John William Beatty Paintings & Artwork for Sale | John William Beatty Art Value Price Guide

Sep. 12, 2024
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), A BRIDGE
Est: $1,000 - $1,200
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) A BRIDGE OIL ON CANVAS BOARD; SIGNED LOWER LEFT; TITLED TO HANDWRITTEN LABEL VERSO; ALSO TITLED "DUTCH BRIDGE" TO GALLERY LABEL Estimate: $1,000—1,200 CAD
Waddington's
Jul. 20, 2024
John William Beatty (1869 - 1941) Canada
Est: $2,500 - $4,500
John William Beatty (1869 - 1941) Oil on wood board, signed lower left "J. W. Beatty", piece measures 14 x 10 and 16 x 12.5 inches w/frame. John William Beatty (AKA: J.W. Beatty) was a painter, printmaker and educator. He was born, lived and died in Toronto, Ontario, Canada. His primary mediums were oil, watercolour, drypoint and etching. His primary subject was the Canadian landscape. The locations ranged across Canada from Baie St. Paul, Quebec to Bowen Island, British Columbia (suburb of Vancouver). There are also village scenes, urban scenes, landscapes, portraits, still life, figures and genre works from his European travels; and, during World War I, portraits and depictions of war in France. His styles are Impressionism, Plein Air and Fauvism. The influence of the Barbizon School is also evident in his early works.He is considered one of the principle innovators and promoters of the iconic Canadian landscape painting style made famous by the Group of Seven.
Cutler Bay Auctions
Jun. 27, 2024
John William Beatty, OSA, RCA (1869-1941), EARLY AUTUMN
Est: $2,000 - $2,500
John William Beatty, OSA, RCA (1869-1941), Canadian EARLY AUTUMN signed lower right; titled to gallery label verso Estimate: $2,000—2,500 CAD
Waddington's
Jun. 02, 2024
JOHN WILLIAM BEATTY - Untitled
Est: $6,000 - $7,500
JOHN WILLIAM BEATTY (Canadian, 1869-1941) "Untitled" - Oil on panel. Signed lower right. Frame. 9 x 11 inches (image), 13 x 15 inches (frame). Excellent condition.
Saskatchewan Network for Art Collecting
Feb. 17, 2024
John William Beatty (1869 - 1941) Canada
Est: $800 - $1,500
John William Beatty (1869 - 1941) Watercolor on paper, Signed Lower Left, Measures (4 x 6 inches) w/frame ( 13 x 15 inches) John William Beatty (AKA: J.W. Beatty) was a painter, printmaker and educator. He was born, lived and died in Toronto, Ontario, Canada. His primary mediums were oil, watercolour, drypoint and etching. His primary subject was the Canadian landscape. The locations ranged across Canada from Baie St. Paul, Quebec to Bowen Island, British Columbia (suburb of Vancouver). There are also village scenes, urban scenes, landscapes, portraits, still life, figures and genre works from his European travels; and, during World War I, portraits and depictions of war in France. His styles are Impressionism, Plein Air and Fauvism. The influence of the Barbizon School is also evident in his early works. He is considered one of the principle innovators and promoters of the iconic Canadian landscape painting style made famous by the Group of Seven (see AskART glossary); many of whose members were close friends and painting companions
Cutler Bay Auctions
Aug. 22, 2023
John William Beatty (1869 - 1941) Canadian
Est: $3,500 - $5,500
John William Beatty (1869 - 1941) Oil/Canvas on Board, Signed, measures 9 x 12 inches
Cutler Bay Auctions
Oct. 30, 2022
John William Beatty (1869 - 1941) Canadian
Est: $2,000 - $3,000
John William Beatty (1869 - 1941) Oil/Canvas on Board, Signed, measures 9 x 12 inches
Cutler Bay Auctions
Sep. 21, 2022
John William Beatty (1869 - 1941) Canadian
Est: $3,500 - $5,500
John William Beatty (1869 - 1941) Oil/Canvas on Board, Signed, measures 9 x 12 inches
Cutler Bay Auctions
Dec. 05, 2020
John William Beatty - Autumn Splendour, (Balsam) Lake
Est: $6,000 - $8,000
Autumn Splendour, (Balsam) Lake
Westbridge Fine Art Auction House
Jul. 24, 2020
John William Beatty, Canadian (1869-1941), Hunter with Canoe, oil on board, 19 1/2 x 12 1/2 in. (49.5 x 31.8 cm)
Est: $2,000 - $3,000
John William Beatty Canadian (1869-1941) hunter with canoe oil on board signed and dated '08 19 1/2 x 12 1/2 in. (49.5 x 31.8 cm)
Maynards Fine Art & Antiques
Oct. 10, 2019
John William Beatty (Canadian, 1869-1941) Before the Storm, 1929
Est: $800 - $1,200
John William Beatty (Canadian, 1869-1941) Before the Storm, 1929 oil on panel signed and dated (lower left) 9 3/8 x 11 1/4 inches.
Hindman
May. 28, 2019
Beatty, John William - Summer Landscape - 1929
Est: $2,000 - $3,000
Beatty, John William 1869-1941 Summer Landscape 1929 Huile sur panneau de bois, signée en bas à gauche J. W. Beatty Oil on wood panel, signed on lower left J. W. Beatty 25.40 x 33.65 cm 10" x 13 1/4" Quelques craquelures
Champagne Auctions
May. 28, 2018
JOHN WILLIAM BEATTY, O.S.A., R.C.A., SAILING OFF FRENCH COAST, oil on board, 6.5 ins x 9 ins; 16.5 cms x 22.9 cms
Est: $5,000 - $7,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.SAILING OFF FRENCH COASToil on boardsigned and dated 08; also signed on the reverse 6.5 ins x 9 ins; 16.5 cms x 22.9 cms Provenance:Kaspar Gallery, TorontoPrivate Collection, TorontoJ.W. Beatty (1869-1941) travelled throughout Holland, Belgium, Italy and Spain from 1905-1909 where he was apprised of the most advanced aesthetic views of his day. The road towards the modern was rocky for many turn of the century Canadians. In the quest to evolve from academic naturalism, many embraced the subjective colour and brushwork of the French Barbizon artists. Particularly noteworthy were the subtle harmonies of chromatic greys popularized by the Tonalist paintings by James Abbott McNeill Whistler. At the time their subdued, restrained palette was not considered dull, or lifeless, instead they were regarded as elegant, refined and sophisticated. Sailing Off French Coast bears all these hallmarks. Estimate: $5,000–7,000
Waddington's
May. 28, 2018
JOHN WILLIAM BEATTY, O.S.A., R.C.A., ALGONQUIN PARK, oil on canvas, 28 ins x 36 ins; 69.9 cms x 91.4 cms
Est: $25,000 - $40,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.ALGONQUIN PARKoil on canvassigned 28 ins x 36 ins; 69.9 cms x 91.4 cms Provenance:Private Collection, Barrie, OntarioJohn William Beatty (1869-1941) was central to the establishment of a distinctly Canadian approach to painting. He was a leading figure during the incipient years of the formation of Canada’s national school of painting - the Algonquin School. As was the custom at that time, Beatty studied art at the academies in Europe. He returned to Canada in 1909, roughly concurrent with A.Y. Jackson and Lawren Harris, who also studied abroad. The idea of a national approach to painting was still nascent.Eric Brown, director of the National Gallery wrote that he looked to Beatty and C. W. Jefferys to lead the way for the younger artists. At the insistence of the artist, Brown convinced the National Gallery to exchange a Dutch scene in their collection by Beatty for a newly completed picture by him, The Evening Cloud of the Northland (1910), thus establishing his credentials as a proponent of Canadian subject matter. This work and Algonquin Park forge a distinct approach. The elements of the composition are aligned horizontally, parallel to the picture plane, a screen of trees framing the view. Both paintings are grounded by a calm, underspoken majesty of nature, the fleeting effects of changing weather captured using Post -Impressionist technique. To that date, few painters had braved a painting of such a remote locale. It was a beacon to the aspiring new movement; it also became the standard format for Thomson paintings.In 1912 Beatty became president of the Arts and Letters Club, the second home to the future members of the Group of Seven. In 1914, he was invited to take one of the six studios in the newly constructed Studio Building, alongside Harris, MacDonald, Jackson and Thomson. Beatty and JEH MacDonald went to Algonquin Park in March of 1914 and met up with Jackson, who had travelled there that year for the first time, a full four years after Beatty. It is presumed that Beatty also made sketching trips with Thomson to Algonquin. (Following Thomson’s untimely death, Beatty designed the stonework and Macdonald provided the plaque for the cairn they erected at Canoe Lake in memory of Thomson.)Rather surprisingly, Beatty was not invited to be a member of the Group of Seven or to exhibit in their inaugural Group of Seven exhibition held at the Art Gallery of Toronto in May 1920. Throughout the remainder of his career Beatty returned to the tenets of Post-Impressionism and a rugged naturalism such as we witness with Algonquin Park. Beatty was elected to the Ontario Society of Artists and the Royal Canadian Academy of Arts. His work is represented in numerous prestigious collections, including the National Gallery of Canada, Art Gallery of Ontario, University of Toronto Hart House, the McMichael Canadian Art Collection, the Canadian War Museum, among others.Estimate: $25,000–40,000
Waddington's
May. 28, 2018
JOHN WILLIAM BEATTY, O.S.A., R.C.A., EDGE OF THE FIELD, oil on board, 8.75 ins x 10.5 ins; 22.2 cms x 26.7 cms
Est: $5,000 - $7,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.EDGE OF THE FIELDoil on boardsigned 8.75 ins x 10.5 ins; 22.2 cms x 26.7 cms Provenance:Private Collection, TorontoJ.W. Beatty (1869-1941) painted his fair share of Jack pines, larches and tamaracks. However, he was keenly aware that the wilds were not the totality of our visual experience or identity. After all, in Canada our daily life is surrounded by the trees that line our city streets, parks, meadows and agricultural lands. The emblem of our nation is not a conifer, but the deciduous Maple.Edge of the Field straddles this awareness. The lush, verdant agrarian scene is framed by an escarpment bluff in the near distance, the conjoining of two realities. Its format, 8 by 10 inches on board was one of the most favoured in its day. It permitted a wet oil painting to be slipped into a carrying slot in a portable sketch box. Thereby allowing the artist to undertake numerous quick field studies. This also encouraged a more spontaneous, freer painting approach. Edge of the Field is painted in Beatty’s characteristic Post-Impressionist style.Estimate: $5,000–7,000
Waddington's
Mar. 22, 2018
John William Beatty (Ontario, Canada) Etching
Est: $50 - $75
John William Beatty (Ontario, Canada 1869-1941) original pencil signed etching. Signed in pencil 'J.W. Beatty' lower right. Measures 6.75" x 9" (plate size) and measures 8 7/8" x 10" (sheet size). G/Vg to Vg condition. Unframed, loose and not mounted or glued down. Provenance: Amity Art Foundation, Inc. collection. We ship all items in this auction in-house.
Grant Zahajko Auctions, LLC
Feb. 07, 2018
John William Beatty (Canadian, 1869-1941) Winter landscape
Est: £2,000 - £3,000
John William Beatty Winter landscape signed and dated 'J.W. BEATTY 24' (lower right) oil on panel 27 x 35cm (10 5/8 x 13 3/4in).
Bonhams
Nov. 20, 2017
JOHN WILLIAM BEATTY, O.S.A., R.C.A., LANDSCAPE WITH RIVER, SUMMER, oil on panel, 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms
Est: $6,000 - $8,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.LANDSCAPE WITH RIVER, SUMMERoil on panelsigned 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms Provenance:Private Collection, Newmarket, ONEstimate: $6,000–8,000
Waddington's
Oct. 18, 2017
John William Beatty, Canadian (1869 - 1941), Untitled - Bird, oil on panel, 10 1/4 x 7 1/4 in. (26 x 18.4 cm)
Est: $1,500 - $2,000
signed lower right
Maynards Fine Art & Antiques
Mar. 11, 2017
JOHN WILLIAM BEATTY, O.S.A., R.C.A., LANDSCAPE WITH FARMHOUSE, oil on board, 8 ins x 10 ins; 20.3 cms x 25.4 cms
Est: -
JOHN WILLIAM BEATTY, O.S.A., R.C.A.LANDSCAPE WITH FARMHOUSEoil on boardsigned (twice) 8 ins x 10 ins; 20.3 cms x 25.4 cms Provenance:Private Collection, OntarioEstimate: $3,000–4,000
Waddington's
Oct. 19, 2016
John William Beatty, Canadian (1869 - 1941), Woodlands, oil on panel, 8 3/8 x 10 1/2 in. (21.3 x 26.7 cm)
Est: $4,000 - $6,000
signed
Maynards Fine Art & Antiques
Sep. 29, 2016
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), FARM STUDY WITH RAIL FENCE AND CREEK, WATERCOLOUR; SIGNED LOWER LEFT (Sigtht, 8.3” x 10.5”)
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) FARM STUDY WITH RAIL FENCE AND CREEKWATERCOLOUR; SIGNED LOWER LEFT (Sigtht, 8.3” x 10.5”)Estimate: $300—400
Waddington's
Sep. 22, 2016
JOHN WILLIAM BEATTY, O.S.A., R.C.A., LANDSCAPE WITH TREE, oil on canvas board, 11.25 ins x 8.75 ins; 27.9 cms x 22.9 cms
Est: -
JOHN WILLIAM BEATTY, O.S.A., R.C.A.LANDSCAPE WITH TREEoil on canvas boardsigned 11.25 ins x 8.75 ins; 27.9 cms x 22.9 cms Provenance:Private Collection, TorontoEstimate: $3,000–4,000
Waddington's
Mar. 17, 2016
JOHN WILLIAM BEATTY, O.S.A., R.C.A., SUNLIT WOODS, oil on panel, 10.5 ins x 14 ins; 26.7 cms x 35.6 cms
Est: -
JOHN WILLIAM BEATTY, O.S.A., R.C.A.SUNLIT WOODSoil on panelsigned 10.5 ins x 14 ins; 26.7 cms x 35.6 cms Provenance:Laing Galleries Limited, TorontoPrivate Collection, TorontoEstimate: $4,000–5,000
Waddington's
Feb. 25, 2016
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), SPRING BREAK UP, SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Image, 3.8” x 4.8”)
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) SPRING BREAK UPSILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Image, 3.8” x 4.8”)Estimate: $150—200
Waddington's
Nov. 23, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., MARKETPLACE, BELGIUM, oil on panel, 8.5 ins x 10.75 ins; 21.6 cms x 27.3 cms
Est: $5,000 - $7,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.MARKETPLACE, BELGIUMoil on panel 8.5 ins x 10.75 ins; 21.6 cms x 27.3 cms Provenance:Private Collection, Whitby, Ontario
Waddington's
Nov. 23, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., WINTER LANDSCAPE, oil on canvas, 18 ins x 22 ins; 45.7 cms x 55.9 cms
Est: $20,000 - $30,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.WINTER LANDSCAPEoil on canvas 18 ins x 22 ins; 45.7 cms x 55.9 cms Provenance:Private Collection, OntarioLiterature:David Silcox, The Group of Seven and Tom Thomson, Firefly Books, Richmond Hill, 2003, page 22.Note:Beatty's early paintings were heavily influenced by the Dutch school, like many of his Canadian colleagues in the first decade of the twentieth century. However, by the mid-teens and into the following decades, Beatty began to employ the characteristically brighter palette of the circle of painters who orbited, or were to become, the Group of Seven. This was, perhaps, inevitable as Beatty was intimately involved in the discourse that gave birth to the emerging nationalistic school of art and had, prior to the Group's formation, been "staking claims that were similar to the Group's," according to David Silcox.Beatty was very much part of the milieu of the most forward thinking painters of the day. He knew Lawren Harris as early as 1911 and it was he who helped Harris get elected as a member of the O.S.A. When the Studio Building was erected in 1913, he was among its first tenants. In cooperation with MacDonald, Beatty helped raise the cairn to Thomson after he drowned in Canoe Lake. And it was Beatty who nominated J.E.H. MacDonald for membership in the R.C.A. in 1931. The overlapping membership in both art societies as well as the Arts & Letters Club meant Beatty could not help but contribute to the emerging state of mind as it related to a new national school of art and certainly by 1913 he was a "convert from Dutch to Canadian Art, a born again prophet of the new nationalism.” Furthermore, just as the O.S.A. had acquired works by MacDonald, Lismer and Jackson for the province of Ontario from 1911-1913, so Beatty had paintings selected for the Ontario Collection every year from 1909-1913 (that is, until he resigned from the O.S.A.). Therefore, it is somewhat puzzling that Beatty's star did not rise in parallel with the fortunes of the Group, although increasingly he has come to the attention of observant collectors. It is possible that his assertive mien did not easily accommodate itself to the gentler personalities of Harris, MacDonald, Lismer and perhaps even collectors, too. In Winter Landscape, Beatty demonstrates particularly beautiful handling of colour harmonies, and his controlled though vigorous brushwork teases out a timeless georgic energy, remarkable given the season, that makes an otherwise placid prospect - a farm asleep under a blanket of snow - intensely alive. The snow is melting; spring is imminent.According to the owner, a note attached to this work when purchased stated that it once hung at Parkwood Estate in the Collection of Colonel Robert Samuel McLaughlin.
Waddington's
Aug. 27, 2015
(STYLE OF) JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), LANDSCAPE - EVENING, OIL ON BOARD; UNSIGNED (Inscribed on back by Dorothy Hoover - daughter of F.S. Haines) See photo., 10.5" x 12" — 26.3 x 30 cm.
Est: -
(STYLE OF) JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)LANDSCAPE - EVENING, OIL ON BOARD; UNSIGNED (Inscribed on back by Dorothy Hoover - daughter of F.S. Haines) See photo.10.5" x 12" — 26.3 x 30 cm.Estimate: $500—700
Waddington's
Aug. 27, 2015
JOHN WILLIAM BEATTY (CANADIAN, 1868-1941), OLD LUMBER CAMP, OIL ON PANEL; SIGNED LOWER RIGHT; TITLED VERSO, 10.3" x 13.8" — 26 x 34.9 cm.
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1868-1941)OLD LUMBER CAMP, OIL ON PANEL; SIGNED LOWER RIGHT; TITLED VERSO10.3" x 13.8" — 26 x 34.9 cm.Estimate: $3,000—4,000
Waddington's
May. 25, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., AUTUMN HILLSIDE, oil on canvas board, 9.5 ins x 6.25 ins; 24.1 cms x 15.9 cms
Est: $2,000 - $3,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A. AUTUMN HILLSIDE oil on canvas boardsigned and dated '12 9.5 ins x 6.25 ins; 24.1 cms x 15.9 cms Provenance:Private Collection, Ontario
Waddington's
May. 25, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., UNTITLED - HARVEST TIME, oil on panel, 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms
Est: $3,000 - $4,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A. UNTITLED - HARVEST TIME oil on panelsigned 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms Provenance:Mayberry Fine Art, Winnipeg/TorontoPrivate Collection, Toronto
Waddington's
May. 25, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., BROOKS FALLS, MAGNETAWAN RIVER, oil on panel, 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms
Est: $6,000 - $8,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.BROOKS FALLS, MAGNETAWAN RIVERoil on panelsigned; titled on the reverse 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms Provenance:John Egerton Lovering, Toronto (acquired directly from the artist)Private Collection, Toronto (by descent)Note:The Magnetawan River flows from Algonquin Park to Georgian Bay and was once used to transport logs downstream to the sawmills. The river gets its name from the Ojibway word for “swiftly flowing water.”Beatty excelled at painting water and Brooks Falls provides strong proof of this talent. This sketch closely relates to a major canvas in the collection of the Toronto District School Board and currently in the care of the Art Gallery of Ontario entitled Brooks Falls, Parry Sound, 1932. The Falls are about 70 kilometres north of Bracebridge.
Waddington's
May. 25, 2015
JOHN WILLIAM BEATTY, O.S.A., R.C.A., WOODLAND INTERIOR, oil on panel, 10.5 ins x 8.5 ins; 26.7 cms x 21.6 cms
Est: $6,000 - $8,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A. WOODLAND INTERIOR oil on panelsigned 10.5 ins x 8.5 ins; 26.7 cms x 21.6 cms Provenance:Private Collection, Ontario
Waddington's
Oct. 28, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), UNTITLED (COUNTRY ROAD), OIL ON CANVAS; SIGEND AND DATED '06 LOWER LEFT, 12" x 15" - 30.5 x 38.1 cm.
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) UNTITLED (COUNTRY ROAD)OIL ON CANVAS; SIGEND AND DATED '06 LOWER LEFT12" x 15" - 30.5 x 38.1 cm.Estimate: $2,500-3,000
Waddington's
Oct. 28, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), UNTITLED (EVENING SCENE WITH BOATERS AND WINDMILL), OIL ON CANVAS, GLUED DOWN ON PANEL; SIGNED AND DATED '29 LOWER RIGHT, 14" x 18" - 35.6 x 45.7 cm.
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)UNTITLED (EVENING SCENE WITH BOATERS AND WINDMILL)OIL ON CANVAS, GLUED DOWN ON PANEL; SIGNED AND DATED '29 LOWER RIGHT14" x 18" - 35.6 x 45.7 cm.Estimate: $2,500-3,000
Waddington's
Oct. 28, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) -, SHEPHERD AND FLOCK HEADING HOME AT DUSK, OIL ON CANVAS, GLUED DOWN ON CARD; SIGNED LOWER LEFT, 10.5" x 12.8" - 26.7 x 32.5 cm.
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941) - SHEPHERD AND FLOCK HEADING HOME AT DUSKOIL ON CANVAS, GLUED DOWN ON CARD; SIGNED LOWER LEFT10.5" x 12.8" - 26.7 x 32.5 cm.Estimate: $2,000-2,500
Waddington's
Aug. 26, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), SPRING BREAK UP, COLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)SPRING BREAK UPCOLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")Estimate: $100-125
Waddington's
Jul. 25, 2014
John William Beatty, (Canadian, 1869-1941), Summer Field
Est: $2,000 - $4,000
John William Beatty (Canadian, 1869-1941) Summer Field oil on board signed J. W. Beatty (lower left) 14 5/8 x 17 3/4 inches.
Hindman
Jul. 10, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), SPRING BREAK UP, COLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)SPRING BREAK UPCOLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")Estimate: $150-200
Waddington's
Jul. 10, 2014
(ATTRIBUTED TO) JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), LANDSCAPE - EVENING, OIL ON BOARD (authenticated by Dorothy Hoover - (daughter of F.S. Haines, on the reverse), 10.5" x 12" - 26.3 x 30 cm.
Est: -
(ATTRIBUTED TO) JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)LANDSCAPE - EVENINGOIL ON BOARD (authenticated by Dorothy Hoover - (daughter of F.S. Haines, on the reverse)10.5" x 12" - 26.3 x 30 cm.Estimate: $1,000-1,500
Waddington's
Jun. 26, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941), SPRING BREAK UP, COLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")
Est: -
JOHN WILLIAM BEATTY (CANADIAN, 1869-1941)SPRING BREAK UPCOLOUR SILKSCREEN; SIGNED IN IMAGE LOWER RIGHT (Sheet, 3.8" x 4.8")Estimate: $200-300
Waddington's
Jan. 23, 2014
JOHN WILLIAM BEATTY (CANADIAN, 1868-1941)
Est: $1,000 - $1,500
JOHN WILLIAM BEATTY (CANADIAN, 1868-1941) LANDSCAPE AT DUSK; OIL ON ARTIST BOARD; SIGNED LOWER LEFT 4.5" x 6" - 11.4 x 15.2 cm.
Waddington's
Nov. 27, 2013
JOHN WILLIAM BEATTY, O.S.A., R.C.A., SUMMER LANDSCAPE, oil on panel, 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms
Est: $3,000 - $4,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.SUMMER LANDSCAPE, oil on panel; signed 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms
Waddington's
Nov. 27, 2013
JOHN WILLIAM BEATTY, O.S.A., R.C.A., LANDSCAPE, oil on canvas, 10.25 ins x 12 ins; 26 cms x 30.5 cms
Est: $6,000 - $8,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.LANDSCAPE, oil on canvas; signed and dated '01 10.25 ins x 12 ins; 26 cms x 30.5 cms
Waddington's
Jun. 06, 2013
JOHN WILLIAM BEATTY, O.S.A., R.C.A. LANDSCAPE, oil
Est: $3,000 - $4,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A. LANDSCAPE, oil on board; authenticated by Dorothy Hoover on the reverse 10.5 ins x 12 ins; 26.3 cms x 30 cms
Waddington's
Jun. 05, 2013
JOHN WILLIAM BEATTY
Est: $6,000 - $7,000
CANADIAN, 1869-1941, Boathouses at Low Tide, Oil on board, signed, 9 x 11.5 in, 23 x 29 cm.
Walker's
Jun. 05, 2013
JOHN WILLIAM BEATTY
Est: $20,000 - $25,000
CANADIAN, 1869-1941, At Petite Riviere, Oil on panel, signed & dated '29; titled on the artist's studio label reverse. 10 x 13.75 in, 25.5 x 35 cm, Provenance: Walter Klinkhoff Gallery, Montreal
Walker's
Jun. 03, 2013
JOHN WILLIAM BEATTY, O.S.A., R.C.A., COUNTRY ROAD, oil on canvas, 12 ins x 15 ins; 30 cms x 37.5 cms
Est: $6,000 - $8,000
JOHN WILLIAM BEATTY, O.S.A., R.C.A.COUNTRY ROAD, oil on canvas; signed and dated '06 12 ins x 15 ins; 30 cms x 37.5 cms
Waddington's