Girolamo Mazzola Paintings & Artwork for Sale | Girolamo Mazzola Art Value Price Guide

Apr. 19, 2024
Girolamo Bedoli (1500 - 1569) - Sacra Famiglia
Est: €32,000 - €40,000
Olio su tavola, cm. 47x33,5. Bibliografia: 1998 - 1999, in Parma per l'arte, Rivista d'arte e cultura. Nuova Serie, Anno IV - V, Fascicolo 2 (1998), Fascicolo 1 (1999), tav. 10.
Pananti Casa D'Aste SRL
Mar. 23, 2024
Girolamo Mazzolan Bedoli The Annunciatio Print
Est: -
The Annunciation: A Design For A Lunette. Frame Is In Good Condition. Frame Measures Approximately 32in X 42in. Kt20225 Sa
EJ'S Auction & Appraisal
Feb. 16, 2024
GIROLAMO BEDOLI (1500 - 1569) - SACRA FAMIGLIA
Est: €40,000 - €50,000
Olio su tavola, cm. 47x33,5.
Pananti Casa D'Aste SRL
Oct. 19, 2023
Girolamo Francesco Maria Mazzola "The Resurrection of Christ" etching on paper with unidentified watermark With carved and gilded wood frame (defects) On the back unidentified collection's stamp...
Est: €300 - €400
(Parma 1503 - Casalmaggiore 1540) "The Resurrection of Christ" etching on paper with unidentified watermark With carved and gilded wood frame (defects) On the back unidentified collection's stamp IT "La Resurrezione di Cristo" acquaforte su carta con filigrana scudo non identificata (foglio mm 208x135) In cornice in legno intagliato e dorato (difetti) Al verso timbro di collezione non individuato
Il Ponte Auction House
Jun. 18, 2022
GIROLAMO MAZZOLA BEDOLI (1500-1569), attribué Madone à l'Enfant
Est: €15,000 - €20,000
GIROLAMO MAZZOLA BEDOLI (1500-1569), attribué Madone à l'Enfant Virgin with Child Important oil on circular canvas Diameter: 100 cm - Frame: 108 cm
Accademia Fine Art
May. 20, 2022
Attribué à Girolamo MAZZOLA BEDOLI (1500-1569) Figure of a caryatid
Est: €600 - €1,200
Attribué à Girolamo MAZZOLA BEDOLI (1500-1569) Figure of a caryatid Sanguine. On the reverse: "F51" Attribuito a Girolamo MAZZOLA BEDOLI Una canefora. Sanguigna 20,9 x 10,5 cm Provenance : - Former Giuseppe Vallardi collection, his stamp on the lower left (L.1223) - Sale, Milan, 30 November 1982, Finarte, Disegni dal XVI al XIX secolo, Lot 62, repr. p. 21 (as Girolamo Mazzola Bedoli) - Sale London, 8 July 1987, Sotheby's, lot 41, repr. (as attributed to Girolamo Mazzola Bedoli) Related works: The Parmesan drawing in the Albertina at Vienna (inv. N° 17661) The Parmesan fresco, south wall in Santa Maria della Steccata, Parma Bibliography: J. Stock, Il valore dei disegni antichi. Turin, s.d., p. 133, repr. Figure de cariatide Sanguine. Au verso : « F51 » Attribuito a Girolamo MAZZOLA BEDOLI Una canefora. Sanguigna 20,9 x 10,5 cm Provenance : - Ancienne collection Giuseppe Vallardi, son cachet en bas à gauche (L.1223) - Vente, Milan, 30 novembre 1982, Finarte, Disegni dal XVI al XIX secolo, Lot 62, repr. p. 21 (comme Girolamo Mazzola Bedoli) - Vente Londres, 8 juillet 1987, Sotheby's, lot 41, repr. (comme attribué à Girolamo Mazzola Bedoli) OEuvres en rapport : Le dessin de Parmesan conservé à l'Albertina à Vienne (inv. N° 17661) La fresque de Parmesan, mur sud à Santa Maria della Steccata, Parme Bibliographie : J. Stock, Il valore dei disegni antichi. Turin, s.d., p. 133, répr.
Pierre Bergé & Associés
Nov. 03, 2021
GIROLAMO MAZZOLA BEDOLI (ATTRIBUTED TO) (Parma circa 1500-1569 Parma) Seated Virgin and Child.
Est: $7,000 - $10,000
GIROLAMO MAZZOLA BEDOLI (ATTRIBUTED TO) (Parma circa 1500-1569 Parma) Seated Virgin and Child. Pen and brown ink and gray wash with white heightening on bluish gray laid paper. 208x153 mm; 8 1/4x6 1/4 inches. Provenance: William Sharp (Lugt 2650, on the mount verso); Lord St. Helms; Sotheby's, London, July 6, 2005, lot 108. Published: M. di Giampaolo, Girolamo Bedoli 1500-1569, Florence, 1997, number 5. According to Giampaolo, the original attribution for this drawing to Bedoli was made by Philip Pouncey, who noted the original pen and ink and wash drawing by Bedoli with the white gouache highlights added later, possibly by a student of Bedoli, and dated the drawing to around 1540 (see A. E. Popham and M. di Giampaolo, Disegni di Girolamo Bedoli, Viadana, 1971, page 49, figure 35). Bedoli was a native of Parma in a family that came from Viadana in Lombardy. He was a near contemporary of Parmigianino (1503-1540), and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino, including works in the apse of Santa Maria della Steccata in Parma. He is known to have worked in the studio of the Parmigianino's uncles in Parma and he married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known Mazzola appellation.
Swann Auction Galleries
Oct. 16, 2021
Mazzola, Girolamo Francesco Maria, gen. Parmigianino, nach
Est: €140 - €200
(1505 - 1540). Schwur des Helden beim heiligen Altarfeuer. Radierung und Aquatinta von Josef Schmidt. Ende 18./Anf. 19. Jhd. Ca. 16 x 10 cm. Blgr. ca. 37 x 31 cm. Leicht braunfleckig. Unter Passep. ╔Dabei╗: Der Schwätzer. Moralisierende Berufsdarstellung. - Gabriel Spitzel. Schabkunst. 18. Jhdt. Plgr. 23,5 x 17,8 cm. Unter Passep. - Der Nachtwächter mti Horn und Rakete. Jacob Gole nach Coenelius Dusart. Ende 17./Anf. 18. Jhdt. Schabkunst. Ca. 24,5 x 17,7 cm. Stark über den Plattenrand beschn. Unter Passep. R
Kiefer Buch- und Kunstauktionen
Oct. 15, 2020
Girolamo Mazzola Bedoli (Parma c. 1505-1569) - The Penitent Saint Jerome
Est: $100,000 - $150,000
Girolamo Mazzola Bedoli (Parma c. 1505-1569) The Penitent Saint Jerome oil on panel 19 5/8 x 16 ½ in. (50.7 x 41.9 cm.)
Christie's
Jul. 02, 2020
Girolamo Mazzola Bedoli, um 1500 – 1569, zug.
Est: €30,000 - €40,000
DIE HEILIGE FAMILIE MIT DER HEILIGEN KATHARINA Öl auf Nadelholz. 63,5 x 53 cm. Ungerahmt, ca. 1 cm breite Ansatzleiste oben. Beigegeben in Kopie eine Expertise von Emilio Negro sowie von Dr. D. Stephen Pepper, welcher das Gemälde dem genannten Künstler zuschreibt. Die Werke Mazzolas und dessen Werkstatt werden der reifen Stufe des Manierismus zugeschrieben. Demgemäß finden wir auch im vorliegendem Gemälde alle typischen Merkmale dieses Stils. Zunächst ist es die „aus sich selbst leuchtende Farbe“, wie hier etwa das Hellrot im Kleid der Maria, das dem Türkisgrün des Manteltuches farbkomplementär entgegengesetzt ist. Zum anderen ist es die „Figura serpentinata“ genannte Komposition der Figur selbst, deren Oberkörper leicht nach links geneigt dargestellt ist, während der Kopf betont nach rechts gewandt wird. Ähnlich ist auch das Kind in leichter Drehung gezeigt. Als ein stilistisches Erbe des Parmigianino, dessen Fresken Mazzola nach 1540 vollendet hat, ist der jeweils elegant leicht überlängte Hals der Frauengestalten zu sehen. Trotz der Leuchtkraft des Kleides dominiert jedoch die Hauptfigur, das Jesuskind, von diesem Hellrot bedeutungsgebend hinterfangen. Das Knäblein ist auch die einzige Figur, die mit dem Betrachter mit großen Augen Blickkontakt aufnimmt, während es in der rechten, der Mutter entgegengehaltenen Hand ein Vöglein hält. Maria ist in Halbfigur gezeigt, zu beiden Seiten erscheinen hinter ihren Schultern die Begleitfiguren in Halbbildnissen, der Heilige Josef mit Stab, sowie die Heilige Katharina, deren Benennung aus der Besitzertradition hervorgeht; ein hinweisendes Attribut fehlt, sieht man von dem roten, ihre adelige Herkunft andeutenden Haarband ab. Die Frisuren sind in höfischer Weise hochgebunden und gelockt. Die Anmut der weiblichen Gesichter mit leicht geneigten Häuptern, geschlossenen, aber kräftigen Lippen ist ganz offensichtlich auch ein Stilelement der Schule von Parma. Hinzu kommt der Gesichtstyp mit leicht „züchtig“, wie ebenso nachdenklich halbgesenkten Augenlidern. Die genannten Stilmerkmale finden wir in der Malerei Mazzolas bei den meisten seiner Werke. Da wären etwa zu nennen: die „Verkündigung“ (Gwynne Andrews Fund, James S. Deely Gift), die „Mystische Vermählung der Heiligen Katharina mit dem Heiligen Johannes Ev.“ (Parma), oder auch die „Jungfrau mit dem Kind in Landschaft“ (Fogg-Museum Massachusetts, Cambridge). A. R. (1230851) (3) (11) Girolamo Mazzola Bedoli, ca. 1500 – 1569, attributed THE HOLY FAMILY WITH SAINT CATHERINE Oil on softwood. 63.5 x 53 cm. Unframed, ca. 1 cm wide slat attached to the top. Accompanied by a copy of the expert’s report by Emilio Negro and by an expert's report by Dr. D. Stephen Pepper, who is attributing the painting to the artist. Similar stylistic features can be found in most of Mazzola’s paintings, such as “The Annunciation” (Gwynne Andrews Fund, James S. Deely Gift), “The Mystic Marriage of Saint Catherine with Saint John the Evangelist” (Parma), or also the “The Virgin and Child in a Landscape” (Fogg-Museum Massachusetts, Cambridge).
Hampel Fine Art Auctions
Jun. 02, 2020
Attributed to Girolamo Mazzola Bedoli (Viadana, 1500 - Parma, 1569) "The Madonna and Child"
Est: €1,500 - €1,800
"The Madonna and Child" Oil on copper Study of Elisabetta Fadda included 24,5 x 19,5 cm
Goya Subastas
Jan. 28, 2020
Girolamo Mazzola Bedoli (Parma ca. 1505-1569) - The death of Lucretia
Est: $7,000 - $10,000
Girolamo Mazzola Bedoli (Parma ca. 1505-1569) The death of Lucretia black chalk, pen and brown ink, brown wash heightened with white 11 ¼ x 7 ¾ in. (28.7 x 19.7 cm)
Christie's
Jan. 30, 2019
GIROLAMO MAZZOLA BEDOLI | Portrait of a gentleman
Est: $200,000 - $300,000
oil on canvas
Sotheby's
Jan. 30, 2019
GIROLAMO FRANCESCO MARIA MAZZOLA, CALLED PARMIGIANINO | Recto: The Baptism of Christ Verso: Study of Sarcophagi
Est: $12,000 - $18,000
Red chalk ( recto and verso)
Sotheby's
Jan. 31, 2018
GIROLAMO FRANCESCO MARIA MAZZOLA, CALLED PARMIGIANINO | Recto: Studies of Shepherds for an Adoration; Verso: Two Putti Among Foliage
Est: $300,000 - $500,000
Pen and brown ink and wash ( recto and verso), with corrections in white heightening ( recto); On the verso traces of an indecipherable black chalk sketch under the putti; made up along the left edge, bottom and corners
Sotheby's
Nov. 15, 2017
Girolamo Mazzola Bedoli (1500-1569) attribuito a, Studio di Angeli
Est: €750 - €900
penna e biacca e acquerello bruno su carta, mm 144x263
Cambi Casa d'Aste
Jul. 05, 2017
Girolamo Mazzola Bedoli (Parma circa - The Virgin Mary with the Christ Child with a monk behind
Est: £12,000 - £18,000
Girolamo Mazzola Bedoli (Parma circa The Virgin Mary with the Christ Child with a monk behind red chalk 7 7/8 x 6 7/8 in. (19.9 x 15.7 cm.)
Christie's
Jul. 05, 2017
CIRCLE OF GIROLAMO MAZZOLA, CALLED BEDOLI (PARMA 1500-1569) Portrait of a soldier, fu
Est: £10,000 - £15,000
CIRCLE OF GIROLAMO MAZZOLA, CALLED BEDOLI (PARMA 1500-1569) Portrait of a soldier, full-length, standing in armour, with a dog oil on canvas 196.5 x 120cm (77 3/8 x 47 1/4in).
Bonhams
Sep. 28, 2016
Girolamo Mazzola Bedoli (attr.), 1530-1535 ca., Madonna con il Bambino e san Giovannino
Est: €5,000 - €10,000
Olio su tela, 31 x 21,5 cm. Anche se privo della figura di san Giuseppe leggente nel paesaggio sulla destra, il quadro costituisce una replica della Sacra famiglia con san Giovannino del Parmigianino, conservata nel Museo di Capodimonte a Napoli e databile al soggiorno bolognese del maestro (1527-1530). Ascrivibile a Girolamo Mazzola Bedoli (1500 ca.-1569), allievo e cugino acquisito del Parmigianino, l’opera va datata intorno al 1530-1535, in prossimità della Sacra famiglia con san Giovannino e angeli dell’Accademia di Belle arti a Napoli, della Sacra famiglia con san Francesco dello Szépmüvészeti Múzeum a Budapest e della Madonna con il Bambino, san Giovannino e la Maddalena del Sudely Castle in Gran Bretagna, dipinti con cui condivide la tipologia del panneggio, il tenue cromatismo e la resa del volto della Vergine.
Ansuini 1860 Auctions
Jan. 28, 2016
GIROLAMO MAZZOLA BEDOLI | Portrait of a lady, bust length, in a black gown and linen partlet
Est: $250,000 - $350,000
oil on panel
Sotheby's
Nov. 05, 2014
Attribué à Girolamo Mazzola BEDOLI (Parme 1500-1569) Vierge à l’enfant Plume et encre brune sur traits de crayon noir, lavis brun et...
Est: €8,000 - €10,000
Attribué à Girolamo Mazzola BEDOLI (Parme 1500-1569) Vierge à l’enfant Plume et encre brune sur traits de crayon noir, lavis brun et rehauts de gouache blanche 17 x 15,5cm Déchirures, mouillures, doublé
Tajan
Dec. 12, 2013
Maler der italienischen Schule aus dem Nachfolgekreis von Girolamo Mazzola Bedoli, um 1500 - 1569 Parma
Est: €14,000 - €18,000
MYTHOLOGISCHE SZENE Öl auf Holz. 46 x 64 cm. Verso alter Aufkleber in holländischer Sprache mit mehrzeiliger handschriftlicher Aufschrift und Nennung des Herkules als Figur des Dargestellten. In einem reich geschnitzten Hochrenaissance-Rahmen in Vergoldung. Die Darstellung zeigt eine nächtliche Kahnfahrt eines kräftigen Mannes, der eine junge Frau offensichtlich entführt. Der Mann legt sich kräftig in die Ruder, gehalten von einem Jüngling, der ihn am Hals umfängt. Beide Hauptgestalten blicken dem Betrachter entgegen. Möglicherweise eine nicht näher geklärte Szene aus der mythologischen Sagenwelt des Herkules. (952434) Painter of the Italian School in the succession/ circle of Girolamo Mazzola Bedoli, circa 1500 - 1569 Parma MYTHOLOGICAL SCENE Oil on panel. 46 x 64 cm.
Hampel Fine Art Auctions
Mar. 21, 2013
SEGUIDOR DE GIROLAMO MAZZOLA BEDOLI ("Virgen con
Est: - €10,000
SEGUIDOR DE GIROLAMO MAZZOLA BEDOLI ("Virgen con Niño y San Juanito". O/...)
Duran Arte y Subastas
Jan. 28, 2010
GIROLAMO MAZZOLA BEDOLI
Est: $100,000 - $150,000
INFANT CHRIST WITH THE INFANT SAINT JOHN THE BAPTIST
Sotheby's
Dec. 02, 2008
Girolamo Mazzola il Parmigianino Italien
Est: kr20,000 - kr25,000
Girolamo Mazzola il Parmigianino Italien 1503-1540. Efter. Omkring år 1600. Madonnan med barnet och helgon. Olja på kopparpannå, 50 x 33,5. Obetydliga retuscher.
Auktionskammare Uppsala
Nov. 17, 2008
Girolamo Mazzola Bedoli , Viadana c.1510-c.1569 Parma Ritratto di bambina in abito rosa (Ritratto di Anna Eleonora Sanvitale?) olio su tela
Est: €30,000 - €40,000
numeri di inventario sul retro del telaio: 246 Inv. N. 6 ; 544 Inv. N. 4 olio su tela
Sotheby's
Dec. 16, 2005
Attribué à Girolamo Mazzola Bedoli (1500-1569)
Est: €1,500 - €2,000
Vénus désarmant l'Amour, d'après Parmigianino craie rouge 194 x 147 mm.
Christie's
Jul. 08, 2005
Girolamo Mazzola Bedoli (Viadana c. 1505-c. 1569/70 Parma)
Est: £300,000 - £500,000
Portrait of a philosopher, half-length, seated, in a black cloak and satin jacket and a white shirt, his hand resting on an hour glass sitting on a book, a trunk beneath oil on canvas 35 x 26 3/8 in. (88.8 x 66.9 cm.)
Christie's
Jul. 06, 2005
f - GIROLAMO MAZZOLA BEDOLI VIADANA C.1510-C.1569 PARMA MADONNA AND CHILD
Est: £25,000 - £35,000
pen and brown ink and grey wash heightened with white, on paper washed light grey PROVENANCE W. Sharp (L.2650); Lord St. Helens; Mrs M. Edwards; By whom sold, London, Christie's, 4 July 1972, lot 169, bt. by Wallis; De Giovanni Collection EXHIBITED London, Istituto Italiano di Cultura, Disegni e Dipinti dal Cinquecento all' Ottocento, 1995, pp. 24-5, cat. no. 5, reproduced LITERATURE AND REFERENCES Mario di Giampaolo, Girolamo Mazzola Bedoli, Florence 1997, p. 183, cat. no. 102, illustration 184 and p. 169, under cat. no. 81 CATALOGUE NOTE Mario di Giampaolo (loc.cit.) writes that this drawing was brought to his attention by Philip Pouncey, who first made the attribution to Bedoli. He dates it in the 1540s and compares it stylistically to two other drawings of the same period: The Mystic Marriage of St. Catherine, sold in these Rooms, 1 July 1971, lot 193; and the Madonna and Child with St. John the Baptist, in the Royal Institute of Cornwall, Truro (see Literature, nos. 81 and 131, both reproduced).
Sotheby's
Apr. 20, 2005
Attributed to Girolamo Mazzola Bedoli (Parma 1500-1569)
Est: -
Head of a young woman with indistinct inscription (lower centre) black chalk on discoloured blue paper 170 x 130mm
Bonhams
Jan. 22, 2004
Girolamo Mazzola Bedoli (Parma 1500-1569)
Est: $30,000 - $50,000
Saint Alexander filling a censer held by an angel black chalk, pen and brown ink, brown wash heightened with white on light brown paper 8 x 5 1/2 in. (206 x 141 mm.)
Christie's
Jul. 10, 2002
Girolamo Mazzola Bedoli (Viadana c.1505-c. 1569/70)
Est: $109,200 - $156,000
The Madonna and Child with Saint Joseph oil on panel 93/4 x 11 3/8 in. (24.7 x 29 cm.) PROVENANCE Sir Abraham Hume, Bt., by 1824, and by descent through his daughter Sophia (d. 1814), wife of John, 2nd Baron and 1st Earl Brownlow, to their grandson Adelbert Wellington, 3rd Earl Brownlow, Ashridge Park, Buckinghamshire; Christie's LITERATURE Sir Abraham Hume, A Descriptive Catalogue of a Collection of Pictures, comprehending specimens of all the various schools of painting: belonging to..........., 2nd edn., London, 1824, no. 57, as Parmigian[in]o, 'When painting this little picture he seems to have had Correggio in his eye, as may be observed in the Virgin and Child, which are beautifully composed, and drawn with grace and elegance. The Joseph sitting in the distance is entirely in Parmigiano's own manner.' NOTES The traditional attribution to Parmigianino notwithstanding, this is a relatively early work by his kinsman and pupil Bedoli, as David Ekserdjian, after inspection, and Ann Milstein Guit‚, on the basis of a transparency, confirm. Sir Abraham Hume, with characteristic perspicacity, recognised that while the main group clearly emulates Correggio, the Saint Joseph is altogether Parmigianinesque, as is the delicate landscape. Ann Milstein Guit‚ considers that this is of circa 1530, while David Ekserdjian advanced a date of circa 1535-7. A comparison may be made with the small Correggiesque Madonna and Child in the Fogg Art Museum, Cambridge, Mass. (A.R. Milstein, The Paintings of Giralomo Mazzolo Bedoli, New York and London, 1978, fig. 26): in both, as in a number of other relatively early works the artist's design seems to extend beyond the limitations of his panel. An old copy was in the Northwick Park collection ( Catalogue of the Collection of Pictures at Northwick Park, London, 1921, no. 56, as School of Parmigianino). The picture will be discussed in a forthcoming lecture by David Ekserdjian. SALESROOM NOTICE We are grateful to Dr. Mario Di Giampaolo for confirming the attribution on the basis of a transparency.
Christie's
Jan. 23, 2002
Girolamo Bedoli (1500-1569)
Est: $40,000 - $60,000
Adam holding an apple, seated, in a medallion; and Aaron looking up, seated, in a medallion black chalk, pen and brown ink, brown wash heightened with white, squared in black chalk (2) 12 7/8 x 4 3/8 in. (326 x 112 mm.) and 13 1/8 x 41/2 in. (333 x 114 mm.) PROVENANCE A. Rutgers, his inscriptions 'Franco Parmigo: 1536.' (1) and 'Franco Parmigiano f t 1536-' (2). H.A.R. Munro of Novar G.A. Watson. H.E. Neville Clark. with W.R. Jeudwine. Peter Josten, New York. LITERATURE L. Fr”hlich-Bum, 'Five Unpublished Drawings by Parmigianino', Pantheon, 1960, 18, 5, pp. 239-41, illustrated (as Parmigianino). M. Di Giampaolo, Girolamo Bedoli, Florence, 1997, nos. 140-1 (as Attributed to Bedoli). EXHIBITION New York, Master Drawings in Private Collections, 1962, nos. 15-6 (as Parmigianino). New York, The Metropolitan Museum of Art, Sixteenth-Century Italian Drawings in New York Collections, 1994, nos. 9a-b (entry by Linda Wolk-Simon). NOTES The attribution of the drawings to Bedoli was kindly confirmed by Mario Di Giampaolo on the basis of transparencies. These two drawings record Parmigianino grisaille compositions on the east vault of the Church of Santa Maria della Steccata, in Parma. These two drawings were previously attributed to Parmigianino and Linda Wolk-Simon was the first to re-attribute them to Girolamo Bedoli, Parmigianino's cousin. Dr. Wolk-Simon compared the style of the drawings to Bedoli's Meeting at the Golden Gate in the Art Institute of Chicago and the two walking figures at Christ Church, Oxford (M. Di Giampaolo, op. cit., nos. 67 and 107). The drawings were probably executed during the years 1547-1553, when Bedoli was decorating the northern apse of the Steccata with frescoes of the Pentecost and The Adoration of the Shepherds (M. Di Giampaolo, op. cit., nos. 27 and 36). In each of these frescoes he introduced two medallions in grisaille with Old Testament figures, rather similar in composition to these two drawings, and certainly inspired by the frescoes of his cousin on the opposite side of the church.
Christie's