John James Audubon Sold at Auction Prices

Bird painter, Painter, Animal painter, b. 1785 - d. 1851

Born in Haiti in 1785, artist John James Audubon was raised in France, a place where his interest in nature began. Sent to America in 1803, his love of birds and his artistic talent coalesced. Known worldwide for his association with bird conservation, artist John James Audubon created lifelike drawings of birds using a true-to-life color palette. One of his favorite pastimes was hunting, but as a naturalist he was concerned with conservation, especially the increased destruction of bird habitats.

Eventually, he created Birds of America, a book containing 435 of John James Audubon's paintings compiled into prints. The prints depicted each of North America's known bird varieties at the time. The value of John James Audubon prints extend beyond market price, and his paintings and drawings continue to set the standard for avian artwork. Whether you like furry or feathered wildlife, search other dazzling animal prints online at Invaluable.

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  • Audubon Aquatint, Green Heron, Plate 333
    Apr. 05, 2025

    Audubon Aquatint, Green Heron, Plate 333

    Est: $40,000 - $60,000

    AUDUBON, John James (1785 - 1851). Green Heron, Plate 333. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 24 7/8" x 36 7/8" sheet, 32 1/2" x 45 1/4" framed. Comparables: Sotheby's, 2009 - $74,500; Guernsey's, 2013 - $61,000. The Favorite Heron for Many Collectors. "This species is more generally known than any of our Herons, it being very extensively dispersed in spring, summer, and early autumn. It ranges along our many rivers to great distances from the sea, being common on the Missouri and its branches, from which it spreads to all such localities as are favourable to its habits. To the north of the United States, however, it is very seldom seen, it being of rare occurrence even in Nova Scotia. At the approach of winter it retires to the Floridas and Lower Louisiana, where individuals, however, reside all the year, and many remove southward beyond the limits of our country." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Long-Billed Curlew, Plate 231.
    Apr. 05, 2025

    Audubon Aquatint, Long-Billed Curlew, Plate 231.

    Est: $80,000 - $120,000

    AUDUBON, John James (1785 - 1851). Long-Billed Curlew, Plate 231. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x 38” sheet, 37” x 49 1/2” framed. Comparables: Guernsey's, 2013 - $109,800; Arader Galleries, 2019 - $106,250. A favorite of Ronald Reagan's for the depiction of the city of Charleston; This image hung in the White House. For anyone living in the Carolinas, This is a key for any collection. "This bird is the largest of the genus found in North America. The great length of its bill is of itself sufficient to distinguish it from every other. The bill, however, in all the species, differs greatly, according to the age of the individual, and in the present Curlew I have seen it in some birds nearly three inches shorter than in others, although all were full grown. In many of its habits, the Long-billed Curlew is closely allied to the smaller species of Ibis; its flight and manner of feeding are similar, and it has the same number of eggs. Unlike the Ibis, however, which always breeds on trees, and forms a large nest, the Curlew breeds on the ground, forming a scanty receptacle for its eggs; yet, according to my friend BACHMAN, the latter, like the former, places its nests "so close together, that it is almost impossible for a man to walk between them, without injuring the eggs. " - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Scarlet Ibis, Plate 397.
    Apr. 05, 2025

    Audubon Aquatint, Scarlet Ibis, Plate 397.

    Est: $25,000 - $35,000

    AUDUBON, John James (1785 - 1851). Scarlet Ibis, Plate 397. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/2" sheet, 37" x 49 1/2" framed. Comparables: Arader Galleries, 2022 - $37,440; Christie's, 2004 - $35,850. "It was supposed by WILSON, and since his time by others, that this brilliantly coloured Ibis is not uncommon in the southern parts of the United States. This opinion, however, is quite erroneous, and I have found the Scarlet Ibis less numerous than even the Glossy Ibis; indeed I have not met with more than three individuals in a state of liberty, in the whole range of the United States. These birds occurred at Bayou Sara, in Louisiana, on the 3d of July, 1821. They were travelling in a line, in the manner of the White Ibis, above the tops of the trees. Although I had only a glimpse of them, I saw them sufficiently well to be assured of their belonging to the present species, and therefore I have thought it proper to introduce it into our Fauna. WILSON'S figure, I believe, was taken from a living specimen, not, however, procured within the limits of the United States, and which was kept for some time in Peale's Museum in Philadelphia. My drawing of the adult male, and that of the immature bird, were made from specimens also procured beyond our limits. It is said that the habits of this bird are very similar to those of the White Ibis, of which I give you a long account; but, as I have not had opportunities of observing them, I judge it better to abstain from offering any remarks on this subject." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Booby Gannet, Plate 207.
    Apr. 05, 2025

    Audubon Aquatint, Booby Gannet, Plate 207.

    Est: $8,000 - $12,000

    AUDUBON, John James (1785 - 1851). Booby Gannet, Plate 207. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 1/2” x 25 5/8” sheet. Comparables: Arader Galleries, 2019 - $16,250; Neal Auction Co., 2011 - $15,535. "As the Marion was nearing the curious islets of the Tortugas, one of the birds that more particularly attracted my notice was of this species. The nearer we approached the land, the more numerous did they become, and I felt delighted with the hope that ere many days should elapse, I should have an opportunity of studying their habits. As night drew her sombre curtain over the face of nature, some of these birds alighted on the top-yard of our bark, and I observed ever afterwards that they manifested a propensity to roost at as great a height as possible above the surrounding objects, making choice of the tops of bushes, or even upright poles, and disputing with each other the privilege" (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, American Robin, Plate 131.
    Apr. 05, 2025

    Audubon Aquatint, American Robin, Plate 131.

    Est: $25,000 - $35,000

    AUDUBON, John James (1785 - 1851). American Robin, Plate 131. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 39 1/4” x 26 1/2” sheet, 49 1/2” x 37” framed. Comparables: Arader Galleries, 2019 - $33,750; Sotheby's, 2007 - $30,000. The American Robin is the State Bird of Connecticut, Michigan and Wisconsin "Whenever the sun shines warmly over the earth, the old males tune their pipe, and enliven the neighbourhood with their song. The young also begin to sing; and, before they depart for the east, they have all become musical. By the 10th of April, the Robins have reached the Middle Districts; the blossoms of the dogwood are then peeping forth in every part of the budding woods; the fragrant sassafras, the red flowers of the maple, and hundreds of other plants, have already banished the dismal appearance of winter. The snows are all melting away, and nature again, in all the beauty of spring, promises happiness and abundance to the whole animal creation. Then it is that the Robin, perched on a fence-stake, or the top of some detached tree of the field, gives vent to the warmth of his passion. His lays are modest, lively, and ofttimes of considerable power; and although his song cannot be compared with that of the Thrasher, its vivacity and simplicity never fail to fill the breast of the listener with pleasing sensations. Every one knows the Robin and his song. Excepting in the shooting season, he is cherished by old and young, and is protected by all with anxious care." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Osprey, Plate 81.
    Apr. 05, 2025

    Audubon Aquatint, Osprey, Plate 81.

    Est: $140,000 - $180,000

    AUDUBON, John James (1785 - 1851). Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 1/8” x 25 1/2” sheet, 51” x 38” framed. Comparables: Arader Galleries, 2014 - $164,700; Arader Galleries, 2019 - $158,750. The Soaring Acrobat of the Skies "Comparing the great size of this bird, its formidable character, its powerful and protracted flight, and the dexterity with which, although a land bird, it procures its prey from the waters of the ocean, with the very inferior powers of the bird named Kingfisher, I should be tempted to search for a more appropriate appellation than that of Fish-Hawk, and, were I not a member of a republic, might fancy that of Imperial Fisher more applicable to it" - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, American Crow, Plate 156
    Apr. 05, 2025

    Audubon Aquatint, American Crow, Plate 156

    Est: $18,000 - $25,000

    AUDUBON, John James (1785 - 1851). American Crow, Plate 156. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 26” x 39 1/4” sheet. Comparables: Guernsey's, 2013 - $20,740. Audubon’s Most Beautiful Pair of Macabre Birds [With the Raven]

    Arader Galleries
  • Audubon Aquatint, Raven, Plate 101.
    Apr. 05, 2025

    Audubon Aquatint, Raven, Plate 101.

    Est: $18,000 - $25,000

    AUDUBON, John James (1785 - 1851). Raven, Plate 101. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 24 3/4” x 37 1/2” sheet. Comparables: Christie's, 2004 - $16,730; Arader Galleries, 2023 - $15,600. Audubon’s Most Beautiful Pair of Macabre Birds [With the American Crow] “... The Raven spreads his glossy wings and tail, and, as he onward sails, rises higher and higher each bold sweep that he makes, as if conscious that the nearer he approaches the sun, the more splendent will become the tints of his plumage.” - Audubon's Ornithological Biography, 1831.

    Arader Galleries
  • Audubon Aquatint, Virginia Partridge, Plate 76.
    Apr. 05, 2025

    Audubon Aquatint, Virginia Partridge, Plate 76.

    Est: $80,000 - $120,000

    AUDUBON, John James (1785 - 1851). Virginia Partridge, Plate 76. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” x 36 7/8” sheet. Comparables: Arader Galleries, 2023 - $90,000; Sotheby's, 2007 - $73,000. One of Audubon's Most Dramatic Images: The Red-Shouldered Hawk pictured in this genius composition is the curse of the cattle ranches of the American West. "The common name given to this bird in the Eastern and Middle Districts of our Union is that of Quail, but in the Western and Southern States, the more appropriate appellation of Partridge is bestowed upon it. It is abundantly met with in all parts of the United States, but more especially towards the interior... The flight of these birds is generally performed at a short distance from the ground. It is rapid, and is continued by numerous quick flaps of the wings for a certain distance, after which the bird sails until about to alight, when again it flaps its wings to break its descent. When chased by dogs, or started by any other enemy, they fly to the middle branches of trees of ordinary size, where they remain until danger is over. They walk with ease on the branches. If they perceive that they are observed, they raise the feathers of their head, emit a low note, and fly off either to some higher branch of the same tree, or to another tree at a distance. When these birds rise on wing of their own accord, the whole flock takes the same course; but when put up (in the sportsman's phrase), they disperse, after alighting call to each other, and soon after unite, each running or flying towards the well-known cry of the patriarch of the covey. " - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Band-Tailed Pigeon, Plate 74
    Apr. 05, 2025

    Audubon Aquatint, Band-Tailed Pigeon, Plate 74

    Est: $10,000 - $15,000

    AUDUBON, John James (1785 - 1851). Band-Tailed Pigeon, Plate 74. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 5/8” x 25 7/8” sheet. Comparables: Christie's, 2004 - $16,730; Christie's, 1987 - $6,600. "The Band-tailed Pigeon is called by the Chinook Indians 'akoigh homin.' It ranges from the eastern spurs of the Rocky Mountains across to the Columbia river, where it is abundant. It arrived in 1836 in very great numbers, on the 17th of April, and continued in large flocks while breeding. Their breeding places are on the banks of the river. The eggs are placed on the ground, under small bushes, without a nest, where numbers congregate together. The eggs are two, of a yellowish-white colour, inclining to bluish-white, with minute white spots at the great end. These Pigeons feed upon the berries of the black elder and the buds of the balsam poplar. When sitting in the trees, they huddle very close together in the manner of the Carolina Parrot, and many may be killed at a single discharge of the fowling-piece. The flesh is tender and juicy, and therefore fine eating." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Red-Shouldered Hawk, Plate 56.
    Apr. 05, 2025

    Audubon Aquatint, Red-Shouldered Hawk, Plate 56.

    Est: $12,000 - $18,000

    AUDUBON, John James (1785 - 1851). Red-Shouldered Hawk, Plate 56. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 x 25 3/8” sheet. Comparables: Sotheby's, 2006 - $16,800; Sotheby's, 2003 - $14,400. The Scourge of Cattle Ranchers. "The interior of woods seems, as I have said, the fittest haunts for the Red-shouldered Hawk. He sails through them a few yards above the ground, and suddenly alights on the low branch of a tree, or the top of a dead stump, from which he silently watches, in an erect posture, for the appearance of squirrels, upon which he pounces directly and kills them in an instant, afterwards devouring them on the ground. If accidentally discovered, he essays to remove the squirrel, but finding this difficult, he drags it partly through the air and partly along the ground, to some short distance, until he conceives himself out of sight of the intruder, when he again commences feeding. The eating of a whole squirrel, which this bird often devours at one meal, so gorges it, that I have seen it in this state almost unable to fly, and with such an extraordinary protuberance on its breast as seemed very unnatural, and very injurious to the beauty of form which the bird usually displays. On all occasions, such as I have described, when the bird is so gorged, it is approached with the greatest ease. On the contrary, when it is in want of food, it requires the greatest caution to get within shooting distance of it." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Barred Owl, Plate 46.
    Apr. 05, 2025

    Audubon Aquatint, Barred Owl, Plate 46.

    Est: $22,000 - $28,000

    AUDUBON, John James (1785 - 1851). Barred Owl, Plate 46. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2” x 24 3/4” sheet. Comparables: Arader Galleries, 2019 - $22,500; Arader Galleries, 2021 - $21,600. "The Barred Owl is a great destroyer of poultry, particularly of chickens when half-grown. It also secures mice, young hares, rabbits, and many species of small birds, but is especially fond of a kind of frog of a brown colour, very common in the woods of Louisiana. I have heard it asserted that this bird catches fish, but never having seen it do so, and never having found any portion of fish in its stomach, I cannot vouch for the truth of the report." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, White-crowned Pigeon, Plate 36
    Apr. 05, 2025

    Audubon Aquatint, White-crowned Pigeon, Plate 36

    Est: $12,000 - $18,000

    AUDUBON, John James (1785 - 1851). White-crowned Pigeon, Plate 36. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x 37 7/8” sheet. Comparables: Christie's, 2004 - $20,315; Arader Galleries, 2021 - $9,000. Found all throughout the Carribbean and the Florida Keys "Their shyness is but partially given up even during their love season, or while sitting on their eggs, for the moment they see you they get off slyly from the nest, walk on the branches for some distance, and take to wing without any noise, flying low along the edge of the mangroves, into which they throw themselves as soon as a place of safety offers itself, seldom on such occasions flying off to other keys. Their return to the nest is not immediate, the heat of these latitudes not requiring the same care in incubation as the comparative cold of more northern regions. I have waited their return sometimes as much as half an hour, without success." (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Great American Cock Male, Plate 1 - Lizars Edition
    Apr. 05, 2025

    Audubon Aquatint, Great American Cock Male, Plate 1 - Lizars Edition

    Est: $175,000 - $200,000

    AUDUBON, John James (1785 - 1851). Great American Cock Male - Vulgo (Wild Turkey), Plate 1. Aquatint engraving with original hand color. Edinburgh: Lizars, 1827. 26 3/4” x 39 3/8” sheet. Comparables: Arader, 2014 - $207,400; Arader, 2017 - $183,000. The Most Famous image of a Bird in History First Edition, First Issue of the First Aquatint from Audubon’s Great Elephant Folio This is the Smartest American Bird to Hunt, Often Leaving their Stalkers Dazed and Confused. This handsome print of a male Wild Turkey shows the majestic bird standing next to Giant Cane. It is believed that Audubon painted this bird circa 1825 while staying at the plantation of Mrs. Robert Percy near St. Francisville, Louisiana. "The great size and beauty of the Wild Turkey, its value as a delicate and highly prized article of food, and the circumstance of its being the origin of the domestic race now generally dispersed over both continents, render it one of the most interesting of the birds indigenous to the United States of America." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Yellow-Billed Cuckoo, Plate 2
    Apr. 05, 2025

    Audubon Aquatint, Yellow-Billed Cuckoo, Plate 2

    Est: $10,000 - $15,000

    AUDUBON, John James (1785 - 1851). Yellow-Billed Cuckoo, Plate 2. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x 35 3/4” sheet. Comparables: Christie's, 2004 - $11,950; Arader Galleries, 2018 - $9,375. "The flight of the bird now before you is rapid, silent, and horizontal, as it moves from one tree to another, or across a field or river, and is generally continued amongst the branches of the trees in our woods. When making its way among the branches, it occasionally inclines the body to either side, so as alternately to shew its whole upper or under parts. During its southward migration, it flies high in the air, and in such loose flocks that the birds might seem to follow each other, instead of their keeping company together." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Marsh Tern, Plate 410
    Apr. 05, 2025

    Audubon Aquatint, Marsh Tern, Plate 410

    Est: $3,500 - $5,000

    AUDUBON, John James (1785 - 1851). Marsh Tern, Plate 410. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 26” x 39” sheet. Comparables: Christie's, 2000 - $9,775; Arader Galleries, 2024 - $3,900. Compelling Action

    Arader Galleries
  • Audubon Aquatint, Brown Titlark - John Vickers Painter Collection
    Apr. 05, 2025

    Audubon Aquatint, Brown Titlark - John Vickers Painter Collection

    Est: $1,000 - $2,000

    AUDUBON, John James (1785 - 1851). Brown Titlark, Plate 10. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2" x 38 1/2" sheet. Provenance: John Vickers Painter Collection. Comparable: Bonhams, 2015 - $1,000; Guernsey's, 2012 - $732. "Although this species is met with in every portion of the United States which I have visited, I have not seen it anywhere during the summer months, or heard of it breeding with us. It is one of the birds that I should call gifted with a double set of habits, for, like a very few others that are strictly named land birds, it occurs not only in the fields in the interior of the country, but also on the borders of rivers, and even on the shores of the Atlantic" (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Orchard Oriole - John Vickers Painter's Collection
    Apr. 05, 2025

    Audubon Aquatint, Orchard Oriole - John Vickers Painter's Collection

    Est: $10,000 - $15,000

    AUDUBON, John James (1785 - 1851). Orchard Oriole, Plate 42. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 x 5/8” x 25 5/8” sheet. Comparables: Arader Galleries, 2023 - $15,000; Arader Galleries, 2019 - $12,500. Provenance: John Vickers Painter's Collection. "Yet the garb with which it is ultimately to be covered requires another return of spring before it is completed, after which it remains as exhibited in the adult male, represented in the plate. These extraordinary changes are quite sufficient of themselves to lead naturalists abroad into error, as they give rise to singular arguments even with some persons in America, who maintain that the differences of colour are indicative of different species. But, since the habits of these birds under all these singular changes of plumage are ascertained to be precisely the same, the argument no longer holds good. I shall now endeavour to describe these habits with all the accuracy supplied by long observation." - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • Audubon Aquatint, Grafs Finch or Bay-Winged Bunting - Deckled Margins
    Apr. 05, 2025

    Audubon Aquatint, Grafs Finch or Bay-Winged Bunting - Deckled Margins

    Est: $2,500 - $4,500

    AUDUBON, John James (1785 - 1851). Grafs Finch or Bay-Winged Bunting, Plate 94. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 39 1/4" x 26 3/4" sheet. Comparables: Arader Galleries, 2020 - $2,950; Neal Auction Co. , 2010 - $2,270. Provenance: John Vickers Painter's Deckled Collection, with full uncut margins. "This species extends its migrations to the shores of the Columbia river, where it was procured by Dr. TOWNSEND; and it is mentioned by Dr. RICHARDSON as one of the birds that reach the prairies of the Saskatchewan early in May, to depart in September. In these distant localities it breeds on the ground, as it is wont to do in our own Middle Districts, as far south as Maryland. During winter it is found in astonishing numbers about all the old fields in South Carolina, Georgia, the Floridas, and Alabama. The eggs measure seven-eighths of an inch in length, seven-twelfths in breadth, with a bluish-white ground, almost entirely covered with undefined markings of pale reddish-brown, more closely set towards the larger end; but they vary much, some being almost white. I have found many nests of this species on Chelsea Beach, in July and August. " - (Audubon's Ornithological Biography, 1831).

    Arader Galleries
  • John James Audubon
    Apr. 05, 2025

    John James Audubon

    Est: $600 - $900

    Havell Edition of Yellow Breasted Rail Printed and colored by R. Havell 1836. Framed very nicely and in well kept condition overall. Brilliant work. Sight size: H15" W22 1/4" (without mat and frame) Sold from the collection of a Washington, Georgia gentleman and lady

    Wooten & Wooten Auctioneers
  • Audubon - 4 Finch Lithographs
    Apr. 05, 2025

    Audubon - 4 Finch Lithographs

    Est: $400 - $800

    Included in this lot: Macgillivray's Shore-Finch. 173 Sharp-tailed Finch. 174 Bachman's Pinewood Finch. 176 Lincoln's Pinewood Finch. 177 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - 3 Ground & Swamp Warbler Lithographs
    Apr. 05, 2025

    Audubon - 3 Ground & Swamp Warbler Lithographs

    Est: $300 - $600

    Included in this lot: Maryland Ground-Warbler. 102 Delafield's Ground-Warbler. 103 Golden-winged Swamp-Warbler. 107 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - 3 Duck Lithographs
    Apr. 05, 2025

    Audubon - 3 Duck Lithographs

    Est: $400 - $800

    Included in this lot: Golden Eye Duck. 406 Brewers Duck. 387 Red headed Duck. 396 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - 6 Shore or Water Bird Lithographs
    Apr. 05, 2025

    Audubon - 6 Shore or Water Bird Lithographs

    Est: $400 - $800

    Included in this lot: Townsend's Surf Bird. 322 Purple Sandpiper. 330 Wilson's Phalarope. 341 American Dipper. 137 Schinz's Sandpiper. 335 Little Sandpiper. 337 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - Pair of Bittern Lithographs
    Apr. 05, 2025

    Audubon - Pair of Bittern Lithographs

    Est: $300 - $600

    Included in this lot: American Bittern. 365 Least Bittern. 366 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - Pair of Coot & Gallinule Lithographs
    Apr. 05, 2025

    Audubon - Pair of Coot & Gallinule Lithographs

    Est: $200 - $500

    Included in this lot: American Coot. 305 Common Gallinule. 304 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - Pair of Quadruped Lithographs: Fox, Wolf
    Apr. 05, 2025

    Audubon - Pair of Quadruped Lithographs: Fox, Wolf

    Est: $300 - $600

    Included in this lot: American Cross Fox. 6 White American Wolf. 72 Description of the work: This octavo lithograph is from John James Audubon's The Quadrupeds of North America. The work was published in New York between 1849 and 1854. Quadrupeds was Audubon's final great natural history work. His animal drawings are still considered some ofthe finest prints published in America. The folio edition of this work marked the first time that America's animals were described and illustrated in one publication and the octavo publication continued that effort. Audubon and his son, John Woodhouse, drew all of the quadrupeds in the work. Victor Gifford Audubon drew the backgrounds for many of the prints.

    Trillium Antique Prints & Rare Books
  • Audubon - 5 Quadruped Lithographs: Weasel, Ferret, Bassaris, Marmot
    Apr. 05, 2025

    Audubon - 5 Quadruped Lithographs: Weasel, Ferret, Bassaris, Marmot

    Est: $400 - $800

    Included in this lot: Little Nimble Weasel. 140 Tawny Weasel. 148 Black Footed Ferret. 93 Ring-tailed Bassaris. 98 Hoary Marmot, The Whistler. 103 Description of the work: This octavo lithograph is from John James Audubon's The Quadrupeds of North America. The work was published in New York between 1849 and 1854. Quadrupeds was Audubon's final great natural history work. His animal drawings are still considered some ofthe finest prints published in America. The folio edition of this work marked the first time that America's animals were described and illustrated in one publication and the octavo publication continued that effort. Audubon and his son, John Woodhouse, drew all of the quadrupeds in the work. Victor Gifford Audubon drew the backgrounds for many of the prints.

    Trillium Antique Prints & Rare Books
  • Audubon - 4 Quadruped Lithographs: Weasel, Musquash, Neotoma
    Apr. 05, 2025

    Audubon - 4 Quadruped Lithographs: Weasel, Musquash, Neotoma

    Est: $300 - $600

    Included in this lot: Musk Rat-Musquash. 13 Rocky Mountain Neotoma. 29 Bridled Weasel. 60 Little American Brown Weasel. 64 Description of the work: This octavo lithograph is from John James Audubon's The Quadrupeds of North America. The work was published in New York between 1849 and 1854. Quadrupeds was Audubon's final great natural history work. His animal drawings are still considered some ofthe finest prints published in America. The folio edition of this work marked the first time that America's animals were described and illustrated in one publication and the octavo publication continued that effort. Audubon and his son, John Woodhouse, drew all of the quadrupeds in the work. Victor Gifford Audubon drew the backgrounds for many of the prints.

    Trillium Antique Prints & Rare Books
  • Audubon - 4 Squirrel Lithographs
    Apr. 05, 2025

    Audubon - 4 Squirrel Lithographs

    Est: $300 - $600

    Included in this lot: Richardson's Columbian Squirrel. 2 Carolina Grey Squirrel. 7 Hudson's Bay Squirrel & Chickaree Red Squirrel. 14 Parry's Marmot Squirrel. 9 Description of the work: This octavo lithograph is from John James Audubon's The Quadrupeds of North America. The work was published in New York between 1849 and 1854. Quadrupeds was Audubon's final great natural history work. His animal drawings are still considered some ofthe finest prints published in America. The folio edition of this work marked the first time that America's animals were described and illustrated in one publication and the octavo publication continued that effort. Audubon and his son, John Woodhouse, drew all of the quadrupeds in the work. Victor Gifford Audubon drew the backgrounds for many of the prints.

    Trillium Antique Prints & Rare Books
  • John James Audubon, American, 1785-1851, "Little Chief Hare", "Hudson's Bay Lemming" and "Tawny Lemming & Back's Lemming", 3 hand-colored lithographs, plates 83, 119 & 120 from The Viviparous Quadrupeds of Nor...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Little Chief Hare", "Hudson's Bay Lemming" and "Tawny Lemming & Back's Lemming", 3 hand-colored lithographs, plates 83, 119 & 120 from The Viviparous Quadrupeds of Nor...

    Est: $400 - $600

    John James Audubon American, 1785-1851 "Little Chief Hare",  "Hudson's Bay Lemming" and  "Tawny Lemming & Back's Lemming" 3 hand-colored lithographs plates 83, 119 & 120 from The Viviparous Quadrupeds of North America, Bowen edition, unframed. (3 pcs.)  Sheets 21 x 27 3/8 in. (53.3 x 69.5 cm.), To 21 1/2 x 27 3/8 in. (54.6 x 69.5 cm.) 

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Reddish Egret", chromolithograph on paper mounted to board, Plate 371 from The Birds of America, Bien edition, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed.,...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Reddish Egret", chromolithograph on paper mounted to board, Plate 371 from The Birds of America, Bien edition, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed.,...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Reddish Egret" chromolithograph on paper mounted to board Plate 371 from The Birds of America, Bien edition, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 26 3/8 x 39 1/2 in. (67 x 100.3 cm.), Frame: 38 1/2 x 49 3/4 x 1 3/8 in. (97.8 x 126.4 x 3.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Pinnated Grous", chromolithograph, Plate 296 from The Birds of America, Bien edition, "Taylor Clark's Fine Framing" label on backing paper, framed., Sheet 26 5/8 x 39 3/8 in. ...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Pinnated Grous", chromolithograph, Plate 296 from The Birds of America, Bien edition, "Taylor Clark's Fine Framing" label on backing paper, framed., Sheet 26 5/8 x 39 3/8 in. ...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Pinnated Grous" chromolithograph Plate 296 from The Birds of America, Bien edition, "Taylor Clark's Fine Framing" label on backing paper, framed. Sheet 26 5/8 x 39 3/8 in. (67.6 x 100 cm.), Frame: 38 5/8 x 50 3/4 x 1 1/2 in. (98.1 x 128.9 x 3.8 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Children's Warbler", hand-colored aquatint with engraving, Plate 35 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark's Fine Framing" label ...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Children's Warbler", hand-colored aquatint with engraving, Plate 35 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark's Fine Framing" label ...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Children's Warbler" hand-colored aquatint with engraving Plate 35 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark's Fine Framing" label on backing paper, framed with mat on outside of glass. Sheet: 38 x 25 1/4 in. (96.5 x 64.1 cm.), Frame: 40 x 27 1/4 x 1 in. (101.6 x 69.2 x 2.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851"Swainson's Warbler", hand-colored aquatint with engraving, Plate 50 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1828" watermark, "Taylor Clark, Baton Rouge...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851"Swainson's Warbler", hand-colored aquatint with engraving, Plate 50 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1828" watermark, "Taylor Clark, Baton Rouge...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Swainson's Warbler" hand-colored aquatint with engraving Plate 50 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1828" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 7/8 x 25 7/8 in. (98.7 x 65.7 cm.), Frame: 43 1/8 x 33 x 1 1/4 in. (109.5 x 83.8 x 3.2 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Yellow Throat Warbler", hand-colored aquatint with engraving, Plate 85 from The Birds of America, Havell edition, "J.Whatman 1830" watermark, "Taylor Clark, Baton Rouge, LA" l...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Yellow Throat Warbler", hand-colored aquatint with engraving, Plate 85 from The Birds of America, Havell edition, "J.Whatman 1830" watermark, "Taylor Clark, Baton Rouge, LA" l...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Yellow Throat Warbler" hand-colored aquatint with engraving Plate 85 from The Birds of America, Havell edition, "J.Whatman 1830" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 1/2 x 25 5/8 in. (97.8 x 65.1 cm.), Frame: 41 3/4 x 38 1/2 x 1 in. (106 x 97.8 x 2.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Marsh Wren", hand-colored aquatint with engraving, Plate 100 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" label on ba...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Marsh Wren", hand-colored aquatint with engraving, Plate 100 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" label on ba...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Marsh Wren" hand-colored aquatint with engraving Plate 100 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 x 25 1/4 in. (96.5 x 64.1 cm.), Frame: 42 1/2 x 32 1/2 x 1 in. (108 x 82.6 x 2.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Sharp -Tailed Finch", hand-colored aquatint with engraving, Plate 149 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark, Baton R...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Sharp -Tailed Finch", hand-colored aquatint with engraving, Plate 149 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark, Baton R...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "Sharp -Tailed Finch" hand-colored aquatint with engraving Plate 149 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed.Sheet: 39 1/2 x 25 3/8 in. (100.3 x 64.5 cm.), Frame: 42 1/2 x 32 5/8 x 1 1/4 in. (108 x 82.9 x 3.2 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "American Pied-Bill Dobchick", hand-colored aquatint with engraving, Plate 248 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark,...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "American Pied-Bill Dobchick", hand-colored aquatint with engraving, Plate 248 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark,...

    Est: $800 - $1,200

    John James Audubon American, 1785-1851 "American Pied-Bill Dobchick" hand-colored aquatint with engraving Plate 248 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1832" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 39 1/2 x 25 3/8 in. (100.3 x 64.5 cm.), Frame: 42 1/2 x 32 5/8 x 1 1/4 in. (108 x 82.9 x 3.2 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1951, "Rough-Legged Falcon", hand-colored aquatint with engraving, Plate 422 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" la...
    Apr. 04, 2025

    John James Audubon, American, 1785-1951, "Rough-Legged Falcon", hand-colored aquatint with engraving, Plate 422 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" la...

    Est: $800 - $1,200

    John James Audubon American, 1785-1951 "Rough-Legged Falcon" hand-colored aquatint with engraving Plate 422 from The Birds of America, Havell edition, "J.Whatman 1838" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 x 25 3/8 in. (96.5 x 64.5 cm.), Frame: 51 1/2 x 38 3/8 x 1 3/8 in. (130.8 x 97.5 x 3.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Band-Tailed Pigeon", hand-colored aquatint with engraving, Plate 367, from The Birds of America, Havell edition, "J.Whatman 1837" watermark, "Taylor Clark, Baton Rouge, LA" la...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Band-Tailed Pigeon", hand-colored aquatint with engraving, Plate 367, from The Birds of America, Havell edition, "J.Whatman 1837" watermark, "Taylor Clark, Baton Rouge, LA" la...

    Est: $1,000 - $1,500

    John James Audubon American, 1785-1851 "Band-Tailed Pigeon" hand-colored aquatint with engraving Plate 367, from The Birds of America, Havell edition, "J.Whatman 1837" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 1/2 x 25 1/2 in. (97.8 x 64.8 cm.), Frame: 42 x 33 1/2 x 1 1/4 in. (106.7 x 85.1 x 3.2 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Red-Shouldered Hawk", hand-colored aquatint with engraving, Plate 56 from The Birds of America, Havell edition, "J.Whatman Turkey Mill" watermark, "Taylor Clark, Baton Rouge, ...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Red-Shouldered Hawk", hand-colored aquatint with engraving, Plate 56 from The Birds of America, Havell edition, "J.Whatman Turkey Mill" watermark, "Taylor Clark, Baton Rouge, ...

    Est: $2,000 - $3,000

    John James Audubon American, 1785-1851 "Red-Shouldered Hawk" hand-colored aquatint with engraving Plate 56 from The Birds of America, Havell edition, "J.Whatman Turkey Mill" watermark, "Taylor Clark, Baton Rouge, LA" label on backing paper, framed. Sheet: 38 1/2 x 25 5/8 in. (97.8 x 65.1 cm.), Frame: 51 3/8 x 38 1/2 x 1 3/8 in. (130.5 x 97.8 x 3.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Summer or Wood Duck", hand-colored aquatint with engraving, Plate 206 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1834" watermark, "Taylor Clark's Fine F...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Summer or Wood Duck", hand-colored aquatint with engraving, Plate 206 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1834" watermark, "Taylor Clark's Fine F...

    Est: $20,000 - $30,000

    John James Audubon American, 1785-1851 "Summer or Wood Duck" hand-colored aquatint with engraving Plate 206 from The Birds of America, Havell edition, "J.Whatman Turkey Mill 1834" watermark, "Taylor Clark's Fine Framing" label on backing paper, framed. Sheet 38 1/2 x 25 1/4 in. (97.8 x 64.1 cm.), Frame: 38 1/2 x 36 x 1 in. (97.8 x 91.4 x 2.5 cm.)

    Neal Auction Company
  • John James Audubon, American, 1785-1851, "Yellow-Crowned Heron", hand-colored aquatint with engraving, Plate 336 from The Birds of America, Havell edition, "J.Whatman 1836" watermark, "Taylor Clark's Fine Framing" lab...
    Apr. 04, 2025

    John James Audubon, American, 1785-1851, "Yellow-Crowned Heron", hand-colored aquatint with engraving, Plate 336 from The Birds of America, Havell edition, "J.Whatman 1836" watermark, "Taylor Clark's Fine Framing" lab...

    Est: $7,000 - $10,000

    John James Audubon American, 1785-1851 "Yellow-Crowned Heron" hand-colored aquatint with engraving Plate 336 from The Birds of America, Havell edition, "J.Whatman 1836" watermark, "Taylor Clark's Fine Framing" label on backing paper, framed. Sheet 38 1/2 x 25 3/8 in. (97.8 x 64.5 cm.), Frame: 49 x 36 x 1 in. (124.5 x 91.4 x 2.5 cm.)

    Neal Auction Company
  • JOHN JAMES LAFOREST AUDUBON (New York/France, 1785-1851), "Cow Bunting", No. 20, Plate 99., Colored engraving, 13" x 21" sight. Framed 26.5" x 39".
    Apr. 04, 2025

    JOHN JAMES LAFOREST AUDUBON (New York/France, 1785-1851), "Cow Bunting", No. 20, Plate 99., Colored engraving, 13" x 21" sight. Framed 26.5" x 39".

    Est: $1,000 - $2,000

    JOHN JAMES LAFOREST AUDUBON New York/France, 1785-1851 "Cow Bunting", No. 20, Plate 99. Engraved, printed and colored by Robert Havell, Jr. (1793-1878), London, 1830. Double elephant folio edition. Whatman watermark

    Eldred's
  • Audubon - 3 Bird Lithographs of Warblers & Kinglet
    Mar. 29, 2025

    Audubon - 3 Bird Lithographs of Warblers & Kinglet

    Est: $300 - $600

    Included in this lot: American Golden-crested Kinglet. 132 Wilson's Flycatching-Warbler. 75 Yellow-crowned Wood Warbler. 76 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - 4 Wood-Warbler Lithographs
    Mar. 29, 2025

    Audubon - 4 Wood-Warbler Lithographs

    Est: $400 - $800

    Included in this lot: Blackburnian Wood-Warbler. 87 Yellow Red-poll Wood-Warbler. 90 Black-throated Green Wood Warbler. 84 Cape May Wood-Warbler. 85 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
  • Audubon - 4 Warbler Lithographs
    Mar. 29, 2025

    Audubon - 4 Warbler Lithographs

    Est: $400 - $800

    Included in this lot: Townsend's Wood-Warbler. 92 Black-throated Grey Wood-Warbler. 94 Prairie Wood-Warbler. 97 Blue Mountain Warbler. 98 Description of the work: This hand-colored lithograph comes from John James Audubon's first octavo edition of Birds of America published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. Prints from Birds of America are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. Birds of America is one of the best examples of hand-colored work in America and is highly collectible.

    Trillium Antique Prints & Rare Books
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