Jane Evelyn Atwood Paintings & Artwork for Sale | Jane Evelyn Atwood Art Value Price Guide

Dec. 06, 2023
Atwood, Jane Evelyn: Woods Hole, Cape Cod, Massachussetts
Est: €2,200 - €2,500
"Woods Hole, Cape Cod, Massachussetts". 1983/ printed in 2009. Gelatin silver print. 36 x 24 cm. Signed, titled and dated by the photographer in pencil on verso. - - Jane Evelyn Atwood's photographs are distinguished by their profound emotional impact and intimate storytelling. Her work centers on marginalized and vulnerable individuals, skillfully capturing their experiences with empathy and sensitivity. Whether documenting the lives of sex workers, survivors of domestic violence, or people with HIV, Atwood's images convey a deep sense of humanity and resilience. This particular photograph was taken in Cape Cod, the artist's hometown, which has been a welcoming refuge for artists, writers, and the LGBTQ+ community since the late nineteenth century. – In near excellent condition. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Jun. 06, 2023
Jane Evelyn Atwood, France, 1992
Est: €800 - €1,000
Monogrammed, dated and (in parts illegibly) titled in pencil, photographer's copyright stamp as well as numbered in an unknown hand in pencil on the verso.
Kunsthaus Lempertz KG
Mar. 26, 2022
JANE EVELYN ATWOOD (B. 1947) - Prostitute, Paris 1975
Est: €800 - €900
JANE EVELYN ATWOOD (B. 1947) Prostitute, Paris 1975 Vintage silver print signed (lower right) 40.5 x 30.5 cm
Hermitage Fine Art
Nov. 08, 2019
Jane Evelyn ATWOOD (née en 1947) Parloir, vers 1991. Épreuve argentique d’époque,
Est: €400 - €500
Jane Evelyn ATWOOD (née en 1947) Parloir, vers 1991. Épreuve argentique d’époque, 24 x 35,5 cm. « L’une de ses plus grandes entreprises est sans doute la réalisation du reportage Trop de peines : Femmes en prison, qui durant dix ans la mena dans les prisons du monde entier pour photographier les femmes incarcérées. Au sein des centres carcéraux les plus rudes de France, d’Europe de l’Est et des Etats-Unis, jusque dans les « couloirs de la mort », elle dresse le portrait de ces condamnées oubliées : les crimes trop souvent commis contre des hommes violents, […] une intimité et une féminité niées, les baisers et sourires furtifs du parloir, […] » http://les.cris.overblog.com/jane-evelyn-atwood-photographe
Marie-Saint Germain
Jun. 19, 2017
JANE EVELYN ATWOOD - -1947
Est: €600 - €800
JANE EVELYN ATWOOD -1947 L'INSTITUT DEPARTEMENTAL DES AVEUGLES - ST MANDE, 1980 Tirage argentique signé 40 x 30,5 cm
Cornette de Saint-Cyr
May. 10, 2016
Jane Evelyn Atwood (b. 1947)
Est: €600 - €800
Rue des Lombards, Paris, 1977
Finarte Roma
Dec. 17, 2015
JANE EVELYN ATWOOD (née en 1947) LES AVEUGLES, 1980
Est: €1,500 - €2,000
JANE EVELYN ATWOOD (née en 1947) LES AVEUGLES, 1980 Tirage argentique postérieur signé 24 x 36 cm Jane Evelyn Atwood est depuis toujours fascinée par la différence. Sa série sur les aveugles, réalisée à Saint-Mandé, a marqué son style et l'a inscrite dans la grande lignée des photographes témoins. Ce tirage, dans son cadre d'origine, a fait partie de la grande collection Buhl et fut exposé dans le monde entier.
Cornette de Saint-Cyr
May. 23, 2014
JANE EVELYN ATWOOD (* 1947) 'Blind twins', Saint-Mandé 1980
Est: €3,000 - €3,500
Gelatin silver print, printed in 2014 40 x 30 cm (15.7 x 11.8 in) Signed, dated, numbered (neg. no.) and annotated by the photographer in pencil on the reverse PROVENANCE directly from the photographer LITERATURE Jane Evelyn Atwood, Extérieur Nuit, Photo Poche, Arles 1998, cover and p. 19; Jane Evelyn Atwood (#125), Photo Poche Monograph, Arles 2010, p. 49. Two young women standing next to each other, framed by the backdrop of a sparse wall, their heads slightly lowered and eyes almost closed. Both are wearing dark knee-length coats and high leather boots. As if seeking reassurance, they hold each other's hands. The double portrait Blind twins by Jane Evelyn Atwood was taken as part of the series blind children, for which the photographer won the W. Eugene Smith Award as early as 1980; in total, she worked on the series for ten years. Atwood, who has lived in Paris since 1971 and has worked as a photographer since 1976, is known for her stamina. She devotes herself to topics that are otherwise suppressed, silenced or ignored, making those who are rejected or forgotten by society the protagonists of her images. She creates highly intimate portraits that testify to her personal commitment and passion. Atwood's working method and topics are strongly reminiscent of those of Diane Arbus, whom she cites as an inspiration and role model. Atwood's photographs are compelling in their striking, compositional beauty, despite - or perhaps because of - her unsentimental way of documenting what is often the brutal reality of the world. In the images of the blind children, it is the fascination for those "who must live without sight in a seer's world" which creates the urgency of these intimate studies: it is the Blind twins' intangible, downcast gaze and their rigid posture, making them appear slightly lost, which constitutes the tension of the present photograph.
WestLicht
May. 23, 2014
JANE EVELYN ATWOOD (* 1947) Auto-Portrait, 1978
Est: €2,000 - €2,500
Gelatin silver print, printed in 2014 30 x 24 cm (11.8 x 9.4 in) Signed, dated, numbered (neg. no.) and annotated by the photographer in pencil on the reverse PROVENANCE directly from the photographer Jane Evelyn Atwood's Self-Portrait with Snake was taken the same year she bought her first camera and started to photograph prostitutes in night-time Paris. This series is considered the beginning of her career as a photographer, during the course of which she has won many awards for humanitarian and photo-journalistic achievements, including the Leica Oskar Barnack Prize. In her photographic work, Atwood, who cites Diane Arbus as one of her inspirations for reaching for the camera herself, turns into an advocate of those who are rejected and marginalised by society. Over many years, she accompanied Paris prostitutes with her Leica, following them even to rooms in lowlit transient hotels. In remarkable long-term projects, she has documented the lives of incarcerated women in no less than 40 prisons, or has dedicated herself to the fate of blind children over the course of ten years. Her compassionate glance, her commitment and her honest interest in people characterise her work; together with her well-considered visual idiom, they form the backbone of her activist photography. Self-Portrait with Snake is a shot full of compositional tension in which the 29-year-old photographed herself in full frontal view with a snake around her neck. The early portrait can be interpreted as a metaphor for Atwood's working method as a whole: she has no fear of things of topics which are generally "frowned upon", considered vile or frightening. Instead, she remains calm, exuding composure and passion - a basic attitude which is palpable in all the series that were to follow and in her treatment of her "models".
WestLicht
Nov. 13, 2012
Jane Evelyn ATWOOD (n. 1947) Prostitution, rue des
Est: €600 - €800
Jane Evelyn ATWOOD (n. 1947) Prostitution, rue des Lombards, Paris, c. 1976 Tirage argentique d'époque. Au dos: cachets de l'auteur 13,3 x 20 cm (image) - 20 x 25,5 cm (feuille)
Millon & Associes
Nov. 21, 2010
Photographs: Jane Evelyn Atwood (née en 1947)
Est: €600 - €800
Photographs: Jane Evelyn Atwood (née en 1947) Centre d'Education Spécialisée pour Déficients Visuels, l'Institut des Jeunes Aveugles. Toulouse, 1985. Epreuve argentique d'époque, signée et dédicacée dans la...
Ader
Nov. 21, 2010
Photographs: Jane Evelyn Atwood (née en 1947)
Est: €600 - €800
Photographs: Jane Evelyn Atwood (née en 1947) L'Institut National des Jeunes Aveugles. Paris, 1979. Epreuve argentique d'époque, signée et dédicacée dans la marge inférieure. 40 x 29 cm avec les marges. Bibliographie...
Ader
Jun. 05, 2007
JANE EVELYN ATWOOD - L'Institut Départemental des
Est: -
JANE EVELYN ATWOOD - L'Institut Départemental des Aveugles, Saint-Mandé...
Piasa