Montien Boonma Sold at Auction Prices

b. 1953 - d. 2000

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      • STUPA
        Feb. 18, 2024

        STUPA

        Est: ฿12,000,000 - ฿15,000,000

        Montien Boonma, STUPA, 1994

        The Art Auction Center
      • UNTITLED
        Jul. 30, 2023

        UNTITLED

        Est: ฿80,000 - ฿100,000

        Montien Boonma, UNTITLED, 1990

        The Art Auction Center
      • Montien Boonma, Two walls
        Nov. 12, 2022

        Montien Boonma, Two walls

        Est: ฿1,000,000 - ฿1,200,000

        Montien Boonma, Two walls, 1993

        The Art Auction Center
      • Moontien BOONMA (1953-2000) Sketche for sculpture in Botanic garden Adelaide Pastel et craie
        Apr. 16, 2016

        Moontien BOONMA (1953-2000) Sketche for sculpture in Botanic garden Adelaide Pastel et craie

        Est: €3,000 - €5,000

        Moontien BOONMA (1953-2000) Sketche for sculpture in Botanic garden Adelaide Pastel et craie , signée et daté 57 x 77 cm

        Pays de Fayence Enchères
      • MONTIEN BOONMA | Untitled
        Apr. 04, 2016

        MONTIEN BOONMA | Untitled

        Est: $300,000 - $500,000

        Brass

        Sotheby's
      • Montien Boonma (1953-2000), Melting Void, dessin
        Aug. 13, 2015

        Montien Boonma (1953-2000), Melting Void, dessin

        Est: €3,000 - €4,000

        Montien Boonma (1953-2000), Melting Void, dessin pastel sur papier technique mixte sur papier H56 x L76 cm

        Pays de Fayence Enchères
      • Montien Boonma (1953-2000), Melting Void, dessin
        Jun. 21, 2015

        Montien Boonma (1953-2000), Melting Void, dessin

        Est: €3,000 - €4,000

        Montien Boonma (1953-2000), Melting Void, dessin

        Pays de Fayence Enchères
      • MONTIEN BOONMA, (THAI, 1953-2000), UNTITLED
        Nov. 02, 2014

        MONTIEN BOONMA, (THAI, 1953-2000), UNTITLED

        Est: $4,000 - $6,000

        MONTIEN BOONMA (thai, 1953-2000)/span UNTITLED Signed bottom left, oil on canvas. 40 x 30 in. (101.6 x 76.2cm) provenance: /spanWally Findlay Gallery, New York, New York. Private Collection. By descent in family to current owner.

        Freeman's
      • MONTIEN  BOONMA
        Apr. 06, 2013

        MONTIEN  BOONMA

        Est: $50,000 - $70,000

        B.1953 ABSTRACT  FLOWERS Signed Oil  on  canvas 102  by  76  cm.;  40  by  29  3/4    in.

        Sotheby's
      • MONTIEN BOONMA (Thailand 1953-2000)
        May. 29, 2005

        MONTIEN BOONMA (Thailand 1953-2000)

        Est: $8,000 - $16,000

        Street scene II signed and dated in Thai 'Montien, 12' (lower right) ink on paper 15 x 21 in. (39 x 54 cm.)

        Christie's
      • MONTIEN BOONMA (Thailand 1953-2000)
        May. 29, 2005

        MONTIEN BOONMA (Thailand 1953-2000)

        Est: $8,000 - $16,000

        Street scene I signed and dated in Thai 'Montien, 12' (lower right) ink on paper 15 x 21 in. (39 x 54 cm.)

        Christie's
      • MONTIEN BOONMA (Thailand 1953-2000)
        Sep. 30, 2001

        MONTIEN BOONMA (Thailand 1953-2000)

        Est: $6,600 - $8,800

        Mother and child acrylic on canvas 49 x 34 in. (125 x 87 cm.) NOTES Mother and Child stands as testament to Montien Boonma's talent to straddle the span between European Post-Modernism and a Thai context. Montien's work can be read from a different perspective when the artistic interpretative language suits the viewer in question. It is when a word in a foreign language sounds nearly like certain words in our native tongue, but the meaning is totally different. Montien's Mother and Child speaks in a Post-Modern vocabulary to explain the traditional Thai culture; he has adopted such an international renowned theme dating back to the Early Italian Renaissance to speak the indigenous language. The theme unifies rather than discriminates between a Western and an Asian context because the theme of Mother and Child has come to be viewed from a social and not merely religious context. The figure of the mother is unidentifiable and thus the viewer is not to be drawn to her exact particularities but to the bold form of motherhood, which she epitomises. Montien's careful placement of geometric forms, framing the two human figures do not act as a foil as one would expect but compliment the depicted mother and her infant.

        Christie's
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