Arent Arentsz. Sold at Auction Prices

Painter, b. 1585 - d. 1631

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    • Arent Arentsz Cabel, Scaricatori di navi.
      Nov. 28, 2023

      Arent Arentsz Cabel, Scaricatori di navi.

      Est: €7,500 - €15,000

      Arent Arentsz Cabel, Scaricatori di navi. Olio su tavola in rovere. cm 22,5x28,5. Con monogramma "A (?)" sulla balla al centro. Provenienza: collezione privata, e in precedenza La piccola galleria di Maria Grazia Virio, Savona. Il dipinto è corredato da attribuzione scritta del Prof. Edoardo Clerici Sella e da fascicolo dossier con perizia tecnico scientifica eseguita dal prof. Marcello Marti Presciutti perito restauratore dell'accademia di Brera. (1)

      Gonnelli Casa d'Aste
    • Arent Arentsz., called Cabel, attributed to, Fisher on a Bridge with Muiderslot in the Background
      Nov. 19, 2016

      Arent Arentsz., called Cabel, attributed to, Fisher on a Bridge with Muiderslot in the Background

      Est: €10,000 - €12,000

      Monogrammed centre left: AA (in ligature)

      Kunsthaus Lempertz KG
    • Arent Arentsz., called Cabel (Amsterdam A river landscape with a
      Nov. 15, 2016

      Arent Arentsz., called Cabel (Amsterdam A river landscape with a

      Est: €8,000 - €12,000

      Arent Arentsz., called Cabel (Amsterdam A river landscape with a fisher woman giving a coin to a gypsy oil on panel 32.3 x 51.5 cm.

      Christie's
    • Arent Arentsz. called Cabel (Amsterdam A river landscape with fishermen at
      Nov. 25, 2014

      Arent Arentsz. called Cabel (Amsterdam A river landscape with fishermen at

      Est: €15,000 - €20,000

      Arent Arentsz. called Cabel (Amsterdam A river landscape with fishermen at work, emptying their nets oil on panel 20.4 x 29.2 cm.

      Christie's
    • ARENT  ARENTSZ.  CALLED  CABEL
      Jul. 04, 2012

      ARENT  ARENTSZ.  CALLED  CABEL

      Est: £100,000 - £150,000

      THE  PROPERTY  OF  A  PRIVATE  COLLECTOR AMSTERDAM  1585/86  -  1631 FISHERMEN  ON  THE  BANKS  OF  A  RIVER  ESTUARY oil  on  oak  panel 47.5  by  96.5  cm.;  18  3/4    by  38  in.

      Sotheby's
    • ARENT ARENTSZ. CALLED CABEL
      Apr. 29, 2010

      ARENT ARENTSZ. CALLED CABEL

      Est: £10,000 - £15,000

      ARENT ARENTSZ. CALLED CABEL AMSTERDAM 1585/86 - 1631 A RIVER LANDSCAPE WITH WOMEN EXCHANGING MONEY IN THE FOREGROUND signed with monogram lower right: AA oil on panel 32 by 51.5 cm.; 12 1/2 by 20 1/4 in.

      Sotheby's
    • Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)
      May. 06, 2009

      Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)

      Est: €30,000 - €50,000

      Arent Arentsz., called Cabel (Amsterdam c. 1586-1635) An extensive river landscape with a fisherman by the quayside oil on panel 44.5 x 59 cm.

      Christie's
    • Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)
      Dec. 03, 2008

      Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)

      Est: £40,000 - £60,000

      Arent Arentsz., called Cabel (Amsterdam c. 1586-1635) An extensive river landscape with a fisherman by the quayside oil on panel 17½ x 23¼ in. (44.5 x 59 cm.)

      Christie's
    • Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)
      Dec. 13, 2000

      Arent Arentsz., called Cabel (Amsterdam c. 1586-1635)

      Est: $43,500 - $72,500

      A river landscape with two fishermen pulling in their nets, with bathers beyond signed with monogram 'AA' (centre left) oil on panel 121/4 x 223/4 in. (31.1 x 57.8 cm.) PROVENANCE with Charles A. Jackson, Manchester (according to a label on the reverse). NOTES Arent Arentsz. derived his sobriquet 'Cabel' from the name of his house on the Prinsengracht in Amsterdam. His highly realistic summer and winter landscapes are closely related to those by his exact contemporary Hendrik Avercamp (1585-1634), who also spent his formative years in Amsterdam. Since only one dated work - from 1629 - is known by Cabel, their artistic relationship remains difficult to establish. Several copies or versions of this composition are known, such as the picture in the Museum Boijmans Van Beuningen, Rotterdam (see J.C. Ebbinge Wubbe, Old Paintings/Illustrations, Rotterdam, 1972, p. 44; and L. Kuiper, in the forthcoming catalogue of the Dutch Landscapes in the Museum Boimans Van Beuningen, as 'not by Cabel'). A copy after this, or the Rotterdam picture, was recorded on the art market, Zurich, in 1917; another, possibly autogaph, picture showing the left side of the present composition is in the ™ffentliche Kunstsammlung, Basel (inv. no, 1364); and the two fishermen in the foreground recur, in reverse, in the View on the Amstel near the Pauwentium in the Rijksmuseum. The gallows and churches discernible in the distance might indicate that, like the Rijksmuseum picture, this is also a topographically accurate view. We are grateful to Mrs. Marijke de Kinkelder of the RKD for confirming the attribution on the basis of a transparency.

      Christie's
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