Pierre Arman Paintings & Artwork for Sale | Pierre Arman Art Value Price Guide

Sep. 26, 2024
Arman. 'Tranche de lecture', 1988 (CD)
Est: kr7,200 - kr8,000
Arman (Armand Pierre Fernandez, b. Nice 1928, d. New York 2005). 'Tranche de lecture', 1988, book case cut into pieces and placed on plexiglass, no. 17/100, sign. Arman. Mounted in a Plexiglas box. Box dimensions: 91 x 71 x 7.5 cm. There are scratches in the Plexiglas. (CD)
Auktionshuset.com
Sep. 22, 2024
Armand Pierre Arman, American/French (1928-2005)
Est: $300 - $500
Armand Pierre Arman, American/French (1928-2005) Large Lithograph. "Sans Titre 4". Pencil Signed Lower Right & Numbered 33/99 on Lower Left. In Beautiful, Original Frame Under Glass. Has Not Been Examined Out of Frame. Condition: Excellent. The Frame Has a Small Chip on The Top Right Corner. Dimensions: Sight-39.5" x 25.5". Frame-50.5" x 36.5". Provenance: From a Long Island, NY Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
World Auction Gallery
Aug. 17, 2024
Mixed-Media Work by Armand Fernandez.
Est: $150 - $250
Armand (Arman) Pierre Fernandez (France, 1928-2005). This mixed-media work is pencil signed and dated from 1981, lower right. It depicts a montage of black and red violins against a reflective copper-tone background. The work is floated in a brushed aluminum frame. The deckled edge sheet measures 30" x 22", and the frame measures 31" x 23". In-house shipping is available. Please see our website regarding our in-house shipping procedures.
Direct Auction Galleries, Inc.
Jun. 20, 2024
ARMAN (ARMAND PIERRE FERNANDEZ)
Est: CHF3,500 - CHF5,500
ARMAN (ARMAND PIERRE FERNANDEZ) (Nice 1928–2005 New York City) Saxophone. 1984. Sliced nickel plated bronze casting on a marbel base. 51/100. With the engraved signature: Arman. 83.5 × 50 × 25 cm (incl. base). --------------- ARMAN (ARMAND PIERRE FERNANDEZ) (Nizza 1928–2005 New York City) Saxophone. 1984. Geschnittener vernickelter Bronzeguss auf Marmorsockel. 51/100. Mit der eingeritzten Signatur auf dem Saxophon unten mittig: Arman. 83,5 × 50 × 25 cm (inkl. Sockel). ---------------
Koller Auctions
Jun. 13, 2024
ARMAND PIERRE FERNANDEZ ARMAN (NIZZA 1928-NEW YORK 2005) IL FAUNO
Est: €3,000 - €5,000
Il fauno 2004 Bronze 63 x 40 x 36 cm Signature and edition engraved on the base: Arman, 22/50 Authentication by Archivio delle opere di Arman of Dante Vecchiato, Padova Excellent conditions
Bertolami Fine Art s.r.l.
Jun. 01, 2024
PIERRE FERNANDEZ ARMAN VIOLONS SAMURAI
Est: €100 - €200
PIERRE FERNANDEZ ARMAN 1928 Nice - 2005 New York VIOLONS SAMURAI Colour silkscreen print on light cardboard. Sheet size 84,2 x 59 cm. Signed in pencil 'arman' at lower right and numbered '47/100' at lower left. Published as an annual edition 1979 by the Düsseldorfer Kunstverein für die Rheinlande und Westfalen. Minimally browned, minimally with crease marks. Provenance: Private collection Düsseldorf.PIERRE FERNANDEZ ARMAN 1928 Nizza - 2005 New York VIOLONS SAMURAI Farbsiebdruck leichtem Karton. BM 84,2 x 59 cm. Unten rechts mit Bleistift 'arman' sowie unten links nummeriert '47/100'. Erschienen als Jahresgabe 1979 im Düsseldorfer Kunstverein für die Rheinlande und Westfalen. Minimalst gebräunt, minimal mit Knickspuren. Provenienz: Privatsammlung Düsseldorf. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
Hargesheimer Kunstauktionen Düsseldorf
May. 20, 2024
ARMAN (1928-2006) Homenagem a Amália Rodrigues Técnica mista sobre marouflé Assinado, 2001 Dim. aprox.: 102 x 67 cm.
Est: €7,000 - €14,000
ARMAN, Arman Pierre Fernandez (1928-2005) Homenagem a Amália Rodrigues Técnica mista sobre papel marouflé colado sobre tela Assinado Dim. aprox.: 102 x 67 cm. Dim. aprox. total: 115 x 78,5 x 6 cm Verso com etiquetas e carimbo da Galeria António Prates. Emoldurado em caixa de acrílico (algum desgaste) COA emitido pela Galeria António Prates.
Palácio do Correio Velho
Apr. 11, 2024
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Liberté", 1990. Multiple, copy E.A. 8 of 25. Signed and justified by hand.
Est: €3,500 - €4,000
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Liberté", 1990. Multiple, copy E.A. 8 of 25. Signed and justified by hand. Size: 17.5 x 53 x 70 cm. Considered as one of the most outstanding exponents of New Realism, a movement whose production focused on everyday objects and which signified the rebirth of the artistic language of the 1960s, Arman went down in the annals of art as the creator of "Accumulations" and "Encapsulations". As the name suggests, the technique consisted of the accumulation or encapsulation of objects as a critique of the consumer society, of buying for the sake of buying and of throwing away. These installations of the same object - cameras, cars, doorknobs, taps, gas masks or dollar notes, as in this case - saturate the space to the point of suffocation and question the place of the object in the society of consumption and industrial diffusion. Armand Pierre Fernández, better known as Arman, was an antique dealer and amateur painter, as well as a musician: he played the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance, as well as Mimmo Rotella and Christo, with whom he founded the New Realism group, which confronted the consumer society and industrial expansion by reaffirming humanistic ideals. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type removed from their natural location and presented as a group that constitute a critique of consumer society. Now one of the most important living French artists of the moment, Arman's work is present in the streets of various cities - in Beirut he piled up tons of tanks in the Place des Martyrs, in Paris dozens of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, and in Paris dozens of clocks in front of a train station; In Roanne, hundreds of forks in front of a prestigious restaurant. He decorates the interiors of hotels and shops, and his actions - filling an art gallery with rubbish, hacking up the furniture of a bourgeois interior, systematically sawing violins and saxophones - have been reproduced in the press and on television. At the last contemporary art fair in Paris, a 1963 work of his - Birth Control, an accumulation of dolls inside a suitcase - sold for 250,000 euros. He is currently represented at the Museo Reina Sofía, the MET in New York, the Tate Modern in London, the Pompidou in Paris and the Walker Art Center.
Setdart Auction House
Mar. 26, 2024
Armand Pierre Arman (1928-2005), "What Happened to the Flowers? (Homage to Andy Warhol)," 1970, Paper collage and resin, Overall: 37" H x 37" W x 2" D
Est: $15,000 - $20,000
Armand Pierre Arman (1928-2005) "What Happened to the Flowers? (Homage to Andy Warhol)," 1970 Paper collage and resin Edition: From the edition of 50 (there were also 3 artist's proofs) Signed lower left: Arman, and just below, but more faintly, Andy Warhol; dated on a label affixed verso; Sonnabend Gallery, Paris, France, pub.
John Moran Auctioneers
Mar. 26, 2024
Armand Pierre Arman (1928-2005), Untitled, bells, 1964, Metal bells on resin on painted plywood, Overall: 18" H x 12.75" W x 4" D
Est: $2,500 - $3,500
Armand Pierre Arman (1928-2005) Untitled, bells, 1964 Brass bells set in resin on painted plywood With the incised signature and date on the painted plywood, at lower right: Arman
John Moran Auctioneers
Jan. 23, 2024
ARMAN, Arman Pierre Fernandez (1928-2005) Serigrafia sobre papel
Est: €240 - €400
ARMAN, Arman Pierre Fernandez (1928-2005) Serigrafia sobre papel Assinada, edição n.º 3/125 Dim. aprox.: 55 x 73 cm.; 60 x 80 cm. Não emoldurada. Em pasta original, edição COMPTA.
Palácio do Correio Velho
Jan. 21, 2024
Armand Pierre Arman (1928 - 2005) Serigraph
Est: $300 - $400
"Violins" Pencil signed, no. 25/150, pencil signed. Dimensions: 30" x 22", the frame 41" x 33" Provenance: From a local collection.
Locati LLC
Jan. 10, 2024
§ ARMAN (ARMAN PIERRE FERNANDEZ) (FRENCH 1928-2005) UNTITLED (PAINT TUBES)
Est: £400 - £600
ARMAN (FERNANDEZ) UNTITLED (PAINT TUBES) Screenprint with embossing on vellum paper, 76/99, signed and numbered in pencil to margin Collection of the Late Dr. Tom Scott, sold to benefit the National Trust for Scotland. 74cm x 54.5cm (29in x 21.5in)
Lyon & Turnbull
Dec. 14, 2023
Arman Hand-Stenciled Screenprint "Boom Boom" (1965)
Est: $800 - $1,200
Pierre Fernandez Arman (French, 1928-2005). "Boom Boom" screenprint in colors with additions in pencil. Edition 78 of 225. Printed by Chiron Press in 1965 and published in the New York City International Portfolio in 1966. Chiron Press blindstamp at lower left. Signed in pencil at lower right. A hand-signed and numbered screenprint with a unique pencil variation by Arman from the New York International portfolio which also included works by Robert Motherwell, Ad Reinhardt, James Rosenquist, Willi (Mary) Baumeister, Oyvind Fahlstrom, John Goodyear, Allen Jones, Charles Hinman, and Saul Steinberg. This silkscreen and stencil print comes from a limited edition of 225. What's more, each print is unique, because Arman placed the hand-stenciled gun differently in each image. Size (sheet): 17" L x 22" W (43.2 cm x 55.9 cm) Size (frame): 19.75" L x 24.4" W (50.2 cm x 62 cm) An excerpt from the New York City International Portfolio introduction by Herny Geldzahler accompanies the piece and reads as follows: "Arman: The artist drew guns on the silkscreen from which the prints were made. Each has an additional hand-stenciled gun for uniqueness and variety.The many revolvers, in accumulation, become so many horse heads. They gambol like the hills of the palm. Claes Oldenburg's ray guns of 1959 are evoked, as are Arman's own accumulations of spectacles ans high heeled shoes. Silver and gold guns - aluminum and brass - take the light differently from the black and single red. Black silhouette, simple outline, 'arbitrary' smudge and continuous hatching are ways in which the gun is drawn. The effect is lively, not death-dealing." (source: New York City International Portfolio introduction by Henry Geldzahler, 1966) The following excerpt was published in the MOMA catalogue that featured this print: "Accumulation and repetition are the hallmarks of the work of Nouveau Realiste artist Arman. In common with the art of other members of this loosely defined Paris-based group, Arman's work signaled the return of interest in the industrialized urban environment after the predominance of abstract painting. His inventive constructions incorporate numerous manufactured goods, such as shoes, car parts, violins and paint tubes. Eschewing the personal artistic mark, Arman began making rubber stampings in 1955, which, by the end of the decade, evolved into his tracings - impressions on canvas made by objects dipped in paint. Revolvers have been a constant motif in Arman's work, beginning with the accumulation Boom!Boom! of 1960 and appearing as recently as 1979 in Tools of Persuasion. Other objects of violence, including sabers and gas masks, also appeared in the early 1960s work. During this period, Arman began his aggressive actions titled Coleres or Tantrums, which included dynamiting a car and smashing a cello on stage. This period of violent motifs, reflects in part, Arman's wartime experiences and coincides with the increased tension in Paris over the Algerian war. (1956-1962). Arman was inspired by the prints of Jasper Johns that he saw on his first trip to New York in 1961. Among Arman's earliest prints are several lithographs and monotypes composed of repeated renderings or imprints of an object. In 1966, Rosa Esman of Tanglewood Press invited him to participate in her portfolio New York International. After the success of her first publishing venture, New York 10, Esman chose to work with an international roster of artists, many of whom had successful exhibitions in New York that season. More established artists, such as Robert Motherwell and Ad Reinhardt, were also included. Arman's approach to printmaking paralleled that of his sculptural accumulations: for this print he made a template of a revolver and drew repeatedly with it on the screen, sometimes outlining and at other times filling in the entire stencil using opaque and metallic inks. To individualize the prints in the edition, Arman layered additional revolvers by hand, so each one remains different. Like John's art, Arman's compositions combine expressive draftsmanship with repeated images of commercially produced, highly charged, everyday objects. " Provenance: private Santa Fe, New Mexico, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #181870
Artemis Gallery
Dec. 06, 2023
Armand Pierre Fernandez, noto come Arman (Nizza 1928 – New York 2005), “Tea for two”.
Est: €1,500 - €3,000
Armand Pierre Fernandez, noto come Arman (Nizza 1928 - New York 2005), “Tea for two”. Scultura in bronzo poggiante su base in marmo, presenta targhetta con firma dell’artista e numerazione 39/100, H tot cm 33x34x13
Gregory's Casa d'Aste
Nov. 09, 2023
Arman Silkscreen & Hand Stenciled Print "Boom Boom"
Est: $1,000 - $1,500
Pierre Fernandez Arman (French, 1928-2005). "Boom Boom" screenprint in colors with additions in pencil. Edition 78 of 225. Printed by Chiron Press in 1965 and published in the New York City International Portfolio in 1966. Chiron Press blindstamp at lower left. Signed in pencil at lower right. A hand-signed and numbered screenprint with a unique pencil variation by Arman from the New York International portfolio which also included works by Robert Motherwell, Ad Reinhardt, James Rosenquist, Willi (Mary) Baumeister, Oyvind Fahlstrom, John Goodyear, Allen Jones, Charles Hinman, and Saul Steinberg. This silkscreen and stencil print comes from a limited edition of 225. What's more, each print is unique, because Arman placed the hand-stenciled gun differently in each image. Size (sheet): 17" L x 22" W (43.2 cm x 55.9 cm) Size (frame): 19.75" L x 24.4" W (50.2 cm x 62 cm) An excerpt from the New York City International Portfolio introduction by Herny Geldzahler accompanies the piece and reads as follows: "Arman: The artist drew guns on the silkscreen from which the prints were made. Each has an additional hand-stenciled gun for uniqueness and variety.The many revolvers, in accumulation, become so many horse heads. They gambol like the hills of the palm. Claes Oldenburg's ray guns of 1959 are evoked, as are Arman's own accumulations of spectacles ans high heeled shoes. Silver and gold guns - aluminum and brass - take the light differently from the black and single red. Black silhouette, simple outline, 'arbitrary' smudge and continuous hatching are ways in which the gun is drawn. The effect is lively, not death-dealing." (source: New York City International Portfolio introduction by Henry Geldzahler, 1966) The following excerpt was published in the MOMA catalogue that featured this print: "Accumulation and repetition are the hallmarks of the work of Nouveau Realiste artist Arman. In common with the art of other members of this loosely defined Paris-based group, Arman's work signaled the return of interest in the industrialized urban environment after the predominance of abstract painting. His inventive constructions incorporate numerous manufactured goods, such as shoes, car parts, violins and paint tubes. Eschewing the personal artistic mark, Arman began making rubber stampings in 1955, which, by the end of the decade, evolved into his tracings - impressions on canvas made by objects dipped in paint. Revolvers have been a constant motif in Arman's work, beginning with the accumulation Boom!Boom! of 1960 and appearing as recently as 1979 in Tools of Persuasion. Other objects of violence, including sabers and gas masks, also appeared in the early 1960s work. During this period, Arman began his aggressive actions titled Coleres or Tantrums, which included dynamiting a car and smashing a cello on stage. This period of violent motifs, reflects in part, Arman's wartime experiences and coincides with the increased tension in Paris over the Algerian war. (1956-1962). Arman was inspired by the prints of Jasper Johns that he saw on his first trip to New York in 1961. Among Arman's earliest prints are several lithographs and monotypes composed of repeated renderings or imprints of an object. In 1966, Rosa Esman of Tanglewood Press invited him to participate in her portfolio New York International. After the success of her first publishing venture, New York 10, Esman chose to work with an international roster of artists, many of whom had successful exhibitions in New York that season. More established artists, such as Robert Motherwell and Ad Reinhardt, were also included. Arman's approach to printmaking paralleled that of his sculptural accumulations: for this print he made a template of a revolver and drew repeatedly with it on the screen, sometimes outlining and at other times filling in the entire stencil using opaque and metallic inks. To individualize the prints in the edition, Arman layered additional revolvers by hand, so each one remains different. Like John's art, Arman's compositions combine expressive draftsmanship with repeated images of commercially produced, highly charged, everyday objects. " Provenance: private Santa Fe, New Mexico, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #181870
Artemis Gallery
Nov. 04, 2023
Armand Pierre Arman (1928-2005) French/USA, Litho
Est: $100 - $200
Armand Pierre Arman (1928-2005) French / American, Offset Lithographs. Titled 'Tortured Color'. An assembly of offset lithographs and a paint tube from the S.M.S. Portfolio, 1968, The Letter Edged in Black Press. A paint tube trapped in plexiglass with washers and wingnuts along with instructions from the artist. Armand Arman is known for Happenings, assemblage, abstraction. Armand Pierre Arman, whose birth name was Armand Fernandez, and who goes by the single name of Arman, was born in Nice, France in 1928. His father, an antique dealer and weekend painter, had moved the family from Algeria to southern France. Best known for his 'assemblages' created from found objects, Arman divided his time between France and the United States. His first exposure to painting was through his father, who gave him art lessons. In 1946, he began his painting study at the Ecole Nationale d'Art Decoratif in Nice, where he also earned degrees in mathematics and philosophy. There he met artists Claude Pascal and Yves Klein, and together they hitchhiked across Europe. He completed his studies in Nice in 1949, and went on to the Ecole du Louvre, studying oriental art and archaeology. Overall Size: 10 3/4 x 24 3/4 in. Sight Size: 9 1/2 x 23 1/2 in. #5193 Location K
Sarasota Estate Auction
Oct. 14, 2023
Pierre Fernandez Arman Limited Edition "Violin" Bracelet
Est: $1,500 - $2,500
Pierre Fernandez Arman Limited Edition "Violin" Bracelet 18k yellow gold, the bracelet composed of violin-shaped links, stamped "ART CURIAL, ARMAN, 27/50". w. 1/2", l. 7-1/4", total weight 34.0 grams Provenance: Estate of Thomas B. Lemann, New Orleans, Louisiana.
New Orleans Auction Galleries
Oct. 09, 2023
ARMAN, Arman Pierre Fernandez (1928-2005) Serigrafia sobre papel
Est: €300 - €600
ARMAN, Arman Pierre Fernandez (1928-2005) Serigrafia sobre papel Assinada, edição n.º 3/125 Dim. aprox.: 55 x 73 cm.; 60 x 80 cm. Não emoldurada. Em pasta original, edição COMPTA.
Palácio do Correio Velho
Sep. 26, 2023
“ARMAN”; ARMAND PIERRE (Nice, 1928 – New York 2005). From the “Olympic Suite” series. Lithograph on 270 gram Vélin d’Arches paper, copy 114/250. Signed and dated by hand.
Est: €250 - €300
"ARMAN"; ARMAND PIERRE (Nice, 1928 - New York 2005). From the series "Olympic Suite". Lithograph on 270 grams Vélin d'Arches paper, copy 114/250. Hand signed and dated. Size: 63 x 90 cm. Armand Pierre's father, better known as Arman, was an antique dealer and amateur painter, as well as a musician, playing the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance art. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type, displaced from their natural location and presented as a group, which constitute a critique of consumer society, as in this lithograph of the Olympic Suite. The Olympic Suite consists of 50 lithographs and silkscreen prints chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism.
Setdart Auction House
Sep. 19, 2023
5 Signed Pierre Fernandez Arman 1976 Amnesty International Posters
Est: $900 - $1,500
This is a pack of 5 Offset Lithographs by Arman, titled "Amnesty International". The overall size of each Offset Lithograph measures 29.25 x 19.75 inches. The Offset Lithographs are Signed from an edition of 100. The condition of the Offset Lithographs has been rated as follows: A-: Near Mint, very light signs of handling Here are some additional details about the Arman: Signed and numbered in pencil out of 100. . Again, this lot is for 5 of the SAME Offset Lithograph, NOT a mixed or assorted group.
DUMBO Auctions
Sep. 08, 2023
Georges Boisgontier und Arman
Est: €85,000 - €170,000
(1931 Bordeaux - 2019 Vence? bzw. 1928 Nizza - 2005 New York) Überdimensionales Schachspiel "Double Gambit". Originaltitel Bronze. Schachbrett aus weißen und schwarzen Marmorfliesen. Entw. Arman und Georges Boisgontier, 1986. Limitierte Auflage von 5 Exemplaren plus 2 "EA"-Exemplaren. Bei dem vorliegenden Lot handelt es sich um "EA 1/2". Außer dieser monumentalen Version gab es eine kleine Ausführung in einer Auflage von 75 Exemplaren. Dieses Schachspiel wurde in künstlerischer Zusammenarbeit zwischen dem französisch-amerikanischen Objektkünstler und Mitbegründer des Nouveau Realisme - Arman - und dem französischen Bildhauer Georges Boisgontier gemeinsam geschaffen. Jeder der Künstler gestaltete jeweils 16 Figuren, die in unterschiedlich kubistisch abstrahierter bzw. surrealistischer Weise stilisierte Streichinstrumente darstellen. In Armans Figuren drückt sich seine Leidenschaft für sinnliche, weibliche Formen der Streichinstrumente aus, die ab den 60er Jahren ein zentrales Motiv seines Oeuvres waren, indem er Violinen und Kontrabässe häufig zertrümmerte, verbrannte und zersägte. Dagegen verwandeln sich Boisgontiers straff abstrahierte Figuren durch ihre archaischen, geometrischen Formen gleichsam in moderne Idole voller Symbolik. Für die Künstler ist das Schachspiel zugleich eine Allegorie des Lebens: Als von der Natur und seinen eigenen widersprüchlichen Gefühlen beherrschte Figur steht der Mensch ständig unter Kontrolle. Werke von Arman, der 1964, 1968 und 1977 auf den Documenta-Ausstellungen in Kassel vertreten war, befinden sich im u. a. im MoMA in New York, im Hirshhorn Museum in Washington und in der Tate Gallery in London. Schachbrett ca. 244 cm x 244 cm; Figuren-H. ca. 26 cm-52 cm, B. ca. 19 cm-21 cm, T. ca. 10 cm-28 cm. Beigefügt: Echtheitszertifikat von Georges Boisgontier, signiert von beiden Künstlern. A large chess set of 32 bronze figures and a chess board consisting of black and white marble tiles. From the limited edition of 5 + 2 EA. The present lot is EA 1/2. Accompanied by a certificate of authenticity from Georges Boisgontier, signed by both artists.
Kunstauktionshaus Schloss Ahlden
Jun. 03, 2023
PIERRE FERNANDEZ ARMAN VIOLONS SAMURAI
Est: €300 - €600
PIERRE FERNANDEZ ARMAN 1928 Nizza - 2005 New York VIOLONS SAMURAI Farbsiebdruck leichtem Karton. BM 84,2 x 59 cm. Unten rechts mit Bleistift 'arman' sowie unten links nummeriert '47/100'. Erschienen als Jahresgabe 1979 im Düsseldorfer Kunstverein für die Rheinlande und Westfalen. Minimalst gebräunt, minimal mit Knickspuren. Provenienz: Privatsammlung Düsseldorf. PIERRE FERNANDEZ ARMAN 1928 Nice - 2005 New York VIOLONS SAMURAI Colour silkscreen print on light cardboard. Sheet size 84,2 x 59 cm. Signed in pencil 'arman' at lower right and numbered '47/100' at lower left. Published as an annual edition 1979 by the Düsseldorfer Kunstverein für die Rheinlande und Westfalen. Minimally browned, minimally with crease marks. Provenance: Private collection Düsseldorf. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
Hargesheimer Kunstauktionen Düsseldorf
May. 28, 2023
費爾戴儂．阿曼 PIERRE FERNANDEZ ARMAN ( French-American, 1928-2005 )
Est: NT$200,000 - NT$360,000
機械阿波羅 Appolon Mecaniste 雕刻簽名：arman Signature engraved: Arman in English
Zhong Cheng Auction Co. Ltd.
Mar. 29, 2023
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Portuguese Guitar", 1990. Bronze, issue 22/99. Signed and justified by hand.
Est: €9,000 - €10,000
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Portuguese Guitar", 1990. Bronze, copy 22/99. Signed and justified by hand. Measurements: 84 x 32 x 18 cm. with stand. In this piece, Arman subjected the bronze to a cutting and folding technique along the lines of his well-known "encapsulations", a visually striking technique that consisted of pressing consumer objects (from cars to cameras), with which he reflected on exacerbated consumerism and the rubbish it produces. Considered one of the most outstanding exponents of New Realism, a movement whose production focused on everyday objects and which signified the rebirth of the artistic language of the 1960s, Arman went down in the annals of art as the creator of "Accumulations" and "Encapsulations". As the name suggests, the technique consisted of the accumulation or encapsulation of objects as a critique of the consumer society, of buying for the sake of buying and of throwing away. These installations of the same object - cameras, cars, doorknobs, taps, gas masks or dollar notes as in this case - saturate the space to the point of suffocation and question the place of the object in the society of consumption and industrial diffusion. Armand Pierre Fernández, better known as Arman, was an antique dealer and amateur painter, as well as a musician: he played the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance, as well as Mimmo Rotella and Christo, with whom he founded the New Realism group, which confronted the consumer society and industrial expansion by reaffirming humanistic ideals. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type removed from their natural location and presented as a group that constitute a critique of consumer society. Now one of the most important living French artists of the moment, Arman's work is present in the streets of various cities - in Beirut he piled up tons of tanks in the Place des Martyrs, in Paris dozens of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, and in Paris dozens of clocks in front of a train station; In Roanne, hundreds of forks in front of a prestigious restaurant. He decorates the interiors of hotels and shops, and his actions - filling an art gallery with rubbish, hacking up the furniture of a bourgeois interior, systematically sawing violins and saxophones - have been reproduced in the press and on television. At the last contemporary art fair in Paris, a 1963 work of his - Birth Control, an accumulation of dolls inside a suitcase - sold for 250,000 euros. He is currently represented at the Museo Reina Sofía, the MET in New York, the Tate Modern in London, the Pompidou in Paris and the Walker Art Center.
Setdart Auction House
Mar. 29, 2023
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York 2005). Untitled, 1992, from the "Suite Olympic Centennial". Lithograph on 270 grams Vélin d'Arches paper, copy 220/250. Signed and justified by hand.
Est: €250 - €300
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York 2005). Untitled, 1992, from the "Suite Olympic Centennial". Lithograph on 270 grams Vélin d'Arches paper, copy 220/250. Signed and justified by hand. Size: 90 x 63 cm. The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. Published to commemorate the first centenary of modern Olympism, the artists chosen are defined by different pictorial movements and trends. Armand Pierre's father, better known as Arman, was an amateur painter as well as a musician, playing the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance art. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type, displaced from their natural location and presented as a group that constitute a critique of consumer society, as in this lithograph of the Olympic Suite.
Setdart Auction House
Mar. 04, 2023
Arman (Armand Pierre Fernandez): Ohne Titel (Bassgeigen)
Est: €16,000 - €18,000
Arman (Armand Pierre Fernandez) 1928 - 2005 Untitled (Bass violins) Acrylic on paper maché over thin cardboard on wood panel, 1992; H 130 cm, W 95 cm, D 1.5 cm; the work is registered in the Arman Studio Archives New York under number APA 1004.92.004; Provenance: private collection North Rhine-Westphalia
Peter Karbstein - Kunst und Auktionshaus
Nov. 24, 2022
ARMAN (1928-2005)
Est: €3,000 - €5,000
ARMAN (1928-2005) SANS TITRE, 2004 Bronze à patine dorée, socle en pierre Signé et numéroté 48/100 D’une édition à 100 exemplaires + 20 EA + 10 HC + 30 exemplaires de I à XXX Bronze with gold patina, stone base; signed and numbered 48/100; from an edition of 100 + 20 AP + 10 HC + 30 copies from I to XXX Haut. 70 cm - 27 1/2 in.
Tajan
Oct. 28, 2022
ARMAN BRONZE "LONG TERM PARKING", 1986
Est: $2,000 - $3,000
Armand Pierre Arman (American/French 19282005), "Long Term Parking", 1986, gilt bronze, modern rectangular sculpture depicting stacked automobiles, signed in mold and numbered 39/100, and impressed "Venturi Arts". Approx. h. 8.75", sq. 3.5".
Ahlers & Ogletree Inc.
Sep. 24, 2022
Armand Pierre Arman, Small Aleph, 1978
Est: $3,000 - $5,000
Armand Pierre Arman (1928 - 2005) Small Aleph, 1978 accumulation of ball bearings embedded in polyester, Artist's Proof 2 of 10 numbered and inscribed lower left: AP 2/10 Arman
Santa Fe Art Auction
Sep. 21, 2022
Arman, American/French (1928-2005) Bronze
Est: $6,000 - $8,000
Arman, American/French (1928-2005) "Telemann" Bronze Sculpture Presented on a Marble Base. Signed and numbered 26/30. Sculpture measures 27-3/8" x 8" x 7-1/2". Overall height: 30-5/8". Condition: Good condition. Estimate: $6000.00 - $8000.00 Domestic Shipping: Third party
Kodner Galleries
Aug. 24, 2022
Arman "Venus Hairspray" 1997 Large Blow Dryer Sculpture
Est: $30,000 - $50,000
Armand Pierre Arman (French/American, 1928-2005). Large bronze sculpture titled "Venus Hairspray," 1996. Cast bronze with blue and silver patina. Incised signature and numbered 1/4 along the base. Literature: Denyse Durand-Ruel, no. 6143. Provenance: Purchased France, December 12, 2007; From the Estate of Horst Rechelbacher, Osceola, Wisconsin. Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went. This sale features selections from that lifetime of eclectic and inspired collecting, including furniture by Carlo Bugatti, Gabriel Viardot, and Josef Hoffman; artworks by artists ranging from Old Masters to Salvador Dali to Arman; an impressive collection of Indian sculptures; and much more. Be sure to explore our timed-only online auction of other fascinating objects from this collection that will be posted in mid-August.
Revere Auctions
Jun. 30, 2022
ARMAN (ARMAND PIERRE FERNANDEZ)
Est: CHF3,000 - CHF4,000
ARMAN (ARMAND PIERRE FERNANDEZ) (Nice 1928–2005 New York City) Wecker. 2000. Alarm clock in resin, in plexiglass. 93/100. With the incised signature lower centre: arman. Measurements 42 × 35 × 9 cm. --------------- ARMAN (ARMAND PIERRE FERNANDEZ) (Nizza 1928–2005 New York City) Wecker. 2000. Wecker in Kunstharz, in Plexiglas. 93/100. Unten mittig mit der eingeritzten Signatur: arman. Masse 42 × 35 × 9 cm.
Koller Auctions
May. 31, 2022
PIERRE FERNANDEZ ARMAN UNTITLED (BROKEN VIOLIN AND BOW)
Est: €5,000 - €10,000
Signed on the lower right front "Arman". On the reverse engraved numbering "42/100" - Polished gilt bronze sculpture - Certificate of authenticity issued by the Arman Studio Archives, New York
Casa d'aste ARCADIA
Apr. 23, 2022
Pierre Fernandez Arman Pop Art Paint Tube Necklace
Est: $20 - $15,000
Pierre Fernandez Arman Pop Art Paint Tube Necklace. 17.5 Inches Around.
Kavanagh Auctions
Mar. 08, 2022
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Liberté", 1990. Multiple, specimen E.A. 8 of 25. Signed and justified by hand.
Est: €2,500 - €3,000
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York, 2005). "Liberté", 1990. Multiple, copy E.A. 8 of 25. Signed and justified by hand. Size: 17.5 x 53 x 70 cm. Considered as one of the most outstanding exponents of New Realism, a movement whose production focused on everyday objects and which signified the rebirth of the artistic language of the 1960s, Arman went down in the annals of art as the creator of "Accumulations" and "Encapsulations". As the name suggests, the technique consisted of the accumulation or encapsulation of objects as a critique of the consumer society, of buying for the sake of buying and of throwing away. These installations of the same object - cameras, cars, doorknobs, taps, gas masks or dollar notes as in this case - saturate the space to the point of suffocation and question the place of the object in the society of consumption and industrial diffusion. Armand Pierre Fernández, better known as Arman, was an antique dealer and amateur painter, as well as a musician: he played the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance, as well as Mimmo Rotella and Christo, with whom he founded the New Realism group, which confronted the consumer society and industrial expansion by reaffirming humanistic ideals. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type removed from their natural location and presented as a group that constitute a critique of consumer society. Now one of the most important living French artists of the moment, Arman's work is present in the streets of various cities - in Beirut he piled up tons of tanks in the Place des Martyrs, in Paris dozens of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, in Roanne hundreds of clocks in front of a train station, and in Paris dozens of clocks in front of a train station; In Roanne, hundreds of forks in front of a prestigious restaurant. He decorates the interiors of hotels and shops, and his actions - filling an art gallery with rubbish, hacking up the furniture of a bourgeois interior or systematically sawing violins or saxophones - have been reproduced in the press and on television. At the last contemporary art fair in Paris, a 1963 work of his - Birth Control, an accumulation of dolls inside a suitcase - sold for 250,000 euros. He is currently represented at the Museo Reina Sofía, the MET in New York, the Tate Modern in London, the Pompidou in Paris and the Walker Art Center.
Setdart Auction House
Nov. 24, 2021
ARMAND Pierre ARMAN (1928 - 2005) La Romaine - 1990 Bronze
Est: €2,000 - €3,000
ARMAND Pierre ARMAN (1928 - 2005) La Romaine - 1990 Bronze Signature et numérotation gravées "53/100" Editions la Différence, Paris Fondeur Romain Barelier Hauteur : 49 cm Bronze ; engraved signature and number Height : 19.29 in. Estimation 2 000 - 3 000 €
Artcurial
Nov. 24, 2021
ARMAND Pierre ARMAN (1928 - 2005) FULL - UP - 1960 Boîte à sardine imprimée
Est: €1,500 - €2,000
ARMAND Pierre ARMAN (1928 - 2005) FULL - UP - 1960 Boîte à sardine imprimée servant d'invitation au vernissage de l'exposition "LE PLEIN", à la galerie Iris Clert, Paris 10,50 x 6,40 x 2,90 cm A sardine can printed ; invitation to opening of the exibition "LE PLEIN" at Iris Clert Gallery, Paris 4,1 x 2,51 x 1,14 in. Estimation 1 500 - 2 000 €
Artcurial
Nov. 24, 2021
ARMAND Pierre ARMAN (Franco Américain - 1928 - 2005) Sans Titre - 2004 Accumulation de tubes de peinture dans polyester
Est: €1,500 - €2,000
ARMAND Pierre ARMAN (Franco Américain - 1928 - 2005) Sans Titre - 2004 Accumulation de tubes de peinture dans polyester Signature et numérotation gravées "18/99" 50 x 34 x 5 cm Paint tubes in polyester ; engraved signature and number 19,68 x 13,38 x 1,96 in. Provenance : Galerie Mickael Marciano, Paris Acquis directement auprès de cette dernière par l'actuel propriétaire en 1975 Commentaire : Cette oeuvre est enregistrée dans les archives de l'artiste sous le numéro : APA# 8403.04.012 Un certificat sera remis à l'acquéreur Estimation 1 500 - 2 000 €
Artcurial
Nov. 24, 2021
ARMAND Pierre ARMAN (1928 - 2005) Temps 2 ( Mecanismes de Montres / Accumulation de Rouages) 1975-1976 Accumulation de rouages d'hor..
Est: €1,500 - €2,000
ARMAND Pierre ARMAN (1928 - 2005) Temps 2 ( Mecanismes de Montres / Accumulation de Rouages) 1975-1976 Accumulation de rouages d'horlogerie, plexiglas et résine Signature et numérotation gravées "309/900" Edition Artcurial, Paris 46 x 46 cm Clock gears, plexiglas and resin ; engraved signature and number 18,11 x 18,11 in. Commentaire : Cette œuvre est enregistrée dans les Archive Arman Studio New York sous le n° APA# 8403.76.002 avec la collaboration de Madame Corice Arman Cette oeuvre est enregistrée dans les Archives de Madame Denyse Durand-Ruel sous le n° A 2474 Estimation 1 500 - 2 000 €
Artcurial
Nov. 24, 2021
ARMAND Pierre ARMAN (1928 - 2005) Le dos de Valentine - 1997 Combustion de coupe de table d'harmonie de violon, bois et coupe de tab..
Est: €2,000 - €3,000
ARMAND Pierre ARMAN (1928 - 2005) Le dos de Valentine - 1997 Combustion de coupe de table d'harmonie de violon, bois et coupe de table d'harmonie et de manche de violon bronze patiné doré, inclus dans de la résine polyester sur une base en Plexiglas Signature et numération gravées sur un cartel dans la résine "4/100" Edition Galerie Guy Pieters, Latens Sint Martin, Belgique 54 x 30 x 10 cm Combustion of a cut of violin soundboard, wood and cuts of violin soundboard and neck bronze patinated gold, embedded in polyester resin mounted on plexiglas base ; engraved signature and number 21,25 x 11,81 x 3,93 in. Estimation 2 000 - 3 000 €
Artcurial
Nov. 15, 2021
ARMAN, Mesa/escultura, 40x152,5x99 cm
Est: €24,000 - €34,000
ARMAN, Arman Pierre Fernandez (1928-2005) "Brush and Brunch" Escultura (mesa) em acrílico, metal e a técnica mista com colagens sobre tela, sobre suporte rígido Assinado VII/L Dim. aprox.: 40 x 152,5 x 99 cm. Com certificado. São conhecidas várias tiragens desta obra: 70 exemplares, 20 provas de artista e 50 exemplares de I/L.
Palácio do Correio Velho
Oct. 03, 2021
費爾戴儂‧阿曼 PIERRE FERNANDEZ ARMAN (1928-2005)
Est: NT$200,000 - NT$360,000
大提琴 Chello 簽名：Arman bocquel Fd. 與版數 Signed Arman and inscribed bocquel Fd. in English, and numbered
Zhong Cheng Auction Co. Ltd.
Jul. 25, 2021
Armand Pierre Arman (French, 1928-2005), "Symphony"
Est: $3,000 - $5,000
Armand Pierre Arman (French, 1928-2005) "Symphony", 1959 mixed media and ink on paper signed and dated lower left. Matted, glazed and framed. sight 29-1/2" x 41-1/2", framed 38-1/2" x 52-1/2" Provenance: Heritage, Dallas, Texas, December 9, 2017, lot 61625. Literature: This work is recorded in the Arman Studio Archives, New York, under the APA number: 100.59.14.
New Orleans Auction Galleries
Apr. 17, 2021
Armand Pierre Arman, Boom-Boom, 1966
Est: $600 - $800
Armand Pierre Arman (French, 1928 - 2005) Boom-Boom, 1966 screenprint with pencil additions, editon 109 of 225 From "New York International" Portfolio. Published by Tanglewood Press, New York Printed by Chiron Press, New York signed lower right: Arman editioned lower left: 109/225 embossed chop mark lower left: CHIRON PRESS NEW YORK 17 x 22 in. (43.18 x 55.88 cm.), Frame: 24 3/4 x 29 3/4 x 1 1/2 in. (62.87 x 75.57 x 3.81 cm.)
Santa Fe Art Auction
Mar. 13, 2021
CHARLIE MINER (B. 1947) PATE DE VERRE ART GLASS VASE
Est: $800 - $1,200
Charlie Miner (New Mexico, Born 1947) The squat flaring form cast with open-work design of fern-like tendrils in relief and raised on a pedestal foot, acid etched signature near the foot. Measures 5 x 8 inches. We happily provide seamless in-house packing and shipping services on nearly everything we sell.
Dirk Soulis Auctions
Mar. 13, 2021
Arman (Armand Pierre Fernandez): Accumulathales
Est: €250 - €350
Arman (Armand Pierre Fernandez) 1928 - 2005 Accumulathales Color lithograph on paper; H 260 mm, W 184 mm; signed, inscribed and numbered lower left ''rman 8/50''
Peter Karbstein - Kunst und Auktionshaus
Mar. 10, 2021
Daum "Naissance" by Arman Sculpture
Est: $4,000 - $6,000
Arman Pierre Fernandes (1928-2005) depicting an orange pate de verre glass sculpture of Venus de Milo emerging from a bronze mold of her figure, bronze marked "Bocquel Fondeur," and glass marked "Daum France, 30/99." Together with original plaque and Certificate of Authenticity. Property from a Short Hills, NJ and San Francisco, CA Private Collection Apx. 28"h x 18"w x 18"d
Nye & Company