself.” While Antokolsky had hoped to exhibit Mephistopheles in the Peredvizhniki exhibition in St. Petersburg after its completion in 1883, it was not until 1886 that it was first exhibited publicly in the Imperial Hermitage. The reception was enthusiastic, with critics praising the work and comparing Antokolsky to Repin. The response in Western Europe, where Mephistopheles was later exhibited, was just as favorable. In Vienna in 1898, Antokolsky was awarded a gold medal for the work. Other casts of Mephistopheles in bronze, by the Barbedienne and Thiébaut Frères foundries, are known. A cast by the Barbedienne foundry of the same size as the present lot is in Muzei Sobranie, Moscow (Inv. No. 3187/IZO). Other versions of Mephistopheles, in both bronze and marble, are in the State Hermitage, the Tretyakov Gallery, the State Russian Museum and the Victoria and Albert Museum. A large-scale cast of Mephistopheles is in the State Russian Museum (Inv. No. CK-1339); further examples of the same scale, both in bronze and marble, are in the State Russian Museum; and a plaster model is in the State Historical Museum of Religion, St. Petersburg (Inv. No. A-252-III). A comparable bronze cast of Mephistopheles by Barbedienne, of the same size as the present lot, was sold Christie's New York, October 19, 2001, lot 169 and Sotheby's, London, June 6, 2017, lot 438.

        DOYLE Auctioneers & Appraisers
      • MARK ANTOKOLSKY (1843-1902) Head of a Jew
        Dec. 12, 2023

        MARK ANTOKOLSKY (1843-1902) Head of a Jew

        Est: €30,000 - €50,000

        signed ‘Antocolsky’ (on the back) marble with beige patina H. 36 cm circa MARK ANTOKOLSKY (1843-1902) Head of a Jew signé ‘Antocolsky’ (au dos) marbre à patine beige H. 36 cm circa

        Hermitage Fine Art
      • MARK MATVEYEVICH ANTOKOLSKY (Russian, 1840-1902) Mephistopheles bronze Height 84cm
        Sep. 19, 2023

        MARK MATVEYEVICH ANTOKOLSKY (Russian, 1840-1902) Mephistopheles bronze Height 84cm

        Est: $20,000 - $30,000

        MARK MATVEYEVICH ANTOKOLSKY (Russian, 1840-1902) Mephistopheles bronze signed in the bronze: Antocolsky foundry mark to base: F. BARBEDIENNE, Fondeur Height 84cm OTHER NOTES: Mark Matveevich Antokolsky was one of the most important Russian realists of the nineteenth century with The Tretyakov Gallery alone housing thirty of his works, including the bust of Mephistopheles as well as editions of the full-body version in marble and bronze. The sculptor first had the idea of portraying the demon made famous by Goethe's Faust in 1874, and whilst living in Paris, he produced the bust in 1877 and finished the full-body sculpture in 1883. The same year it was purchased by the Hermitage, and in 1897 it was moved to the newly-established Russian Museum in St Petersburg. It represents the devil's agent as a slender man lost in thought, forgoing any costume to underscore his subject's timelessness and universality with only the goatee and slightly horned haircut to signal the demon's devilish nature. His elbows and shoulders are sharp, his fingers long, his facial features lean, his skin taut over bone. His posture is hunched and its tension is internal, as if the demon were gathering his thoughts and energies without any signs of danger or aggression. On the day he completed the sculpture Antokolsky wrote to E. G. Mamontova, the wife of arts patron Savva Mamontov, delineating his artistic intentions in detail: 'My Mephistopheles represents the puzzlement, plague and putridity that poisons the air, that gets inside people and ruins them. Mephistopheles is relentless evil, an evil without end; ruthless, repulsive, nesting in an ill body with a collapsing soul. He is sick and suffering from having lived through everything, from decay, from an inability to take pleasure in life. His spirit is lifeless, he is incapable of creation, and yet he cannot hide his envy, pride and weakness. The warm spring rays of sunlight burn his skin and blind him. All forms of happiness, be they laughter or the kiss of young lovers, annoy him. He wants everything around him to be as dark, deathly, empty and lifeless as he is. To walk in darkness, to dig the ground like a mole, to ruin, to beget suffering, to see blood and tears pouring down-these are the things that calm and settle him, although he never quite takes pleasure in them, so unquenchable is his lust for lifelessness' (V. Stasov, ed., Antokolsky: His Creative Life, Letters and Articles, 1905, p. 441).

        Leonard Joel
      • MARK ANTOKOLSKY (LITHUANIAN-RUSSIAN 1840-1902)
        Oct. 15, 2022

        MARK ANTOKOLSKY (LITHUANIAN-RUSSIAN 1840-1902)

        Est: $5,000 - $7,000

        MARK ANTOKOLSKY (LITHUANIAN-RUSSIAN 1840-1902) Bust of Mephistopheles,circa 1875 bronze with brown and green patina 24 cm (9 1/2 in.) signed on the right of the base LOT NOTES Following the glowing acclaim of Mark Antokolsky's marble sculpture Mephistopheles, which entered the collection of the Hermitage Museum in 1886, a mere three years after its completion, the artist produced bronze versions of the figure's bust to capitalize on the project's success. At the onset, Antokolsky turned to Johann Wolfgang von Goethe's Faust for inspiration for the figure, which he referred to as the equally powerful counterpoint to his earlier sculpture of Christ. Lacking clothing or any identifiable characteristics tying him to a particular period or place, the artist nevertheless epitomized the demon of the modern age. In an 1883 letter to E. G. Mamontova, Antokolsky wrote: Mephistopheles is a product of all the ages, and ours in particular. We can say that I dreamed up this being, that this is purely my fantasy, or you could ask where I saw such a being? Yes, no one sees him like this, but we sense his breathing, feel his monstrous paw pressing on our chest, sense our inability to cry out, in a word, we see the nightmare.

        Shapiro Auctions LLC
      • A RARE AND MONUMENTAL BRONZE MODEL OF MEPHISTOPHELES MARK ANTOKOLSKY (1842
        Nov. 29, 2021

        A RARE AND MONUMENTAL BRONZE MODEL OF MEPHISTOPHELES MARK ANTOKOLSKY (1842

        Est: £150,000 - £200,000

        A RARE AND MONUMENTAL BRONZE MODEL OF MEPHISTOPHELES MARK ANTOKOLSKY (1842-1902) 67 ¾ in. (171 cm.) high

        Christie's
      • A TERRACOTTA BUST OF NATHAN THE WISE MARK ANTOKOLSKY (1842-1902) 10 ¾ in.
        Nov. 29, 2021

        A TERRACOTTA BUST OF NATHAN THE WISE MARK ANTOKOLSKY (1842-1902) 10 ¾ in.

        Est: £3,000 - £5,000

        A TERRACOTTA BUST OF NATHAN THE WISE MARK ANTOKOLSKY (1842-1902) 10 ¾ in. (27.3 cm.) high

        Christie's
      • A RARE BRONZE MODEL 'AT THE CROSSROADS' MARK ANTOKOLSKY (1843-1902) 31 in.
        Jun. 07, 2021

        A RARE BRONZE MODEL 'AT THE CROSSROADS' MARK ANTOKOLSKY (1843-1902) 31 in.

        Est: -

        A RARE BRONZE MODEL 'AT THE CROSSROADS' MARK ANTOKOLSKY (1843-1902) 31 in. (78.8 cm.) high

        Christie's
      • Mark Antokolsky (Russian, 1842-1902)
        Dec. 05, 2019

        Mark Antokolsky (Russian, 1842-1902)

        Est: $8,000 - $10,000

        Hasidic Jews, pair of bronze sculptures, height: 19-20 cm, signed.

        Ishtar Auctions Ltd
      • MARK MATVEEVICH ANTOKOLSKY | La Belle au Bois Dormant (Sleeping Beauty)
        Dec. 12, 2018

        MARK MATVEEVICH ANTOKOLSKY | La Belle au Bois Dormant (Sleeping Beauty)

        Est: £35,000 - £50,000

        bronze, green, brown and golden patina

        Sotheby's
      • ANTOKOLSKY Mark Matveevich (1843-1902) Saint Nesto
        Nov. 23, 2018

        ANTOKOLSKY Mark Matveevich (1843-1902) Saint Nesto

        Est: €10,000 - €12,000

        ANTOKOLSKY Mark Matveevich (1843-1902) Saint Nestor the Chronicler. 1890s - early 1900s. Biscuit, colored watering 15.5 cm x 18.5 cm. АНТОКОЛЬСКИЙ Марк Матвеевич (1843-1902) Святой Нестор Летописец. 1890-е – начало 1900-х годов. Бисквит, цветная полива высота – 15,5 см., ширина – 18,5 см. Мраморный оригинал скульптуры «Нестор Летописец» был исполнен Антокольским в 1890 году. По его творческому замыслу все основные произведения мастера должны были тиражироваться в уменьшенных размерах в фарфоре и керамике. Однако, это так и не было осуществлено. На сегодняшний день, кроме представленного экземпляра, известна только одна попытка повторения работы Антокольского в керамике – голова «Ивана Грозного», проданная на аукционе Christie’s.

        Hermitage Fine Art
      • NATHAN THE WISE: A BRONZE BUST, AFTER THE MODEL BY MARK ANTOKOLSKY (1843 - 1902), CAST BY THE GRUET FOUNDRY, PARIS |
        Jun. 05, 2018

        NATHAN THE WISE: A BRONZE BUST, AFTER THE MODEL BY MARK ANTOKOLSKY (1843 - 1902), CAST BY THE GRUET FOUNDRY, PARIS |

        Est: £8,000 - £12,000

        brown patina, inscribed in Russian 'M. Antokoslkyi', with impressed foundry mark, on a red marble pedestal

        Sotheby's
      • MARK MATVEEVICH ANTOKOLSKY | La Croisée des Chemins (The Crossroads)
        Dec. 13, 2017

        MARK MATVEEVICH ANTOKOLSKY | La Croisée des Chemins (The Crossroads)

        Est: £25,000 - £35,000

        white marble and gilt bronze

        Sotheby's
      • MEPHISTOPHELES - MARK ANTOKOLSKY (1843-1902)
        Nov. 27, 2017

        MEPHISTOPHELES - MARK ANTOKOLSKY (1843-1902)

        Est: £10,000 - £15,000

        MEPHISTOPHELES MARK ANTOKOLSKY (1843-1902) 21 5/8 in. (55 cm.) high, excluding marble plinth

        Christie's
      • Mark Matveevich Antokolsky (Russian, 1843-1902) Bust of a young
        Jun. 03, 2015

        Mark Matveevich Antokolsky (Russian, 1843-1902) Bust of a young

        Est: -

        Mark Matveevich Antokolsky (Russian, 1843-1902) Bust of a young girl height: 66cm (26in).

        Bonhams
      • MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902)
        May. 16, 2015

        MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902)

        Est: $5,000 - $7,000

        MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902) Bust of Mephistopheles, bronze with medium brown and green patina height: 24.5 cm (9 5/8 in.) inscribed Antokolsky on back of base LOT NOTES: Following the glowing acclaim of Mark Antokolsky’s marble sculpture Mephistopheles, which entered the collection of the Hermitage Museum in 1886, a mere three years after its completion, the artist produced bronze versions of the figure’s bust to capitalize on the project’s success. At the onset, Antokolsky turned to Johann Wolfgang von Goethe's Faust for inspiration for the figure, which he referred to as the equally powerful counterpoint to his earlier sculpture of Christ. Lacking clothing or any identifiable characteristics tying him to a particular period or place, the artist nevertheless epitomized the demon of the modern age. In an 1883 letter to E. G. Mamontova, Antokolsky wrote: “Mephistopheles is a product of all the ages, and ours in particular. We can say that I dreamed up this being, that this is purely my fantasy, or you could ask where I saw such a being? Yes, no one sees him like this, but we sense his breathing, feel his monstrous paw pressing on our chest, sense our inability to cry out, in a word, we see the nightmare." PLEASE NOTE If you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.

        Shapiro Auctions LLC
      • MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902)
        Feb. 28, 2015

        MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902)

        Est: $8,000 - $12,000

        MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902) Bust of Mephistopheles, bronze with medium brown and green patina height: 24.5 cm (9 5/8 in.) inscribed Antokolsky on back of base LOT NOTES: Following the glowing acclaim of Mark Antokolsky's marble sculpture Mephistopheles, which entered the collection of the Hermitage Museum in 1886, a mere three years after its completion, the artist produced bronze versions of the figure's bust to capitalize on the project's success. At the onset, Antokolsky turned to Johann Wolfgang von Goethe's Faust for inspiration for the figure, which he referred to as the equally powerful counterpoint to his earlier sculpture of Christ. Lacking clothing or any identifiable characteristics tying him to a particular period or place, the artist nevertheless epitomized the demon of the modern age. In an 1883 letter to E. G. Mamontova, Antokolsky wrote: "Mephistopheles is a product of all the ages, and ours in particular... We can say that I dreamed up this being, that this is purely my fantasy, or you could ask where I saw such a being? Yes, no one sees him like this, but we sense his breathing, feel his monstrous paw pressing on our chest, sense our inability to cry out, in a word, we see the nightmare."

        Shapiro Auctions LLC
      • Mark Matveevich Antokolsky (Russian, 1843-1902), BUST OF MEPHISTOPHELES, height 10" - 25.4 cm.
        Dec. 10, 2014

        Mark Matveevich Antokolsky (Russian, 1843-1902), BUST OF MEPHISTOPHELES, height 10" - 25.4 cm.

        Est: $5,000 - $7,000

        MARK MATVEEVICH ANTOKOLSKY (RUSSIAN, 1843-1902) BUST OF MEPHISTOPHELES bronze with green brown patination, incised signature, height 10" - 25.4 cm.

        Waddington's
      • Antokol'skii, Mark (1842-1902)
        Nov. 28, 2011

        Antokol'skii, Mark (1842-1902)

        Est: £150,000 - £200,000

        Antokol'skii, Mark (1842-1902) Mephistopheles signed in Cyrillic 'Antokol'skij' on the back of the base and inscribed with foundry mark 'fonte procédé cire perdue Thiebaut Frères Paris' on the side of the base bronze with brown/green patina 67¾ in. (171 cm.) high

        Christie's
      • ANTOKOLSKY, MARK 1842-1902 A Bust of Mephistopheles
        Jun. 10, 2010

        ANTOKOLSKY, MARK 1842-1902 A Bust of Mephistopheles

        Est: £25,000 - £35,000

        ANTOKOLSKY, MARK 1842-1902 A Bust of Mephistopheles signed Bronze with green patina, height 25.5 cm.

        MacDougall's
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