Egid Quirin Asam Sold at Auction Prices

Sculptor, Platerer, Painter, b. 1692 - d. 1750

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      • ¤ Attribué à Egid Quirin ASAM Tegernsee, 1692 - Mannheim, 1750 Etude pour un plafond orné de putti Plume et encre noire sur trait de c.
        Sep. 26, 2023

        ¤ Attribué à Egid Quirin ASAM Tegernsee, 1692 - Mannheim, 1750 Etude pour un plafond orné de putti Plume et encre noire sur trait de c.

        Est: €800 - €1,200

        Attribué à Egid Quirin ASAM Tegernsee, 1692 - Mannheim, 1750 Etude pour un plafond orné de putti Plume et encre noire sur trait de crayon, de forme découpée en partie supérieure et inférieure Study for a ceiling adorned with putti, pen and black ink on pencil, trimmed on the upper and bottom part, attr. to E. Q. Asam h: 25 w: 13,50 cm Provenance : Vente anonyme ; Vienne, Dorotheum, 2 mai 2012, n°178 (comme Egid Quirin Asam) Commentaire : Lot en importation temporaire L'acquéreur devra acquitter des frais d'importation, soit 5,5% en sus du prix d'adjudication sauf s'il réexporte immédiatement le lot hors de l'Union Européenne. Lot in temporary importation. In addition to the commissions and taxes, and additional import fees of 5,5% of the hammer price will be charged. The import fees can be retroceded to the purchaser on presentation of written proof of exportation outside European Union. Estimation 800 - 1 200 €

        Artcurial
      • Egid Quirin Asam, Tegernsee 1692 - 1750 Mannheim, attributed
        Nov. 16, 2022

        Egid Quirin Asam, Tegernsee 1692 - 1750 Mannheim, attributed

        Est: €300 - €600

        Egid Quirin Asam Tegernsee 1692 - 1750 Mannheim, attributed Masterfully carved tabernacle door Bavaria Rococo/mid-18. century Lime wood veneered on walnut root wood Total height 59 cm, total width 30 cm Height of the carving 51 cm, width of the carving 23 cm One of the main representatives of the Bavarian Rococo is Egid Quirin Asam, a German sculptor and stucco artist who often worked together with his brother Cosmas Damian Asam (1686-1739), thus creating complete works together. He travelled extensively in southern Germany and its neighbouring regions, but mostly stayed in the central area of Bavaria. His extensive and varied oeuvre particularly reflects the component of sensuality in human nature as an important characteristic of the South German Late Baroque. The extraordinary work, which is extremely rarely preserved in this manner, is a tabernacle door framed by ears of corn and vines. Winged angel heads are arranged around an altar with a sacrificial lamb, populating small cloud formations and radiating divine light. The Asam brothers are famous for an abundance of figures, especially in heavenly spheres. In dynamic, almost orbiting movement, the angels seem to flutter about, contrasting sharply with the central, rigidly reclining animal. This is the Agnus Dei, or Lamb of God, which is a symbol of Christ and an important part of the Eucharistic liturgy. This also corresponds with the function of the tabernacle, placed on the high altar and containing the communion. The carving therefore emphasises the function of the object in its form; the execution with clear divergence of stillness and movement is an important aspect of the oeuvre of this masterful Rococo sculptor. Since Egid Quirin Asam worked as a stucco artist, he also produced small-scale compositions; it is therefore plausible that he also executed such relief carvings in wood. A characteristic feature are the two angel heads facing each other confidentially, which can be found in numerous works by Egid Quirin Asam. Two examples are the stucco relief of St. Luke in the former Cistercian monastery church of Aldersbach (2. pillar of the south row, c. 1720) or the Assumption of Mary in the church of the former Augustinian choir monastery of Rohr, also executed in stucco (1722/23). The boldly whirling heads of angels are also framed in a similar way in the altar of the north transept in Rohr (1721-23) with grapes and leaves as frame devices.

        Tiberius Auctions
      • wohl Egid Quirin ASAM (1692-1750), auf Rahmen bez. "Kaiser Karl XVI 1724 erlässt die Pragmatische Sanktion a. d. Domberg zu Freising", Öl/Leinwand
        May. 02, 2020

        wohl Egid Quirin ASAM (1692-1750), auf Rahmen bez. "Kaiser Karl XVI 1724 erlässt die Pragmatische Sanktion a. d. Domberg zu Freising", Öl/Leinwand

        Est: -

        wohl Egid Quirin ASAM (1692-1750), auf Rahmen bez. "Kaiser Karl XVI 1724 erlässt die Pragmatische Sanktion a. d. Domberg zu Freising", Öl/Leinwand doubliert, gerahmt, RG 58 x 43cm.

        Auktionshalle Cuxhaven
      • Sehr feines und seltenes Bozzetto mit dem Heiligen Nepomuk, mit alter Zuweisung an Egid Quirin Asam, München, vor 1750. Terrakotta, polychrom gefasst und teilvergoldet. Der kniende Heilige auf einem...
        Dec. 08, 2018

        Sehr feines und seltenes Bozzetto mit dem Heiligen Nepomuk, mit alter Zuweisung an Egid Quirin Asam, München, vor 1750. Terrakotta, polychrom gefasst und teilvergoldet. Der kniende Heilige auf einem...

        Est: CHF1,000 - CHF1,500

        Sehr feines und seltenes Bozzetto mit dem Heiligen Nepomuk, mit alter Zuweisung an Egid Quirin Asam, München, vor 1750. Terrakotta, polychrom gefasst und teilvergoldet. Der kniende Heilige auf einem Wolkenband, vor ihm der Erlöser am Kreuz, gestützt von zwei Putti. Originale Fassung. Am Boden mit alter Bezeichnung: «Nr. 13 Hl. NEPOMUK, gefasste Ton-Figur v. Asam. Fischer-Böhler Antiquitäten München 2, Residenzstrasse 10/1». H = 33 cm. * Dieses Objekt ist vollumfänglich MWST-Pflichtig.

        Stuker
      • Asam, Egid Quirin—Christus an der Geißelsäule—(Tegernsee 1692-1750 Mannheim
        Jul. 29, 2016

        Asam, Egid Quirin—Christus an der Geißelsäule—(Tegernsee 1692-1750 Mannheim

        Est: -

        Asam, Egid Quirin—Christus an der Geißelsäule—(Tegernsee 1692-1750 Mannheim) Auf kartuschenförmiger Standplatte, der an die Geißelsäule gekettete Christus mit Dornenkrone im langen faltenreichen Gewand, die gefesselten Hände überkreuzt, das leidende Antlitz nach links unten geneigt. Laubholz geschnitzt. H. 32,5 cm. - Provenienz Sammlung Biersdorfer.

        Kunstauktionshaus Schlosser
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