Norbert Bittner Sold at Auction Prices

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    • N. BITTNER (*1786) after DE PIAN (*1784), Waldburg courtyard, theatre backdrop, around 1818, Etching
      Feb. 15, 2025

      N. BITTNER (*1786) after DE PIAN (*1784), Waldburg courtyard, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Sibiu Forest Castle courtyard, theatre backdrop with colonnades around the atrium of a castle, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 67 / de Pian invt.". At the lower part inscribed: "Waldburg Hermannstadt". Date: c. 1818 Description: The illustrated sheet shows a detailed architectural drawing of a neoclassical building with a striking façade, columns and a staircase. The foreground reveals a symmetrically designed portico with a double-sheet portal. The shading suggests depth and conveys a sense of space. The detailed style reflects the draughtsman's artistic approach and emphasises the accurate reproduction of architectural elements. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 67 | Theater, Landscape, Architecture Keywords: classical building; architectural drawing; columns; staircase; portico; portal; symmetry; shading; sense of space; richness of detail; architectural elements; graphic sheet; artistic approach; drawing; perspective; depth effect; structuring, 19th century, Romanticism, Architecture, Austria, Vienna, Size: Paper: 17,5 cm x 21,8 cm (6,9 x 8,6 in), Plate: 13,2 cm x 15,5 cm (5,2 x 6,1 in)

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), John of Paris, theatre backdrop, around 1818, Etching
      Feb. 15, 2025

      N. BITTNER (*1786) after DE PIAN (*1784), John of Paris, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): John of Paris, theatre backdrop with the gloomy corridor of a fortress, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 34 / de Pian invt.". At the lower part inscribed: "Johan v. Paris". Date: c. 1818 Description: This is an etching showing a church interior in a differentiated architectural depiction. Characterised by a depth of perspective, the ribbed vaults and pointed arch windows, alongside the sacred objects presented at the edge of the picture, make it possible to recognise the Gothic architecture. The play of light between shadow and brightness accentuates the structure of the walls and vaults, evoking a tranquil atmosphere. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 34 | Theater, Landscape, Architecture Keywords: Etching; church interior; architectural depiction; depth of perspective; ribbed vault; pointed arch window; Gothic architecture; sacred objects; play of light; shadow; brightness; masonry; vault; atmosphere, 19th century, Romanticism, Architecture, Austria, Vienna, Size: Paper: 17,5 cm x 21,8 cm (6,9 x 8,6 in), Plate: 13,2 cm x 15,3 cm (5,2 x 6 in)

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Peter the Great, theatre backdrop, around 1818, Etching
      Feb. 15, 2025

      N. BITTNER (*1786) after DE PIAN (*1784), Peter the Great, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Peter the Great, theatre backdrop with spacious farmhouse with large oven, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 79 / de Pian invt.". At the lower part inscribed: "[?] Peter der Grosse". Date: c. 1818 Description: An etching stretches out before us, offering a detailed depiction of a traditional-style interior. Bold vertical and horizontal lines define a carefully constructed perspective that emphasises the structural skeleton of a building. Elements of everyday life - a staircase, washing lines, a kettle and a chair - enrich the scene and lend it a deceptively simple liveliness. Dark shades intensify the play of light and shadow and create a sense of spatial depth. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 79 | Theater, Landscape, Architecture Keywords: Etching; interior; traditional style; vertical lines; horizontal lines; perspective; structure; daily life; staircase; clotheslines; kettle; chair; shading; light and shadow; spatial depth; art print; handcrafted;, 19th century, Romanticism, Architecture, Austria, Vienna, Size: Paper: 17,5 cm x 21,3 cm (6,9 x 8,4 in), Plate: 13,5 cm x 15,7 cm (5,3 x 6,2 in)

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Waldburg courtyard, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Waldburg courtyard, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Sibiu Forest Castle courtyard, theatre backdrop with colonnades around the atrium of a castle, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 67 / de Pian invt.". At the lower part inscribed: "Waldburg Hermannstadt". Date: c. 1818 Description: The illustrated sheet shows a detailed architectural drawing of a neoclassical building with a striking façade, columns and a staircase. The foreground reveals a symmetrically designed portico with a double-sheet portal. The shading suggests depth and conveys a sense of space. The detailed style reflects the draughtsman's artistic approach and emphasises the accurate reproduction of architectural elements. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 67 | Theater, Landscape, Architecture Keywords: classical building; architectural drawing; columns; staircase; portico; portal; symmetry; shading; sense of space; richness of detail; architectural elements; graphic sheet; artistic approach; drawing; perspective; depth effect; structuring, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Waldburg Sibiu, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Waldburg Sibiu, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Sibiu Forest Castle, theatre backdrop with the overgrown ruins of a castle, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 38 / de Pian invt.". Date: c. 1818 Description: The image presented is a detailed copperplate engraving depicting a landscape of ruins. Ancient architecture, recognisable by Corinthian columns and broken architraves, mingles with lush vegetation. A partially preserved structure rises in the foreground, while multi-layered trees can be seen in the background. The engraving appears extremely accurate due to the fine lines and hatching, and suggests a quiet melancholy of decay. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 38 | Theater, Landscape, Architecture Keywords: copper engraving; ruins; architecture; Corinthian columns; architraves; vegetation; trees; detail; lines; hatching; stillness; melancholy; decay; antique structures; art; nature; fine; accurate, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Robbers' castle, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Robbers' castle, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Robbers' castle, theatre backdrop with overgrown ruins in a wooded area, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 41 / de Pian invt.". At the lower part inscribed: "[?]". Date: c. 1818 Description: The picture presents a detailed print. It shows a ruin surrounded by trees with Gothic architectural elements. A gate can be recognised in the foreground, behind it a façade with dilapidated walls and tower structures. The dense tree population and the ruin merge into a picturesque unity that evokes an atmosphere of transience and romanticism. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 41 | Theater, Landscape, Architecture Keywords: printmaking; ruin; Gothic; trees; gate; façade; walls; towers; transience; Romanticism; architecture; richness of detail; tree population; atmosphere; nature; art history; graphics; historical depiction; painterly composition; aesthetics, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Henry's youthful years, theatre backdrop, around 1818, Etc
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Henry's youthful years, theatre backdrop, around 1818, Etc

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Henry's youthful years, theatre backdrop with princely room, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 69 / de Pian invt.". At the lower part inscribed: "Heinrichs Jünglings Jahre". Date: c. 1818 Description: The painting presents a carefully detailed interior scene, presumably from a living or working space, by means of pen and ink drawing. The precision of the drawing is manifested in the depiction of the brick walls, furniture and accessories. Framed pictures and plates hang on the wall, while various objects and crockery are visible on a table and on shelves. The room has Gothic arches, which indicates historical architecture. The perspective suggests depth and a sense of space. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 69 | Theater, Landscape, Architecture Keywords: interior scene; pen and ink drawing; precision; furniture; crockery; framed pictures; plate; gothic arch; historical architecture; perspective; depth of space; richness of detail; table; shelves; art historical; wall decoration; drawing; sense of space; cultural history, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), John of Paris, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), John of Paris, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): John of Paris, theatre backdrop with the gloomy corridor of a fortress, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 34 / de Pian invt.". At the lower part inscribed: "Johan v. Paris". Date: c. 1818 Description: This is an etching showing a church interior in a differentiated architectural depiction. Characterised by a depth of perspective, the ribbed vaults and pointed arch windows, alongside the sacred objects presented at the edge of the picture, make it possible to recognise the Gothic architecture. The play of light between shadow and brightness accentuates the structure of the walls and vaults, evoking a tranquil atmosphere. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 34 | Theater, Landscape, Architecture Keywords: Etching; church interior; architectural depiction; depth of perspective; ribbed vault; pointed arch window; Gothic architecture; sacred objects; play of light; shadow; brightness; masonry; vault; atmosphere, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Pyrus and Astiager, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Pyrus and Astiager, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Pyrus and Astiager, theatre backdrop with magnificent orientalising sanctuary or throne room, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 37 / de Pian invt.". At the lower part inscribed: "Pyrus und Astiager". Date: c. 1818 Description: The artwork shows a perspective interior view of monumental architecture. Richly detailed columns support a geometric ceiling pattern, while the interior is decorated with sculptures, volutes and ornaments. A central incidence of light emphasises the depth of the room, the end point of which is formed by a sun motif. The engraving combines elements of the Renaissance and Mannerism and illustrates the richness of design of imaginary architecture. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 37 | Theater, Landscape, Architecture Keywords: architecture; interior view; columns; perspective; geometric pattern; ceiling; light; depth; ornaments; sun motif; Mannerism; Renaissance; sculptures; volutes; imaginary; work of art; engraving; richness of detail; architectural art; interior design, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Destruction of Jerusalem, theatre backdrop, around 1818, E
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Destruction of Jerusalem, theatre backdrop, around 1818, E

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Destruction of Jerusalem, theatre backdrop with antique, orientalising city architecture, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 87 / de Pian invt.". At the lower part inscribed: "La Destruzione die Gerusaleme". Date: c. 1818 Description: This work shows an idyllic veduta, captured in an etching. The picture reveals a composition of various architectural elements - Gothic spires, a classical dome and an Egyptian pyramid shape - embedded in an exotic landscape with palm trees. Architectural precision and the atmospheric play of light characterise the depiction, which suggests an imagined, idealised scenery. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 87 | Theater, Landscape, Architecture Keywords: Etching; Veduta; Architecture; Gothic; Classicism; Egypt; Dome; Pyramid; Palm trees; Landscape; Exoticism; Play of light; Imagined; Idealised; Idyll; Art history; Composition; Atmosphere; Accuracy of detail; Precision, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Van Dyck, Theaterkulisse, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Van Dyck, Theaterkulisse, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Van Dyck, theatre backdrop with baroque princely painting studio, c. 1818, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "N. Bittner f. N. 77". At the lower part inscribed: "Van Dyck". Date: c. 1818 Description: The engraving shows an interior with rich decoration. Two easels can be seen in the foreground, one with a painting in progress. Another person is depicted seated at a table on the left, presumably engaged in artistic activity. Textiles, such as a large curtain, stylishly complement the scene. Several framed works hang on the walls. The ambience of the room reflects a classical art chamber or an artist's studio. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 77 | Theater, Landscape, Architecture Keywords: Historical engraving; art interior; easels; painting; art chamber; studio; classical decor; curtains; framed works; artist; table; seated person; artistic activity; window; interior; ornaments; art history; study environment; aesthetics; historical depiction, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Aleibeades, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Aleibeades, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Aleibeades, theatre backdrop with light-flooded throne room, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 61 / de Pian invt.". At the lower part inscribed: "Aleibeades". Date: c. 1818 Description: This is a finely executed print depicting a classicist interior. In the foreground a columned architecture opens up, behind it a draped cloth reveals a bed and a burning candlelight. The room is characterised by strict symmetry and exact proportions, lending the scene a sublime stillness and order. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 61 | Theater, Landscape, Architecture Keywords: Printmaking; Classicism; Interior; Column architecture; Symmetry; Proportions; Cloth; Bed; Candlelight; Austerity; Stillness; Order; Fine workmanship, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Lodaisea Hall, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Lodaisea Hall, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Lodaisea, theatre setting with reception hall in late Gothic, orientalising style, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 70 / de Pian invt.". At the lower part inscribed: "Lodaisea". Date: c. 1818 Description: This depiction illustrates an interior view of Gothic architecture. Details such as pointed arch windows, a ribbed cross vault and wall ornaments suggest a sacral affiliation. A statue on a plinth can be seen in the foreground, creating spatial depth. The artwork is characterised by masterly strokes and precise shading, which render the interior vividly and with great attention to detail. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 70 | Theater, Landscape, Architecture Keywords: Gothic; architecture; interior; cross vault; pointed arch window; statue; depth; work of art; engraving; wall ornamentation; sacral; detail; linework; shading; perspective; historicism; plasticity; structure; play of light and shadow; artistic representation, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Peter the Great, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Peter the Great, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Peter the Great, theatre backdrop with spacious farmhouse with large oven, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 79 / de Pian invt.". At the lower part inscribed: "[?] Peter der Grosse". Date: c. 1818 Description: An etching stretches out before us, offering a detailed depiction of a traditional-style interior. Bold vertical and horizontal lines define a carefully constructed perspective that emphasises the structural skeleton of a building. Elements of everyday life - a staircase, washing lines, a kettle and a chair - enrich the scene and lend it a deceptively simple liveliness. Dark shades intensify the play of light and shadow and create a sense of spatial depth. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 79 | Theater, Landscape, Architecture Keywords: Etching; interior; traditional style; vertical lines; horizontal lines; perspective; structure; daily life; staircase; clotheslines; kettle; chair; shading; light and shadow; spatial depth; art print; handcrafted;, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Ferdinand Carter, theatre set, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Ferdinand Carter, theatre set, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Ferdinand Carter, theatre backdrop with exotic landscape and probably Latin American temple, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 76 / de Pian invt.". At the lower part inscribed: "Ferdinand Carter". Date: c. 1818 Description: The artwork shows a view through a vaulted arcade structure, which is bedded on massive pillars and is transformed into an idealised landscape panorama. The detailed depiction emphasises the effect of depth and the carefully coordinated lighting conditions, creating a harmonious combination of architectural elements and nature. Statues and smaller figures adorn the scenery, emphasising the impressiveness of the space and its artistic character. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 76 | Theater, Landscape, Architecture Keywords: Arcades; pillars; landscape panorama; depth effect; lighting conditions; harmony; architecture; nature; statues; figures; space; craftsmanship; detail; perspective; idyll; etching; engraving; graphic art, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Lodaisea, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Lodaisea, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Lodaisea, theatre backdrop with bridge to the portal of a fortress, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 40 / de Pian invt.". At the lower part inscribed: "Lodaisea". Date: c. 1818 Description: The graphic shows medieval-looking architecture, presumably a fortress or bridge, embedded in an urban environment. The picture is dominated by detailed walls and crenellated towers. A multi-storey, mechanical bridge construction connects the wall sections. Gothic spires are visible in the background, which could indicate a church or cathedral. The depiction is done with a fineness that suggests an etching or steel engraving. The condition of the paper suggests age and use. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 40 | Theater, Landscape, Architecture Keywords: Middle Ages; architecture; fortress; bridge; city view; towers; battlements; walls; mechanical construction; etching; steel engraving; Gothic; church; cathedral; art; graphics; richness of detail; urban; cultural heritage; age, 19th century, Romanticism, Architecture, Austria, Vienna,

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    • N. BITTNER (*1786) after DE PIAN (*1784), The ball night, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), The ball night, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): The ball night Comedy, theatre setting with simple attic room, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 32 / de Pian invt.". At the lower part inscribed: "Die Ballnacht. Lustspiel". Date: c. 1818 Description: The artwork presents a detailed interior scene, probably an attic room, characterised by an impressive depth of space and geometric precision. Robust rafters and brickwork define the space, while a centrally placed window lets in light that subtly emphasises shapes and surfaces. Accentuated by the contrast of light and shadow, an atmosphere of stillness and abandoned timelessness is created. Individual furnishings silently tell of human presence. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 32 | Theater, Landscape, Architecture Keywords: attic; depth of space; geometry; rafters; masonry; window; play of light; shadow; stillness; timelessness; furnishings; human presence; atmosphere; precision; artwork; interior scene; contrast; abandonment; richness of detail; graphic art, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Western temple, theatre set, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Western temple, theatre set, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Temple of the Vestal Virgins, theatre backdrop with round domed hall and sculptures, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 44 / de Pian invt.". At the lower part inscribed: "Vestalin". Date: c. 1818 Description: The artwork presents an architecturally sophisticated interior view. It depicts a vestibule-like space characterised by imposing columns supporting a semi-circular roof. Between the columns are classical sculptures on pedestals. A door decorated with garlands can be seen in the background. The room radiates a symmetry and clarity of line that corresponds to the classicist style. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 44 | Theater, Landscape, Architecture Keywords: artwork; interior; columns; sculptures; architecture; classicism; symmetry; lines; vestibule; roofing; pedestals; door; garland; formal; clear, 19th century, Romanticism, Architecture, Austria, Vienna,

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    • N. BITTNER (*1786) after DE PIAN (*1784), Jupiter's temple, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Jupiter's temple, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Jupiter's temple, theatre backdrop with antique-style temple hall, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 80 / de Pian invt.". At the lower part inscribed: "Jupiters Tempel". Date: c. 1818 Description: The work shows a classicist interior with monumental architecture. Columns and sculptural decorations can be seen; a statue stands in the centre. The perspective depiction emphasises the depth of the room. The attention to detail and fine lines indicate a printmaking technique. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 80 | Theater, Landscape, Architecture Keywords: Classicism; interior view; architecture; columns; sculptures; statue; depth; perspective; printmaking; attention to detail; linework; art history; decoration; spatial effect; monumentality; vaulting; ornamentation; architectural drawing, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Joseph and his brothers, theatre set, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Joseph and his brothers, theatre set, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Joseph and his brothers, theatre backdrop with exotic landscape and bed under palm trees, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 68 / de Pian invt.". At the lower part inscribed: "Joseph und seine Brüder". Date: c. 1818 Description: The work shows a carefully engraved scene in the tradition of landscape depiction. In the foreground is a figure resting in the middle of a pastoral scene. In the background is a panoramic view with architectural elements, framed by lush flora. A richly decorated textile curtain adorns the right-hand side and adds to the impression of a theatrical setting. The scene exudes a mood of serenity and is characterised by fine lines and rich detail. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 68 | Theater, Landscape, Architecture Keywords: Engraving; Landscape; Figure; Rest; Panorama; Architecture; Flora; Curtain; Decoration; Theatricality; Serenity; Richness of detail; Lines; Calm; Pastoral; Scene; Nature; Cultural elements; Panoramic view; Reference to tradition, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Salem, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Salem, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Salem, theatre backdrop with oriental architecture and carvings, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 90 / de Pian invt.". At the lower part inscribed: "Salem". Date: c. 1818 Description: The artwork reveals a detailed interior view of an architectural structure in the style of a sacred space, possibly a church or cathedral. In the foreground, the perspective is characterised by pointed arcades and slender columns. The vaulted ceiling is artistically decorated with geometric patterns and coffered segments. Natural light floods through high windows, accentuating the depth of the room and emphasising the delicacy of the drawn lines. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 90 | Theater, Landscape, Architecture Keywords: architecture; interior; church; cathedral; columns; arcades; pointed arches; vaulted ceiling; geometric pattern; coffered ceiling; light; depth; perspective; drawing; detail; sacred space; ornate; window, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Palmira, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Palmira, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Palmira, theatre backdrop with antique-style domed hall similar to the Pantheon, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 33 / de Pian invt.". At the lower part inscribed by another person: "Palmira". Date: c. 1818 Description: In front of us is a detailed engraving that presents an architectural view. A colonnade in the foreground leads the viewer's gaze into the depths, where an imposing contrasting façade with rich ornamentation and several onion domes forms the finial. The skilful use of light and shadow adds depth and texture to the scene and reflects the care taken in the craftsmanship. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 33 | Theater, Landscape, Architecture Keywords: Engraving; architecture; colonnade; onion domes; decorations; façade; contrast; light and shadow; depth effect; perspective; texture; craftsmanship; art history, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Moises, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Moises, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Moise's melodrama, theatre backdrop of a royal square with colonnades, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 51 / de Pian invt.". At the lower part inscribed by another person: "Moises, Melodrama". Date: c. 1818 Description: The depiction shows an idyllic architectural composition in fine line etching. A view through arcade-like structures reveals an ensemble of columns and sculptural decorations. Roofed areas alternate with open sections of sky, while an exotic-looking building stretches out in the background under a finely structured sky. Vegetative elements, symbolised by a palm tree, complement the scenery on the far right. The artistic romanticism of ruins is combined with a touch of orientalist aesthetics. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 51 | Theater, Landscape, Architecture Keywords: Architecture; Arcades; Columns; Sculptures; Architectural composition; Line etching; Sky; Exoticism; Palm tree; Vegetation; Roofing; Romanticism of ruins; Orientalism; Art; Perspective; Light and shadow; Ensemble; Sculptural decoration; Idyll; Architecture, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Burnt down house, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Burnt down house, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Burnt down house, theatre backdrop with the ruins of a house, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 74 / de Pian invt.". At the lower part inscribed by another person: "Das abgebrannte Haus". Date: c. 1818 Description: The present work shows a masterful etching depicting abandoned and decaying architecture. The focus is on the ruins of a building whose roof truss has partially collapsed, with exposed beam structures. The depiction is characterised by precise lines in the rich detail of the rubble and brick walls. Through the use of light and shadow, the work conveys an atmosphere of transience and abandonment. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 74 | Theater, Landscape, Architecture Keywords: Etching; ruins; architecture; decay; building; roof truss; beams; rubble; brick wall; precision; lines; richness of detail; light; shadow; transience; abandonment; work of art; depiction; graphic; view, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Tragedy, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Tragedy, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Tragedy, theatre backdrop with princely crypt, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 21 / de Pian invt.". At the lower part inscribed by the artist's hand: "Die [?]. Trauerspiel / Monumentum antherum". Date: c. 1818 Description: The artwork shows an architectural structure, presumably a vault of monumental character. A central pyramid, surrounded by columns and arches, suggests a sacred or dignified scene. Fine lines and the interplay of light and shadow illustrate the artist's great craftsmanship and attention to detail, emphasising the volumetric presence of the architecture and creating spatial depth. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 21 | Theater, Landscape, Architecture Keywords: architecture; vault; pyramid; columns; arches; sacral; monumentality; craftsmanship; attention to detail; light; shadow; volume; depth of space; artistic; perspective; structure; formal; work of art, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Leyulus, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Leyulus, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Leyulus, theatre backdrop with classical portico, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N 89 / de Pian invt.". At the lower part inscribed by another person: "Leyulus". Date: c. 1818 Description: This is an architectural drawing, executed in pen and ink, depicting the interior view of a neoclassical vestibule. Ionic columns supporting an architrave can be seen, above which is a richly decorated frieze and a lunette-shaped window. Symmetrically placed sculptures in niches and a wreath-weaving putto above the central portal accentuate the axis of the room. The design is characterised by a determined precision and conveys a palpable interest in the reception of antiquity. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 89 | Theater, Landscape, Architecture Keywords: Architectural drawing; Pen drawing; Ink; Classicism; Vestibule; Ionic columns; Architrave; Frieze; Lunette window; Symmetry; Room axis; Sculptures; Niches; Putto; Portal; Reception of antiquity; Precision; Drawing technique; Interior architecture; Design, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • N. BITTNER (*1786) after DE PIAN (*1784), Cariolon, theatre backdrop, around 1818, Etching
      Feb. 17, 2024

      N. BITTNER (*1786) after DE PIAN (*1784), Cariolon, theatre backdrop, around 1818, Etching

      Est: €120 - €200

      Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Cariolon, theatre backdrop with ancient ruins, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N Bittner f. N 48 / de Pian inv.". At the lower part inscribed by another person: "Cariolon". Date: c. 1818 Description: Before us is a work of art with an unmistakable historicist character, depicting a scene of ancient ruins. Selected architectural elements are depicted in the foreground, suggesting the transience of past civilisation. Looking further, an idyllic landscape is revealed, interrupted by further ruined buildings. This picture is caught up in a stylish melancholy that takes the viewer on a journey through time and history. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 48 | Theater, Landscape, Architecture Keywords: Antiquity; ruins; architecture; transience; civilisation; landscape; history; artwork; historicism; melancholy; style; time travel; idyll; past; decay; art history; interpretation; aesthetics;, 19th century, Romanticism, Architecture, Austria, Vienna,

      Fichter Kunsthandel
    • Attributed to Norbert Bittner (1786-1851) USA, architectural sketches, pen and ink on paper, 47 cm x 38 cm framed and glazed.
      Jun. 30, 2022

      Attributed to Norbert Bittner (1786-1851) USA, architectural sketches, pen and ink on paper, 47 cm x 38 cm framed and glazed.

      Est: £150 - £250

      Attributed to Norbert Bittner (1786-1851) USA, architectural sketches, pen and ink on paper, 47 cm x 38 cm framed and glazed. From the collection of John La Rose (1927-2006) and Sarah Swinburne White (d.2022), founders of New Beacon Books: https://en.wikipedia.org/wiki/John_La_Rose

      Dawsons Auctioneers
    • Norbert Bittner – Klassizistischer Pavillon in Parkanlage
      Mar. 24, 2021

      Norbert Bittner – Klassizistischer Pavillon in Parkanlage

      Est: €1,200 - €1,300

      Feder in Schwarz, grau laviert und aquarelliert auf Velin. 34,1 x 48,6 cm.

      Karl & Faber - Timed
    • Norbert Bittner (Vienna 1786-1851) A stage design with the entrance gate of a castle
      Apr. 10, 2019

      Norbert Bittner (Vienna 1786-1851) A stage design with the entrance gate of a castle

      Est: £1,000 - £1,500

      Norbert Bittner (Vienna 1786-1851) A stage design with the entrance gate of a castle pen and brown ink, heightened with white on calque paper prepared with brown wash42.1 x 55.2cm (16 9/16 x 21 3/4in).together with a group of unframed architectural drawings and prints by various hands, all unframed (quantity) Provenance: Michael Mayr, Vienna (1796-1870), and thence by descent toMariane Fajt, Eisenstadt, Austria, 1939Janos Schloz, New YorkWith Seiferheld Gallery, New YorkYvonne ffrench, London (1901-1989)Sven Gahlin, London, acquired in 2001ExhibitedXVIII and XIX Stage Designs from the Mayr-Fajt Collection, New York, Seiferheld Gallery, April 1962, Michigan, University of Michigan, Summer 1962, and Princeton, Princeton University, October 1962, cat. no. 6LiteratureM. Mayr and J. Scholz, XVIII and XIX Stage Designs from the Mayr-Fajt Collection, New York, 1962, cat. no. 6The present work can be dated to circa 1820.

      Bonhams
    • NORBERT BITTNER (Austrian, 1786-1851)
      Aug. 11, 2018

      NORBERT BITTNER (Austrian, 1786-1851)

      Est: $150 - $200

      NORBERT BITTNER (Austrian, 1786-1851), classical landscape with nymphs near temple, watercolor on blue paper, unsigned, artist's name inscribed to verso of paper, paper stamped ''COLL. MAYR-FAJT EISENSTADT''. Light toning and foxing, mat burn. Sheet 7''h, 8''w. (Fine Art)

      South Bay Auctions Inc
    • NORBERT BITTNER (Austrian, 1786-1851)
      Dec. 02, 2017

      NORBERT BITTNER (Austrian, 1786-1851)

      Est: $200 - $300

      NORBERT BITTNER (Austrian, 1786-1851), classical landscape with nymphs near temple, watercolor on blue paper, unsigned, artist's name inscribed to verso of paper, paper stamped ''COLL. MAYR-FAJT EISENSTADT''. Light toning and foxing, mat burn. Sheet 7''h, 8''w. (Fine Art)

      South Bay Auctions Inc
    • Bittner, Norbert: Sammlung mit Bühnenbildentwürfen
      May. 26, 2016

      Bittner, Norbert: Sammlung mit Bühnenbildentwürfen

      Est: €400 - €500

      Sammlung mit Bühnenbildentwürfen. Zwei typographische Titelblätter und 20 Radierungen. 8vo. (1818). Der vollständige Inhalt der von Bittner gestochenen und verlegten Hefte 7 und 8 mit den Bühnenbildentwürfen nach Erfindungen Antonio de Pians. Ausgezeichnete Drucke mit breitem Rand. Die typographischen Titelblätter etwas stockfleckig, die Blätter mit den Darstellungen jeweils mit einer Bezeichnung des Motivs in Feder in Braun im weißen Unterrand, kleine Bleistiftnumerierungen rechts oberhalb der Darstellungen, minimale Alters- und Gebrauchsspuren, in den äußersten Rändern teils leicht fleckig und angestaubt, sonst meist in sehr guter Erhaltung.

      Bassenge Auctions
    • Bittner, Norbert: des Ruins de Schönbrun
      May. 29, 2014

      Bittner, Norbert: des Ruins de Schönbrun

      Est: €350 - €450

      "Des Ruines de Schönbrun". 8 Radierungen. Lose Blatt im orig. Umschlag mit gestochener Titelvignette. Je ca. 13 x 15 cm. Die unseres Wissens bislang noch nirgends beschriebene Folge zeigt verschiedene Ansichten der um 1770/80 von Johann Ferdinand Hetzendorf von Hohenberg errichteten Ruinenbauten im Park von Schloß Schönbrunn in Wien. Dazu zählen vor allem die "Roemische Ruine" sowie der "Obeliskenbrunnen". Desgleichen enthält die Folge eine Ansicht der zur selben Zeit errichteten "Gloriette". Sämtlich ganz ausgezeichnete, klare Drucke mit dem vollen Rand. Dieser mit nicht weiter störenden Alters- und Gebrauchsspuren, sonst in gleichmäßig sehr guter Erhaltung. Aus den Sammlungen Georg Eckl (vgl. Lugt 854) und Anton Trnka (nicht bei Lugt). Äußerst selten.

      Bassenge Auctions
    • Norbert Bittner (Austrian,1786-1851) River
      Dec. 15, 2009

      Norbert Bittner (Austrian,1786-1851) River

      Est: €600 - €1,000

      Norbert Bittner (Austrian,1786-1851) River landscape with three fawns Watercolour, 34 x 51cm

      Adam's
    • NORBERT BITTNER (Austrian, 1786-1851), nymphs near
      Apr. 04, 2009

      NORBERT BITTNER (Austrian, 1786-1851), nymphs near

      Est: -

      NORBERT BITTNER (Austrian, 1786-1851), nymphs near temple ruins, watercolor, unsigned, artist's name inscribed to verso of paper, paper stamped "COLL. MAYR-FAJT EISENSTADT", 6-7/8"h, 8"w; appears to be in good condition.

      South Bay Auctions Inc
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