Salvador Barbudo-Sanchez Paintings & Artwork for Sale | Salvador Barbudo-Sanchez Art Value Price Guide

Nov. 28, 2024
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "CARDINAL", Rome.
Est: €3,000 - €5,000
Oil on canvas. Signed and located. The canvas has been restored. 40 x 31 cm; 48 x 39 cm (frame).
Subarna Subastas
Nov. 14, 2024
Salvador Sànchez Barbudo Spain 1857-Spain 1952 Mosquetero
Est: €100 - €200
Salvador Sànchez Barbudo Spain 1857-Spain 1952 Mosquetero Signed lower right "Barbudo" watercolor on paper 50x34 cm - in frame 57.5x41 cm
Casa d'aste ARCADIA
Jun. 25, 2024
SALVADOR SANCHEZ BARBUDO Jerez de la Frontera (1857) / Rome (1917) "Dance in a palace interior"
Est: €6,000 - €8,000
Oil on canvas Signed and located "Roma" in the lower left corner Measurements: 45 x 65 cm
Ansorena
May. 21, 2024
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera (1857) / Rome (1917) "Opium smoker"
Est: €6,000 - €8,000
Oil on panel. Signed in the lower right corner. Measurements: 44.5 x 30.5 cm.
Ansorena
May. 14, 2024
Salvador Sánchez Barbudo (Jerez de la Frontera 1857 - Roma 1917)
Est: €800 - €1,200
Salvador Sánchez Barbudo (Jerez de la Frontera 1857 - Roma 1917) Ritratto della moglie dell'artista Olio su tela 56 x 44 cm Firmato in basso a destra. Salvador Sánchez Barbudo (Jerez de la Frontera 1857 - Rome 1917) Portrait of the Artist's Wife Oil on canvas 56 x 44 cm Signed lower right.
Lucas Aste
Mar. 10, 2024
SALVADOR SANCHEZ BARBUDO (SPAINISH, 1857-1917).
Est: $600 - $900
'Man in Renaissance Costume'. Oil on canvas. Apparently not signed. Verso: Inscribed with illegible text. From a Little Neck, Long Island, NY collection. Dimensions: 21.25" h x 17.25" w.
Clarke Auction Gallery
Feb. 21, 2024
Salvador Sánchez Barbudo (Jerez de la Frontera 1857-1917 Rome) La dame jouant avec des oiseaux
Est: €18,000 - €25,000
Salvador Sánchez Barbudo (Jerez de la Frontera 1857-1917 Rome) La dame jouant avec des oiseaux signé et inscrit 'Barbudo/Roma' (en haut à gauche) huile sur toile signed and inscribed 'Barbudo/Roma' (upper left) oil on canvas 184 x 92cm (72 7/16 x 36 1/4in).
Bonhams
Feb. 16, 2024
SALVADOR SANCHEZ BARBUDO (1857 - 1917) - DONNA E BAMBINA IN GIARDINO
Est: €1,500 - €2,500
Olio su tavola, cm. 35,5x25. Firma in alto a destra.
Pananti Casa D'Aste SRL
Dec. 27, 2023
Salvador Sánchez Barbudo. artist model
Est: -
Watercolor on paper. Signed and dedicated in the lower center.
Duran Arte y Subastas
Dec. 18, 2023
SALVADOR SANCHEZ BARBUDO Jerez de la Frontera (1857) / Rome (1917) "Fire in Rome"
Est: €9,000 - €12,000
Oil on canvas Signed and located "Roma" in the lower right corner. Bibliography: -VVAA, "One Hundred Years of Painting in Spain and Portugal (1830-1930)", Volume X, Antiqvaria, Madrid, 1993, p.65 (reproduced) Measurements: 38 x 65 cm
Ansorena
Dec. 14, 2023
Salvador Sánchez Barbudo (1857 - 1917) - Passatempi del cardinale
Est: €1,000 - €2,000
Olio su tavola, cm. 28x37. Dedica parzialmente leggibile in alto a sinistra. Sul verso: etichetta Galleria d'Arte Montecatini Terme con indicazioni e provenienza Collezione Montanari.
Pananti Casa D'Aste SRL
Nov. 22, 2023
Salvador Sánchez-Barbudo y Morales. Old man
Est: -
Óleo sobre lienzo. Firmado y localizado (Roma) en el ángulo inferior izquierdo.
Duran Arte y Subastas
Oct. 03, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). La corrida de la pólvora ("The Gunpowder Bullfight"), 1880. Oil on vellum. Fan country.
Est: €4,000 - €4,500
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). La corrida de la pólvora ("The Gunpowder Bullfight"), 1880. Oil on vellum. Fan country. Carved ebony wood. Signed and dated in the lower area. Exhibited at the Muestra de abanicos del Museu de l'Art de la pell, Vic, 1997. Measurements: 30 x 54 cm. Among the typical customs of the Arab people, the running of the gunpowder was one of the festivities that caused the greatest fascination among the Orientalist painters of the 19th century. Indeed, the celebration of the gunpowder run, consisting of the unbridled race of a group of horsemen across an open plain, performing dangerous manoeuvres with their horses while continuously firing their sping pikes, allowed the painters to capture in all their frenzied movement of the galloping horses, their legs enveloped in the dust of the desert sand. This is splendidly captured in Sánchez-Barrudo's painting "La corrida de la pólvora" ("The Gunpowder Run"), now in the Museo Thyssen-Bornemiza. In the country of the present fan, the Andalusian painter has reproduced a similar version of the scene. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of mansions, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstrokes are rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver.
Setdart Auction House
Oct. 03, 2023
SALVADOR SÁNCHEZ BARBUDO (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Lady", ca.1890 Oil on canvas. Signed in the lower margin (illegible signature, partially erased).
Est: €2,500 - €2,800
SALVADOR SÁNCHEZ BARBUDO (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Lady", ca.1890 Oil on canvas. Signed in the lower margin (illegible signature, partially erased). Size: 63 x 43,5 cm; 70 x 51 cm (frame). Sánchez-Barbudo demonstrates in his portraits a perfect control of the bases of the genre, for his wise combination of bourgeois naturalism and preciosity of loose workmanship. This combination comes together in this exquisite portrait of a young woman with ruff and shawl, which seems to be inspired by the damsels of Flemish 17th-century painters, but at the same time is completely modern. His brushstroke is both rapid and precise, and gives the chromaticism a unique vibrancy. Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. He worked with minute touches, both in the figures and in the settings, paying particular attention to atmosphere. He was also an excellent watercolourist and engraver. In 1997 an anthological exhibition was dedicated to him, curated by J.M. Rodríguez Pardo. Salvador Sánchez-Barbudo is represented in the Museo del Prado, the Museo Carmen Thyssen in Malaga, the Museo Histórico and the Museo de Arte Hispanoamericano Isaac Fernández Blanco in Buenos Aires and the Museo Nacional de Bellas Artes in Santiago de Chile, as well as in numerous private collections both in Spain and abroad.
Setdart Auction House
Oct. 03, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Flowers", Rome, 1899. Watercolour on vellum. Fan country.
Est: €1,500 - €1,800
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Flowers", Rome, 1899. Watercolour on vellum. Fan country. Signed, dedicated and dated in the lower area. Exhibited at the Muestra de abanicos del Museu de l'Art de la pell, Vic, 1997. Size: 30 x 54 cm. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, and there he became a disciple of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of mansions, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstroke is rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver.
Setdart Auction House
Oct. 03, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Duke", Rome. Oil on canvas. Signed and located in the lower left area.
Est: €500 - €600
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Duke", Rome. Oil on canvas. Signed and located in the lower left zone. Measurements: 53 x 43 cm. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, and there he became a disciple of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstroke is rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver.
Setdart Auction House
Oct. 03, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Gallant scene", Rome. Oil on canvas. Signed and located in the lower right corner.
Est: €1,500 - €1,800
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Escena galante", Rome. Oil on canvas. Signed and located in the lower right corner. Measurements: 42 x 31 cm. Salvador Sánchez-Barbudo was an admired painter of gallant and palatial scenes, like the one we are dealing with. In a sumptuous interior covered with mirrors and tapestries, a young woman fans herself coquettishly while a gentleman approaches from her left. The eighteenth-century clothing of the aristocratic classes has been depicted with painstaking attention to detail, extracting the right qualities from each garment: lace, silk, brocade, trimmings, lace, velvets and powdered wigs. Exquisite furniture completes the decoration. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in Italy and from then on made the city the protagonist of his painting. In addition to the themes of mansions, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstrokes are rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver. In 1997 an anthological exhibition was dedicated to him.
Setdart Auction House
Sep. 19, 2023
SALVADOR SÁNCHEZ BARBUDO - Deacon with banner
Est: -
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera 1857 - Rome 1917 Deacon with banner Oil on panel Signed in Rome Measurements 49 x 39 cm
Subastas Segre
May. 30, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 – Rome, 1917). "Religious", 1885. Watercolor on paper. Signed, dated and located in the lower left area.
Est: €3,000 - €3,500
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Religious", 1885. Watercolour on paper. Signed, dated and located in the lower left area. Size: 106 x 70 cm; 113 x 79 cm (frame). Work carried out in Rome in the year 1885 in which the artist portrays a religious. Strictly frontally in terms of the composition, the hands joined on his chest and the wide open mouth indicate that the author has captured the protagonist officiating a religious service. His spontaneity is unusual in portraits of religious people. The loose, vibrant brushstrokes, without losing the rigour of the drawing, show an image dominated by a pictorialist aesthetic that was very much in keeping with the taste of the period. Furthermore, the subject matter is also of great relevance, as during the 19th century the Church was going through a crisis of faith, so much so that it turned to the arts as an ally in the transmission of its institutional values. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstrokes are rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver.
Setdart Auction House
May. 08, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 – Rome, 1917). "Religious", 1885. Watercolor on paper. Signed, dated and located in the lower left area.
Est: €3,000 - €3,500
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Religious", 1885. Watercolour on paper. Signed, dated and located in the lower left area. Size: 106 x 70 cm; 113 x 79 cm (frame). Work carried out in Rome in the year 1885 in which the artist portrays a religious. Strictly frontally in terms of the composition, the hands joined on his chest and the wide open mouth indicate that the author has captured the protagonist officiating a religious service. His spontaneity is unusual in portraits of religious people. The loose, vibrant brushstrokes, without losing the rigour of the drawing, show an image dominated by a pictorialist aesthetic that was very much in keeping with the taste of the period. Furthermore, the subject matter is also of great relevance, as during the 19th century the Church was going through a crisis of faith, so much so that it turned to the arts as an ally in the transmission of its institutional values. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstrokes are rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver.
Setdart Auction House
May. 08, 2023
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fishermen of Capri", 1886. Oil on panel. Signed, dated and located in the lower right corner.
Est: €6,000 - €7,000
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fishermen of Capri", 1886. Oil on panel. Signed, dated and located in the lower right corner. Measurements: 23 x 39 cm; 43.5 x 59 cm (frame). Salvador Sánchez-Barbudo exported his works especially to England, where his historicist costumbrismo paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. In his paintings he displays a perfect mastery of the basics of the genre: a skilful combination of costumbrista genre and loosely executed preciosity. As in the panel in the present work, which depicts a fisherman being helped by three children to collect the fishing tackle, his brushstrokes are swift and precise, and his chromaticism has a totally personal vibrancy and variety. Sanchez-Barbudo worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in Italy and from then on made the city the protagonist of his painting. In addition to the themes of mansions, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", which won him a second medal at the National Exhibition of the same year. He was also an excellent watercolourist and engraver. In 1997 an anthological exhibition was dedicated to him.
Setdart Auction House
Dec. 14, 2022
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera (1857) / Rome (1917) "Bracciano Lake"
Est: €2,850 - €3,800
Oil on canvas Signed in the lower right corner. Reproduced in the catalog of the exhibition "Sánchez Barbudo" City Hall of Jerez de la Frontera, 1997 Plate 12 Measurements: 35 x 18 cm
Ansorena
Dec. 14, 2022
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera (1857) / Rome (1917) "Lady in the interior", 1895
Est: €1,500 - €2,000
Oil on panel Signed, located "Rome" and dated in the lower right corner Measurements: 38.5 x 20 cm
Ansorena
Nov. 10, 2022
Pareja de personajes dieciochescos en interiores
Est: -
Firmados y fechados en los ángulos inferiores derechos: "Barbudo / Roma 1915".
Isbilya Subastas
Nov. 10, 2022
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "CARDINAL", Rome.
Est: €3,000 - €5,000
Oil on canvas. Signed and located. The canvas has been restored. 40 x 31 cm; 48 x 39 cm (frame).
Subarna Subastas
Oct. 19, 2022
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Biblical scenes", 1988. Pair of oil paintings on panel. Signed and dated.
Est: €1,500 - €1,600
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Biblical scenes", 1988. Pair of oil paintings on panel. Signed and dated. Measurements: 14 x 8 cm; 30 x 23 cm (frame each). Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacones, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstroke is rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver. In 1997 an anthological exhibition was dedicated to him.
Setdart Auction House
Sep. 22, 2022
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "VENICE".
Est: €300 - €500
Oil on canvas. Signed. 10 x 13 cm; 21 x 25 cm (frame).
Subarna Subastas
Sep. 22, 2022
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 – Rome, 1917). “Incendio en Roma”. Oil on canvas. Signed and located lower right. 39 x 65 cm, 68 x 95 cm (frame).
Est: €5,000 - €7,000
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fire in Rome". Oil on canvas. Signed and located in the lower right corner. Measurements: 39 x 65 cm; 68 x 95 cm (frame). Work reproduced in "Cien años de pintura en España y Portugal (1830-1930)", volume 10, p. 65 (Madrid, Antiqvaria, 1988-1993). In this work, Sánchez-Barbudo depicts a landscape of contrasting light, with a field in shadow illuminated in the background by the flames of a fire in the city of Rome. It is a distinctly modern landscape, characterised by the contrasting effects of light and by an atmosphere of great naturalism, based on colour applied with mutable brushstrokes, shorter and more precise in some areas, almost invisible in others, and dense and directional in the sky, the silhouettes silhouetted in the background, etc. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in Italy and from then on made the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstroke is rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver. In 1997, an anthological exhibition was dedicated to him, with the participation of the
Setdart Auction House
Jun. 15, 2022
"SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera (1857) / Roma (1917) "Caballero" Óleo sobre lienzo Firmado en el ángulo inferior derecho 80 x 60 cm"
Est: €4,500 - €6,000
Oil on canvas. Signed in the lower right corner. 80 x 60 cm
Ansorena
Apr. 27, 2022
Salvador Sanchez Bearded and Morales. Military
Est: -
Oil on canvas. Signed and located (Rome) in the lower right corner.
Duran Arte y Subastas
Apr. 19, 2022
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 – Rome, 1917). "Fantasia au déssert", 1881. Oil on canvas. Signed and dated in the lower right area.
Est: €18,000 - €20,000
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fantasia au déssert, 1881. Oil on canvas. Signed and dated in the lower right area. Measurements: 58 x 104 cm; 71.5 x 117 cm (frame). Although the sources do not reveal that Salvador Sánchez Barbudo, never visited Africa, his works reflected themes of orientalist character as in this case. Orientalism was born in the 19th century as a consequence of the Romantic spirit of flight in time and space. The first Orientalists sought to reflect the lost, the unattainable, in a dramatic journey destined from the outset to fail. Like Flaubert in "Salambó", the painters produced meticulous portraits of Orient and imagined pasts, recreated down to the last millimetre but ultimately unknown and idealised. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstrokes are rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked with small touches, both in the figures and in the scenes, paying special attention to the atmosphere. He was also an excellent watercolourist and engraver. In 1997 an anthological exhibition was dedicated to him.
Setdart Auction House
Apr. 05, 2022
SALVADOR SÁNCHEZ BARBUDO. Jerez de la Frontera (1857) / Roma (1917). "Elegant lady". 37 x 22 cm.
Est: €5,700 - €7,600
Signed in the upper right corner "Barbudo". Oil on panel. 37 x 22 cm
Ansorena
Mar. 29, 2022
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera 1857 - Rome 1917 Cardinal with staff. 1
Est: €2,000 - €4,000
SALVADOR SÁNCHEZ BARBUDO Jerez de la Frontera 1857 - Rome 1917 Cardinal with staff. 1886 Watercolor on paper Signed and dated in Rome Measures 860 x 560 mm
Subastas Segre
Mar. 04, 2022
Salvador Sanchez Barbudo, Gallant Scenes, Two Paintings | Salvador Sanchez Barbudo, Galante Szenen, zwei Gemaelde
Est: €6,000 - €8,000
Salvador Sanchez Barbudo, Gallant scenes, two paintings, 1915, oil on canvas, each signed and dated with place name lower right (traced) Barbudo. Roma. 1915, on the stretcher frame each with old label of Galeria de Arte Mecenas each 33.5 x 43 cm, golden gallery frames: each 49 x 59 cm. | Salvador Sanchez Barbudo, Galante Szenen, zwei Gemaelde, 1915, Oel auf Leinwand, jeweils signiert und datiert mit Ortsbezeichnung unten rechts (nachgezogen) Barbudo. Roma. 1915, auf dem Keilrahmen jeweils mit altem Etikett der Galeria de Arte Mecenas je 33,5 x 43 cm, goldene Galerierahmen: je 49 x 59 cm.
Amadeus Auction
Jan. 26, 2022
SALVADOR SÁNCHEZ BARBUDO (1857 / 1917) "Musician"
Est: €450 - €600
Signed and located in Rome in the lower right-hand corner . 26,5 x 17 cm . Watercolour on paper
Ansorena
Dec. 15, 2021
SANCHEZ BARBUDO SALVADOR (1857 - 1917) Portrait of woman.
Est: €1,000 - €2,000
SANCHEZ BARBUDO SALVADOR (1857 - 1917). Portrait of woman. Signature lower right. Cm 44,50 x 57,00.
Capitolium Art
Sep. 29, 2021
SALVADOR SÁNCHEZ BARBUDO (1857 / 1917) "Eighteenth-century figure"
Est: €2,700 - €3,600
Signed in the lower left-hand corner . Oil on canvas
Ansorena
Sep. 29, 2021
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fire in Rome". Oil on canvas.
Est: €9,000 - €10,000
SALVADOR SÁNCHEZ-BARBUDO MORALES (Jerez de la Frontera, Cádiz, 1857 - Rome, 1917). "Fire in Rome". Oil on canvas. Signed and located in the lower right corner. Measurements: 39 x 65 cm; 68 x 95 cm (frame). Work reproduced in "Cien años de pintura en España y Portugal (1830-1930)", volume 10, p. 65 (Madrid, Antiqvaria, 1988-1993). In this work, Sánchez-Barbudo depicts a landscape of contrasting light, with a field in shadow illuminated in the background by the flames of a fire in the city of Rome. It is a distinctly modern landscape, characterised by the contrasting effects of light and by an atmosphere of great naturalism, based on colour applied with mutable brushstrokes, shorter and more precise in some areas, almost invisible in others, and dense and directional in the sky, the silhouettes silhouetted in the background, etc. Interested in drawing and painting from an early age, Sánchez-Barbudo began his training in the workshop of the restorer Pedro Vera. At the age of nineteen he moved to Seville to study at the Provincial School of Fine Arts, thanks to the support of his protector and patron, the Marquis del Castillo, where he became a pupil of José Villegas. In 1878 he travelled to Madrid to further his training, remaining in the capital for four years. In 1881 he took part in the National Exhibition of Fine Arts and was awarded a third-class medal for his work "Un salón de esgrima" ("A Fencing Salon"). The following year he went to Rome with his master. Due to his master's influence, and given that Villegas was a friend of Rosales, Fortuny, Zamacois and others, as well as a painter with a magnificent clientele (Vanderbilt, Stuard, Krupp...), Sánchez-Barbudo was initiated into the fashionable genre, costumbrista historicism (known as casacón subject matter). Fascinated by the artistic atmosphere of the Italian capital, Sánchez-Barbudo decided to settle in the city and, from then on, to make the city the protagonist of his painting. In addition to the themes of casacons, he also produced small-format paintings of high society scenes and landscapes, and was particularly noted for his portraits. He occasionally sent works to the National Exhibitions of Fine Arts in Madrid. In 1884 he sent to Spain the monumental canvas entitled "Hamlet. Last Scene", with which he won a second medal at the National Exhibition of the same year. He exported his works especially to England, where his historicist genre paintings were extraordinarily well received, and he himself enjoyed a reputation as an exquisite painter. Sánchez-Barbudo showed in his works a perfect mastery of the basics of the genre: a skilful combination of bourgeois naturalism and loosely executed preciosity. His brushstroke is rapid and precise, and he gives the chromaticism a totally personal vibrancy and variety. He worked on the basis of small touches, both in the figures and in the scenes, paying special attention to the atmosphere.
Setdart Auction House
Jul. 15, 2021
SALVADOR SÁNCHEZ BARBUDO (SPANISH, 1857-1919) - Fantasy in the desert
Est: £15,000 - £20,000
SALVADOR SÁNCHEZ BARBUDO (SPANISH, 1857-1919) Fantasy in the desert oil on canvas 22 ¾ x 40 7/8 in. (57.5 x 103.7 cm.)
Christie's
Jul. 08, 2021
Barbudo Salvator Sanchez (1857 - 1917) IL CARDINALE olio su tela, cm
Est: €3,000 - €5,000
Barbudo Salvator Sanchez (1857 - 1917) IL CARDINALE olio su tela, cm 27x32 firma
Itineris
May. 13, 2021
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "VISIT TO THE CARDINAL", Rome.
Est: €4,000 - €8,000
Oil on canvas. Signed and located. With labels on the back of two Roman galleries: Cav. Alessandro d'atri & sons and Galerie d'Art Ancien et Moderne. 40 x 55 cm; 64 x 80 cm. (frame).
Subarna Subastas
May. 13, 2021
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "CARDINAL", Rome.
Est: €4,500 - €6,000
Oil on canvas. Signed and located. The canvas has been restored. 40 x 31 cm; 48 x 39 cm (frame).
Subarna Subastas
Mar. 16, 2021
Salvator Sanchez Barbudo (1857-1917), seguace di, Figura di servitore
Est: €600 - €700
olio su tavola, cm 31x20 Al retro etichetta con assegnazione di successione ereditaria
Cambi Casa d'Aste
Dec. 17, 2020
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "LADY ON A BOAT".
Est: €3,500 - €4,550
Oil on canvas. Signed and located in Rome. The subject matter, unusual in the production of a Spanish painter, could recall that of various literary, historical or legendary characters, in particular that of the Lady of Shalott, made popular by the Victorian poet Alfred Tennyson, which, in turn, was based on a 13th century Italian novel about "Donna di Scalotta". This iconography was particularly successful among artists before Raphael. We thank Paloma de los Santos Guerrero for her collaboration, which was essential in cataloguing this work. 66.8 x 90 cm; 92.5 x 116.5 cm (frame).
Subarna Subastas
Dec. 17, 2020
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "PROCESSION", 1887.
Est: €3,000 - €3,900
Oil on canvas. Signed, located and dated in Rome in 1887. We thank Paloma de los Santos Guerrero for her collaboration, which was essential in cataloguing this work. 39 x 77 cm; 61 x 98.5 cm (frame).
Subarna Subastas
Feb. 21, 2020
Salvador Sánchez Barbudo, Gallant Scenes, 2 Paintings, 1915 |Salvador Sánchez Barbudo, "Galante Szenen", 2 Gemälde, 1915
Est: €22,000 -
Oil on canvas Salvador Sánchez Barbudo (1857-1917) - Spanish painter, active in Rome Each signed and dated lower right with location (redrawn) ‘Barbudo. Roma. 1915’ Each with old gallery label by the Galeria de Arte Mecenas on the stretcher Dimensions: 33.5 x 43 cm each Golden gallery frame: each 49 x 59 cm Pair of paintings depicting gallant scenes in rococo style | Öl auf Leinwand Salvador Sánchez Barbudo (1857-1917) – Spanischer Maler, tätig in Rom Jeweils signiert und datiert mit Ortsbezeichnung unten rechts (nachgezogen) „Barbudo. Roma. 1915“ Auf dem Keilrahmen jeweils mit altem Etikett der Galeria de Arte Mecenas Maße: je 33,5 x 43 cm Goldene Galerierahmen: je 49 x 59 cm Gemäldepaar mit der Darstellung galanter Rokoko Szenen RefFin4220
Amadeus Auction
Jun. 20, 2019
SALVADOR SÁNCHEZ BARBUDO (1857-1917) "CATALINA CORNARO'S EN
Est: €2,000 - €2,600
SALVADOR SÁNCHEZ BARBUDO (1857-1917) Oil on canvas. Signed, dated and located on the lower right corner. Small losses of painting. Published on the back of one of the catalogue "Grandes Maestros" edited by Sala Nonell, Barcelona. 40 x 76,5 cm.; 70,5 x 108cm. (frame).
Subarna Subastas
Apr. 11, 2019
SALVADOR SÁNCHEZ BARBUDO (1857-1917). "Portrait of the Marq
Est: €2,500 - €3,250
SALVADOR SÁNCHEZ BARBUDO (1857-1917). Oil on canvas. Signed, dated and located, Rome, 1886, on the lower right corner. Losses of painting and craquelures. 199,5 x 99,5 cm and 214 x 113,5 cm (frame).
Subarna Subastas