Roy Arden Sold at Auction Prices

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    • Roy Arden (b. 1957), CARIBBEAN FESTIVAL, 1992
      May. 16, 2024

      Roy Arden (b. 1957), CARIBBEAN FESTIVAL, 1992

      Est: $2,500 - $3,500

      Roy Arden (b. 1957), Canadian CARIBBEAN FESTIVAL, 1992 chromogenic print on plexiglass signed, titled, dated, numbered 3/3 and situated "Vancouver, B.C." to stretcher verso 40 x 51 in — 101.6 x 129.5 cm Provenance: Private Collection, Toronto, ON Estimate: $2,500—3,500

      Waddington's
    • Roy Arden, Canadian (1957-), Divine Love, archival pigment print, #1/15, 13 x 18 in. (33 x 45.7 cm.)
      Apr. 17, 2024

      Roy Arden, Canadian (1957-), Divine Love, archival pigment print, #1/15, 13 x 18 in. (33 x 45.7 cm.)

      Est: $600 - $800

      Roy Arden Canadian, (1957- ) Divine Love archival pigment print, #1/15 initialled and dated, 2011.

      Maynards Fine Art & Antiques
    • Roy Arden, Pneumatic Hammer #2, Vancouver, B.C.
      Dec. 01, 2023

      Roy Arden, Pneumatic Hammer #2, Vancouver, B.C.

      Est: $800 - $1,200

      Roy Arden Pneumatic Hammer #2, Vancouver, B.C. 1992 archival pigment print mounted to Sintra image: 32.25 h x 45.125 w in (82 x 115 cm) sheet: 40 h x 52.75 w in (102 x 134 cm) Signed, titled, dated and numbered to verso 'Roy Arden Pneumatic Hammer (#2) Vancouver, B.C.1992 RH AP 1'. This work is artist's proof number 1 apart from the edition of 3. This work will ship from Los Angeles, California.

      Los Angeles Modern Auctions
    • Roy Arden, Pulp Mill Dump #1, Nanaimo, B.C.
      Dec. 01, 2023

      Roy Arden, Pulp Mill Dump #1, Nanaimo, B.C.

      Est: $800 - $1,200

      Roy Arden Pulp Mill Dump #1, Nanaimo, B.C. 1992 / printed 2007 archival pigment print mounted to Sintra image: 32.25 h x 47.75 w in (82 x 121 cm) sight: 39.25 h x 55 w in (100 x 140 cm) Signed, titled and dated to verso 'Roy Arden Pulp Mill Dump (#1), Nanaimo, B.C. (1992) Ed. #1/3 2007'. This work is number 1 from the edition of 3. This work will ship from Los Angeles, California.

      Los Angeles Modern Auctions
    • Roy Arden 1957 - Canadian 10 silver gelatin prints
      May. 15, 2013

      Roy Arden 1957 - Canadian 10 silver gelatin prints

      Est: $10,000 - $15,000

      Roy Arden 1957 - Canadian 10 silver gelatin prints and 10 C-prints Basement 17 1/4 x 21 3/4 inches 43.8 x 55.2 centimeters on verso initialed, titled on a label, editioned A.P. 2/2 and dated 1996 Provenance:Acquired from Patrick Painter Editions, 1998 Rennie Collection, Vancouver Exhibited:Oakville Galleries, Roy Arden, Selected Works 1985 - 2000, February 2 - April 7, 2002, traveling to VOX Centre de l'image contemporaine, Montreal, August 29 - October 27, 2002 Roy Arden's photographs of Vancouver have documented the changing city in large-scale format since the early 1990s, and he is one of the city's most respected artists, contributing to Vancouver's reputation as an important centre for photography. Works from Arden's 1996 Basement Series are perhaps his most personal, exploring as they do Arden's own cast-off belongings - and those of his neighbouring tenants - that fill the basement of his apartment block. The images appear as if just discovered in a modern archaeological dig - objects yet to be ntombed, but still just as forgotten as ancient artifacts, as the speed of casting off is much faster in modern times. The 20 images in Basement are half in black and white, half in colour, each depicting the cluttered objects in a clinical, documentary manner. Objects repeat from print to print, suggesting a panoramic approach on Arden's part. Identifiable objects like frying pans and long-play records, once likely prized for their newness, have lost their fleeting consumer appeal, a consideration to which Arden has always been sensitive to in his work.

      Heffel
    • Six ouvrages: ARDEN, HERNANDEZ
      Oct. 25, 2011

      Six ouvrages: ARDEN, HERNANDEZ

      Est: €80 - €120

      Ensemble de six ouvrages : ARDEN, ROy, (1957) *Roy Arden. north York : art gallery of York university, 1997. broché. 24 x 21,5 cm. 48 p. édition originale de 1100 exemplaires. Minimes défauts. textes en anglais de scott Watson, Peter Culley et John Miller. « landscape of the economy :roy arden's Photographs » par scott Watson. on y joint une carte de la galerie Patrick Painter, Inc avec la liste des artistes représentés. *West. Vancouver : artspeak gallery, 1998. broché. 23 x 15 cm. 48 p. édition originale. Minimes défauts. texte en anglais de William Wood. on y joint un communiqué de presse de la galerie giovanna Minelli. « la galerie giovanna Minelli présente la première exposition personnelle en europe de roy arden. Cet artiste canadien de Vancouver, élève de Ian Wallace et de Jeff Wall... » *Terminal City. salamanca : ediciones universidad de salamanca, 1999. broché. 24 x 29 cm. 66 p. édition originale. textes en espagnol et anglais de roy arden et shep steiner. Important ouvrage sur cet artiste. HERNANDEZ, ANTHONy (1947) *Landscapes for the Homeless. Hanover : sprengel Museum, 1995. relié, avec jaquette illustrée. 24,5 x 24,5 cm. 88 p. édition originale. Minimes défauts. textes bilingues allemand / anglais, « Forever Homeless : a dialogue » entre lewis baltz et anthony Hernandez en 1995. ouvrage réalisé à l'occasion de son exposition à Hanovre en 1995. *Sons of Adam : Landscapes for the Homeless II. Paris / lausanne : Centre national de la Photographie / Musée de l'elysée, 1997. relié avec jaquette illustrée. 24,5 x 24,5 cm. 72 p. édition originale. Minimes défauts. textes en anglais et français de régis Durand et Christopher blaser. *(Los Angeles, photographs of) Waiting, Sitting, fishing, and Some Automobiles. bethesda : loosestrife editions, 2007. relié, sous toile grise, jaquette illustrée avec les pages photographiques dépliantes. 34,5 x 29,5 cm. édition originale. Minimes défauts. texte en anglais de gerry badger. « I always believed that god would destroy los angeles for its sins. I realized that He had already destroyed it, and then left it around as a warning » (lewis baltz).

      Pierre Bergé & Associés
    • Roy Arden 1957 - Canadian gelatin silver print
      Mar. 31, 2011

      Roy Arden 1957 - Canadian gelatin silver print

      Est: $3,000 - $5,000

      Roy Arden 1957 - Canadian gelatin silver print D'Elegance #1 12 3/4 x 16 inches 32.4 x 40.6 centimeters The sheet size of the print is 16 x 20 inches. A copy of this image in the larger format is in the collection of the National Gallery of Canada.

      Heffel
    • Roy Arden 1957 - Canadian archival pigment print
      Mar. 31, 2011

      Roy Arden 1957 - Canadian archival pigment print

      Est: $6,000 - $8,000

      Roy Arden 1957 - Canadian archival pigment print Construction Site 32 x 41 1/2 inches 81.3 x 105.4 centimeters The sheet size of the print is 40 x 50 inches. This work was produced in an edition of 5.

      Heffel
    • Roy Arden
      Mar. 08, 2011

      Roy Arden

      Est: $2,000 - $3,000

      Parking Lot, Vancouver, B.C., 1996 Initialed, titled, dated "Parking Lot, Vancouver, B.C., 1996, R.A. 1998" and numbered of three on the mount. This work is from an edition of three.

      Phillips
    • Roy Arden (Canadian, b. 1957) Terminal City #1, #6
      Nov. 15, 2008

      Roy Arden (Canadian, b. 1957) Terminal City #1, #6

      Est: $3,000 - $4,000

      Roy Arden (Canadian, b. 1957) Terminal City #1, #6 and #14, 1999; Three gelatin silver prints (framed separately); Edition AP2; 16'' x 19 3/4'' (sheet) each; Provenance: Dee/Glasoe Gallery, New York (label on verso); Private Collection

      Rago Arts and Auction Center
    • ROY ARDEN B.1957 PNEUMATIC HAMMER #2, VANCOUVER, B.C.
      Jul. 14, 2005

      ROY ARDEN B.1957 PNEUMATIC HAMMER #2, VANCOUVER, B.C.

      Est: $3,000 - $4,000

      initialed, dated '96 and numbered 3/3 on the stretcher on the back transmounted C print Condition Note: In very good condition apart from slight overall convexity to the surface We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

      Sotheby's
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