José de (1695) Arellano Paintings & Artwork for Sale | José de (1695) Arellano Art Value Price Guide

Nov. 25, 2024
Attributed to JOSE DE ARELLANO (Madrid, doc. 1665 - 1710). "Floreros". Oil on canvas. Relined in the 19th century. They present restorations in the pictorial surface and damages in the frame caused by xylophages.
Est: €7,000 - €9,000
Attributed to JOSE DE ARELLANO (Madrid, doc. 1665 - 1710). "Floreros". Oil on canvas. Relined in the 19th century. They present restorations in the pictorial surface and damages in the frame caused by xylophages. Measurements: 53 x 96 cm (x2); 71 x 87 cm (frames, x2). Pair of still lifes of flowers perfectly framed within the full Spanish baroque, with a magnificent treatment of the qualities, the colors and, especially, the effective tenebrist illumination, which endows the flowers with a presence and a three-dimensional aspect that reaches an illusionist level, almost trompe l'oeil. The flowers, worked in both paintings in shades of red, ochre and white, emerge from the shadows of the surroundings. In both cases the vase is placed on a pedestal of irregular profiles, with a stony appearance, worked in the same neutral tones as the background, indeterminate, we do not know if it is interior or exterior. The parapet stands out against the background as it is somewhat more illuminated, reinforcing the spatial construction in a naturalistic way. Aesthetically the work is close to the precepts of José de Arellano, a painter specialized in the subject of the still life of flowers, José de Arellano was a disciple of his father, Juan de Arellano, one of the most outstanding specialists in flower painting of the Spanish Baroque. He was also the brother of the painters Manuel and Julián de Arellano. He faithfully followed his father's style, to the point that several of his works have been attributed to him. However, his language differs from that of Juan de Arellano in his drier brushstrokes and more muted palette. We know little about his biography, although we do know the date of his baptism, which took place in the parish of San Ginés in Madrid in 1653, his godfather being the painter Juan Fernández de Laredo. He is currently represented in the Prado Museum (works on deposit at the City Hall and the Casa de Colon in Las Palmas de Gran Canaria and the Spanish Embassy at the UN in New York). While during the first half of the century the still life is orderly and clear, with a classicist aesthetic, the works of the second half of the century present very different characteristics, the result of the stylistic evolution towards the full baroque, leaving behind the dominant classicism of the beginning of the century. In works such as the pair of vases presented here, the taste for extreme naturalism is maintained, which leads the author to meticulously describe not only the details of the flowers and vases, but also to convey their different tactile qualities. They present restorations in the pictorial surface and damages in the frame caused by xylophages.
Setdart Auction House
Sep. 25, 2024
Attributed to JOSE DE ARELLANO (Madrid, doc. 1665 - 1710). "Floreros". Oil on canvas. Relined in the 19th century. They present restorations in the pictorial surface and damages in the frame caused by xylophages.
Est: €7,000 - €9,000
Attributed to JOSE DE ARELLANO (Madrid, doc. 1665 - 1710). "Floreros". Oil on canvas. Relined in the 19th century. They present restorations in the pictorial surface and damages in the frame caused by xylophages. Measurements: 53 x 96 cm (x2); 71 x 87 cm (frames, x2). Pair of still lifes of flowers perfectly framed within the full Spanish baroque, with a magnificent treatment of the qualities, the colors and, especially, the effective tenebrist illumination, which endows the flowers with a presence and a three-dimensional aspect that reaches an illusionist level, almost trompe l'oeil. The flowers, worked in both paintings in shades of red, ochre and white, emerge from the shadows of the surroundings. In both cases the vase is placed on a pedestal of irregular profiles, with a stony appearance, worked in the same neutral tones as the background, indeterminate, we do not know if it is interior or exterior. The parapet stands out against the background as it is somewhat more illuminated, reinforcing the spatial construction in a naturalistic way. Aesthetically the work is close to the precepts of José de Arellano, a painter specialized in the subject of the still life of flowers, José de Arellano was a disciple of his father, Juan de Arellano, one of the most outstanding specialists in flower painting of the Spanish Baroque. He was also the brother of the painters Manuel and Julián de Arellano. He faithfully followed his father's style, to the point that several of his works have been attributed to him. However, his language differs from that of Juan de Arellano in his drier brushstrokes and more muted palette. We know little about his biography, although we do know the date of his baptism, which took place in the parish of San Ginés in Madrid in 1653, his godfather being the painter Juan Fernández de Laredo. He is currently represented in the Prado Museum (works on deposit at the City Hall and the Casa de Colon in Las Palmas de Gran Canaria and the Spanish Embassy at the UN in New York). While during the first half of the century the still life is orderly and clear, with a classicist aesthetic, the works of the second half of the century present very different characteristics, the result of the stylistic evolution towards the full baroque, leaving behind the dominant classicism of the beginning of the century. In works such as the pair of vases presented here, the taste for extreme naturalism is maintained, which leads the author to meticulously describe not only the details of the flowers and vases, but also to convey their different tactile qualities. They present restorations in the pictorial surface and damages in the frame caused by xylophages.
Setdart Auction House
May. 29, 2024
Juan de Arellano (Santorcaz, Madrid, 1614 - Madrid, 1676) "Still life with a basket of flowers"
Est: €15,000 - €18,000
José de Arellano (Madrid, 1654 - 1714) "Still life with a basket of flowers" Oil on canvas Signed 84 x 62 cm 15.000 - 18.000 €
Greco Subastas
Nov. 24, 2023
Arellano, José de (Attrib.): Blumen in einem Weidenkorb
Est: €30,000 - €60,000
Arellano, José de (Attribution) - Flowers in a wicker basket (Spain, c. 1695-1715) Lushly blossomed bouquet, predominantly in shades of red, in a basket on a stone console. Oil on canvas, relined. Inscribed lower right. 85 x 63 cm. // Arellano, José de (Attrib.) Blumen in einem Weidenkorb (Spanien, erw. 1695-1715) Üppig aufgeblühtes, vorwiegend in Rottönen gehaltenes Bouquet in einem Korb auf einer Steinkonsole. Öl/Lwd., doubl. Rechts unten bez. 85 x 63 cm.
Kunstauktionshaus Schlosser
May. 30, 2023
Jose de Arellano. still life
Est: -
Lot consisting of two oil paintings on canvas. Relined. Works traditionally attributed to Juan de Arellano (Santorcaz, Madrid, 1614-Madrid, 1676). Due to the type of brushwork and muted chromaticism, they can be related to the production of his son, José de Arellano (1665-1710). Provenance: - Elina Gallinal Castellanos de Eguiluz Collection.
Duran Arte y Subastas
Oct. 21, 2020
José de Arellano (Madrid 1665-circa 1710) Baskets of flowers on table-tops (2)
Est: £3,000 - £5,000
José de Arellano (Madrid 1665-circa 1710) Baskets of flowers on table-tops one signed '* Joseph de Arella/no f' (lower right) a pair, oil on canvas 45.2 x 58.2cm (17 13/16 x 22 15/16in). (2) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 07, 2020
José de Arellano (Madrid 1665-circa 1710) Baskets of flowers on table-tops (2)
Est: £4,000 - £6,000
José de Arellano (Madrid 1665-circa 1710) Baskets of flowers on table-tops one signed '* Joseph de Arella/no f' (lower right) a pair, oil on canvas 45.2 x 58.2cm (17 13/16 x 22 15/16in). (2) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 04, 2018
JOSÉ DE ARELLANO (MADRID 1665-CIRCA 1710) - A still life of roses, poppies, chrysanthemums and other flowers in a
Est: £7,000 - £10,000
JOSÉ DE ARELLANO (MADRID 1665-CIRCA 1710) A still life of roses, poppies, chrysanthemums and other flowers in a basket on a stone ledge; and A still life of roses, a tulip, a carnation and other flowers in a basket on a stone ledge both bear signature ‘J. de Arellano’ (lower right, one possibly over an earlier signature) a pair, oil on canvas 32.2 x 45cm (12 11/16 x 17 11/16 in). (2)
Bonhams
Apr. 25, 2018
17th century Spanish school. José Arellano follower
Est: -
17th century Spanish school. José Arellano follower Escuela Española siglo XVII. Seguidor de José Arellano (act. Madrid, 1665-1710). "Bodegón de flores", óleo sobre lienzo,100x80 cm. Escuela Española siglo XVII
Sala de Ventas
May. 19, 2016
JOSÉ DE ARELLANO (DOCUMENTADO 1665-1710)
Est: €6,500 - €8,450
"Cesto de flores" Óleo sobre lienzo. Med.: 43 x 65,5 cm. Restos de firma.
Subarna Subastas
Dec. 21, 2011
José De Arellano Madrid 1653- after 1714
Est: €24,000 -
José De Arellano Madrid 1653- after 1714 Oil on canvas Two paintings. Signed. Exhibitions: "Maestros del barroco europeo", Col&Cortés, Madrid, 2005. 62,5x104 cm José de Arellano Madrid 1653 - después de 1714 Guirnaldas de flores Pareja de óleos sobre lienzo Firmados. Exposiciones: "Maestros del barroco europeo", Coll&Cortés, Madrid, 2005 62,5x104 cm
Balclis