Manuel Barbadillo Paintings & Artwork for Sale | Manuel Barbadillo Art Value Price Guide

Oct. 05, 2024
Manuel Barbadillo, Spain (1929 - 2003), Mujer de los Ojos Rojos, oil on canvas, 23 3/4"H x 19 3/4"W(sight), 25"H x 21 3/4"W(frame)
Est: $800 - $1,200
Manuel Barbadillo Spain, (1929 - 2003) Mujer de los Ojos Rojos oil on canvas Signed lower right. Signed and titled verso. Biography from Setdart: Manuel Barbadillo was a Spanish artist born in an unknown year. He began his training in the studio of José Arpa and later moved to the workshop of the sculptor Emilio García Ortiz. He completed his training at the School of Arts and Crafts between 1951 and 1953. Barbadillo left figuration behind definitively to concentrate on abstract experimentation during his stay in Morocco from 1954 to 1957. When he moved to New York in 1959, his work was framed within the framework of informalist abstraction, at first showing influences of abstract expressionism. However, his language soon moved in the direction of a reduction of color, resulting in sober, monochrome works, dense in pictorial matter and with a markedly experimental character. Throughout his career, Barbadillo has been a member of the Computer Arts Society and of the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions in Spain, Morocco, Argentina, Venezuela, the United States, and Germany, as well as participating in group exhibitions all over the world. He is currently represented at the MNCA Reina Sofía, the Centro Andaluz de Arte Contemporáneo, and numerous public and private collections in Europe and America.
Ripley Auctions
Jul. 09, 2024
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). Untitled, 1979- 1984. Ink on paper. Framed in museum glass. Signed in the lower right corner.
Est: €2,000 - €3,000
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). Untitled, 1979- 1984. Ink on paper. Framed in museum glass. Signed in the lower right corner. Measurements: 21 x 30 cm; 29 x 38 cm (frame). On the graph paper there is a study, reflections of the artist, which shows us the previous and conceptual work. In fact, in the collection of the Museo Nacional Centro de Arte Reina Sofía, there are several pieces of larger dimensions that reflect the aesthetic concept that the artist embodies in this work. Examples of this are the pieces Coraina, Dione and Merata. Manuel Barbadillo began his training in the studio of José Arpa (1941), and later moved to the workshop of sculptor Emilio García Ortiz, where he remained between 1944 and 1947. He finally completed his training at the School of Arts and Crafts between 1951 and 1953. At the same time he studied law, and when he finished his studies in 1954 he exhibited for the first time at the Ateneo de Sevilla. He then traveled to Morocco, where he remained until 1957, and there he definitively left figuration behind to focus on abstract experimentation. When in 1959 he moved to New York, where he remained until 1962, his work was framed in the informalist abstraction, at first showing influences of abstract expressionism. However, his language will soon derive in the line of the reduction of color, until deriving in sober, monochrome works, dense in pictorial matter and of an accentuated experimental character. Towards 1960 his work enters a new stage, marked by structuring and the search for an increasingly rational and balanced language. Finally, around 1963 his painting reached maturity through compositional schematization, the elimination of matter, symmetry and the use of repetitive forms. This simplification will finally lead him to the binary language, and from 1964 he replaces the concept of form with that of module, thus beginning the longest and most fruitful period of his production. In 1968 he was invited to participate in a course at the Centro de Cálculo de la Complutense, and that same year he took part in the Seminar on Automatic Generation of Plastic Forms at the same center, something that would be key in his career. Since then Barbadillo will establish a close relationship with the computer, understood as a working tool. Throughout his career, Barbadillo has been a member of the Computer Arts Society and the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions held in Spain, Morocco, Argentina, Venezuela, the United States and Germany, as well as participating in group exhibitions around the world. He is currently represented in the MNCA Reina Sofía, in the Centro Andaluz de Arte Contemporáneo and in numerous public and private collections in Europe and America. Framed in museum glass.
Setdart Auction House
Jun. 01, 2024
Manuel Barbadillo, Spain (1929 - 2003), Mujer de los Ojos Rojos, oil on canvas, 23 3/4"H x 19 3/4"W(sight), 25"H x 21 3/4"W(frame)
Est: $1,200 - $1,800
Manuel Barbadillo Spain, (1929 - 2003) Mujer de los Ojos Rojos oil on canvas Signed lower right. Signed and titled verso. Biography from Setdart: Manuel Barbadillo was a Spanish artist born in an unknown year. He began his training in the studio of José Arpa and later moved to the workshop of the sculptor Emilio García Ortiz. He completed his training at the School of Arts and Crafts between 1951 and 1953. Barbadillo left figuration behind definitively to concentrate on abstract experimentation during his stay in Morocco from 1954 to 1957. When he moved to New York in 1959, his work was framed within the framework of informalist abstraction, at first showing influences of abstract expressionism. However, his language soon moved in the direction of a reduction of color, resulting in sober, monochrome works, dense in pictorial matter and with a markedly experimental character. Throughout his career, Barbadillo has been a member of the Computer Arts Society and of the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions in Spain, Morocco, Argentina, Venezuela, the United States, and Germany, as well as participating in group exhibitions all over the world. He is currently represented at the MNCA Reina Sofía, the Centro Andaluz de Arte Contemporáneo, and numerous public and private collections in Europe and America.
Ripley Auctions
May. 28, 2024
BARBADILLO, MANUEL (1929)
Est: -
Screen printing on paper. Signed in the lower right corner. Numbered (45/50) in the lower left corner. Paper with deterioration. Provenance: - Club Financiero Génova Collection.
Duran Arte y Subastas
Jan. 30, 2024
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). "Composition. Ink on paper. Signed in the lower right corner.
Est: €2,400 - €2,600
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). "Composition. Ink on paper. Signed in the lower right corner. Measurements: 20 x 33 cm; 32 x 45 cm (frame). On the graph paper there is a study, reflections of the artist, which shows us the previous and conceptual work. In fact, in the collection of the Museo Nacional Centro de Arte Reina Sofia, there are several pieces of larger dimensions that reflect the aesthetic concept that the artist embodies in this work. Examples of this are the pieces Coraina, Dione and Merata. Manuel Barbadillo began his training in the studio of José Arpa (1941), and later moved to the workshop of sculptor Emilio García Ortiz, where he remained between 1944 and 1947. He finally completed his training at the School of Arts and Crafts between 1951 and 1953. At the same time he studied law, and when he finished his studies in 1954 he exhibited for the first time at the Ateneo de Sevilla. Then he travels to Morocco, where he stays until 1957, and there he leaves behind figuration definitively to focus on abstract experimentation. When in 1959 he moved to New York, where he remained until 1962, his work was framed in the informalist abstraction, at first showing influences of abstract expressionism. However, his language will soon derive in the line of the reduction of color, until deriving in sober, monochrome works, dense in pictorial matter and of an accentuated experimental character. Towards 1960 his work enters a new stage, marked by structuring and the search for an increasingly rational and balanced language. Finally, around 1963 his painting reached maturity through compositional schematization, the elimination of matter, symmetry and the use of repetitive forms. This simplification will finally lead him to the binary language, and from 1964 he replaces the concept of form with that of module, thus beginning the longest and most fruitful period of his production. In 1968 he was invited to participate in a course at the Centro de Cálculo de la Complutense, and that same year he took part in the Seminar on Automatic Generation of Plastic Forms at the same center, something that would be key in his career. Since then Barbadillo will establish a close relationship with the computer, understood as a working tool. Throughout his career, Barbadillo has been a member of the Computer Arts Society and the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions held in Spain, Morocco, Argentina, Venezuela, the United States and Germany, as well as participating in group exhibitions around the world. He is currently represented in the MNCA Reina Sofía, in the Centro Andaluz de Arte Contemporáneo and in numerous public and private collections in Europe and America.
Setdart Auction House
Jan. 30, 2024
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). "Composition. Ink on paper. Signed in the lower right corner.
Est: €2,400 - €2,600
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). "Composition. Ink on paper. Signed in the lower right corner. Measurements: 20 x 33 cm; 32 x 45 cm (frame). On the graph paper there is what seems to be a study, reflections of the artist, with annotations that show us the previous and conceptual work of the artist. In fact, in the collection of the Museo Nacional Centro de Arte Reina Sofía, there are several pieces of larger dimensions that reflect the aesthetic concept that the artist embodies in this work. Examples of this are the pieces Coraina, Dione and Merata. Manuel Barbadillo began his training in the studio of José Arpa (1941), and later moved to the workshop of sculptor Emilio García Ortiz, where he remained between 1944 and 1947. He finally completed his training at the School of Arts and Crafts between 1951 and 1953. At the same time he studied law, and when he finished his studies in 1954 he exhibited for the first time at the Ateneo de Sevilla. Then he travels to Morocco, where he stays until 1957, and there he leaves behind figuration definitively to focus on abstract experimentation. When in 1959 he moved to New York, where he remained until 1962, his work was framed in the informalist abstraction, at first showing influences of abstract expressionism. However, his language will soon derive in the line of the reduction of color, until deriving in sober, monochrome works, dense in pictorial matter and of an accentuated experimental character. Towards 1960 his work enters a new stage, marked by structuring and the search for an increasingly rational and balanced language. Finally, around 1963 his painting reached maturity through compositional schematization, the elimination of matter, symmetry and the use of repetitive forms. This simplification will finally lead him to the binary language, and from 1964 he replaces the concept of form with that of module, thus beginning the longest and most fruitful period of his production. In 1968 he was invited to participate in a course at the Centro de Cálculo de la Complutense, and that same year he took part in the Seminar on Automatic Generation of Plastic Forms at the same center, something that would be key in his career. Since then Barbadillo will establish a close relationship with the computer, understood as a working tool. Throughout his career, Barbadillo has been a member of the Computer Arts Society and the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions held in Spain, Morocco, Argentina, Venezuela, the United States and Germany, as well as participating in group exhibitions around the world. He is currently represented in the MNCA Reina Sofía, in the Centro Andaluz de Arte Contemporáneo and in numerous public and private collections in Europe and America.
Setdart Auction House
Mar. 22, 2023
Manuel Barbadillo. would be born
Est: -
Acrylic on board. Signed in the lower right corner. On the back, signed and titled.
Duran Arte y Subastas
Jun. 22, 2022
S/T
Est: -
Firmado y numerado a lápiz
Isbilya Subastas
Jun. 21, 2022
Manuel Barbadillo. Osania
Est: -
Silkscreen on cardboard. Signed in the lower right corner. Titled at the bottom. Numbered (1/100) in the lower left corner.
Duran Arte y Subastas
May. 03, 2022
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 – Malaga, 2003). "Studies". Ink on graph paper glued to cardboard. Signed in the lower right corner.
Est: €900 - €1,000
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Malaga, 2003). "Studies". Ink on graph paper glued to card. Signed in the lower right-hand corner. Measurements: 22 x 34 cm; 24 x 36.5 cm (frame). On the graph paper there are several studies, reflections by the artist, with annotations that show us the artist's previous and conceptual work. In fact, in the collection of the Museo Nacional Centro de Arte Reina Sofia, there are several larger pieces that reflect the aesthetic concept that the artist expressed in this work. Examples of this are the pieces Coraina, Dione and Merata. Manuel Barbadillo began his training in the studio of José Arpa (1941), and later moved to the workshop of the sculptor Emilio García Ortiz, where he remained between 1944 and 1947. He finally completed his training at the School of Arts and Crafts between 1951 and 1953. At the same time he studied law, and on completing his studies in 1954 he exhibited for the first time at the Seville Athenaeum. He then travelled to Morocco, where he remained until 1957, and there he left figuration behind definitively to concentrate on abstract experimentation. When he moved to New York in 1959, where he remained until 1962, his work was framed within the framework of informalist abstraction, at first showing influences of abstract expressionism. However, his language soon moved in the direction of a reduction of colour, resulting in sober, monochrome works, dense in pictorial matter and with a markedly experimental character. Towards 1960 his work entered a new stage, marked by structuring and the search for an increasingly rational and balanced language. Finally, around 1963 his painting reached maturity through compositional schematisation, the elimination of matter, symmetry and the use of repetitive forms. This simplification finally led him to binary language, and from 1964 he replaced the concept of form with that of module, thus beginning the longest and most fruitful period of his production. In 1968 he was invited to take part in a course at the Centro de Cálculo de la Complutense, and that same year he took part in the Seminar on the Automatic Generation of Plastic Forms at the same centre, something that was to be a key factor in his career. From then on, Barbadillo established a close relationship with the computer, understood as a working tool. Throughout his career, Barbadillo has been a member of the Computer Arts Society and of the Artistic Council of the Gesellschaft für Computer Grafik und Computer Kunst in Munich, and has shown his work in exhibitions in Spain, Morocco, Argentina, Venezuela, the United States and Germany, as well as participating in group exhibitions all over the world. He is currently represented at the MNCA Reina Sofía, the Centro Andaluz de Arte Contemporáneo and numerous public and private collections in Europe and America.
Setdart Auction House
Jun. 16, 2021
Manuel Barbadillo (Spanish, 1929-2003) "Espana"
Est: $200 - $400
Mixed media on board. Signed 'BARBADILLO' (lower right).
Cottone Auctions
Nov. 13, 2020
Manuel Barbadillo (Spanish, 1929-2003) "Espana"
Est: $200 - $400
Mixed media on board. Signed 'BARBADILLO' (lower right).
Cottone Auctions
Apr. 30, 2019
Manuel Barbadillo. Untitled (1979)
Est: -
BARBADILLO, MANUEL (1929). "Sin título (1979)". Dibujo sobre papel-cartulina milimetrado "Exaktor". Firmado en el ángulo inferior derecho. Inscripción en la esquina inferior derecha. Etqueta al dorso de la Galería Aele, Madrid. Exposiciones: - Galería Aele, 1982. - Mirando los 70, Galería Aele-Evelyn Botella, 2002. 22 x 34 cm
Duran Arte y Subastas
Oct. 18, 2017
MANUEL BARBADILLO (Cazalla de la Sierra, Seville, 1929 - Málaga, 2003) Composición. Estudio. Acrylic on canvas
Est: -
MANUEL BARBADILLO (Cazalla de la Sierra, Sevilla, 1929 - Málaga, 2003) Composición. Estudio Acrílico sobre lienzo de 50 x 65 cm. Al dorso, firmado y titulado.
Sala Retiro Subastas
Jun. 23, 2016
Manuel Barbadillo. Composition
Est: -
BARBADILLO, MANUEL (1929). "Composición". Técnica mixta sobre papel. 23 x 34 cm. Firmado en el ángulo inferior derecho.
Duran Arte y Subastas