Garo Zareh Antreasian Paintings & Artwork for Sale | Garo Zareh Antreasian Art Value Price Guide

Mar. 12, 2025
Garo Zareh Antreasian, Untitled, 1979
Est: $600 - $900
Garo Zareh Antreasian (1922 - 2018) Untitled, 1979 lithograph, edition 80 of 125 co-founder of the Tamarind Institute (Tamarind Lithography Workshop)
Santa Fe Art Auction
Feb. 06, 2025
Garo Antreasian CCP Series Acrylic on Paper, 1994
Est: $400 - $600
Garo Zareh Antreasian (American, 1922-2018), "CCP Series, Caramel (Plate Number 5)", Acrylic on Paper, 1994, Gerald Petersn Gallery label to verso with Gavin Collier & Co. stamp, ebonized wood frame. Image: 25" H x 18.5" W; frame: 27.5" H x 21.5" W. Provenance: From a New York City Collection. Keywords: Painting, Works on Paper, Minimalism, Minimalist, Lines, Contemporary Art
Auctions at Showplace
Jan. 30, 2025
Two Garo Antreasian (American, 1922-2018) Untitled
Est: $150 - $250
Lithograph with blended ink. Each signed and numbered edition of 60.
Cottone Auctions
Jul. 10, 2024
Lot of 3 Works: Garo Z. Antreasian, American, (1922-2018), Night Garden, color lithograph, 1954, pencil signed. 11"H x 8"W (image), 19"H x 14"W (mat) (largest)
Est: $140 - $250
Lot of 3 Works: Garo Z. Antreasian, American, (1922-2018), Night Garden, color lithograph, 1954, pencil signed. William Frazier (20th c.), floral still life. Unknown (20th c.), Jamaica Inn exterior scene. Biography from the Archives of askART: Garo Antreasian, born February 16, 1922 in Indianapolis, Indiana has been involved with lithography since the age of seventeen. He was first introduced to the medium by discovering a deserted hand press at Arsenal Technical High School in his hometown of Indianapolis. He received his formal art education at the Herron in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. During the 1950s, while working as an instructor at the Herron School of Art, he began to create color lithographs. In 1960, he was invited to be the first technical director of the new Tamarind Lithography Workshop in Los Angeles, which moved to the University of New Mexico in 1970. During this time he worked to promote the art of lithography among American artists. Antreasian's paintings and prints incorporated innovative materials and techniques such as printing on metal foil, using metallic inks, embossing the print surface, and collaging. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City http://www.tandempress.wisc.edu/tandem/gallery/antreasian/antreasian.htm Louise M. Lewis, former assistant director of the University of New Mexico Fine Arts Museum has written, "The name of Garo Antreasian has been synonymous with creative lithography in the United States for the past several decades. Through his teaching and creative activities, his contribution to the techniques and aesthetics of lithography have had a considerable influence on the medium in this country." According to the critic V.B. Price, Antreasian's prints have "a warmth and elegance, which take on the characteristics of an aristocratic self-control, a mannered passion and vitality, that contradicts their severities. For all their mathematical precision, the juxtaposition of the richness of their color with the formal geometry of their design gives them a feeling of exuberance." Sandy Ballatore (http://fenixgallery.com/antreasian/) has written: No modernist painter working today cuts through the eclecticism of contemporary fashion more surely than does Garo Antreasian. Although he is well known as a master printmaker/educator, new paintings confirm his position as a master of classical modernism, in painting as well as in printmaking. Antreasian's experience with the Art Students League in New York and with Stanley William Hayter at Atelier 17 in the late forties, set him on a course that brought classical modernism and technological sophistication to California, New Mexico, Indiana, Vancouver, Alaska, Connecticut, Texas, Brazil--wherever he went. His art was last seen in Los Angeles in the fifties when he exhibited prints. In 1960, he was invited to be the Technical Director of Tamarind Lithography Workshop, after writing a forward-looking essay on the advancement of printmaking. He became a leader in the discipline, training master printers for two decades. They, in turn, revolutionized the field. In 1970, Tamarind was moved from Los Angeles to the University of New Mexico, Albuquerque, where he worked as Technical Director until 1972. Although teaching, chairing the art department and working as Acting in Associate Dean drew time from artmaking until his retirement in 1987, his work continued in an inventive and rigorous vein. His new paintings restate the heroic grandeur inherent in the art that he loves: Islamic architecture, metalwork, and tilework discovered when he visited his Armenian parents' birthplace in Turkey; Cubism; Russian Constructivism; the works of Robert Motherwell; and hard-edge painting. Yet, Antreasian's lush planes of thick grays, ivories, terra cottas and soft greens look like no modernist vision we have seen. Architectonic compositions reveal mathematical cleverness, rhythm, stabilizing harmonies. Incised within, around, and through color slabs, taut diagonals stretch like snap-lines used to mark real walls. "Sooner of later," he states, "the painting finishes itself whenever it is ready and from the beginning strokes one realized it was dictating all along what needed to be done." Source: Les Krantz, "American Artists, Illustrated Survey of Leading Contemporary Artists"
Ripley Auctions
Jun. 23, 2024
Garo Antreasian "CCP Series, Caramel" Acrylic, 3
Est: $2,000 - $4,000
Garo Zareh Antreasian (American, 1922-2018), "CCP Series, Caramel", Plate Numbers 1, 4, and 6, black and creme tone acrylic on caramel paper, 1994, Gerald Peters Gallery labels to versos with Gavin Collier & Co. stamps, ebonized wood frames. Images: 25" H x 18.5" W; frames: 27.75" H x 21.5" W. Provenance: From a New York City Collection. Keywords: Paintings, Minimalism, Minimalist, Lines, Geometric, Works on paper
Auctions at Showplace
Jun. 10, 2024
Garo Antreasian, American (1922-2018)
Est: $50 - $1,000
Garo Antreasian, American (1922-2018) Lithograph 13/15 Signed (LR) Sight: 30 1/2"h x 20 1/4"w Condition: Chip and cracked gesso on frame. Glass needs cleaning.
The Auction Barn
Apr. 30, 2024
GARO ANTREASIAN, AMERICAN, NEW MEXICO, INDIANA 1922-2018, UNTITLED, 1966, Lithograph, Sheet: 30 1/4 x 22 1/4 in. (76.8 x 56.5 cm.), Frame: 30 1/2 x 22 1/2 in. (77.5 x 57.2 cm.)
Est: $150 - $300
GARO ANTREASIAN AMERICAN, NEW MEXICO, INDIANA, 1922-2018 UNTITLED, 1966 Lithograph Lower left numbered: 5/15; lower right signed and dated: G. Antreasian '66 Catalogue note: Born in Indianapolis, printmaker Garo Zareh Antreasian helped to promote the art of lithography among American artists during the 1960s and 1970s. He studied printmaking with Will Barnet in New York. During the 1950s, while teaching at the John Herron Institute in Indianapolis, he began to produce color lithographs. Throughout his career, Antreasian has been a very active member of the Tamarind Lithography Workshop. The workshop was established in 1960 to train lithographers and educate American artists about the possibilities of the medium. Before that time, artists interested in printmaking had to go to Europe to work with master craftsmen there. Antreasian served as technical director of Tamarind in Los Angeles, then became an advisor and teacher after the workshop was moved to the University of New Mexico, Albuquerque. Source: National Gallery of Art (https://www.nga.gov/collection/artist-info.2910.html)
Potomack Company
Oct. 18, 2023
Garo Zareh Antreasian (American/Indiana, b. 1922)
Est: $75 - $125
Garo Zareh Antreasian (American/Indiana, b. 1922), "Abstract Composition", 1980, lithograph, pencil-signed, dated and numbered "36/40" lower margin, sheet 18 in. x 14 1/2 in., framed, overall 25 3/4 in. x 21 3/4 in. x 1 in. Condition: Overall good condition. Provenance: Mobile Museum of Art, Mobile, AL; Neal Auction, Mar. 2020, lot 196.
Neal Auction Company
Apr. 29, 2023
Garo Antreasian, Indiana, New Mexico (1922-2018), Abstract Part I, 1976, lithograph under glass, 29 3/4"H x 44 3/4"W, 30 1/4"H x 45 1/4"W (frame)
Est: $250 - $350
Garo Antreasian Indiana, New Mexico, (1922-2018) Abstract Part I, 1976 lithograph under glass Dated, titled Part I and numbered (9/15) verso. Impressed initials lower right. Biography from the Archives of askART: Garo Antreasian, born February 16, 1922 in Indianapolis, Indiana has been involved with lithography since the age of seventeen. He was first introduced to the medium by discovering a deserted hand press at Arsenal Technical High School in his hometown of Indianapolis. He received his formal art education at the Herron in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. During the 1950s, while working as an instructor at the Herron School of Art, he began to create color lithographs. In 1960, he was invited to be the first technical director of the new Tamarind Lithography Workshop in Los Angeles, which moved to the University of New Mexico in 1970. During this time he worked to promote the art of lithography among American artists. Antreasian's paintings and prints incorporated innovative materials and techniques such as printing on metal foil, using metallic inks, embossing the print surface, and collaging. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City.
Ripley Auctions
Apr. 29, 2023
Garo Antreasian, Indiana, New Mexico (1922-2018), Abstract Part II, 1976, lithograph under glass, 29 3/4"H x 44 3/4"W, 30 1/4"H x 45 1/4"W (frame)
Est: $250 - $350
Garo Antreasian Indiana, New Mexico, (1922-2018) Abstract Part II, 1976 lithograph under glass Dated, titled Part II and numbered (9/15) verso. Impressed initials lower right. Biography from the Archives of askART: Garo Antreasian, born February 16, 1922 in Indianapolis, Indiana has been involved with lithography since the age of seventeen. He was first introduced to the medium by discovering a deserted hand press at Arsenal Technical High School in his hometown of Indianapolis. He received his formal art education at the Herron in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. During the 1950s, while working as an instructor at the Herron School of Art, he began to create color lithographs. In 1960, he was invited to be the first technical director of the new Tamarind Lithography Workshop in Los Angeles, which moved to the University of New Mexico in 1970. During this time he worked to promote the art of lithography among American artists. Antreasian's paintings and prints incorporated innovative materials and techniques such as printing on metal foil, using metallic inks, embossing the print surface, and collaging. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City.
Ripley Auctions
Apr. 12, 2023
Garo Antreasian, Color Lithograph
Est: $150 - $250
(American, 1922-2018), numbered 19/20 in the lower left in pencil and signed and dated 1969 in the lower right. Sight size: 23.75" ht. x 19.75" wd., framed size: 30.5" ht. x 26.5" wd. Fine art from the Collection of Madeline and Dario Covi, long-time patrons of the arts, Louisville, KY. Â
Caza Sikes
Oct. 10, 2022
Garo Antreasian, (American, 1922-2018), Abstract Color Lithograph, "Triangulum X", color lithograph on paper, pencil signed G Antrea...
Est: $200 - $400
Garo Antreasian, (American, 1922-2018), Abstract Color Lithograph, "Triangulum X", color lithograph on paper, pencil signed G Antreasian, 83', edition 4/12, 20" x 35-1/4", framed 22-1/2" x 37-3/4", good condition, small crack and scratches on plexiglass
William Bunch Auctions & Appraisals
Sep. 24, 2022
Garo Antreasian, American (1922-2018), Duomo - Milan, 1958, color lithograph, 20 1/2"H x 24 3/4"W, 32 1/2"H x 36"W (frame)
Est: $150 - $250
Garo Antreasian American, (1922-2018) Duomo - Milan, 1958 color lithograph pencil signed, dated, and numbered 7/16.
Ripley Auctions
Sep. 24, 2022
Garo Zareh Antreasian, Indiana, New Mexico (Born 1922), Birds, '59, screen print on paper, 11 1/4" x 17 3/4" (image), 13" x 20" (sheet)
Est: $140 - $250
Garo Zareh Antreasian Indiana, New Mexico, (Born 1922) Birds, '59 screen print on paper Titled and numbered 3/36 lower left. Signed and dated lower right. Biography from the Archives of askART: Garo Antreasian, born February 16, 1922 in Indianapolis, Indiana has been involved with lithography since the age of seventeen. He was first introduced to the medium by discovering a deserted hand press at Arsenal Technical High School in his hometown of Indianapolis. He received his formal art education at the Herron in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. During the 1950s, while working as an instructor at the Herron School of Art, he began to create color lithographs. In 1960, he was invited to be the first technical director of the new Tamarind Lithography Workshop in Los Angeles, which moved to the University of New Mexico in 1970. During this time he worked to promote the art of lithography among American artists. Antreasian's paintings and prints incorporated innovative materials and techniques such as printing on metal foil, using metallic inks, embossing the print surface, and collaging. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City
Ripley Auctions
Jul. 28, 2022
Garo Zareh Antreasian (American, 1922-2018) 81.2.1A and 81.2.1B from Set IV , 1981
Est: $200 - $400
Garo Zareh Antreasian (American, 1922-2018) 81.2.1A and 81.2.1B from Set IV , 1981 mixed print processes each signed, dated, and titled (verso) Each: 21 x 21 inches. Property from the Carmen S. Holeman Trust, Indianapolis, Indiana
Hindman
Jul. 28, 2022
Garo Zareh Antreasian (American, 1922-2018) Untitled from Silver Suite, 1968
Est: $500 - $700
Garo Zareh Antreasian (American, 1922-2018) Untitled from Silver Suite, 1968 lithograph signed, dated and annotated Artist's Proof in pencil 21 1/4 x 19 1/4 inches. Property from the Carmen S. Holeman Trust, Indianapolis, Indiana
Hindman
Jul. 28, 2022
Garo Zareh Antreasian (American, 1922-2018) Untitled from Silver Suite, 1968
Est: $500 - $700
Garo Zareh Antreasian (American, 1922-2018) Untitled from Silver Suite, 1968 lithograph signed, dated and annotated Artist's Proof in pencil 21 1/4 x 19 1/4 inches. Property from the Carmen S. Holeman Trust, Indianapolis, Indiana
Hindman
Apr. 30, 2022
Garo Antreasian, American (1922-2018), Quartet I, 1995, lithograph, 14 1/4"H x 14 1/2"W (image), 32"H x 25 3/4"W (frame)
Est: $200 - $400
Garo Antreasian American, (1922-2018) Quartet I, 1995 lithograph Color Trial Proof, pencil signed lower margin. From AskArt: Garo Antreasian, born February 16, 1922 in Indianapolis, Indiana has been involved with lithography since the age of seventeen. He was first introduced to the medium by discovering a deserted hand press at Arsenal Technical High School in his hometown of Indianapolis. He received his formal art education at the Herron in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. During the 1950s, while working as an instructor at the Herron School of Art, he began to create color lithographs. In 1960, he was invited to be the first technical director of the new Tamarind Lithography Workshop in Los Angeles, which moved to the University of New Mexico in 1970. During this time he worked to promote the art of lithography among American artists. Antreasian's paintings and prints incorporated innovative materials and techniques such as printing on metal foil, using metallic inks, embossing the print surface, and collaging. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City
Ripley Auctions
Mar. 12, 2022
Garo Antreasian, Project II, 1978
Est: $400 - $600
Garo Antreasian (1922 - 2018) Project II, 1978 color lithograph, edition 11 of 50 signed and dated lower right: g. Antreasian '78 editioned lower left: 11/50
Santa Fe Art Auction
Feb. 16, 2022
Garo Zareh Antreasian (American 1922-2018) Signed, Lithograph with Screen Print, Shield
Est: $200 - $500
In a limited edition of 210. Orange, blue, and black coloration with geometric elements. Signed and dated bottom right, pencil. Title and edition number bottom left, pencil. Garo Zareh Antreasian was an American printmaker, educator, and co-founder of the Tamarind Lithography Workshop in Los Angeles, California. Unframed. Good condition. Dimensions: 30"H x 21"W (76.2cm x 53.02cm). #art #lithograph #screenprint #antreasian. (t.conversion.1). Issued: 1965 Edition Number: 81 of 210 Provenance: Bass Museum
Lion and Unicorn
Dec. 01, 2021
Garo Antreasian (b. 1922): Shield
Est: $200 - $300
Lithograph in colors on wove paper, 1965, signed, titled and dated in pencil, numbered 3/210. 20 3/4 x 29 1/2 in. (sheet), 34 x 25 in. (frame). Prints from the Collection of Lois B. Torf
STAIR
Nov. 06, 2021
Garo Antreasian, Jajeek, 1988
Est: $3,000 - $5,000
Garo Antreasian (1922 - 2018) Jajeek, 1988 acrylic on canvas inscribed verso: G. ANTREASIAN / TITLE: JAJEEK / ACRYLIC ON CANVAS / 52" x 48" / 1988
Santa Fe Art Auction
Oct. 10, 2021
Garo Antreasian (1922-2018)
Est: $500 - $1,000
Flowers 19" x 12" lithograph, signed lower right, 47/210, dated 1959
Jacksons Auction & Real Estate Company
Apr. 22, 2021
Garo Antreasian, (American, 1922-2018), Untitled, 1987, color lithograph, 6 1/2" x 24 3/4"
Est: $100 - $200
Garo Antreasian (American, 1922-2018) Untitled, 1987 color lithograph signed and dated lower right edition of 50 6 1/2" x 24 3/4"
Toomey & Co. Auctioneers
Jan. 21, 2021
Garo Antreasian (American, 1922-2018) "Untitled (From Silver Suite)"
Est: $200 - $400
1969. lithograph, edition 11 of 15.
Cottone Auctions
Mar. 08, 2020
Garo Antreasian
Est: $100 - $500
The Mountain 22" x 20", Colored Lithograph, Signed Lower Right, dated '57, 13/13
Jacksons Auction & Real Estate Company
Mar. 08, 2020
Garo Antreasian
Est: $100 - $500
Pisa 24" x 30", Colored Lithograph, Signed Lower Right, dated '57, 3/11
Jacksons Auction & Real Estate Company
Jan. 10, 2020
Garo Antreasian (b. 1922): Ring Around
Est: $100 - $200
Lithograph in colors on wove paper, 1963, signed, tiled and dated in pencil, numbered 108/210.16 1/4 x 12 1/2 in. (sight), 20 3/4 x 17 1/4 in. (frame).
STAIR
Sep. 22, 2019
GARO ANTREASIAN LITHOGRAPH ON PAPER
Est: $150 - $300
GARO ANTREASIAN (AMERICAN, B. 1922), LITHOGRAPH ON PAPER, H 13.5", L 11", "UNTITLED 78.9.2" :A lithograph on paper titled "Untitled, 78.9.2" by Garo Antreasian. Artist's signature to the lower right. Having an Alice Simsar Gallery (Ann Arbor, MI) gallery label to verso. Frame measures H 23.25" x L 16.75".
DuMouchelles
Jun. 26, 2019
Garo Antreasian (American, 1922-2018) Untitled, 1970
Est: $75 - $125
Lithograph with blended ink. 57/60.
Cottone Auctions
Jun. 02, 2019
Garo Z. Antreasian, (Indiana/New Mexico, b. 1922), 'Slum Clearance', oil on panel, 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (fra...
Est: $1,500 - $3,000
Garo Z. Antreasian (Indiana/New Mexico, b. 1922) ''Slum Clearance'' oil on panel Signed lower left. Label verso: "S.L. No. 4460.2, The Metropolitan Museum of Art LOAN EXHIBITION, Life Magazine." Antreasian received his formal art education at the Herron School of Art in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (frame)
Ripley Auctions
Feb. 23, 2019
Garo Z. Antreasian, (Indiana/New Mexico, b. 1922), 'Slum Clearance', oil on panel, 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (fra.
Est: $2,000 - $4,000
Garo Z. Antreasian (Indiana/New Mexico, b. 1922) 'Slum Clearance' oil on panel Signed lower left. Label verso: "S.L. No. 4460.2, The Metropolitan Museum of Art LOAN EXHIBITION, Life Magazine." Antreasian received his formal art education at the Herron School of Art in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (frame)
Ripley Auctions
Dec. 15, 2018
Garo Z. Antreasian, (Indiana/New Mexico, b. 1922), 'Slum Clearance', oil on panel, 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (fra.
Est: $2,000 - $4,000
Garo Z. Antreasian (Indiana/New Mexico, b. 1922) 'Slum Clearance' oil on panel Signed lower left. Label verso: "S.L. No. 4460.2, The Metropolitan Museum of Art LOAN EXHIBITION, Life Magazine." Antreasian received his formal art education at the Herron School of Art in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (frame)
Ripley Auctions
Dec. 15, 2018
Garo Antreasian, (American, b. 1922), Cities by a River, lithograph, 10"H x 19"W (sight), 17"H x 25 1/2"W (frame)
Est: $80 - $120
Garo Antreasian (American, b. 1922) Cities by a River lithograph signed, dated 1956, and numbered 8/13. 10"H x 19"W (sight), 17"H x 25 1/2"W (frame)
Ripley Auctions
Nov. 29, 2018
Garo Zareh Antreasian, Lot of 2 Minimalist Geometric Silkscreens
Est: $700 - $900
Artist: Garo Zareh Antreasian, American (1922 - ) Title: Untitled Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 16/60 Size: 24 x 24 in. (60.96 x 60.96 cm) Artist: Garo Zareh Antreasian, American (1922 - ) Title: Untitled C.P. 236 Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 33/60 Size: 24 x 24 in. (60.96 x 60.96 cm)
RoGallery
Oct. 13, 2018
Octet (Portfolio)
Est: $7,000 - $9,000
signed on print lower center: GARO Z. ANTREASIAN / 1969 editioned and signed center, page two: 7/20 g. Antreasian 1st lithograph, editioned lower center: First Proof dated and signed lower right: g. Antreasian '69
Santa Fe Art Auction
Oct. 13, 2018
Untitled T-76-129 (14/20)
Est: $500 - $1,000
signed and dated lower right: g. Antreasian 76 editioned lower left: 14/20
Santa Fe Art Auction
Sep. 16, 2018
GARO ZAREH ANTREASIAN SCREENPRINT, 1968
Est: $150 - $200
GARO ZAREH ANTREASIAN (AMERICAN B. 1922), SCREENPRINT, 1968, H 22 1/2", W 20 1/2", SILVER FOIL Pencil signed and dated '68; artist proof; framed.
DuMouchelles
Jul. 22, 2018
GARO ZAREH ANTREASIAN COLORED SCREEN PRINT, 1968
Est: $300 - $500
GARO ZAREH ANTREASIAN (AMERICAN B. 1922), COLORED SCREEN PRINT, 1968, SILVER FOIL :Pencil signed and dated '68; artist proof; framed.
DuMouchelles
Mar. 31, 2018
Garo Z. Antreasian, (Indiana/New Mexico, b. 1922), 'Slum Clearance', oil on panel, 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (fra.
Est: $2,000 - $4,000
Garo Z. Antreasian (Indiana/New Mexico, b. 1922) 'Slum Clearance' oil on panel Signed lower left. Label verso: "S.L. No. 4460.2, The Metropolitan Museum of Art LOAN EXHIBITION, Life Magazine." Antreasian received his formal art education at the Herron School of Art in Indianapolis, receiving his BFA degree in 1948. He also studied printmaking with Will Barnet in New York at the Art Students League, and Stanley William Hayter at Atelier 17 in the late forties. His work evolved from romantic, semi-abstract imagery of the 1950s and 1960s, through Abstract Expressionism, to an increasingly non-representational and Minimal mode in the 1970s. In the 1980s, he returned to painting after a long break. His works inspired by Constructivist and diagrammatic fundamentals using geometric linear configurations with colored fields and shapes. Awards include a Senior Artists Grant by the National Endowment for the Arts and an Honorary Doctor of Fine Arts Degree from Purdue University. He exhibited at the U.S. Pavilion at the Venice Biennale, and the 14th International Biennale of Graphic Art, Ljubljana, Yugoslavia. Antreasian is represented in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York City 25 3/4"H x 47"W (sight), 34 1/2"H x 56 1/4"W (frame)
Ripley Auctions
Nov. 10, 2017
Garo Antreasian - Untitled
Est: $5,000 - $7,500
Hard Edge Optical Art
Matthews Gallery
Jun. 21, 2017
GARO ANTREASIAN "81.1.2. A"
Est: $300 - $600
GARO ANTREASIAN "81.1.2. A" LITHOGRAPH. FROM KAUFFMAN GALLERIES Height: 22 in. by Width: 22 in.
Lewis & Maese Antiques & Auctions
Jun. 21, 2017
GARO ANTREASIAN "81.1.2. B"
Est: $300 - $600
GARO ANTREASIAN "81.1.2. BJ" LITHOGRAPH. FROM KAUFFMAN GALLERIES. Height: 22 in. by Width: 22 in.
Lewis & Maese Antiques & Auctions
Mar. 30, 2017
Garo Zareh Antreasian, Untitled C.P. 236, Silkscreen
Est: $400 - $600
Artist: Garo Zareh Antreasian, American (1922 - ) Title: Untitled C.P. 236 Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 33/60 Size: 24 x 24 in. (60.96 x 60.96 cm)
RoGallery
Mar. 30, 2017
Garo Zareh Antreasian, Untitled, Silkscreen
Est: $400 - $600
Artist: Garo Zareh Antreasian, American (1922 - ) Title: Untitled Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 16/60 Size: 24 x 24 in. (60.96 x 60.96 cm)
RoGallery
Apr. 02, 2016
Garo Antreasian 1965 color lith "Shield"
Est: $200 - $400
Shield
Concept Art Gallery
Feb. 25, 2016
Garo Zareh Antreasian, Shield, Silkscreen
Est: $700 - $900
Artist: Garo Zareh Antreasian, American (1922 - ) Title: Shield Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 15/210 Image Size: 27 x 19 inches Frame Size: 35 x 27 inches
RoGallery
Sep. 03, 2015
Garo Zareh Antreasian (American, b. 1922)
Est: $100 - $200
24" x 24" paper sizeUntitled, 1970. Color lithograph on watermarked paper, No. 49/60, signed and numbered in pencil, CP watermark on left corner, unframed. Online Bidding and additional information at AspireAuctions.com
Aspire Auctions Fine Art & Antiques