Giovanni (1570) Baglione Paintings & Artwork for Sale | Giovanni (1570) Baglione Art Value Price Guide

Apr. 24, 2024
Giovanni Baglione
Est: €100,000 - €150,000
(Rome circa 1566/68–1643) The Penitent Saint Jerome, oil on canvas, 118 x 158 cm, framed Literature: M. Nicolaci, Venezia (anti)caravaggesca. Itinerario critico in chiaroscuro (1620–1660), in: A. Cosma, Y. Primarosa (eds.), Barocco in chiaroscuro. Persistenze e rielaborazioni del caravaggismo nell’arte del Seicento. Roma, Napoli, Venezia 1630-1680, Milan 2020, pp. 339–340 (as Giovanni Baglione) The present Penitent Saint Jerome is a recent and significant addition to the oeuvre of Giovanni Baglione dated to circa 1610–15. The artist was trained in a late Mannerist ambient, influenced by Cavalier d’Arpino and Federico Barocci. Baglione was probably a pupil of the Florentine artist Francesco Morelli and received his first major commission between 1588 and 1590, as a member of the group of artists that frescoed the Scala Santa and the Vatican Library in Rome. Later Baglione painted some scenes from the life of the Madonna for Santa Maria dell’Orto in Rome, completed in 1598, and around 1600 he executed a fresco for the transcept of San Giovanni in Laterano. Already by the end of the 1590s, the new Roman naturalist tendencies, promoted by the cultural milieu created around Cardinal Sfondrato, can be seen in Baglione’s artworks. From around 1600, Baglione’s style begins to reflect Caravaggio’s innovations, as demonstrated by the celebrated two versions of Divine Love Overcoming Profane Love, both painted for Cardinal Benedetto Giustiniani between 1602 and 1603, now in the Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome (inv. no. 1268) and in the Gemäldegalerie, Berlin (inv. no. 381). In 1603 the famous libel suit brought by Baglione against Caravaggio and his close circle took place, which also marked the artist’s progressive detachment from the Caravaggesque style. In 1606, Caravaggio’s flight from Rome and Baglione’s election as "Principe" of the Accademia di San Luca marked the latter’s definitive artistic consecration. Baglione’s mature works, such as the present painting, are characterised by an eclectic style, combining Emilian and Tuscan influences together with the novelties of Roman naturalism. Here, the painter is also influenced by Venetian painting, in particular by Girolamo Savoldo, which Baglione encountered both through paintings at the time conserved in the Roman collections and also during a stay in Venice in 1614. The present work can be compared to Baglione’s Saint Peter now in the Galleria Sabauda, Turin (inv. no. 797), where the pictorial plane is also dominated by a large figure. The historical provenance of this painting is not known at present. However, at least two written sources record works with the same subject attributed to Giovanni Baglione. The first one is an inventory of Palazzo Lancellotti in Rome, drawn up on 15 October 1640, which mentions a ‘Saint Jerome by Baglione with a gilded frame’ that belonged to the family until the end of the eighteenth century and was then dispersed (P. Cavazzini, Palazzo Lancellotti ai Coronari, Rome 1998, pp. 160, 196). The second one is mentioned in Domenico Montelatici’s book on "Villa Borghese fuori di Porta Pinciana" published in 1700, in which a ‘Saint Jerome kneeling in front of the Crucifix as a penitent hitting his chest with a stone’ (p. 221). In addition, the detailed inventory of the painter’s possessions bequeathed to his second wife and his son, lists three paintings depicting Saint Jerome, with differing dimensions (M. G. Aurigemma, Del Cavalier Baglione, in: Storia dell’arte, no. 80, 1994, p. 37).
Dorotheum
Nov. 26, 2022
Giovanni Baglione (1566 Rome –1643 Rome), Madonna and Child with John Baptist
Est: €5,000 - €7,000
Giovanni Baglione was one of the most important protagonists of the Roman scene at the beginning of the seventeenth century. Born between 1566 and 1568, he trained first in the workshop of Francesco Morelli, where he began as a mannerist painter and a decorator. His first works are linked to the great renovation sites of the Roman monuments of Pope Sixtus V. Together with a host of painters (such as Giuseppe Guerra, Cesare Nebbia, Andrea Lilio, and the Conti brothers), he worked on the Scala Santa in the Lateran Palace, the Vatican, and in the Sistine Chapel of Santa Maria Maggiore. In those years, Baglione met the Cavalier d’Arpino, with whom he worked between 1599 and 1600. The Virgin is seated, wearing a rich red robe covered by a cloak and pink veil. Baby Jesus is standing on her lap, with curly blond hair framing the face with a red complexion. The little Christ holds out his hands to the young John the Baptist, also standing near Mary's leg, who prays to his cousin with hands joined. Below, in the foreground, there is the head of a lamb, an iconographic attribute to the Baptist. The painting has recently been restored and today enjoys a state of conservation that appears excellent, so much so that you can read all the details; from the transparencies of the veils of the Madonna and the light dress of Jesus, to the hair that is painted strand by strand with a frothy, and very elegant material.
Fine Antiques Prague s.r.o.
Nov. 26, 2021
GIOVANNI BAGLIONE (ROME, 1573 CIRCA - 1644), ATTRIBUTED: SAINT PETER SURROUNDED BY ANGELS
Est: €1,000 - €1,500
Oil on board, cm. 47x34,5. Framed PROVENANCE: private collection, Rome
Bertolami Fine Art s.r.l.
Jun. 05, 2021
Giovanni Baglione (1566 Rome –1643 Rome), Madonna and Child with John Baptist
Est: €15,000 - €20,000
Giovanni Baglione, one of the most important protagonists of the Roman scene (but not only) at the beginning of the seventeenth century. Born between 1566 and 1568, he trained first in the workshop of Francesco Morelli, where he began as a mannerist painter and a decorator, but his first works are linked to the great renovation sites of the Roman monuments of Pope Sixtus V. Together with a host of painters such as Giuseppe Guerra, Cesare Nebbia, Andrea Lilio, and the Conti brothers, he worked on the Scala Santa, in the Lateran Palace, in the Vatican and above all in the Sistine Chapel of Santa Maria Maggiore. In those years, Baglione met the Cavalier d'Arpino with whom he worked between 1599 and 1600, but at that moment in Rome, the star of Caravaggio was also flourishing, who was working on his first demanding work, the Contarelli Chapel at the turn of the century. The Virgin is seated, wears a rich red robe, covered by a cloak and pink veil. Baby Jesus is standing on her lap, with curly blond hair framing the face with a red complexion. The little Christ holds out his hands to the young John the Baptist, also standing near Mary's leg, who prays to his cousin with his hands joined. Below, in the foreground, there is the head of a lamb, an iconographic attribute to the Baptist. The painting has recently been restored and today enjoys a state of conservation that appears excellent, so much so that you can read all the details, from the transparencies of the veils of the Madonna and the light dress of Jesus to the hair that is painted one by one with a frothy and very elegant material.
Fine Antiques Prague s.r.o.
May. 22, 2021
Giovanni Baglione (1566 Rome –1643 Rome), Madonna and Child with John Baptist
Est: €15,000 - €20,000
Giovanni Baglione, one of the most important protagonists of the Roman scene (but not only) at the beginning of the seventeenth century. Born between 1566 and 1568, he trained first in the workshop of Francesco Morelli, where he began as a mannerist painter and a decorator, but his first works are linked to the great renovation sites of the Roman monuments of Pope Sixtus V. Together with a host of painters such as Giuseppe Guerra, Cesare Nebbia, Andrea Lilio, and the Conti brothers, he worked on the Scala Santa, in the Lateran Palace, in the Vatican and above all in the Sistine Chapel of Santa Maria Maggiore. In those years, Baglione met the Cavalier d'Arpino with whom he worked between 1599 and 1600, but at that moment in Rome, the star of Caravaggio was also flourishing, who was working on his first demanding work, the Contarelli Chapel at the turn of the century. The Virgin is seated, wears a rich red robe, covered by a cloak and pink veil. Baby Jesus is standing on her lap, with curly blond hair framing the face with a red complexion. The little Christ holds out his hands to the young John the Baptist, also standing near Mary's leg, who prays to his cousin with his hands joined. Below, in the foreground, there is the head of a lamb, an iconographic attribute to the Baptist. The painting has recently been restored and today enjoys a state of conservation that appears excellent, so much so that you can read all the details, from the transparencies of the veils of the Madonna and the light dress of Jesus to the hair that is painted one by one with a frothy and very elegant material.
Fine Antiques Prague s.r.o.
Nov. 21, 2020
Sigismondo Laire, The Virgin and Child with Saint Joseph as a Carpenter
Est: €8,000 - €10,000
According to the painter and writer Giovanni Baglione (1571-1643), Sigmund Laire, who came from Bavaria, moved to Rome some time before 1585, where he studied with the Flemish painter Frans van de Casteele (Francesco da Castello) and specialized in miniatures. Although he apparently did not receive any public commissions, he still achieved considerable fame. Sigismondo Laire was in close contact with the Spanish Jesuits, especially the missionaries, for whom he created many small-format paintings on copper, such as the present work. The back of the piece bears the collection number 42 in black paint.
Kunsthaus Lempertz KG
Oct. 15, 2020
Giovanni Baglione (Rome c. 1566-1643) - The Penitent Saint Jerome
Est: $150,000 - $250,000
Giovanni Baglione (Rome c. 1566-1643) The Penitent Saint Jerome oil on canvas 46 1/8 x 62 ¼ in. (117 x 158 cm.)
Christie's
Jul. 08, 2020
BAGLIONE GIOVANNI (1566/71-1643/44) Saint John the Baptist.
Est: €3,000 - €5,000
BAGLIONE GIOVANNI (1566/71-1643/44). Saint John the Baptist.. Published in Fototeca Zeri card n. 30009 as Giovanni Baglione.. Cm 52,00 x 67,00.
Capitolium Art
May. 29, 2020
Giovanni BAGLIONE (Rome 1566 - Rome 1643)
Est: €1,000 - €1,500
Giovanni BAGLIONE (Rome 1566 - Rome 1643) Projet de bas-relief pour un monument funéraire Plume et encre brune sur traits de crayons, lavis gris. (Dessin collé en plein sur le montage anglais). Voir livre de Peter Ferrini 7 x 26 cm Provenance : - Ancienne collection Jonathan Richardson Jr, son cachet en bas a` droite (L. 2170) - Ancienne collection Houthakker, son cachet en bas à droite (L.3893)
Ader
Nov. 14, 2018
Giovanni Baglione (Rome, 1573 ca. - 1643)
Est: €10,000 - €15,000
Giovanni Baglione (Rome, 1573 ca. - 1643) The return of the Holy Family to Nazareth Oil on canvas, cm. 100x75. Antique frame The painting is accompanied by an expertise by Dr. Giuseppe Porzio.
Bertolami Fine Art s.r.l.
Aug. 23, 2018
Baglione (Cavaliere Giovanni, circa 1566-1644) Two figures flanking a roundel, an enthroned figure above: possibly a design for a tomb, pen and brown ink, wash, black chalk.
Est: £150 - £200
Baglione (Cavaliere Giovanni, circa 1566-1644) Two figures flanking a roundel, an enthroned figure above: possibly a design for a tomb, pen and brown ink, wash, black chalk, 120 x 95 mm. (4 3/4 x 3 3/4 in), under glass, tipped onto blue paper support.
Forum Auctions - UK
Jul. 04, 2018
GIOVANNI BAGLIONE | The Assumption of the Virgin
Est: £4,000 - £6,000
Pen and brown ink and wash over black chalk
Sotheby's
Jan. 31, 2018
GIOVANNI BAGLIONE | Saint John the Baptist in the wilderness
Est: $400,000 - $600,000
oil on canvas
Sotheby's
Nov. 28, 2017
Giovanni Baglione (Roma 1573 - 1644)
Est: €1,500 - €2,500
Angeli musicanti penna e inchiostro nero, acquerello su carta quadrettata a matita nera applicata su cartoncino, mm 210 x 115 iscrizione sulla montatura: Cavalier Baglione etichetta applicata sul retro: Fuesli/ pag. 45. PROVENIENZA: Johann Gottlob Schumann (L. 2344). Galleria Fischer, Lucerna, 1975 come "Cesare [sic!] Baglione"; Il disegno è molto verosimilmente uno studio degli angeli in alto, accanto al Cristo risorto, per un dipinto collocato nella Chiesa del Gesù a Roma raffigurante la Resurrezione, eseguito da Giovanni Baglione nel 1603 poi rimosso ed andato perduto. E’ noto un bozzetto conservato a Parigi, Musée du Louvre, della grande pala d'altare del Gesù, che Caravaggio e Orazio Gentileschi criticarono ferocemente tanto che Baglione li denunciò per diffamazione. La composizione in esame è vicina inoltre nel tratto e nella tecnica ad alcuni disegni legati al ciclo di Santa Maria dell'Orto a Roma, come ad esempio quello con Figure nude stanti e in ginocchio in atto di supplicare, conservato al Metropolitan di New York, risalente al 1589, e legato all’impresa trasteverina del Baglione, molto simile nella disposizione delle figure di nudi inginocchiati in primo piano. Ringraziamo la dr. Ursula V. Fischer Pace per aver proposto la presente attribuzione dopo aver studiato il disegno in originale e il dottor Michele Nicolaci e la prof. Loredana Lorizzo che indipendentemente ci hanno confermato l’autografia dell’opera sulla base di fotografie a colori. 1
Finarte Roma
Sep. 22, 2017
BAGLIONE, GIOVANNI
Est: CHF1,200 - CHF1,500
BAGLIONE, GIOVANNI (1571 Rome 1643) Study for the Beheading of St. John. Circa 1608. Pen and brown ink over preliminary drawing in black chalk. Inscribed in another hand at the lower edge: del Iiann(o) ... Bolognese fatta in Pavia. 10.3 x 8 cm. Framed. We are grateful to Maryvelma Smith O'Neil for confirming the attribution in an expertise from 19. April 2017 as a work characteristic of Baglione from the first decades of the 17th century. --------------- BAGLIONE, GIOVANNI (1571 Rom 1643) Studie zur Enthauptung des Hl. Johnannes. Um 1608. Feder in Braun über Vorzeichnung mit scharzer Kreide. Am unteren Rand von fremder Hand bezeichnet: del Iiann(o) ... Bolognese fatta in Pavia. 10,3 x 8 cm. Gerahmt. Wir danken Maryvelma Smith O'Neil für die Bestätigung der Zuschreibung in einem Gutachten vom 19. April 2017 als ein charakteristisches Werk Bagliones aus dem ersten Jahrzehnten des 17. Jahrhunderts.
Koller Auctions
Mar. 26, 2014
Giovanni BAGLIONE (Rome circa 1571-1644)
Est: €3,000 - €4,000
Giovanni BAGLIONE (Rome circa 1571-1644) >Martyre de Sainte Agathe <br>avec inscription 'Domenicho' >pierre noire, plume et encre brune, lavis brun <br>131 x 100 mm.
Christie's
Jan. 26, 2012
Attributed to Giovanni Baglione (Rome 1571-1644)
Est: $4,000 - $6,000
Attributed to Giovanni Baglione (Rome 1571-1644) The Presentation in the Temple black chalk, pen and brown ink 10½ x 7 7/8 in. (26.7 x 20.1 cm.)
Christie's
Jan. 26, 2011
GIOVANNI BAGLIONE
Est: $20,000 - $30,000
GIOVANNI BAGLIONE ROME CIRCA 1566 - 1643 (?) THE FALL OF ICARUS Black chalk and brush and gray wash heightened with white on ochre prepared paper 225 by 316 mm; 8 7/8 by 12 1/2 in
Sotheby's
Jul. 06, 2010
GIOVANNI BAGLIONE
Est: £15,000 - £20,000
GIOVANNI BAGLIONE ROME CIRCA 1566 - 1643 (?) SAINT PAUL AND SAINT STEPHEN CROWNED BY ANGELS Pen and brown ink and brown and grey wash; bears inscription in pencil ( verso ): album sur bleu / dans le sens de la longeur / 8 Noir / Le Nat... 246 by 184 mm
Sotheby's
Jan. 23, 2008
Giovanni Baglione , Rome circa 1566 - 1643 (?) nude seated woman playing a lute Red chalk
Est: $4,000 - $6,000
Red chalk
Sotheby's
Jul. 03, 2007
The Circumcision
Est: £2,000 - £3,000
Giovanni Baglione (Rome 1571-1644) The Circumcision with illegible inscription ( verso ) red chalk, pen and brown ink, fragmentary watermark device, minor losses 5 5/8 x 4¼ in. (142 x 108 mm.)
Christie's
Jun. 26, 2007
Giovanni Baglione 1566-1643
Est: €800 - €1,200
matita nera su carta verdognola
Sotheby's
Apr. 19, 2007
Saint John the Baptist
Est: $150,000 - $250,000
Giovanni Baglione Rome c. 1566-1643 Saint John the Baptist oil on canvas 37 x 29¾ in. 94 x 75.6 cm.
Christie's
Jul. 04, 2006
Giovanni Baglione, il Sordo del Barozzo (Rome 1571-1644)
Est: £2,000 - £3,000
The Death of Virginia black chalk, pen and brown ink, brown wash heightened with white (partially oxidized) on blue paper 9 1/4 x 7 3/4 in. (237 x 195 mm.)
Christie's