Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte Paintings & Artwork for Sale | Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte Art Value Price Guide

Apr. 27, 2024
H. AUBRY-LECOMTE (*1787) after HERSENT (*1777), The children of the Duke of Berry, 1822, Lithograph
Est: €1,350 - €1,800
Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The children of the Duke of Berry, 1822, Lithography Technique: Lithography on , rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse stands on a small chair and holds the hand of her brother Henri d'Artois, Duke of Bordeaux. The painting's political significance as a portrait of a ruler is due to the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, on 13 February 1820 in front of the Paris Opera. Louvel wanted to end Bourbon rule in France with this assassination, but created a martyr who now symbolised the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication following the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was again proclaimed the rightful king of France by the Bourbon loyalists and after both 1848 and 1870 he was to ascend the throne again as Henry V, but this failed. The masterly graphic depiction of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ child in the stable suggests itself and the fixated gaze prefigures a claim to power that is to be honoured. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and was appointed professor at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France,
Fichter Kunsthandel
Aug. 26, 2023
H. AUBRY-LECOMTE (*1787) after HERSENT (*1777), The Children of the Duke of Berry, 1822, Lithograph
Est: €1,350 - €1,800
Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The Children of the Duke of Berry, 1822, Lithography Technique: Lithography on , rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse is standing on a small chair holding the hand of her brother Henri d'Artois, Duke of Bordeaux. The picture gains its political significance as a ruler's picture through the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, in front of the Paris Opera on 13 February 1820. Louvel intended this assassination to end Bourbon rule in France, but created a martyr who now acted as a symbol of the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication in the wake of the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was proclaimed again as the rightful king of France by the Bourbon loyalists, and both after 1848 and after 1870 he was to ascend the throne again as Henry V, but this failed. The masterfully executed graphic representation of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ Child in the stable suggests itself and the fixating gaze prefigures a claim to rule to be redeemed. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and accepted a professorship at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France,
Fichter Kunsthandel
Jul. 04, 2023
HYACINTHE-LOUIS-VICTOR-JEAN-BAPTISTE AUBRY-LECOMTE - Madame Récamier's bedroom in Abbaye-aux-Bois de Dejuinne
Est: -
HYACINTHE-LOUIS-VICTOR-JEAN-BAPTISTE AUBRY-LECOMTE pinxit Nice 1797 - Paris 1858 FRANÇOIS-LOUIS DEJUINNE sculpt Paris 1786 - 1844 The bedroom of Madame Récamier in Abbaye-aux-Bois de Dejuinne. 1827 Lithograph on paper Signed and titled Size 440 x 570 mm
Subastas Segre
May. 06, 2023
H. AUBRY-LECOMTE (*1787) after HERSENT (*1777), The Children of the Duke of Berry, 1822,
Est: €1,350 - €1,800
Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The Children of the Duke of Berry, 1822, Lithography Technique: Lithography on , rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse is standing on a small chair holding the hand of her brother Henri d'Artois, Duke of Bordeaux. The picture gains its political significance as a ruler's picture through the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, in front of the Paris Opera on 13 February 1820. Louvel intended this assassination to end Bourbon rule in France, but created a martyr who now acted as a symbol of the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication in the wake of the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was proclaimed again as the rightful king of France by the Bourbon loyalists, and both after 1848 and after 1870 he was to return to the throne as Henry V, but this failed. The masterfully executed graphic representation of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ Child in the stable suggests itself and the fixating gaze prefigures a claim to rule to be redeemed. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and accepted a professorship at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France,
Fichter Kunsthandel
Aug. 06, 2022
H.AUBRY-LECOMTE (*1787) after HERSENT (*1777), The Children of the Duke of Berry, 1822, Lithography
Est: €1,350 - €1,800
Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The Children of the Duke of Berry, 1822, Lithography Technique: Lithography on China paper, rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse stands on a small chair and holds the hand of her brother Henri d'Artois, Duke of Bordeaux. The picture gains its political significance as a ruler's picture through the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, in front of the Paris Opera on 13 February 1820. Louvel intended this assassination to end Bourbon rule in France, but created a martyr who now acted as a symbol of the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication in the wake of the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was proclaimed again as the rightful king of France by the Bourbon loyalists, and both after 1848 and after 1870 he was to ascend the throne again as Henry V, but this failed. The masterfully executed graphic representation of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ Child in the stable suggests itself and the fixating gaze prefigures a claim to rule to be redeemed. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and accepted a professorship at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France,
Fichter Kunsthandel
May. 18, 2022
Jean-Baptiste Aubry-Lecomte (1797-1858): Portrait of François de Chateaubriand, 1823
Est: -
Jean-Baptiste Aubry-Lecomte (1797-1858) Portrait of François de Chateaubriand, 1823 Lithography 65 x 55 cm Bibliography: E. Lanzillotta, R. Mammucari, F. Negri Arnoldi (ed.), Campagna romana, catalogo della mostra, Vellettri 2003, p. 41. Good state of conservation: light sparse foxing With passepartout, frame and glass (68 x 61 x 5 cm)
Bertolami Fine Art s.r.l.
Jul. 04, 2018
Hyacinthe AUBRY-LECOMTE, (Nice 1787–Paris 1838) - Portrait de monsieur André Tresmances
Est: €400 - €600
Hyacinthe AUBRY-LECOMTE, (Nice 1787–Paris 1838) Portrait de monsieur André Tresmances Plume et encre noire et grise, lavis noir et gris Signé et daté en bas Hhiacinthe Aubry fecit le 7 août 1811 37 x 30 cm. Feather and black ink; 14,5 x 12 in
Leclere - Maison de ventes
Mar. 20, 2010
Hyacinthe L. V. Aubry-Lecomte lithograph
Est: $100 - $200
Hyacinthe L. V. Aubry-Lecomte (French 1787-1858)- ''Les Vendanges''- lithograph after Prud'hon, 1848, as published by Jacomme, soiling throughout. 3 x 6 3/4'' 76 x 171 mm
Rachel Davis Fine Arts
Mar. 17, 2005
Hyacinthe-Louis-Victor Aubry-Lecomte (1787-1858)
Est: €500 - €800
Portrait de Mademoiselle Rosalie à mi-corps assise, les mains croisées signé, daté 'Aubry-Lecomte 1841.' et inscrit 'à Compiègne- M l l e. Rosalie.' mine de plomb, estompe 599 x 478 mm.
Christie's