Wifredo Arcay Paintings & Artwork for Sale | Wifredo Arcay Art Value Price Guide

Mar. 27, 2024
Wilfredo Arcay, Le Pont
Est: $5,000 - $7,000
Wilfredo Arcay Le Pont c. 1950 gouache on paper 21 h x 27 w in (53 x 69 cm) Signed to lower right 'Arcay'. Titled to verso 'Le Pont'. Provenance: Sotheby's, New York, Latin America: Contemporary Art Online, 26 May 2017, Lot 230 | Collection of Mark McDonald This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Jan. 12, 2023
Wilfredo Arcay, Le Pont
Est: $8,000 - $12,000
Wilfredo Arcay Le Pont c. 1950 gouache on paper 21 h x 27 w in (53 x 69 cm) Signed to lower right 'Arcay'. Titled to verso 'Le Pont'. Provenance: Sotheby's, New York, Latin America Contemporary Art Online, 26 May 2017, Lot 230 | Collection of Mark McDonald This work will ship from Rago in Lambertville, New Jersey.
Wright
Sep. 08, 2022
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). No title. Oil on cardboard. Signed in the lower left area.
Est: €15,000 - €18,000
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). Untitled. Oil on cardboard. Signed in the lower left area. Size: 100 x 81 cm; 117 x 97 cm (frame). Wilfredo Arcay was one of the referents of the Cuban school, managing to place his artistic production in the international market, and making Cuban painting stop being ascribed to a localist school, which followed the influences of other more valued schools of the time. To this end, he reinterpreted various artistic currents such as Cubism and Neo-Plasticism, adding his own personal idiosyncrasy, as well as the influence of the colour and light of his native country. In this particular work, through the use of colour, the work offers the spectator a new vitalist language, these flat, intense and bright tones are combined with a superimposition of geometric shapes with sober and simple lines. Their harmonisation with the colour used by the artist brings great dynamism and expressiveness to the piece. Hailed by Jean Arp as "the perfection of the Cuban Cubists", Arcay emerged among the post-war generation of the School of Paris as a painter, muralist and engraver. Arcay, born in Cuba and trained at the San Alejandro Academy in Havana, came to Paris on a scholarship in 1949. He quickly assimilated into the milieu of post-cubist abstraction, studying with Edgard Pillet and Jean Dewasne in their Abstrait art workshop. In 1951, at the invitation of André Bloc, the influential editor of the magazine Art d'Aujourd'hui, Arcay set up a studio at Bloc's villa in Meudon, mingling among such luminaries of the historical avant-garde as Jean Arp, Robert and Sonia Delaunay, and Fernand Léger. While celebrated as a printmaker, Arcay painted alone during the 1950s and 1960s, sending work to the Salon des Réalités Nouvelles (1951-54) and regularly to Cuba. He exhibited as part of the Cuban delegation to the São Paulo Biennial (1955) and frequently at the Color-Luz Gallery in Havana, a pioneering outpost of geometric abstraction. A member of the constructivist Groupe Espace, founded by Bloc and Félix Del Marle in 1951, and the short-lived Cuban group Los Diez Pintores Concretos (1959-61), Arcay embodied the rich diversity and internationalism of post-war abstraction.
Setdart Auction House
May. 24, 2022
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). No title. Oil on cardboard. Signed in the lower left area.
Est: €18,000 - €20,000
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). Untitled. Oil on cardboard. Signed in the lower left area. Size: 100 x 81 cm; 117 x 97 cm (frame). Wilfredo Arcay was one of the referents of the Cuban school, managing to place his artistic production in the international market, and making Cuban painting stop being ascribed to a localist school, which followed the influences of other more valued schools of the time. To this end, he reinterpreted various artistic currents such as Cubism and Neo-Plasticism, adding his own personal idiosyncrasy, as well as the influence of the colour and light of his native country. In this particular work, through the use of colour, the work offers the spectator a new vitalist language, these flat, intense and bright tones are combined with a superimposition of geometric shapes with sober and simple lines. Their harmonisation with the colour used by the artist brings great dynamism and expressiveness to the piece. Hailed by Jean Arp as "the perfection of the Cuban Cubists", Arcay emerged among the post-war generation of the School of Paris as a painter, muralist and engraver. Arcay, born in Cuba and trained at the San Alejandro Academy in Havana, came to Paris on a scholarship in 1949. He quickly assimilated into the milieu of post-cubist abstraction, studying with Edgard Pillet and Jean Dewasne in their Abstrait art workshop. In 1951, at the invitation of André Bloc, the influential editor of the magazine Art d'Aujourd'hui, Arcay set up a studio at Bloc's villa in Meudon, mingling among such luminaries of the historical avant-garde as Jean Arp, Robert and Sonia Delaunay, and Fernand Léger. While celebrated as a printmaker, Arcay painted alone during the 1950s and 1960s, sending work to the Salon des Réalités Nouvelles (1951-54) and regularly to Cuba. He exhibited as part of the Cuban delegation to the São Paulo Biennial (1955) and frequently at the Color-Luz Gallery in Havana, a pioneering outpost of geometric abstraction. A member of the constructivist Groupe Espace, founded by Bloc and Félix Del Marle in 1951, and the short-lived Cuban group Los Diez Pintores Concretos (1959-61), Arcay embodied the rich diversity and internationalism of post-war abstraction.
Setdart Auction House
Mar. 08, 2022
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). No title. Oil on cardboard. Signed in the lower left area.
Est: €22,000 - €26,000
WILFREDO ARCAY OCHANDARENA (Havana, 1925- Paris, 1997). Untitled. Oil on cardboard. Signed in the lower left area. Size: 100 x 81 cm; 117 x 97 cm (frame). Wilfredo Arcay was one of the referents of the Cuban school, managing to place his artistic production in the international market, and making Cuban painting stop being ascribed to a localist school, which followed the influences of other more valued schools of the time. To this end, he reinterpreted various artistic currents such as Cubism and Neo-Plasticism, adding his own personal idiosyncrasy, as well as the influence of the colour and light of his native country. In this particular work, through the use of colour, the work offers the spectator a new vitalist language, these flat, intense and bright tones are combined with a superimposition of geometric shapes with sober and simple lines. Their harmonisation with the colour used by the artist brings great dynamism and expressiveness to the piece. Hailed by Jean Arp as "the perfection of the Cuban Cubists", Arcay emerged among the post-war generation of the School of Paris as a painter, muralist and engraver. Arcay, born in Cuba and trained at the San Alejandro Academy in Havana, came to Paris on a scholarship in 1949. He quickly assimilated into the milieu of post-cubist abstraction, studying with Edgard Pillet and Jean Dewasne in their Abstrait art workshop. In 1951, at the invitation of André Bloc, the influential editor of the magazine Art d'Aujourd'hui, Arcay set up a studio at Bloc's villa in Meudon, mingling among such luminaries of the historical avant-garde as Jean Arp, Robert and Sonia Delaunay, and Fernand Léger. While celebrated as a printmaker, Arcay painted alone during the 1950s and 1960s, sending work to the Salon des Réalités Nouvelles (1951-54) and regularly to Cuba. He exhibited as part of the Cuban delegation to the São Paulo Biennial (1955) and frequently at the Color-Luz Gallery in Havana, a pioneering outpost of geometric abstraction. A member of the constructivist Groupe Espace, founded by Bloc and Félix Del Marle in 1951, and the short-lived Cuban group Los Diez Pintores Concretos (1959-61), Arcay embodied the rich diversity and internationalism of post-war abstraction.
Setdart Auction House
Sep. 24, 2020
Wilfredo Arcay Ochandarena. Untitled
Est: -
Óleo sobre cartón. Firmado en el ángulo inferior izquierdo. Procedencia: - Colección Privada, España.
Duran Arte y Subastas
Mar. 04, 2020
WIFREDO ARCAY - Untitled
Est: $22,000 - $28,000
WIFREDO ARCAY - Untitled
Phillips
Nov. 15, 2018
WILFREDO ARCAY | Untitled
Est: $30,000 - $40,000
oil and mixed media on cardboard mounted on board
Sotheby's
May. 26, 2017
WILFREDO ARCAY (1925-1997) | Le Pont
Est: $18,000 - $22,000
signed lower right, also titled on the reverse; gouache on paper
Sotheby's
Nov. 22, 2016
WIFREDO ARCAY - Untitled
Est: $30,000 - $50,000
WIFREDO ARCAY - Untitled
Phillips
Oct. 07, 2015
WIFREDO ARCAY OCHANDARENA (La Havana, Cuba,1925-Paris,1997) - Untitled
Est: -
AcrÌ_lico sobre cartÌ_n de 52,5 x 67 cm. Firmado.Desde muy temprana edad, Arcay comenzÌ_ sus estudios en la escuela nacional de Bellas Artes San Alejandro en La Habana, para mÌÁs tarde completar su formaciÌ_n en la Academia La Grande Chaumiere de ParÌ_s. En 1953 pasa ser miembro del Groupe Espace (grupo de ingenieros, arquitectos y artistas plÌÁsticos) de Francia. TambiÌ©n, y desde su creaciÌ_n, Arcay perteneciÌ_ al grupo de Diez Pintores Concretos fundado en La Habana en 1958. La obra de Arcay consiste en no limitar la obra propuesta a un grupo privilegiado, sino trabajar a partir de ella, reinventarla, multiplicarla y proyectarla hacia diferentes espacios del mundo. Se presume que la escasez de su obra puede deberse a que dedicÌ_ gran parte de su trayectoria al servicio de los pintores mÌÁs importantes de su tiempo incluyendo a Fernand LÌ©ger, Frantisek Kupka, Jean Arp, Sonia Delaunay, Yaacov Agam y su amigo Victor Vasarely. "El esfuerzo de Arcay constituye un paso importante hacia una Ì©poca mÌÁs generosa de la plÌÁstica" Vasarely, V., (ParÌ_s 1957). Art aujourdå«hui.
Sala Retiro Subastas