James (1741) Barry Paintings & Artwork for Sale | James (1741) Barry Art Value Price Guide

Nov. 05, 2024
JAMES BARRY RA (1741-1806) The Thames, or the Triumph of Navigation Etchi…
Est: €600 - €800
JAMES BARRY RA (1741-1806) The Thames, or the Triumph of Navigation Etching and engraving, Pressly 1981.20 VI/VI, 41.5 x 50.5cm (plate); trimmed First published by James Barry 1791, from III c.1801-2; 1808 impression Inscription: Lettered below the image with the title, and Nor are his blessings to his banks confin'd But free and common as the sea or wind So that to us, nothing no place is strange While his fair bosom is the world exchange. Denham / 5th / Painted, engraved & publish'd by James Barry, R.A. Professor of Painting to the Royal Academy May 1. 1791
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) King George and Queen Charlotte Etching and en…
Est: €600 - €1,000
JAMES BARRY RA (1741-1806) King George and Queen Charlotte Etching and engraving, Pressly 1981.23 IV/V, 42 x 51.5cm (plate); 43.5 x 53.5cm (sheet) First published by James Barry 1792 Inscription: Lettered below the image as on a plaque with production detail Published According to Act of Parliament May 1st. 1791 by James Barry R A Proffessor [sic] of Painting to the Royal Academy, and with the following information on the intended place of the two figures in the series: These two Sketches were Intended to have been Painted as the two Grand Centres over the Chinmies in the Great Room of the Society for the Encouragement of Art &c at the Adelphi: one intending to represent the King in the Year 1761 Recommending to both Houses of Parliament a Bill for the Independence of the judges. The other representing the Queen at Windsor in the Superintendance of a Scene of Domestic Education. As it was the opinion of the Author that these or such Scenes were a Just tribute to the Virtue of his own Time and would happily Coincide with his Views in the other Six Pictures on Human Cultures & from one Interesting Part in the same Integral or Totality And as he was not enabled to add these to the others he is happy to have it in his power at Least to Shew the whole of what he intended by adding these two Sketches to the Engravings of the rest of the Work which the Good Providence of God has enabled him to execute. Had these two Subjects been introduced the Arangement would then be 1st Orpheus instructing a Savage People in Theology and the Arts of Social Life. 2d His Majesty recommending a Law for the Independence of the Administrators of Justice. 3d. A Grecian Harvest Home or the Festival of Ceres & Bacchus. 4th.The Diagorides Victors at Olympia 5th. The Thames or the Triumph of Navigation. 6th. The Queen or Domestic Education at Windsor 7th. The Society for the Encouragement of the Arts in the distribution of their Annual Premieums [sic] 8th. Elysium and Tartarus or the State of Final Retribution..
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) The Glorious Sextumvirate Etching and engravin…
Est: €1,500 - €2,000
JAMES BARRY RA (1741-1806) The Glorious Sextumvirate Etching and engraving, Pressly 1981.30, 74.5 x 47.5cm (plate); 84 x 62.5cm (sheet) First published by James Barry 1795 Inscriptions: In margin, across bottom: This Colloquial Groupe of the Celebrated Sextumvirate, Epaminondas, Socrates, J Brutus, Cato, Sr Thos More & M. Brutus with that Scene of Pious Reference in the Back-Ground, the only sure Root from whence Civil Liberty & every thing Social,/Graceful & Generous can derive Nutriment, Vigor & Expansion is taken from the Picture of the State of Final Retribution & is recommended to the Serious Consideration of the Disciples of the Modern Philosphy by James Barry R.A. Professor of/Painting to the Royal Academy. Painted. Engraved & Published May. 1. 1795 by J.B.; in image on shield: Leuctra
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) Detail of the Diagorides Victors Etching and e…
Est: €1,000 - €1,500
JAMES BARRY RA (1741-1806) Detail of the Diagorides Victors Etching and engraving, Pressly 1981.28 IV/IV, 74.5 x 47.5cm (plate); 85 x 62cm (sheet) First published by James Barry 1795; 1808 impression Inscription: Lettered below the image, beginning with one line over the base of the image The Laws of Olympia requiring that these Contested Strenuous Exertions should be accompanied with the Conservation of Integrity as the only becoming & the True Victory, this Groupe &c., with a further inscription in Italian, dedicating the detail to the Papal government, patron of the arts: Questo Gruppo di Diagoras, e i suoi Figlioli preso dal Quadro dei Vittori Olympici comme un picolo mazzo di fiori ed in testimonio dal piu profondo e affectionatissimo Veneratione e gratitudine, e gettato per ornare il Corso Esemplare & Triumphante del Governo Papale di Roma, Madre e graziosa Prottetrice delle Arti Laudabile e Ingenosi, per Giacomo Barry RA Professor of Painting, to the Royal Academy & Member of the Clementine Academy of Bologna Painted En. & Publ. May. 1. 1795 by JB.
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) Lord Baltimore and the Group of Legislators Et…
Est: €1,500 - €2,000
JAMES BARRY RA (1741-1806) Lord Baltimore and the Group of Legislators Etching and engraving, Pressly 1981.24, II/II, 74.5 x 47cm (plate); 84 x 62.5cm (sheet) First published by James Barry 1793; 1808 impression Inscription: Lettered below the image In the Elysium one of the Series of Pictures on Human Culture in the Great Room of the Society for the Encouragement of Arts &c. at the Adelphi, a mistake was committed owing to the delusion which has been so generally spread of considering Wm. Penn as the first Colonizer who established laws of Religious & Civil Liberty: this Design is therefore added to the Series in order to rectify the mistake in the groupe of Legislators by making Lycurgus looking at those exemplary laws as placed in the hands of Cacilius Cavert Baron of Baltimore who was the original establisher of thm in his Colony of Maryland many years before Wm. Penn & his Colony arrived in America to copy the worthy example. / Designed Engraved & Published by James Barry R.A. Professor of Painting to the Royal Academy. Feby. 28. 1793. L. D..
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) Reserved Knowledge Etching and engraving, Pres…
Est: €1,500 - €2,000
JAMES BARRY RA (1741-1806) Reserved Knowledge Etching and engraving, Pressly 1981.29, III/III 44.5 x 48cm (plate); 83 x 62.5cm (sheet) First published by James Barry 1795; 1808 impression Inscription: In margin, across bottom: This Groupe Exhibiting the Future Enjoyment of Reserved knowledge, where an Arch Angel is explaining a Solar System to the admiring Newton, Galileo, Copernicus & Bacon is taken from the Picture of the State of Final -/- Retribution & Commerce by James Barry R.A. professor of Painting to the Royal Academy.; left: Painted. Engd. & Publd. May. I 1795 by JB.; on book in image reverse: OPUS MAJUS
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) Divine Justice Etching and engraving, Pressly 1981.33, 74.5 x 50cm
Est: €1,500 - €2,000
JAMES BARRY RA (1741-1806) Divine Justice Etching and engraving, Pressly 1981.33, 74.5 x 50cm (plate); 84.5 x 62cm (sheet) Published by James Barry c.1802; 1808 impression
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) The Angelic Guards (from Elysium, or the State …
Est: €1,500 - €2,000
JAMES BARRY RA (1741-1806) The Angelic Guards (from Elysium, or the State of Final Retribution) Etching and engraving, Pressly 1981.34 IV/IV, 74.5 x 50cm (plate); 84.5 x 62cm (sheet) First published by James Barry 1802; 1808 impression
Adam's
Nov. 05, 2024
JAMES BARRY RA (1741-1806) Orpheus Instructing a Savage People in Theology…
Est: €800 - €1,000
JAMES BARRY RA (1741-1806) Orpheus Instructing a Savage People in Theology and the Arts of Social Life Etching and engraving, Pressly 1981.17 III/III, 49.5 x 53.5cm (plate); 49 x 62.5cm (sheet) First published by James Barry 1792; 1808 impression Inscription: in plate, within the image, lower left, in reverse: “Jas Barry RA”; below image, in plate: Painted, Engraved & Publish’d by James Barry R.A. Professor of Painting to the Royal Academy May 1, 1791 Inscribed below image in plate: “Orpheus Instructing a Savage People in Theology & Arts of Social Life / Sylvestres homine sacer –The Wood-born Race of Men when Orpheus tamd, / From Acorns and from Mutual Blood reclaim’d / This Priest divine was fabled to assuage / The Tyger’s fierceness, and the Lion’s Rage, Francis’s Horace
Adam's
Sep. 25, 2024
James Barry 1741-1806 The Great Historical Painter by Dunne; Bacon. Moore.
Est: €50 - €100
James Barry 1741-1806 The Great Historical Painter by Dunne; Bacon. Moore. Flesh and Bone; Full Irish. New Architecture in Ireland by Lappin and Tony O’Malley by Brian Lynch. 4 Irish art interest books, all in djs, all near fine.
Purcell Auctioneers
Sep. 18, 2022
James BARRY (1741-1806)
Est: €800 - €1,200
La conversation de Philémon par Xenocrate Encre brune et lavis sur papier Signé en bas au milieu H. 51,5 cm - L. 69 cm Déchirures, petites restauration, traces d'humidité, probablement recoupé, collé sur un montage du XIXe siècle
OXIO
Jul. 05, 2022
JAMES BARRY (1741-1806) Jupiter and Juno on Mount Ida Sheet 257 x 193 mm.
Est: £4,000 - £6,000
JAMES BARRY (1741-1806) Jupiter and Juno on Mount Ida Sheet 257 x 193 mm.
Christie's
Jun. 28, 2022
James Barry (1741-1806), 'Such was the Chian Father's strain ...' - Akenside's Poems, ink and wash, 41 x 55cm
Est: £1,000 - £1,500
James Barry (1741-1806) 'Such was the Chian Father's strain ...' - Akenside's Poems ink and wash inscribed
Gorringes
Dec. 09, 2021
JAMES BARRY (1741-1806) Jupiter and Juno on Mount Ida Sheet 257 x 193 mm.
Est: £5,000 - £7,000
JAMES BARRY (1741-1806) Jupiter and Juno on Mount Ida Sheet 257 x 193 mm.
Christie's
Dec. 07, 2021
ATTRIBUTED TO JAMES BARRY (CORK 1741 - 1806 LONDON)
Est: £600 - £800
ATTRIBUTED TO JAMES BARRY (CORK 1741 - 1806 LONDON) ATTRIBUTED TO JAMES BARRY (CORK 1741 - 1806 LONDON) The blind Lear black and white chalk on paper laid down on card 235 x 180 mm
Chiswick Auctions
Nov. 03, 2021
JAMES BARRY (ATTRIBUTED TO) (Cork 1741-1806 London) Standing Female Nude.
Est: $1,000 - $1,500
JAMES BARRY (ATTRIBUTED TO) (Cork 1741-1806 London) Standing Female Nude. Pen and ink and pencil on cream laid paper, double-sided. 205x140 mm; 8 1/4x5 1/2 inches. Partial crowned coat-of-arms watermark. Provenance: Private collection, New York.
Swann Auction Galleries
Apr. 28, 2021
ATTRIBUTED TO JAMES BARRY R.A. (1741-1806)
Est: €800 - €1,200
Portrait of a young man (possibly a self-portrait). Oil on canvas laid on panel.
Sheppards
Jul. 22, 2020
James Barry RA (Irish, 1741-1806)
Est: £300 - £500
James Barry RA (Irish, 1741-1806) James Barry RA (Irish, 1741-1806) Elysium and Tartarus, or the State of Final Retribution Etching and engraving, 1792 pl. 42 x 93cm
Sworders
May. 21, 2020
JAMES BARRY Divine Justice.
Est: $1,500 - $2,500
JAMES BARRY Divine Justice. Etching and engraving, circa 1802. 740x503 mm; 29 1/4x19 3/4 inches, wide margins. A brilliant, richly-inked and early impression of this large etching with very strong contrasts and no sign of wear.
Swann Auction Galleries
Mar. 24, 2020
James Barry (1741-1806) Self-portrait of the artist
Est: £2,000 - £3,000
James Barry (1741-1806) Self-portrait of the artist Mezzotint, circa 1756-1810, a well inked and clear impression on cream wove paper without watermark, with extensive ink inscription within margin below that reads 'Barry Fecit/ James Barry Esq. late P.P.+ R.A. of/ the Royal Academy and member of Clementine Academy at Bologna', platemark, 355 x 250 mm (14 x 9 3/4 in), sheet 455 x 345 mm (18 x 13 1/2 in), minor spotting and handling creases (unframed) Literature: Chaloner Smith 20 (Engraver not ascertained: Class III); Pressly 36 ⁂ Scarce. The last copy at auction that we can trace was sold at Sotheby's London, December 1st, 1988 [see lot 171; sold for £6,380, incl. premium]. The ink inscription on the present impression bears some similarities to those on another copy held in the British Museum [see acc. no. 1902,1011.7094].
Forum Auctions - UK
Mar. 24, 2020
James Barry (1741-1806) Self-portrait of the artist
Est: £5,000 - £7,000
James Barry (1741-1806) Self-portrait of the artist Mezzotint, circa 1756-1810, an excellent heavily inked impression on fibrous wove paper without watermark, platemark 350 x 255 mm (14 x 9 3/4 in), sheet 475 x 330 mm (18 3/4 x 13 in), appears to be the full sheet with deckle edge, even toning and some surface dirt, a few scattered worm holes to sheet (unframed) Literature: Chaloner Smith 20 (Engraver not ascertained: Class III); cf. Pressly 36 ⁂ An unrecorded proof impression of this scarce print; printing before corrections made to the jacket, the areas surrounding the hair, and most prominently the drapery behind the artist. We have been unable to find a comparative state at auction, or a copy held within an institution.
Forum Auctions - UK
Dec. 11, 2019
James Barry (1741-1806) The Thames, or the Triumph of Navigation Etching and engraving, circa 1801-2, on laid paper backed onto linen, a good impression of the second state (of five), printed and published by the artist, London, trimmed to the p...
Est: £2,000 - £3,000
James Barry (1741-1806) The Thames, or the Triumph of Navigation (Pressly 20) Etching and engraving, circa 1801-2, on laid paper backed onto linen, a good impression of the second state (of five), printed and published by the artist, London, trimmed to the plate on three sides with small margin at the lower edge, framed Plate 415 x 505mm. (16 3/8 x 19 7/8in.) For further information on this lot please visit the Bonhams website
Bonhams
Dec. 11, 2019
James Barry (1741-1806) The Conversion of Polemon Etching with engraving and roulette and traces of aquatint, circa 1778-90, on wove paper, a fine and rare lifetime impression of the ninth, final state, printed and published by the artist in Lond...
Est: £5,000 - £7,000
James Barry (1741-1806) The Conversion of Polemon (Pressly 13.IX) Etching with engraving and roulette and traces of aquatint, circa 1778-90, on wove paper, a fine and extremely rare lifetime impression of the ninth, final state, printed and published by the artist in London, with the central vertical fold, with wide margins, in very good condition Plate 572 x 748mm. (22 1/2 x 29 3/8in.); Sheet 630 x 818mm. (24 7/8 x 32 1/4in.) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 11, 2019
Barry (James, 1741-1806) King Lear, 1776.
Est: £400 - £600
Barry (James, 1741-1806) King Lear, etching and engraving, 520 x 565 mm. (20 1/2 x 22 1/4 in), a good but later slightly impression on wove paper with margins, probably published in Barry's Series of Etchings, 1808, framed, 1776 (but later)
Forum Auctions - UK
Nov. 08, 2018
* Barry (James, 1741-1806). Crowning the Victors at Olympia, May 1st 1791,
Est: £300 - £500
etching on laid paper, published by the artist, a strong impression, trimmed to platemark, several short closed tears to margins, and repaired tears to corners, without loss, laid down on card, 42 x 92 cm (16.5 x 36.2 ins), good quality 19th century dark wood and gilt frame, glazed, with old framer's label of Fred Loversidge, Carver and Gilder, Oldham to verso - Quantity (1)
Dominic Winter Auctions
Sep. 29, 2018
ATTRIBUTED TO JAMES BARRY (BRITISH, 1741-1806) SHEET OF SKETCHES - STUDIES IN SCOTLAND Pen and black ink on paper: 5 3/4 x 4 in.
Est: $200 - $300
ATTRIBUTED TO JAMES BARRY (BRITISH, 1741-1806) SHEET OF SKETCHES - STUDIES IN SCOTLAND Pen and black ink on paper: 5 3/4 x 4 in. Framed; verso label
Potomack Company
Jul. 30, 2018
ATTRIBUTED TO JAMES BARRY (BRITISH, 1741-1806) SHEET OF SKETCHES - STUDIES IN SCOTLAND Pen and black ink on paper: 5 3/4 x 4 in.
Est: $200 - $300
ATTRIBUTED TO JAMES BARRY (BRITISH, 1741-1806) SHEET OF SKETCHES - STUDIES IN SCOTLAND Pen and black ink on paper: 5 3/4 x 4 in. Framed; verso label for provenance
Potomack Company
Mar. 23, 2018
James Barry (1741-1806), attributed to
Est: €500 - €600
James Barry (1741-1806), attributed to Danae Ink / thin paper / paper, signed below on the left, probably James Barry 19 x 28 cm, frame: 32,3 x 40,8 cm
Galerie Moenius
Mar. 08, 2018
* Barry (James, 1741-1806). The Grecian Harvest Home, 1791 [1792],
Est: £200 - £400
etching and engraving on laid paper, a slightly later reissue, some marks and short tears to margins, trimmed to plate mark, and with some marks and soiling, a few short closed tears, laid down on later card, image size 39.5 x 49 cm (15.5 x 19.25 ins), framed and glazed - Quantity (1)
Dominic Winter Auctions
Mar. 02, 2017
* Barry (James, 1741-1806). Religious & Civil Liberty established in Maryland in 1649, February 28, 1793,
Est: £200 - £300
etching on heavy wove paper [probably taken from A Series of Etchings by James Barry, Esq. from his original and justly celebrated paintings, in the Great Room of the Society of Arts, Manufactures, and Commerce, published by Colnaghi in 1808], central horizontal crease, some light surface marks and one or two minor stains and marks to extreme margins, plate size 75 x 48 cm (29.5 x 19 ins), sheet size 94 x 68 cm (37 x 26.75 ins) - Quantity (1)
Dominic Winter Auctions
Jan. 25, 2017
JAMES BARRY (1741-1806) Divine Justice & The Angelic Guards
Est: $8,000 - $12,000
JAMES BARRY (1741-1806) Divine Justice & The Angelic Guards Plate 753 x 505 mm., Sheet 945 x 675 mm. (P. 33) Plate 743 x 502 mm., Sheet 947 x 678 mm. (P. 34)
Christie's
Sep. 27, 2016
James Barry (1741-1806) Saint Sebastian Plate 10 7/8 x 7 1/4 in
Est: £10,000 - £15,000
James Barry (1741-1806) Saint Sebastian Plate 10 7/8 x 7 1/4 in. (27,6 x 18,5 cm.) Sheet 11 1/8 x 7 5/8 in. (28,3 x 19,3 cm.)
Christie's
Sep. 27, 2016
James Barry, R.A. (Cork 1741-1806 London) Milo of Croton brush
Est: £2,000 - £3,000
James Barry, R.A. (Cork 1741-1806 London) Milo of Croton brush and brown wash with touches of pen (recto); pen and brown ink (verso) 6 7/8 x 5 3/8 in. (17.7 x 13.7 cm.); and Study of a left leg for one of the figures of the Angelic Guards in 'Elysium and Tartarus of the State of Final Retribution' in the Society of Arts, signed and inscribed 'J. Barry sketch Adelphea' [sic], pencil heightened with white on buff paper, 10¾ x 8¼ in. (26.3 x 21 cm.) (2)
Christie's
Sep. 27, 2016
James Barry, R.A. (Cork 1741-1806 London) Madonna and Child pen
Est: £2,000 - £3,000
James Barry, R.A. (Cork 1741-1806 London) Madonna and Child pen and brown ink, brown wash, inscribed in a circle, watermark Britannia 10 1/8 x 7 ¾ in. (25.8 x 19.7 cm.)
Christie's
Sep. 27, 2016
James Barry, R.A. (Cork 1741-1806 London) Seated male nude penc
Est: £20,000 - £30,000
James Barry, R.A. (Cork 1741-1806 London) Seated male nude pencil, black chalk, pen and black ink heightened with white chalk on buff paper 16 ¾ x 9 ¾ in. (42.5 x 24.7 cm.)
Christie's
Aug. 07, 2016
Attributed to James Barry (1741 - 1806) - Untitled Allegorical scene 50 x 60cm
Est: $2,000 - $3,000
Attributed to James Barry (1741 - 1806) Untitled Allegorical scene Oil on panel 50 x 60cm PLAQUE TO FRAME READS BARRY R.A
Lawsons
Apr. 24, 2016
James Barry (1741-1806) British, in the Style of, Allegorical Scene Oil on panel
Est: $400 - $600
James Barry (1741-1806) British, in the Style of, Allegorical Scene Oil on panel The Collection of Peggy Moore, NSW 50 x 60 cm PROVENANCE: The Collection of Peggy Moore, NSW
Theodore Bruce Auctioneers & Valuers
Feb. 09, 2016
Attributed to James Barry (British 1741-1806)
Est: $1,200 - $1,800
Attributed to James Barry (British 1741-1806) An Allegorical Scene oil on board, plaque to frame 'Barry R.A.' 50 x 60 cm
Shapiro Auctioneers
Jan. 25, 2016
James Barry (British, 1741-1806) The Glorious Sextumvirate, 1795
Est: $800 - $1,200
James Barry (British, 1741-1806) The Glorious Sextumvirate, 1795, engraving. Size: 29" x 35.5", 74 x 90 cm (plate), 38.5" x 28", 98 x 71 cm (frame). Provenance: David Bradley Armstrong Estate.
Material Culture
Dec. 01, 2015
James Barry
Est: €50 - €80
James Barry Self portrait Engraving Worldwide shipping available. All queries must be made to shipping@sheppards.ie prior to 1 December 2015.
Sheppards
Nov. 26, 2015
Barry, James: The Conversion of Polemon
Est: €3,500 - €4,500
The Conversion of Polemon. Radierung und Kupferstich mit Spuren von Aquatinta. 57,3 x 75 cm. Um 1778-1790. Pressly 13 IX. Diese Darstellung der Bekehrung des Polemon entstand als Gegenstück zu Barrys "Hiob von seinen Freunden ermahnt". Insgesamt sind 14 zeitgenössische Abzüge (auf 13 Bögen) des "Polemon" bekannt: 9 davon befinden sich im British Museum, London. Von dem ersten Zustand existieren drei Abzüge, vom sechsten Zustand vier Abzüge und von den Zwischenzuständen jeweils nur ein Abzug. Pressly verzeichnet von dem IX Zustand der vollendeten Platte lediglich einen weiteren zeitgenössischen Abzug, so dass vorliegendes Exemplar von allergrößter Seltenheit ist (zwei posthume Abzüge befinden sich in der Royal Society of Arts, London und in der National Gallery of Victoria, Melbourne). Prachtvoller, gratiger Druck mit Rand. Auf Karton aufgezogen, verschiedene Wurmgänge insbesondere im unteren weißen Rand, vereinzelte Wurmlöcher auch in der Darstellung links und oben, vor allem im unteren Bereich der Darstellung und im weißen Rand Oberflächenschäden durch Feuchtigkeit und ehemaligen Schimmelbefall.
Bassenge Auctions
Nov. 25, 2015
JAMES BARRY Nach Cork 1741-1806 London Achilles wird von Nestor erkannt Öl auf L
Est: CHF3,000 - CHF4,500
JAMES BARRY Nach Cork 1741-1806 London Achilles wird von Nestor erkannt Öl auf Lwd., doubliert, 107 x 107 cm
Galerie Fischer Auktionen AG
May. 29, 2014
Barry, James: Elysium and Tartarus or the State of Final Retribution
Est: €5,000 - €7,500
Elysium and Tartarus or the State of Final Retribution. Radierung. 42 x 92,5 cm. 1791. Pressly 22 V (von VI). Mit den horizontalen Linien durch die Schrift, aber vor den kräftigen Horizontalen an der rechten Seite des Felsens. Prachtvoller, kräftiger Druck mit Rand. Aufgezogen, besonders im weißen Rand etwas fleckig, entlang der Plattenkante das Papier teils gebrochen, leicht vergilbt, insgesamt jedoch in guter Erhaltung.
Bassenge Auctions
May. 29, 2014
Barry, James: Orpheus
Est: €3,500 - €4,500
Orpheus (Orpheus instructing a savage people in Theology & Arts of Social Life). Radierung. 41,7 x 50,7 cm. 1791. Pressly 17 II. Das Blatt zählt zu einer Folge von Darstellungen aus der Society of Arts, die 1783 im Rahmen von Barrys Publikation "Account of a Series of Pictures in the Great Room of the Society of Arts, Manufactures and Commerce at the Adelphi" entstand. - Prachtvoller, kräftiger und äußerst gegensatzreicher Druck mit feinem Rändchen. Schwache Gebrauchsspuren, einzelne kaum wahrnehmbare Ausbesserungen vornehmlich entlang der äußeren Ränder, einzelne dünne Stellen sorgsam hinterfasert, unten ein unauffällig geschlossener Randeinriss, sonst sehr schönes Exemplar des seltenen Blattes.
Bassenge Auctions
Dec. 02, 2013
James Barry (1741-1806) Reserved Knowledge 1795
Est: €2,000 - €3,000
James Barry (1741-1806) Reserved Knowledge 1795 etching & engraving (Black Ink) Unlettered Proof h:86 w:59 cm. Provenance: Private Collection, Cork Literature: The Life & Art of James Barry by William F Pressly Page 277 Published for Paul Mellon Centre for Studies in British Art.
Morgan O'Driscoll
Oct. 24, 2013
James Barry (1744 -1806) In the Manner of . - Susan MacDonnell B. 1766 Md. 1786 & Robert MacDonnnell B.1764 76 x 63.5cm
Est: $500 - $700
James Barry (1744 -1806) In the Manner of . Susan MacDonnell B. 1766 Md. 1786 & Robert MacDonnnell B.1764 oils on canvas 76 x 63.5cm each initialled & dated on verso J.W.D. 1893
Lawsons
Jul. 09, 2013
James Barry, 1741-1806
Est: €1,200 - €1,800
James Barry, 1741-1806,Irish School,Ancient Greek battle scene,Watercolour
Sheppards
Jul. 05, 2013
JAMES BARRY R.A.
Est: £2,500 - £3,500
BLACKPOOL, IRELAND 1741 - 1806 LONDON THE EDUCATION OF ACHILLES together with a Standing Male in the Pose of Hercules, by the same hand Quantity: 2 The first: pen and brown ink over pencil; signed lower right: J Barry Inv., inscribed verso: Phthengomia ois Themis estin thusan epithestho Bebeloir / pasin omois – Orpheus -, stamped lower left with an unidentified collectors mark; the second: brown wash over traces of black chalk, on two sheets of wove paper; signed lower left: Ja.u Barry; inscribed in blue ink lower right: C. Bentley The first: 350 by 270 mm; the second 384 by 212 mm
Sotheby's