Jan de Bisschop Paintings & Artwork for Sale | Jan de Bisschop Art Value Price Guide

Nov. 27, 2024
Bisschop, Jan de: Josef verteilt das Korn in Ägypten
Est: €3,600 - €4,500
[*] Josef verteilt das Korn in Ägypten. Radierung nach Bartholomeus Breenbergh. 49,7 x 69,8 cm. Hollstein 1 II (von III). Wz. Gekröntes Straßburger Lilienwappen. Bei diesem monumentalen Blatt des in Amsterdam gebürtigen Zeichners und Radierers Jan de Bisschop handelt es sich um die Wiederholung einer Radierung seines Zeitgenossen Bartholomeus Breenbergh (Hollstein 30). Bisschop folgte dem Original recht genau, verwandte das gleiche Format, war jedoch in technischer Hinsicht seinem Vorbild überlegen. Während Breenberghs Darstellung von zwei Kupferplatten gedruckt wurde, benutzte Bisschop nur eine einzige Platte, was sich beim Drucken als schwieriger erweist. Breenbergh und Bischop nahmen die Episode aus der Josephsgeschichte (Buch Genesis 42,55-57) als Anlass für eine großartige Inszenierung. Die beeindruckende Architekturkulisse verrät die profunden Kenntnisse der antiken Bauten und der Palastarchitektur Roms. Sowohl Breenbergh als auch Bisschop hatten längere Zeit in Rom verbracht und waren also mit den architektonischen Wahrzeichen der Ewigen Stadt vertraut.- Vor der Adresse von P. Schenk. Das monumentale Blatt in einem prachtvollen, gegensatzreichen und leicht tonigen Abzug mit gleichmäßig feinem Rändchen um die gratig druckende Facette. Verso schwache geglättete Mittelfalte, minimale Randläsuren sowie kurze unmerkliche, teils geschlossene Randeinrisse, vereinzelt nur schwach fleckig, sonst - auch in Anbetracht der Abmessungen - vorzüglich und vollkommen erhaltenes Exemplar. Aus der Sammlung Pierre Mariette II. (1634-1716) sowie das Datum 1669 (Lugt 1789 und 1790). Es ist daher möglich, dass Mariette die Radierung direkt vom Künstler erworben hat. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 22, 2024
Bisschop, Jan de (±1628-1671). (Study for a flying nude angel).
Est: €150 - €250
Bisschop, Jan de (±1628-1671). (Study for a flying nude angel). Etching and engraving after G. CESARI IL CAVALIERE d'ARPINO, 23,3x15,1 cm., monogrammed in the plate. = From Paradigmata graphices variorum Artificum. AND 26 others by the same from the same series or Signorum veterum icones. - AND 4 engravings by Cornelis VAN DALEN after classical sculptures and an etching by Hubert QUELLINUS of a classical reliëf.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Jul. 27, 2024
J. BISSCHOP (1628-1671), 7 bust portraits in profile, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Portrait Studies, Seven Breast Portraits in Profile, 18th century, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: 18th century Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters he had a great influence on the art of his time. Probably from: "Paradigmata Graphices Variorum Artificum".The depiction shows in the upper row on the left the bust portraits of two youths, which are juxtaposed with the portraits of two older men with beards. The lower row shows the same antagonism: the two profile portraits of an older woman with a bent posture is placed next to the portrait of a beautiful young woman whose long hair is adorned with a pearl ribbon.numbered in the lower corners of the sheet: "2". Keywords: 18th century, Baroque, Portraits, Netherlands, Size: Paper: 14,3 cm x 25,3 cm (5,6 x 10 in)
Fichter Kunsthandel
Jul. 27, 2024
J. BISSCHOP (1628-1671), 8 Scholars or clergymen, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Eight bust portraits of scholars and clergymen, 18th century, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: 18th century Description: Numbered in the lower right corner: "14".Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Keywords: 18th century, Baroque, Portraits, Netherlands, Size: Paper: 16,0 cm x 29,0 cm (6,3 x 11,4 in)
Fichter Kunsthandel
Jun. 19, 2024
BISSCHOP, JAN DE (1628-1671). SIGNORUM VETERUM ICONES
Est: €600 - €1,000
Ca. 1669. 4 p. Complete w. 100 beautifully etched plates reproducing Greek and Roman sculptures. Speckled paper boards (worn). Sm. folio. A few notes upper & lower pastedowns, former owner's signature upper flyleaf. Lacking title-p., occas. foxing/ browning as usual, 3 plates affected by a water stain. Overall very good copy.
Zwiggelaar Auctions
May. 17, 2024
Bisschop, Jan de (1628-1671). Paradigmata Graphices Variorum Artificum, Per Joh. Episcopium. Ex formis Nicolai Visscher./ Signorum veterum icones.
Est: €800 - €1,000
Bisschop, Jan de (1628-1671). Paradigmata Graphices Variorum Artificum, Per Joh. Episcopium. Ex formis Nicolai Visscher./ Signorum veterum icones. Amst., H. de Leth, (1740), etched title plate to the first series by Gerard DE LAIRESSE and 57 etched plates by Jan de BISSCHOP; title print "Signorum veterum Icones" and 100 etched plates by Jan DE BISSCHOP, contemp. hcalf w. mor. letterpiece, folio. - First series trifle foxed, mostly along edges; 2nd series plates for the greater part yellowed. Binding worn/ rubbed along extremities; paper over covers partly worn off. = Rare edition, probably published by De Leth as a series of prints, without the original letterpress titles and dedication and content leaves. On the series ("Icones"): Bolten, Dutch and Flemish Drawing Books p.69-70 describes the editio princeps of ±1669 with a few dedication and contents leaves, the etchings unnumbered. On both series, cf. in extenso: J.G. van Gelder and I. Jost, Jan de Bisschop and his Icones & Paradigmata (...) (Doornspijk, 1985); cf. Hollstein 6 (a very incomplete entry). The first series after i.a. Caracci, Dominichino and Michelangelo, 2nd series reproducing Greek and Roman sculpture. SEE ILLUSTRATION PLATE CIV.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Mar. 16, 2024
Johannes Episcopius
Est: €100 - €200
Johannes Episcopius 1628 - 1671 - "Allegorie des Morgens" - Nach Michelangelo Buonarottis Grabmal Giuliano de Medici. Radierung/Papier. 12,8 x 23,4 cm, 20,3 x 33 cm. Monogr. im. Druck: J.E.f. L. u. bez.: M. A. Bon. e marm. Das Blatt liegt lose. Knickspurig. Leicht angeschmutzt. Stockfleckig. Mängel an den Rändern. Lichtrand. L. o. Tintenfleck. - "Männliche Torsi" - Nach Michelgelo Buonarotti. Radierung/Papier. 12,4 x 24,5 cm. Monogr. im Druck l. u.: J.E.f. Bez. l. u.: M. Ang. Bon. pinx. Das Blatt liegt lose. Knickspurig. Rechte obere Ecke abgerissen. Mängel an den Rändern. Stockfleckig. Leicht angeschmutzt. Lichtrand. - "Mann schlägt mit einem Zweigbündel zu" - Nach Domenichino (1581 - 1641). Radierung/Papier. 21,4 x 14 cm, 25,7 x 19 cm. Monogr. im Druck r. u.: J.E.f. L. u. bez.: Dominichin. inv. Das Blatt liegt lose. Stockfleckig. Lichtrand. Mängel an den Rändern. Leicht angeschmutzt. L. m. ein Riss. - Männlicher Torso am Waldrand - Nach Domenichino (1581 - 1641). Radierung/Papier. 22,8 x 15,7 cm, 32,7 x 20,7 cm. Sign. im Druck r. u.: J.E.f. L. u. bez.: Domin. inv. del. Das Blatt liegt lose. Knickspurig. Leicht angeschmutzt. Stockfleckig. Mängel an den Rändern. Lichtrand. - Sitzender männlicher Torso - Radierung/Papier. 22,5 x 14,5 cm, 32,8 x 20,5 cm. Sign. im Druck r. u.: J.E.f. L. u. bez.: Jos. Arp. al. Josepin. inv. d. Das Blatt liegt lose. Knickspurig. Leicht angeschmutzt. Stockfleckig. Mängel an den Rändern. Lichtrand.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Feb. 10, 2024
J. BISSCHOP (*1628) after POMARANCIO (*1552), Woman in dress, Etching
Est: €300 - €400
Jan de Bisschop (1628 Amsterdam - 1671 The Hague) after Pomarancio: Cristofano Roncalli (around 1552 Pomarance (Volterra) - before 1626 Rom): Woman in a dress, possibly a sibyl, 17th century, Etching Technique: Etching on Laid paper Inscription: At the lower part signed in the printing plate: "Pomerant inv. d. / JB. f". Upper right numbered in the printing plate: "19". Date: 17th century Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Source: Paradigmata Graphices Variorum Artificum | print suite, Mythology Keywords: before 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Jan. 11, 2024
ETCHING BY JOHANNES EPISCOPIUS
Est: -
JOHANNES EPISCOPIUS (Amsterdam 1628 - L'Aja 1671) Scultura marmorea Incisione all'acquaforte, cm. 18,5 x 12 Firma in basso In cornice Scheda allegata sull'opera di Tullio Diamanti
Casa d'Aste Babuino
Dec. 02, 2023
J. BISSCHOP (1628-1671), 7 bust portraits in profile,
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Portrait Studies, Seven Breast Portraits in Profile, , Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters he had a great influence on the art of his time. Probably from: "Paradigmata Graphices Variorum Artificum".The depiction shows in the upper row on the left the bust portraits of two youths, which are juxtaposed with the portraits of two older men with beards. The lower row shows the same antagonism: the two profile portraits of an older woman with a bent posture is placed next to the portrait of a beautiful young woman whose long hair is adorned with a pearl ribbon.numbered in the lower corners of the sheet: "2". Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Dec. 02, 2023
J. BISSCHOP (1628-1671), 8 Scholars or clergymen,
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Eight bust portraits of scholars and clergymen, , Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: Description: Numbered in the lower right corner: "14".Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Dec. 01, 2023
Episcopius, Johannes, d. i. JAN DE BISSCHOP
Est: €200 - €300
(Den Haag 1646-1686 Amsterdam), 37 Radierungen nach Carracci, Michelangelo, Raffael u. a. In den Platten num., monogr. und tls. sign., nicht dat. (1761). Ca. 18,5 x 11,5 bis 22,5 x 15 cm (Blattgr.: ca. 30,5 x 20,5 cm). (29) - - Thieme/Becker X, 581. Hollstein II, aus 6. - Aus den "Paradigmata graphices variorum artificium".
Zisska & Lacher
Dec. 01, 2023
Episcopius, Johannes, d. i. JAN DE BISSCHOP
Est: €160 - €250
(Den Haag 1646-1686 Amsterdam), Männliche Torsi. 6 Radierungen. In den Platten num., monogr. und sign., nicht dat. (1761). Ca. 21,5 x 10,5 bis 23,5 x 19 cm (Blattgr.: ca. 30,5 x 20,5 cm). (29) - - Thieme/Becker X, 581. Hollstein II, aus 6. - Aus den "Paradigmata graphices variorum artificium".
Zisska & Lacher
Nov. 24, 2023
Bisschop, Jan de (1628-1671). Signorum veterum icones/ Paradigmata Graphices Variorum Artificum, Per Joh. Episcopium. Ex formis Nicolai Visscher.
Est: €300 - €500
Bisschop, Jan de (1628-1671). Signorum veterum icones/ Paradigmata Graphices Variorum Artificum, Per Joh. Episcopium. Ex formis Nicolai Visscher. Two series of resp. 100 and 55 (of 57) etched plates, ±1669, bound in contemp. hroan/ limp boards, folio. - Without the titles and textlvs. First volume most lvs. soiled/ w. stains, mostly in margins; a few prints cut on the platemark and later laid down; the Paradigmata series lacks plate 44 and 47; all plates cut a few mm outside the platemark and tipped-in on contemp. lvs.; a few plates w. sm. stains. = On the first series ("Icones"): Bolten, Dutch and Flemish Drawing Books p.69-70 describes the editio princeps of ±1669 with a few dedication and contents leaves, the etchings unnumbered. On both series: cf. in extenso: J.G. van Gelder and I. Jost, Jan de Bisschop and his Icones & Paradigmata (...) (Doornspijk, 1985); cf. Hollstein 6 (a very incomplete entry). The first series reproducing Greek and Roman sculpture, the second series after i.a. Caracci, Dominichino and Michelangelo.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Oct. 14, 2023
J. BISSCHOP (*1628) after POMARANCIO (*1552), Woman in dress, Etching
Est: €300 - €400
Jan de Bisschop (1628 Amsterdam - 1671 The Hague) after Pomarancio: Cristofano Roncalli (around 1552 Pomarance (Volterra) - before 1626 Rom): Woman in a dress, possibly a sibyl, 17th century, Etching Technique: Etching on Laid paper Inscription: At the lower part signed in the printing plate: "Pomerant inv. d. / JB. f". Upper right numbered in the printing plate: "19". Date: 17th century Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Source: Paradigmata Graphices Variorum Artificum | print suite, Mythology Keywords: before 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Jul. 04, 2023
JAN DE BISSCHOP (AMSTERDAM 1628-1671 THE HAGUE) Diana and Actaeon black cha
Est: £7,000 - £10,000
JAN DE BISSCHOP (AMSTERDAM 1628-1671 THE HAGUE) Diana and Actaeon black chalk, pen and brown ink, brown wash 17.1 x 24.7 cm
Christie's
Jun. 23, 2023
Episcopius, Johannes, d. i. Jan de Bisschop (Den Haag 1646-1686 Amsterdam),
Est: €200 - €300
Männliche Torsi. 5 Radierungen, meist nach Michelangelo. In den Platten num., monogr. und sign., nicht dat. (1761). Ca. 10,5 x 17,5 bis 13 x 24,5 cm (Blattgr.: 20,5 x 30,5 cm). (53) Thieme/Becker X, 581. Hollstein II, aus 6. - Aus den "Paradigmata graphices variorum artificium".
Zisska & Lacher
Jun. 23, 2023
Episcopius, Johannes, d. i. Jan de Bisschop (Den Haag 1646-1686 Amsterdam),
Est: €120 - €180
Zwei weibliche Akte sowie Mann und Frau. 3 Radierungen nach Michelangelo. In den Platten num., monogr. und sign., nicht dat. (1761). Ca. 23,5 x 11,5 bis 15,5 x 23,5 cm (Blattgr.: 20,5 x 30,5 cm). (53) Thieme/Becker X, 581. Hollstein II, aus 6. - Aus den "Paradigmata graphices variorum artificium".
Zisska & Lacher
May. 06, 2023
J. BISSCHOP (*1628) after POMARANCIO (*1552), Woman in dress, Etching
Est: €300 - €400
Jan de Bisschop (1628 Amsterdam - 1671 The Hague) after Pomarancio: Cristofano Roncalli (around 1552 Pomarance (Volterra) - before 1626 Rom): Woman in a dress, possibly a sibyl, , Etching Technique: Etching on Inscription: At the lower part signed in the printing plate: "Pomerant inv. d. / JB. f". Upper right numbered in the printing plate: "19". Date: Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Source: Paradigmata Graphices Variorum Artificum | print suite, Mythology Keywords: before 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
May. 06, 2023
J. BISSCHOP (1628-1671), 7 Breast portraits in profile, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Portrait Studies, Seven Breast Portraits in Profile, , Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters he had a great influence on the art of his time. Probably from: "Paradigmata Graphices Variorum Artificum".The depiction shows in the upper row on the left the bust portraits of two youths, which are juxtaposed with the portraits of two older men with beards. The lower row shows the same antagonism: the two profile portraits of an older woman with a bent posture stands next to the portrait of a beautiful young woman whose long hair is adorned with a pearl ribbon.Numbered in the lower corners of the sheet: "2". Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
May. 06, 2023
J. BISSCHOP (1628-1671), 8 Portraits of scholars or clergymen, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Eight bust portraits of scholars and clergymen, , Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: Description: Numbered in the lower right corner: "14".Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Nov. 25, 2022
Bisschop, J. de (1628-1671) (attrib.). Triumph of riches.
Est: €500 - €700
Bisschop, J. de (1628-1671) (attrib.). Triumph of riches. Drawing after H. HOLBEIN THE YOUNGER, pen and brush and brown ink, 30x47 cm., framed. - Vertical fold and creases in centre; a few vague creases and some soiling; upper two corners unexamined/ covered by the passepartout. = Copy of the left half of the drawing by the same in the collection of the British Museum. SEE ILLUSTRATION PLATE CXVI.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Oct. 18, 2022
Jan de Bisschop (1628-1671) Joseph distributing grain in Egypt, after Bartholomeus Breenbergh
Est: £1,500 - £2,000
Jan de Bisschop (1628-1671) Joseph distributing grain in Egypt, after Bartholomeus Breenbergh Etching, circa 1650, an excellent well inked impression of the first state (of three), before the clouds were added in the sky, and before any lettering in the lower margin or publishers imprints, on one sheet of thick laid paper with watermark of Strasbourg lily, sheet 485 x 685 mm (19 x 26 3/4 in), tipped vertically at centre onto old mount, small loss to upper left and right corners, vertical fold, some nicks and tears to extremities, spotting and surface dirt (unframed) Literature: Hollstein 1 i/iii Provenance: The Defer-Dumesnil Collection [Lugt 739] ⁂ Scarce in any state but we could trace no records for an early impression, such as the present example. Magnificent large print from one copper plate.
Forum Auctions - UK
Aug. 07, 2022
J.BISSCHOP (1628-1671), Portrait studies, 7 bust portraits in profile, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Portrait Studies, Seven Breast Portraits in Profile, 18th century, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: 18th century Description: Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters he had a great influence on the art of his time. Probably from: "Paradigmata Graphices Variorum Artificum".The depiction shows in the upper row on the left the bust portraits of two youths, which are juxtaposed with the portraits of two older men with beards. The lower row shows the same antagonism: the two profile portraits of an older woman with a bent posture stands next to the portrait of a beautiful young woman whose long hair is adorned with a pearl ribbon.Numbered in the lower corners of the sheet: "2". Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
Aug. 07, 2022
J.BISSCHOP (1628-1671), 8 Portraits of scholars or clergymen, Copper engraving
Est: €75 - €125
Jan de Bisschop (1628 Amsterdam - 1671 The Hague): Eight bust portraits of scholars and clergymen, 18th century, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Date: 18th century Description: Numbered in the lower right corner: "14".Jan de Bisschop (also Johannes Episcopius) (1628-1671), first a lawyer, later became a draughtsman and etcher. He was a pupil of Bartholomeus Breenbergh and influenced Jacob van der Ulft, among others. Through his copper engravings after models of famous masters, he had a great influence on the art of his time. Keywords: 18th century, Baroque, Portraits, Netherlands,
Fichter Kunsthandel
May. 20, 2022
Bisschop, J. de (±1628-1671). (Apollo Belvedere).
Est: €150 - €250
Bisschop, J. de (±1628-1671). (Apollo Belvedere). Etching and engraving after P. DONCKER, 23,3x15,1 cm., monogrammed in the plate. = From Signorum veterum icones. AND 12 others by the same from the same series or Paradigmata graphices variorum Artificum. - AND 4 engravings by C. VAN DALEN after classical sculptures and an etching by H. QUELLINUS of a classical reliëf.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 18, 2022
Jan de Bisschop (Zugeschrieben) – Landschaft mit Hirten (Landscape with shepherds)
Est: €1,600 - €1,800
Brown ink over black chalk with brown wash on laid paper laid down on a mat. 8.9 x 17.8 cm.
Karl & Faber
May. 14, 2022
Bisschop, Jan de (latinisiert: Johannes Episcopius)
Est: €100 - €150
(1628 Amsterdam - Den Haag 1671). 4 Radierungen aus Paradigmata graphices. Plgr. je ca. 22,5 x 13 cm, tls. über Plattenkante beschn., tls. mit schmalen Rändchen. Mit den Namen bzw. Monogr. i.d.Platte. 3 unter Passep. mont. Gebrauchssp., 2x leicht randrissig. R
Kiefer Buch- und Kunstauktionen
May. 13, 2022
JAN DE BISSCHOP (Amsterdam, 1628 - The Hague, 1671)
Est: €400 - €500
Saint John the Evangelist Ink and watercolour on paper applied on cardboard, cm. 12x10,5 The drawing bears an inscription on the pedestal at lower left: "APOC [ALISSE] 2:8". PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Apr. 05, 2022
JAN DE BISSCHOP. Amsterdam (1628) / The Hague (1671). "Dance in a Bacchanal Scene".
Est: €10,500 - €14,000
Inscribed on the reverse in dark brown ink "van Bisschop". Work based on one of the six engravings from the series "Bacchanales" by Michel Dorigny (1617-1665). Provenance: - Private collection New York (1977); P. and Colnaghi Co., Ltd., London; Private collection. Pen, ink and charcoal on paper. 25.8 x 19.2 cm
Ansorena
Feb. 20, 2022
Jan de Bisschop Classical Antiquity Etchings, 2
Est: $400 - $600
Jan de Bisschop (Dutch, c. 1628 - 1671), "Farnese Hercules" and "Fleeing Daughter of Niobe," etching, monogrammed in plate, in the series Signorum Veterum Icones. Image: 9" H x 4.5" W; frame: 13.5" H x 8.5" W
Auctions at Showplace
Jan. 28, 2022
JAN DE BISSCHOP (Amsterdam 1628-1671 The Hague) Two groups of men by an alt
Est: $1,500 - $2,000
JAN DE BISSCHOP (Amsterdam 1628-1671 The Hague) Two groups of men by an altar, after the antique pen and brown ink, brown wash 3 1/2 x 5 1/4 in. (8.9 x 13.3 cm)
Christie's
Jun. 17, 2021
THE REAL PRESENCE IN THE HOLY SACRAMENT (DISPUTA).
Est: €7,000 - €8,000
Drawing, brown wash over black chalk, 40 x 51,5 cm, laid paper, unsigned (laid down on cardb. support, vague central fold, two repaired tears at lower left, repaired tear (3 cm) at upper edge, sm. def. at lower right). - The Dutch painter Jan De Bisschop (1628-1671) was known to have made several drawings after paintings and oil sketches by Rubens, between 1660 and 1670. This magnificent sepia drawing was made after Rubens' triptych in the church of St Paul in Antwerp, depicting the Church Fathers discussing the meaning of the Holy Sacrament, an issue of great importance during the Counter-Reformation in the Southern Low Countries. There are two versions of this drawing, one being in the Albertina in Vienna (inv. 15103) of a slightly smaller size, and the present sheet. The drawing has been part of the collection of the renowned Rubens scholar Ludwig Burchard and was last recorded in 1978, in the collection of Mr. John P. Hardy in London. The RKD database mentions the present wherabouts of the sheet as unkown. - Ref. https://rkd.nl/explore/images/252262. - Corpus Rubenianum, VIII, no. 56a, copy 1. - J.G. van Gelder, Rubens Marginalia I, The Burlington Magazine 120 (1978), p. 456. - Prov. Ludwich Burchard (1886-1960). - G. de Leval. (letter dated 7/1/1939 on verso of frame). - John P. Hardy.
Arenberg Auctions
Feb. 23, 2021
"L'Adoration des Mages" pinceau d'encre grise et lavis sur papier vergé. Dans le goût de Jan de Biss
Est: €300 - €400
"L'Adoration des Mages" pinceau d'encre grise et lavis sur papier vergé. Dans le goût de Jan de Bisschop. Ecole hollandaise. Epoque: XVIIème. Dim.(feuille):+/-281x183mm.
Vanderkindere
Jan. 28, 2021
JAN DE BISSCHOP(Amsterdam 1628-1671 The Hague) - View of Tivoli
Est: $2,000 - $3,000
JAN DE BISSCHOP(Amsterdam 1628-1671 The Hague) View of Tivoli JAN DE BISSCHOP(Amsterdam 1628-1671 The Hague) View of Tivoli inscribed ‘Tussen Tivoli en Palestrina’ (verso) pen and brown ink, brown wash 4¹⁄₄ x 6¹⁄₄ inches (10.8 x 15.8 cm)
Christie's
Sep. 17, 2020
Jan de Bisschop (c. 1628-1671): Male Nude with Arms Raised
Est: $300 - $500
Engraving in black on laid paper; together with Jan Luyken (1649-1712): Punishment, engraving on laid paper with partial text at top. 9 1/2 x 4 1/2 in. (sheet), 13 3/4 x 10 in. (frame), 4 3/4 x 5 3/4 in. (sheet), 9 1/2 x 10 in. (frame). John Richardson: A Scholar Collects
STAIR
Aug. 13, 2020
JAN DE BISSCHOP ENGRAVING THE WRESTLERS
Est: $200 - $250
(Dutch, 1628-1671), engraved plate #20, laid on paper, bearing Bisschops monogram (J.E.F.) in plate, left margin trimmed, minimal stains at lower left, image 7x6in., in Eastlake frame, overall 14x12in.
Leighton Galleries
Jun. 16, 2020
JOHANNES EPISCOPIUS
Est: -
JOHANNES EPISCOPIUS (Amsterdam 1628 - L'Aja 1671) SCULTURA MARMOREA Incisione all'acquaforte, cm. 18,5 x 12 Firma in basso In cornice
Casa d'Aste Babuino
Jun. 25, 2018
JOHANNES EPISCOPIUS
Est: €80 - €120
JOHANNES EPISCOPIUS (Amsterdam 1628 - The Aja 1671) MARMOREAL SCULPTURE Etching, cm. 18,5 x 12 Signatures at the bottom Framed
Casa d'Aste Babuino
Jul. 05, 2017
JAN DE BISSCHOP | Amaryllis and Mirtillo after Sir Anthony van Dyck
Est: £10,000 - £15,000
Point of the brush and three shades of brown wash, over traces of black chalk, within brown ink framing lines; signed in pen and brown ink, lower left: J: de Bischop. fecit.
Sotheby's
Nov. 25, 2016
Bisschop, Jan de: Der Tempel des Marius in Rom
Est: €14,000 - €15,000
Der Tempel des Marius in Rom.Schwarze Kreide, braun laviert. 9,6 x 15,6 cm. In brauner Feder eigenh. bez. "Castrúm aqúae Julija fronte g hod. Falso trophee de Mario". Um 1657.Jan de Bisschop, der Zeit seines Lebens seine Tätigkeit als Jurist beibehielt, tat sich künstlerisch vor allem als Radierer und als Zeichner von Landschaften hervor. Insbesondere von Bartholomeus Breenbergh, einem bedeutenden Vertreter der ersten Generation der Italianisanten, war de Bisschop nachhaltig beeinflusst. Durch Breenbergh erhielt er nicht nur die praktische Unterweisung in der Zeichenkunst, sondern er wurde auch mit den Zeichnungen der Zeitgenossen wie Poelenburgh, Swanevelt, Claude Lorrain und Poussin vertraut, die Breenbergh als sammelnder Künstler in Italien zusammengetragen hatte. Diese wie auch Breenberghs eigene Zeichnungen mit italienischen Motiven dienten de Bisschop als Quelle seiner Schöpfungen. Ob Jan de Bisschop selbst Italien bereist hat, ist in der Forschung immer noch nicht eindeutig geklärt. Gegenwärtig wird jedoch angenommen, dass sich der Künstler für einige Monate im Jahr 1657 in Italien aufgehalten habe und dort über 75 Ansichten und Studien nach römischen Monumenten angefertigt habe, darunter Veduten von Albano, Velletri, Tivoli, Rom und Neapel. Wie alle von de Bisschops italienischen Zeichnungen ist auch die vorliegende undatiert. Stilistisch dürfte sie aber wohl aus der Zeit um 1657 datieren, der reifen Schaffensphase des Künstlers, während der de Bisschop die lineare Graphit-Unterzeichnung mit der gekonnten Pinselzeichnung virtuos kombiniert und Meisterwerke schafft, die das südliche Licht und die Stimmung der Campagna kongenial einfangen. - Provenienz: Lord Northwick (1770-1859).Captain E. G. Spencer-Chruchill (1876-1964).I. Q. van Regteren Altena, Amsterdam (Lugt 4617). - Ausstellung: Ausst. Amsterdam Koninklijk Oudheidkundig Genootschap 1940: Hoe Hollandse teekenaars Rome zagen 1500 - 1840 (ohne Katalog).Ausst. Amsterdam, Amsterdam Museum 1995: In de ban van Italie: Tekeningen uit een Amsterdamse verzamling, Nr. 29. - Literatur: I. Oud, M. Jonker und M. Schapelhouman: In de ban van Italie: Tekeningen uit een Amsterdamse verzamling. Ausst. Kat. Amsterdam 1995, Nr. 29. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 19, 2016
Jan de Bisschop, Five Small Studies of Horses
Est: €2,000 - €2,500
Jan de Bisschop, Five Small Studies of Horses
Kunsthaus Lempertz KG
Jan. 28, 2016
JAN DE BISSCHOP | Sixteen sheets with studies of horses
Est: $6,000 - $8,000
All pen and brown ink and wash; laid down on four album sheets
Sotheby's
Dec. 09, 2015
JAN DE BISSCHOP (EPISCOPIUS) (1628-1672)Set of 101 engravings of antique sculpture (after Caracci, Cigoli, Domenichino, Michelangelo, Salviati, Vasari and others) all with numbers, fine to good impressions, on blue paper with wide margins, generally
Est: €500 - €750
English JAN DE BISSCHOP (EPISCOPIUS) (1628-1672) Set of 101 engravings of antique sculpture (after Caracci, Cigoli, Domenichino, Michelangelo, Salviati, Vasari and others) all with numbers, fine to good impressions, on blue paper with wide margins, generally in good condition, bound in. 323 x 234 mm. Dutch JAN DE BISSCHOP (EPISCOPIUS) (1628-1672) 'Signorum veterum icones'. Tweede deel (eerste deel: Paradigmata graphices variorum artificum) volledig met titelgravure gevolgd door 100 gegraveerde voorstellingen van beelden van de Antieken naar Salviati, Vasari, De Gheyn, Poelenburg, De Bakker e.a., gedrukt op blauwachtig geschept papier, vervat in album. French JAN DE BISSCHOP (EPISCOPIUS) (1628-1672) 'Signorum veterum icones'. Tweede deel (eerste deel: Paradigmata graphices variorum artificum) volledig met titelgravure gevolgd door 100 gegraveerde voorstellingen van beelden van de Antieken naar Salviati, Vasari, De Gheyn, Poelenburg, De Bakker e.a., gedrukt op blauwachtig geschept papier, vervat in album.
Bernaerts Auctioneers
Nov. 18, 2015
Jan de BISSCHOP (Amsterdam 1628-La Haye 1671) Deux personnages dans un paysage Plume et encre brune sur traits de crayon noir, lavis...
Est: €500 - €600
Jan de BISSCHOP (Amsterdam 1628-La Haye 1671) Deux personnages dans un paysage Plume et encre brune sur traits de crayon noir, lavis brun 19,5 x 14cm Mauvais état: manques, déchirures
Tajan
Dec. 17, 2014
Graziani, Antonio Maria
Est: -
Graziani, Antonio Maria. De bello Cyprio libri quinque. Roma, Alessandro Zannetti, 1624. In 2° (265 x 190 mm); [8], 330, [30] pagine con l'ultima carta bianca presente. Frontespizio figurato inciso da Claude Mellan e disegnato da Antonio Circignani, testo entro cornice (qualche brunitura.) Legatura del secolo XX in piena pelle bionda con cornice dorata ai piatti, titolo in oro al dorso. Prima edizione pubblicata postuma dal nipote Carlo di questa relazione scritta in occasione della perdita veneziana dell'isola di Cipro, avvenuta nel 1571. Blackmer 726. 400,00 €
Aste Bolaffi
Dec. 02, 2014
Jan de Bisschop (Amsterdam 1628-1671 The Hague)
Est: £1,000 - £1,500
Jan de Bisschop (Amsterdam 1628-1671 The Hague) The Virgin and child, after Giulio Romano with inscription 'Giulio Romano' and with number '11' pen and brown ink, brown wash 9½ x 7 2/3 in. (24 x 19.5 cm.)
Christie's
Nov. 18, 2014
Jan de Bisschop Amsterdam, 1628 - La Haye, 1671 Portrait d'un érudit, d'après Quentin Metsys Lavis brun sur trait de crayon
Est: €3,000 - €4,000
Jan de Bisschop Amsterdam, 1628 - La Haye, 1671 Portrait d'un érudit, d'après Quentin Metsys Lavis brun sur trait de crayon Annoté 'Quintijn Mestys 1635.' à la plume au verso 'PORTRAIT OF A SCHOLAR, AFTER Q. METSYS', BROWN WASH, INSCRIBED, BY J. DE BISSCHOP h: 23 w: 18,50 cm Provenance : Ancienne collection Jean Michaux, libraire au Palais-Royal et grand-père de l'actuelle propriétaire ; Collection particulière, Paris Commentaire : Notre dessin est une reprise avec quelques variantes d'un portrait d'homme de Quentin Metsys aujourd'hui conservé à Francfort au Städel Museum.
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