Alonso del (1625) Arco Sold at Auction Prices

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    • Figura realizada en bronce con base de mármol repr…
      Jul. 17, 2024

      Figura realizada en bronce con base de mármol repr…

      Est: -

      Figura realizada en bronce con base de mármol representando lagartija.

      Arte Subastas Bilbao
    • ALONSO DEL ARCO - Nuestra Señora del Socorro
      Jul. 17, 2024

      ALONSO DEL ARCO - Nuestra Señora del Socorro

      Est: -

      ALONSO DEL ARCO - Nuestra Señora del Socorro

      Arte Subastas Bilbao
    • ALONSO DEL ARCO - Immaculate Conception
      Mar. 19, 2024

      ALONSO DEL ARCO - Immaculate Conception

      Est: -

      ALONSO DEL ARCO Madrid 1635 - 1704 Immaculate Conception. 1660? Oil on canvas Signed and dated Measurements 85 x 65 cm

      Subastas Segre
    • Nuestra Señora de Soledad de Paloma, by the circle of Alfonso del Arco (Madrid, 1635 - 1704)
      Nov. 26, 2022

      Nuestra Señora de Soledad de Paloma, by the circle of Alfonso del Arco (Madrid, 1635 - 1704)

      Est: -

      With a male saint (likely Fransciscan), oil on copper, Spanish school, circa 17th century.

      Casa de Memoria
    • ALONSO DEL ARCO Madrid (1635 / 1704) "Immaculate Conception"
      Nov. 02, 2022

      ALONSO DEL ARCO Madrid (1635 / 1704) "Immaculate Conception"

      Est: €13,500 - €18,000

      Oil on canvas. Signed in the lower right corner. Disciple and collaborator of Antonio de Pereda, Alonso del Arco was one of the most important figures in seventeenth-century Madrid painting and one of the most prolific painters. He practiced the fresco technique, as can be seen in the decoration of the dressing room of the hermitage of the Virgen de la Oliva in Almonacid; but, mainly, he stood out as a painter of canvases with religious themes. One of the themes in which he obtained a greater fortune was that of the Immaculate Conception, of which he made different versions for enclosures and temples. The sources cite that of the Capuchins of the Prado and that of the Trinitarians of the Convent of Jesus in Madrid, that of the church of the Capuchin convent of Toledo, those that were in the sacristy of the San Pedro ad Vincula in Vallecas and that of the chapter house of the cathedral-magistral of Alcalá de Henares. We also have news of a large Purisima that was in the convent of Augustinian mothers in Medina del Campo, the one in the parish church of Villanubla and the one in the convent of the Augustinian women in Valladolid. In public and private collections, the example preserved in the Museo Nacional del Prado and the work dated 1692 that belonged to the old collection of José Lázaro Galdiano stand out. The unpublished and autograph work that we present here, from a private Spanish collection, is an example that perfectly illustrates the model of the Immaculate Conception that the painter configured and for which he obtained so much fame in his time. With a color palette of soft tones and displaying a subtle gradation, Alonso del Arco places the Virgin in the central compositional axis, wearing the white tunic and blue mantle, characteristic of the Immaculate Virgin. She appears "clothed with the sun", with the moon under her feet, crowned with twelve stars and stepping on the dragon, as described in the book of Revelation. Above her head, following the same compositional central axis, is the dove of the Holy Spirit and to her sides are distributed different groups of angels carrying some of the symbols of the Litany. The painter, in the distribution of this symbology, visually represents the “heaviest” architectural elements in the lower register (tower, orchard, gate...), the objects in an intermediate register (crown, sceptre, mirror...), leaving those "lighter" symbols at the top of the scene (rose, lily, palm...), thus giving the composition a much more orderly and balanced sense. Measurements: 200 x 145 cm.

      Ansorena
    • Alonso del Arco, 1625 Madrid - 1700, zug.
      Mar. 23, 2012

      Alonso del Arco, 1625 Madrid - 1700, zug.

      Est: €20,000 - €30,000

      ABRAHAM BEWIRTET DIE DREI ENGEL Öl auf Leinwand. 146 x 108 cm. Im originalen, alten, vergoldeten Rahmen mit geschnitzter Blattdekoration. Das Gemälde illustriert die altbiblische Legende, wonach Abraham drei unbekannte Fremde (Engel genannt) bewirtet, die ihm kundtun, seine achtzigjährige Gattin Sarah würde noch ein Kind gebären. Das Gemälde hat einen der Engel ins Zentrum des Bildes gesetzt, dem gedeckten Tisch gegenüber sitzend, in weißer Kleidung, die beiden Hände zum Gesprächsgestus zusammengeführt, mit Blick auf den links stehenden Abraham, der die Botschaft skeptisch entgegennimmt. Am rechten Bildrand die zwei weiteren jugendlichen Gestalten, links im abgedunkelten Türrahmen steht Abrahams Frau Sarah, dem Gespräch lauschend. Der Hintergrund zeigt eine hügelige, bewachsene Landschaft, rechts ein im Schatten stehender, kräftiger Baumstamm, dessen Laub über die Szene zieht. Auf dem Tischtuch sind Zinnplatten mit Bratenstück und Rettichen stillebenhaft aufgestellt. (8514043) Alonso del Arco, 1625 Madrid - 1700, attributed to Oil on Canvas. 146 x 108 cm.

      Hampel Fine Art Auctions
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