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Thomas (1772) Arrowsmith Sold at Auction Prices

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    • THOMAS ARROWSMITH (ACTIVE LONDON C. 1792-1829) Portrait of Henry Hoste Henl
      Apr. 23, 2021

      THOMAS ARROWSMITH (ACTIVE LONDON C. 1792-1829) Portrait of Henry Hoste Henl

      Est: $15,000 - $20,000

      THOMAS ARROWSMITH (ACTIVE LONDON C. 1792-1829) Portrait of Henry Hoste Henley (1766-1833), full-length, with dogs oil on canvas, unframed 94 x 57 7/8 in. (238.8 x 147 cm.)

      Christie's
    • Thomas Arrowsmith, British act. 1772-1831- Portrait of a gentleman and his wife, both seated quar
      Mar. 23, 2021

      Thomas Arrowsmith, British act. 1772-1831- Portrait of a gentleman and his wife, both seated quar

      Est: £200 - £300

      Thomas Arrowsmith, British act. 1772-1831- Portrait of a gentleman and his wife, both seated quarter-length; pencil with touches of watercolour, ea. signed and dated 1826, ea. 17.5x12.5cm: together with a further pair of portraits of a gentleman, traditionally held to be The Rev Solomon Cadman Saxton and his wife by the same artist, one inscribed and dated 1827, ea. 13.5x9.5cm: M I Stokes, British, late 19th/early 20th century- A portrait miniature of John E Stokes, head and shoulders in a sailor's hat, tondo, 3cm dia: British School, early-mid 20th century- A portrait miniature of a lady, quarter-length in a black dress with a background of poppies, 6x7.5cm: Mrs Barthomemew, British early-mid 20th century- Portrait of Isobel Barbara Susan Stokes, c.1928; watercolour, oval, signed with monogram, 17x12.5cm: together with one further portrait miniature of a lady, head and shoulders, oval, by a different artist, 8.5x7.5cm (8) Please refer to department for condition report

      Roseberys
    • Thomas Arrowsmith (1772-1830) England, O/C
      May. 10, 2020

      Thomas Arrowsmith (1772-1830) England, O/C

      Est: $1,600 - $3,200

      Early 19th C. Portrait of WM Smith. Oil on Canvas, Beautiful Gilt frame. Plaza Art Galleries Label From New York. Signed T. Arrowsmith verso. Size: 24 x 29 in.

      Sarasota Estate Auction
    • Attributed to Thomas Arrowsmith (1772-1830)
      Jun. 25, 2019

      Attributed to Thomas Arrowsmith (1772-1830)

      Est: £100 - £150

      Attributed to Thomas Arrowsmith (1772-1830) PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE DRESS AND SHAWL Miniature on ivory, the reverse with plaited hair 4.8 x 4cm, oval

      Sworders
    • THOMAS ARROWSMITH (BRITISH fl. 1792-1829)
      Mar. 06, 2019

      THOMAS ARROWSMITH (BRITISH fl. 1792-1829)

      Est: £200 - £300

      THOMAS ARROWSMITH (BRITISH fl. 1792-1829) Portrait miniature of a young boy wearing a blue coat with a gold button, a white waistcoat and black stock, sky background Signed with initials and dated TA / 99 Watercolour on ivory Gilt-mounted rectangular papier mache frame Oval, 63mm high This lot is subject to CITES regulations.

      Chiswick Auctions
    • Thomas Arrowsmith (act. c. 1772-1830) - Two oval portrait miniatures on ivory. Fr
      May. 30, 2018

      Thomas Arrowsmith (act. c. 1772-1830) - Two oval portrait miniatures on ivory. Fr

      Est: €200 - €400

      Thomas Arrowsmith (act. c. 1772-1830) Two oval portrait miniatures on ivory. Francis Shaud of Liverpool and his wife Mary Shaud. Both signed and dated 1809 verso. Hoogte 7 cm.

      Vendu Rotterdam
    • THOMAS ARROWSMITH (BRITISH fl.1792-1829) Portrait miniature of a Lady, wearing white dress with fichu, her hair powdered and curled Watercolour on ivory In chased gilt metal foliate frame, the reverse glazed to reveal plaited hair Oval, 47mm high Subject to CITES
      Mar. 20, 2018

      THOMAS ARROWSMITH (BRITISH fl.1792-1829) Portrait miniature of a Lady, wearing white dress with fichu, her hair powdered and curled Watercolour on ivory In chased gilt metal foliate frame, the reverse glazed to reveal plaited hair Oval, 47mm high Subject to CITES

      Est: £200 - £300

      THOMAS ARROWSMITH (BRITISH fl.1792-1829) Portrait miniature of a Lady, wearing white dress with fichu, her hair powdered and curled Watercolour on ivory In chased gilt metal foliate frame, the reverse glazed to reveal plaited hair Oval, 47mm high Subject to CITES

      Chiswick Auctions
    • Thomas Arrowsmith (1771-1830) Portrait of an Army officer standing in a landscape, c.1804, 17 x 14in.
      Feb. 23, 2016

      Thomas Arrowsmith (1771-1830) Portrait of an Army officer standing in a landscape, c.1804, 17 x 14in.

      Est: £300 - £500

      Thomas Arrowsmith (1771-1830) pastel, Portrait of an Army officer standing in a landscape, c.1804, 17 x 14in.

      Gorringes
    • Thomas Arrowsmith (1772-1830) Portrait of the
      Jul. 20, 2013

      Thomas Arrowsmith (1772-1830) Portrait of the

      Est: £1,200 - £1,800

      Thomas Arrowsmith (1772-1830) Portrait of the jockey Francis (Frank) Buckle (1766 -1832), head and shoulders, wearing a top hat, white cravat, brown jacket and holding a walking cane Signed, oil on canvas, 71cm by 53.5cm See illustration Born in Newmarket, Buckle is recorded as winning at least 27 British Classic races during his career.

      Tennants
    • Thomas Arrowsmith 1772-1830 'Portrait of Thomas
      Mar. 20, 2013

      Thomas Arrowsmith 1772-1830 'Portrait of Thomas

      Est: £400 - £600

      Thomas Arrowsmith 1772-1830 'Portrait of Thomas Gabriel, veterinary surgeon of Exeter', oil on canvas, signed and dated 1817 on reverse, 31cm x 25.5cm

      Halls Fine Art
    • Sporting Memorabilia: Thomas Arrowsmith (circa
      Oct. 28, 2009

      Sporting Memorabilia: Thomas Arrowsmith (circa

      Est: £2,500 - £3,500

      Sporting Memorabilia: Thomas Arrowsmith (circa 1772 - after 1829) PORTRAIT OF THE CELEBRATED JOCKEY FRANK BUCKLE, IN A FROCK COAT AND TOP HAT signed and dated 1816, oil on canvas, in the original Regency plaster frame with running laurel leaves, ribbons and bands at the corners, and twisted rope design to the outer edge, 74 by 56cm., 29 by 22in. Frank Buckle (1766-1832) is the first example of a jockey who became a popular national hero. The son of a Newmarket saddler, Buckle enjoyed a very long career as a jockey which began with an apprenticeship to Richard Vernon at Newmarket. When he had his first ride in 1783, Buckle weighed out at an incredible 3st. 10lb. He had little problems with weight throughout his career and could comfortably to the scales at 7st. 10lb. without wasting. The outstanding jockey of his generation, Buckle's record of 27 Classic winners stood from 1827 until 1984, when it was finally eclipsed by Lester Piggott's victory on Commanche Run in the St Leger. Even more remarkable about Buckle's achievement is that he had been riding for over 20 years before the 2,000 and 1,000 Guineas were inaugurated. For the record, Buckle won the 1,000 Guineas six times, the 2,000 Guineas five times, the Derby five times, the Oaks nine times (still remains an all time record), and the St Leger twice. His final Classic winners for the Duke of Grafton aboard Arab and Turcoman in the two Guineas of 1827 were at the ripe old age of 61. Away from the Classics, Buckle also famously rode Hambletonian in the Great Match of 1799 against Diamond at Newmarket for stakes of 3,000 Guineas, a race immortalised in a huge painting by Stubbs that now hangs in the Tate Gallery. Because of his diminutive size and renowned strength in a finish, Buckle was known as 'the pocket Hercules'. Roger Mortimer in his History of the Derby Stakes, 1962, p.24, wrote of Buckle "Unlike most of his fellow riders, he was invariably neat in his dress and always wore beautifully made boots and breeches; unlike many of the too, he was scrupulously honest. For much of his life he lived at Peterborough, where he farmed successfully, being famous for his butter, and he also bred greyhounds, bulldogs and fighting cocks ... He must have been a tough little man ... as he thought nothing of hacking over to Newmarket to ride work and then riding home to Peterborough in time for tea, a distance of some 90 miles. After 48 years in the saddle, Frank Buckle had his last ride in 1831 and died shortly afterwards. This portrait was painted in 1816 when Buckle turned 50 with the sitter looking as dapper as Mortimer was later to describe him in his book. The earliest known image of Buckle is in Robert Dighton's caricature print of 1806 titled 'A HERO of the TURF and his AGENT'. The only other formal portrait of the jockey dates from later in his career and is by Richard Jones (fl. 1767-1840). This work was acquired by the National Horseracing Museum in 1996 having descended through Buckle's family. Thomas Arrowsmith was a portrait and miniature painter who entered the Royal Academy Schools in 1789, and exhibited 26 portraits at the R.A. between 1792 and 1829. He is said to have been deaf and dumb. A pair of portraits of a Liverpool merchant and his wife hanging the Walker Art Gallery, Liverpool.

      Graham Budd Auctions
    • Thomas Arrowsmith (1771 - 1830): an oil on canvas
      Feb. 02, 2008

      Thomas Arrowsmith (1771 - 1830): an oil on canvas

      Est: £200 - £300

      Thomas Arrowsmith (1771 - 1830): an oil on canvas portrait of a gentleman circa 1813

      Batemans Auctioneers & Valuers
    • THOMAS ARROWSMITH
      Mar. 22, 2007

      THOMAS ARROWSMITH

      Est: £200 - £300

      THOMAS ARROWSMITH A gentleman, in blue coat, white waistcoat and cravat signed 'T. Arrowsmith 1809' on obverse, red leather case oval, 3 in. (76 mm.); and a gentleman in black coat (English School, 19th Century) gilt-metal frame (2)

      Christie's
    • Thomas Arrowsmith (b.1772)
      Dec. 19, 2006

      Thomas Arrowsmith (b.1772)

      Est: £2,500 - £3,500

      Portrait of Frank Buckle (1766-1832), half-length, in a brown coat and white stock signed and dated 'Arrowsmith/1816' (lower left) oil on canvas 28 x 21 1/4 in. (71.2 x 54 cm.)

      Christie's
    • Thomas ARROWSMITH (BRITISH, 1772-c.1829)
      Feb. 19, 2006

      Thomas ARROWSMITH (BRITISH, 1772-c.1829)

      Est: £400 - £600

      Portrait of a gentleman, half-length, wearing a black coat and white cravat inscribed 'Painted by Arrowsmith/Dec? 1815' (on the reverse) oil on canvas 14 x 12 1/4 in. (35.5 x 31 cm.) With a portrait of a lady, half-length, wearing a bonnet, by another hand two in the lot (2)

      Christie's
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