Loading Spinner

Jeffrey Becom Sold at Auction Prices

b. 1953 -

See Artist Details

0 Lots

Sort By:

Categories

      Auction Date

      Seller

      Seller Location

      Price Range

      to
      • Photograph, Jeffrey Becom
        Jul. 20, 2024

        Photograph, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), "#8125," 1987, chromogenic print, pencil signed and dated lower right, overall (with frame): 30.25"h x 40.5"w

        Clars Auctions
      • Photograph, Jeffrey Becom
        Jul. 20, 2024

        Photograph, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), "Old Stoves, Pisa, Italy," 1987, chromogenic print, pencil signed and dated lower right, titled verso, overall: (with frame): 30.25"h x 40.5"w

        Clars Auctions
      • Photograph, Jeffrey Becom
        Jun. 22, 2024

        Photograph, Jeffrey Becom

        Est: $150 - $250

        Jeffrey Becom (American, b. 1953), "Hostel, Seville, Spain," 1984, chromogenic print, pencil signed and dated lower right, edition 2/25, overall (with frame): 31"h x 40.25"w

        Clars Auctions
      • Photograph, Jeffrey Becom
        Apr. 20, 2024

        Photograph, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), "#5125," 1982, color photograph, pencil signed lower right, edition 8/15, overall (with frame): 30.25"h x 40.5"w

        Clars Auctions
      • Jeffrey N. Becom, American (b.1953), boy with iguana, photograph, 9"H x 13 1/4"W (sight), 20 1/4"H x 24 1/4"W (frame)
        Mar. 30, 2024

        Jeffrey N. Becom, American (b.1953), boy with iguana, photograph, 9"H x 13 1/4"W (sight), 20 1/4"H x 24 1/4"W (frame)

        Est: $200 - $300

        Jeffrey N. Becom American, (b.1953) boy with iguana photograph Signed lower right, numbered 2/25 lower left. Biography from SusanSpiritusGallery.com: Jeffrey Becom has been a life-long painter with formal training as an architect. He has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in "For the Colors", an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world.

        Ripley Auctions
      • Jeffrey N. Becom, American (b.1953), stucco doorway, photograph, 9 1/2"H x 13 1/2"W (sight), 20 1/2"H x 24 1/2"W (frame)
        Mar. 30, 2024

        Jeffrey N. Becom, American (b.1953), stucco doorway, photograph, 9 1/2"H x 13 1/2"W (sight), 20 1/2"H x 24 1/2"W (frame)

        Est: $200 - $300

        Jeffrey N. Becom American, (b.1953) stucco doorway photograph Signed lower right, numbered 10/25 lower left. Biography from SusanSpiritusGallery.com: Jeffrey Becom has been a life-long painter with formal training as an architect. He has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in "For the Colors", an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world.

        Ripley Auctions
      • Jeffrey N. Becom, American (b.1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)
        May. 18, 2023

        Jeffrey N. Becom, American (b.1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)

        Est: $140 - $250

        Jeffrey N. Becom American, (b.1953) Woman in Blue Burka, 1987 large scale photograph / chromogenic print edition 6/25. Signed lower right. Jeffrey Becom has been a life-long painter with formal training as an architect. Jeffrey Becom has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in "For the Colors", an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world.

        Ripley Auctions
      • Jeffrey N. Becom, American (b.1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)
        Feb. 26, 2023

        Jeffrey N. Becom, American (b.1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)

        Est: $200 - $300

        Jeffrey N. Becom American, (b.1953) Woman in Blue Burka, 1987 large scale photograph / chromogenic print edition 6/25. Signed lower right. Jeffrey Becom has been a life-long painter with formal training as an architect. Jeffrey Becom has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in "For the Colors", an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world.

        Ripley Auctions
      • JEFFREY BECOM OIL ON BOARD
        Nov. 28, 2022

        JEFFREY BECOM OIL ON BOARD

        Est: $200 - $300

        JEFFREY BECOM (United States, b.1953) oil on board, "Cypress Trees, El Sur Ranch." Initialed lower right, signed and titled verso, dated 2013, 8" x 10" (sight), in a gilt wood frame, 17.5" x 19.5" (frame).

        O'Gallerie
      • Jeffrey Becom "Painted Arcade" Print #24/25, 1992
        Apr. 03, 2022

        Jeffrey Becom "Painted Arcade" Print #24/25, 1992

        Est: $100 - $200

        Jeffrey Becom (American, 1953- ) "Painted Arcade, Tlacotalpan, Veracruz, Mexico" Limited Edition Print #24 of 25. Origional 1992 photograph of arch support entryway in Veracruz Mexico. Singed and dated on bottom right of matte and numbered 24/25 on bottom left of matte. The back is singed, dated and titled and reads "print is #24 in a limited edition of 25 plus 3 artist proofs." Excellent condition. Art measures 10" x 20", matte measures 28" x 22".

        Neely Auction
      • (2) JEFFREY BECOM, AMERICAN (B. 1953) PHOTOS
        Jan. 11, 2022

        (2) JEFFREY BECOM, AMERICAN (B. 1953) PHOTOS

        Est: $50 - $1,000

        (2) Jeffrey Becom photographs. One of a red archway and the other a red doorway. "Archway" print is 17/25 edition, "Red Doors" print is 16/25 edition. Identical mahogany stained wood frames. Identical in size. Dimensions: Frame: H 27" x W 33" x D 1.25", Sight: H 13.5" x W 19.5" Condition: Unexamined out of frame. Photographs appear to be in good, clean condition. Mats bright. Frames with few spots of rubbing.

        Westport Auction
      • Photograph, Jeffrey Becom
        Jun. 19, 2021

        Photograph, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), "Pink Wall with Clothespins, Villefranche, France," 1981, Ilfochrome print, pencil signed lower right, stamped, titled, dated and numbered on mat verso, A.P. edition, gallery label (Barry Singer Gallery, Petaluma, CA) affixed verso, overall (with frame): 23"h x 19.25"w

        Clars Auctions
      • Jeffrey N. Becom, (American, b. 1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)
        Jun. 14, 2020

        Jeffrey N. Becom, (American, b. 1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)

        Est: $150 - $300

        Jeffrey N. Becom (American, b. 1953) Woman in Blue Burka, 1987 large scale photograph / chromogenic print edition 6/25. Signed lower right. Jeffrey Becom has been a life-long painter with formal training as an architect. Jeffrey Becom has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in "For the Colors", an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world. 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)

        Ripley Auctions
      • Jeffrey N. Becom, (American, b. 1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight...
        May. 16, 2020

        Jeffrey N. Becom, (American, b. 1953), Woman in Blue Burka, 1987, large scale photograph / chromogenic print, 20"H x 28 3/4"W (sight...

        Est: $150 - $300

        Jeffrey N. Becom (American, b. 1953) Woman in Blue Burka, 1987 large scale photograph / chromogenic print edition 6/25. Signed lower right. Jeffrey Becom has been a life-long painter with formal training as an architect. Jeffrey Becom has a magnificent sense of color and form and applies them to his vision of facades, homes, churches and tombs in the environment in which he is currently trying to document with his camera. Born in a small Indiana farming community in 1953, Jeffrey Becom painted from an early age. He began to develop his photographic skills while earning a degree in architecture from the University of Cincinnati. After moving to San Francisco to practice, Becom opted out of an architectural career to immerse himself in a private obsession: observing, studying and recording with camera and paintbrush the wondrous color and detail of the simple houses of farmers and fishermen in remote Mediterranean villages and hill towns. Combining an architect's love of geometry, pattern and texture with a painter's sensitivity to color, light and composition, Becom spent a decade creating the series of photographs collected in his first book, Mediterranean Color (Abbeville Press, New York, 1990), with Pulitzer Prize-winning critic Paul Goldberger. This book documents with camera and words, the fascinating history as well as myths behind the remarkable colors on the simple houses of farmers and fishermen. Becom's work has also been showcased in 'For the Colors', an hour-long PBS (public television) documentary joining him in Italy in 1991. In 1993 Becom had a retrospective exhibition of oils, watercolors and photographs at The Octagon's American Architectural Foundation galleries in Washington, D.C. Jeffrey Becom continues to divide his time equally between work in his studio and more recently, extensive travels throughout Mexico and Central America. Maya Color (Abbeville Press, New York, 1997), co-authored with his wife, Sally Jean Aberg, was conceived when Becom began to wonder why so many cemeteries in Southern Mexico are painted blue and green. This curiosity led him and Sally on a journey of eight years' inquiry and research into the painting traditions of the living Maya. They grew to know a remarkable culture whose sacred colors are not merely a matter of preference but a powerful statement of belief stretching all the way back to their ancient painted pyramids. This new book documents the beauty as well as the power within the colorful traditions of Latin American architecture. Jeffrey Becom's limited edition Ilfachrome (i.e. cibachrome) photographs, as well as his watercolors and oil paintings, are represented in public and private collections throughout the world. 20"H x 28 3/4"W (sight), 32"H x 42"W (frame)

        Ripley Auctions
      • Print, Jeffrey Becom
        Jan. 18, 2020

        Print, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), "El Arco, Xochicoatlan, Hidalgo, Mexico," 1999, bleach dye print, signed, titled, and dated verso, edition 13/25, overall (with frame): 20"h x 23.75"w

        Clars Auctions
      • Print, Jeffrey Becom
        Dec. 14, 2019

        Print, Jeffrey Becom

        Est: $200 - $400

        Jeffrey Becom (American, b. 1953), "El Arco, Xochicoatlan, Hidalgo, Mexico," 1999, bleach dye print, signed, titled, and dated verso, edition 13/25, overall (with frame): 20"h x 23.75"w

        Clars Auctions
      • Photograph, Jeffrey N. Becom
        Jan. 19, 2019

        Photograph, Jeffrey N. Becom

        Est: $300 - $500

        Jeffrey N. Becom (American, b. 1953), Colorful Old Rowboats, 1984, chromogenic print, pencil signed and dated on mat lower right, edition 6/25, overall (with frame): 31.5"h x 41.5"w; Provenance: Nestlé Dreyer's Ice Cream Company Corporate Collection (Oakland, California)

        Clars Auctions
      • Watercolor, Jeffrey Becom
        Jan. 19, 2019

        Watercolor, Jeffrey Becom

        Est: $100 - $200

        Jeffrey Becom (American, b. 1953), City Shadow, 1986, watercolor, signed and dated lower left, overall (with frame): 28.5"h x 36"w

        Clars Auctions
      • Jeffrey Becom (American b. 1953), Wall Series: Five Works
        Dec. 12, 2012

        Jeffrey Becom (American b. 1953), Wall Series: Five Works

        Est: $250 - $350

        Jeffrey Becom (American b. 1953) Wall Series: Five Works Each a cibachrome photograph Sight size of each: 9-1/2 x 13-1/2 in

        Weschler's
      • Jeffrey Becom (American) Running Girl, Lagos, Portugal, 1984 27.9 x 35.6cm (11 x 14in).
        Nov. 16, 2010

        Jeffrey Becom (American) Running Girl, Lagos, Portugal, 1984 27.9 x 35.6cm (11 x 14in).

        Est: £500 - £700

        Running Girl, Lagos, Portugal, 1984 Cibachrome print, the reverse signed, titled and numbered '23/25' in pencil and with the photographer's copyright stamp. Signed, dated and numbered in pencil on the window mount. The reverse of mount with the photographer's copyright stamp annotated in pencil. 27.9 x 35.6cm (11 x 14in).

        Bonhams
      • JEFFREY BECOM (B. 1953)
        Feb. 12, 2009

        JEFFREY BECOM (B. 1953)

        Est: $20,000 - $30,000

        JEFFREY BECOM (B. 1953) Architectural and other studies, 1981-1995 22 dye-bleach prints each signed, titled, dated, numbered in pencil and copyright credit reproduction limitation stamp (on the verso); signed, dated and numbered in pencil (on the overmat); signed, titled, dated, numbered in pencil and copyright credit edition stamp (on the reverse of the mat); each one from an edition of 25 plus 3 AP varying sizes from 19¾ x 29cm. (50 x 73.3cm.) to 13 3/8 x 9 1/8in. (33.7 x 23cm.) (22)

        Christie's
      Lots Per Page: