Orazio Borgiani Paintings & Artwork for Sale | Orazio Borgiani Art Value Price Guide

Oct. 09, 2024
Landscape with Waterfall, Attributed to Orazio Borgianni (Roma, h. 1575-1616)
Est: €10,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Sep. 12, 2024
Landscape with Waterfall, Attributed to Orazio Borgianni (Roma, h. 1575-1616)
Est: €10,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Jul. 18, 2024
Landscape with Waterfall, Attributed to Orazio Borgianni (Roma, h. 1575-1616)
Est: €10,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Jul. 02, 2024
ORAZIO BORGIANNI (CIRCA 1578-1616). The Lamentation. Plate & Sheet 237 x 22
Est: - £2,500
ORAZIO BORGIANNI (CIRCA 1578-1616). The Lamentation. Plate & Sheet 237 x 222 mm..
Christie's
Jun. 14, 2024
Borgiani, Orazio
Est: €200 - €350
Borgiani, Orazio (1578-1616). Gott erscheint Isaak. Kupferätzung nach Raffael, monogr. und dat. 1615. 13,9:17,6 cm. Bartsch 17, 316, 7. Zum Monogramm: Nagler, Monogr. III, 683. Bis Bildrand beschnitten, altmontiert auf Papierunterlage.
Schneider-Henn
Dec. 07, 2023
ORAZIO BORGIANNI (ROME 1576⁄8-1616) - The Death of Lucretia
Est: £400,000 - £600,000
ORAZIO BORGIANNI (ROME 1576⁄8-1616) The Death of Lucretia oil on canvas 55 ½ x 38 1⁄8 in. (140.8 x 96.8 cm.)
Christie's
Nov. 28, 2023
Orazio Borgianni, San Cristoforo con Gesù Bambino sulle spalle. 1614-1616 ca.
Est: €240 - €480
Orazio Borgianni, San Cristoforo con Gesù Bambino sulle spalle. 1614-1616 ca. Acquaforte. mm 385x288. Bartsch, XVII, 53. Firmata al margine inferiore a destra sotto la dedica a Juan de Lezcano segretario di De Castro, ambasciatore spagnolo a Roma. Buona prova nel II stato di 2 con l'indirizzo di De Rossi, su carta vergellata lievemente spessa con filigrana "santo inginocchiato con piccola croce entro scudo stretto" (Woodward, 25. Macerata 1618). (1)
Gonnelli Casa d'Aste
Jul. 26, 2023
Landscape with Waterfall, Attributed to Orazio Borgianni
Est: €9,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Jul. 10, 2023
Orazio Borgianni (1578 Rome – 1616), Saint Christopher
Est: €10,000 - €20,000
A rocky landscape with a river lying behind the boulder that Christopher is about to climb. Christopher carries a small baby Jesus on his bent neck with a large visible cosmic sphere behind him. In contemporary expertise, Delpriori describes plausible comparisons, for example with a Saint Christopher by the same painter in the Prado in Madrid and a similar depiction in the Scottish National Gallery in Edinburgh and a copper engraving depicting Saint Christopher. While the landscape is largely monochrome, the clothes of Christopher and the Infant Jesus stand out in color, glowing crimson and blue towards the viewer. Delpriori lists five known (?) versions of the same subject, namely the version shown in the expert at the National Gallery of Scotland in Edinburgh, another was offered at Christie's in June 2020 under number 34, another version is in the Berlin Picture Gallery, another in an English private collection, and altarpiece near Seville, Spain. All these variants are slightly different and are dated around 1606-1610.
Fine Antiques Prague s.r.o.
May. 23, 2023
Orazio Borgianni, San Cristoforo con Gesù Bambino sulle spalle. 1614-1616 ca.
Est: €240 - €480
Orazio Borgianni, San Cristoforo con Gesù Bambino sulle spalle. 1614-1616 ca. Acquaforte. mm 390x294. Foglio: mm 394x296. Bartsch, XVII, 53. Firmata al margine inferiore a destra sotto la dedica a Juan de Lezcano segretario di De Castro, ambasciatore spagnolo a Roma. Ottima prova nel I stato di 2 avanti l'indirizzo di De Rossi, su carta vergellata pesante priva di filigrana. Lievemente sdoppiata l'iscrizione alle due righe finali nel margine inferiore. (1)
Gonnelli Casa d'Aste
May. 03, 2023
Orazio Borgianni
Est: €15,000 - €20,000
(Rome 1574–1616) Saint Francis at prayer, oil on panel, 60 x 45.4 cm, framed We are grateful to Gianni Papi for confirming the attribution of the present painting and for his help in cataloguing this lot. This impressive painting representing Saint Francis at prayer, in a state of heightened emotion, with tears running visibly down his cheeks, is a characteristic work of Oriazio Borgianni’s Spanish period. The saint is shown in half-length and the brushwork together with the style of depicting the saint’s features and hands is very close to those in the Saint Francis receiving the stigmata conserved in the Prado, Madrid (inv. no. P006997) and to those in the Crucifixion in the Bishop’s Palace in Toledo (see G. Papi, Orazio Borgianni, Soncino 1993, p. 154, fig. 3). The artistic, figurative culture prevalent in Emilia in Borgianni’s formative years is evident in the present work, in particular the work of Lelio Orsi and of the young Ludovico Carracci. Elements from Correggio and the influence of Parmigianino are derived from the paintings of Ludovico Carracci, and were sufficiently apparent to lead the scholar, Cesare Brandi, to suggest that Borgianni may have stayed in Parma (see C. Brandi, Disegno della pittura in Italia, Torino 1980, pp. 466–468). These influences intensified as soon as the painter reached Spain due to the influence of the paintings of El Greco and his circle. The exact date of the artist’s Spanish sojourn cannot yet be defined with certainty, but it can be presumed that he arrived between 1597 and 1598. However, he was in Spain on 9 January 1605 according to his signature in the inventories of the Marquis Poza, and he was back in Rome by 27 June 1606 (for these biographic details, see G. Papi, Orazio Borgianni. Un genio inquieto nella Roma di Caravaggio, exhibition catalogue, Milan 2020, pp. 165–67). In Spain, Borgianni worked for the nobility and court officials in various important localities including Pamplona, Toledo, Madrid and Saragozza (see H. E. Wethey, Orazio Borgianni in Italy and in Spain, in: The Burlington Magazine, vol. 106, no. 733, April 1964, p. 149). On his return to Italy he was able to create an entirely personal synthesis of the diverse figurative cultures to which he had been exposed, combining the pictorial space of Correggio with Venetian colour filtered through his experience of El Greco and the Spanish tenebrists. It is not incidental that Bellori was to compare him to one of the great masters of Italian painting, Giulio Romano.
Dorotheum
Mar. 31, 2023
ORAZIO BORGIANNI
Est: CHF400 - CHF600
ORAZIO BORGIANNI (1574 Rome 1616) The Lamentation of Christ. Circa 1612/15. Etching on laid paper without watermark. 23.5 x 22.2 cm (sheet size). Bartsch 2; Bellini 14 III - An even, clear impression, mainly trimmed to the borderline. The paper with even subtle browning and light traces of wear mainly in the lower margin. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a. --------------- ORAZIO BORGIANNI (1574 Rom 1616) Die Beweinung Christi. Um 1612/15. Radierung auf Bütten ohne Wz. Unterhalb der Darstellung gestochen gewidmet, signiert und bezeichnet: Jo: Jacomo de Rossi formis Romae alla Pace. 23,5 x 22,2 cm (Blattgrösse). Bartsch 2; Bellini 14 III. - Gleichmässiger, klarer Druck, überwiegend auf die Einfassungslinie geschnitten. Das Papier gleichmässig dezent gebräunt und mit leichten Gebrauchsspuren überwiegend im unteren Schriftrand. Provenienz: - Sammlung Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a. ---------------
Koller Auctions
Jan. 31, 2023
ATTRIBUTED TO ORAZIO BORGIANNI (ROME C.1575-1616) The Crucifixion oil on paper, laid down on panel, shaped 20 3/8 x 13 1/2 in (51.7 x 34.3 cm) 75
Est: $40,000 - $60,000
ATTRIBUTED TO ORAZIO BORGIANNI (ROME C.1575-1616) The Crucifixion oil on paper, laid down on panel, shaped 20 3/8 x 13 1/2 in (51.7 x 34.3 cm)
Christie's
Nov. 17, 2022
ORAZIO BORGIANNI (Rome, 1578 - 1616), ATTRIBUTED TO
Est: €500 - €700
Study of a Saint Charcoal on brown paper, cm. 34,5x22. Framed. PROVENANCE: Maurizio Marini collection, Rome.
Bertolami Fine Art s.r.l.
Jul. 20, 2022
LANDSCAPE WITH WATERFALL, ATTRIBUTED TO ORAZIO BORGIANNI
Est: €9,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Jun. 30, 2022
Orazio Borgianni, 1574 Rom – 1616 ebenda, zugeschrieben
Est: €8,000 - €14,000
STUDIE EINES MÄNNERKOPFES Öl auf Papier, auf Holzplatte. 42 x 31 cm. In Nahsicht Kopf und Gesicht eines älteren Mannes mit gesenktem Kopf, dunklen schütteren Haaren, einem grauen Bart, die Augen wohl ganz geschlossen sowie mit zusammengezogenen Augenbrauen und faltiger Stirn. Das Licht fällt von rechts herab und beleuchtet insbesondere die Stirn und eines Seite des Bartes, während die rechte Gesichtshälfte des Mannes verschattet bleibt. Malerei in der typischen Manier des genannten Malers, insbesondere was die Art der Wiedergabe der Augenbrauen betrifft. Das Gemälde kan in Verbindung gebracht warden mit zwei Arbeiten des Künstlers von Philosophen, aufbewahrt im Museo di Casa Martelli in Florenz. Der Autor Papi ordnet die Martelli-Philosophen in die Spätphase des Malers, ca. 1608-1615, zu.Teils rest. Literatur: Vgl. G. Papi, Orazio Borgianni, Edizioni dei Soncino, 1993. Vgl. M. Gallo, Orazio Borgianni Pittore Romano (1574-1616) e Francisco De Castro Conte di Castro, Rom, 2006. (1280411) (18)
Hampel Fine Art Auctions
Jun. 10, 2022
ORAZIO BORGIANNI (ROME 1576/8-1616) The Death of Lucretia oil on canvas 55
Est: $1,500,000 - $2,500,000
ORAZIO BORGIANNI (ROME 1576/8-1616) The Death of Lucretia oil on canvas 55 1/2 x 38 1/8 in. (141 x 96.8 cm.)
Christie's
May. 31, 2022
Atelier di Orazio Borgianni (Roma 1576-1616) - Saint Christophe
Est: €14,000 - €20,000
oil on canvas on the back wax seal with noble coat of arms
Finarte
May. 13, 2022
ORAZIO BORGIANNI (Rome, 1578 - 1616), ATTRIBUTED TO OR CIRCLE OF
Est: €6,000 - €8,000
Lamentation over the dead Christ Oil on canvas, cm. 71x104,5
Bertolami Fine Art s.r.l.
Feb. 24, 2022
LANDSCAPE WITH WATERFALL, ATTRIBUTED TO ORAZIO BORGIANNI
Est: €9,000 - €12,000
Oil on canvas. (Rome, ca. 1575-1616). Italian painter and engraver. His training takes place fundamentally in Rome, where he is interested both in the examples of classical antiquity and in the naturalism of Caravaggio. In 1598 he is already in Spain, and in 1601 he is in Pamplona. In June 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in Madrid. Probably three of the works in the Prado correspond to this first Spanish stage: Christ crucified, Saint Francis receiving the stigmata and Saint Christopher. Between 1603 and 1604 he is again in Italy, but in 1605 he returns to Spain, where he remains until 1607, the year of his definitive return to Rome, where he will remain until his death. His stays in Spain provided him with a clientele that continues to demand commissions from him even after his return to Italy; this is how the works for the Valladolid monastery of Porta Coeli are understood. In them, Borgianni carried out some canvases of clear Caravaggio ancestry, an influence that was felt in the Roman painter especially from 1604, and despite the personal differences between the two artists. In 1610 he is appointed a member of the Academy of Virtuosi of the Pantheon. There are four canvases by Borgianni in the inventories of the Museo del Prado. Christ crucified comes from the Museum of the Trinity, while Saint Francis receiving the stigmata and Saint Christopher are modern acquisitions, from 1984 and 1988, respectively. Reference bibliography: Wethey, Harold Edwin, “Orazio Borgianni in Italy and Spain”, The Burlington Magazine, London, 1964, pp. 147-159. Longhi, Roberto, “Orazio Borgianni” [1919], Edition of the Complete Works, Florence, Sansoni, 1961, t. I, pp. 111-128. Francischi Osti, O., "The testament of Orazio Borgianni", Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 133 x 98 cm Quaderni di Emblema, Miscellanea / 2, Bergamo, 1973, pp. 97-102. Bottari, Stefano, "An Early Work of Orazio Borgianni", Art Critic, Florence, 1936, pp. 141-142. Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 240-24. Total measurements (without frame): 131 x 94
Templum Fine Art Auctions
Oct. 08, 2021
29 PRINTS.
Est: €100 - €200
Various techniques, sizes and conditions. - 1-2. 2 copper-engr. by Orazio Borgiani (1574-1616). - 3-11. 9 portrait engravings of Th. Beza, J.J. Grynaeus, etc. - 12-13. 2 still lifes with flowers. - 14-20. 7 engr. with bucolic landscapes or genre scenes after Dirk Hals, Jacob van Ruisdael, etc. - 21-22. 2 engr. by Hervier, 1 signed "Hervier" mirrored (Adolphe Hervier?), in the same style as "Le Potiron", published in "Paris à l'eau-forte" (129, 17 october 1875). - 23. Bartsch, A. von. After Adriaen van de Velde - Rider and shepherd with cattle on dirt road. Ref. Bartsch 21. - 24-29. 6 topogr. views.
Arenberg Auctions
Jun. 16, 2021
Orazio Borgianni (Roma 1575-1616), attribuito a, Martirio di Sant’Agata
Est: €8,000 - €10,000
olio su tela, cm 169x126
Cambi Casa d'Aste
Jun. 10, 2021
Borgiani, Orazio
Est: €250 - €300
Borgiani, Orazio (1578-1616). Gott erscheint Isaak. Kupferätzung nach Raffael, monogr. u. dat. 1615. 13,9:17,6 cm. Bartsch 17, 316, 7. Zum Monogramm: Nagler, Monogr. III, 683. – Bis Bildrand beschnitten, altmontiert auf Papierunterlage.
Schneider-Henn
May. 25, 2021
Atelier di Orazio Borgianni (Roma 1576-1616) - Saint Christopher
Est: €20,000 - €40,000
oil on canvas
Finarte
Mar. 25, 2021
Orazio Borgianni, 1578 Rom - 1616
Est: €45,000 - €65,000
DER HEILIGE CHRISTOPHORUS Öl auf Leinwand. Doubliert. 116 x 83 cm. Beigegeben in Kopie eine Expertise von Alessandro Delpriori, Florenz. Felsige Landschaft mit einem, hinter einem Felsblock liegenden Fluss, aus dem soeben Christophorus im Begriff ist zu steigen und auf seinem gebeugten Nacken das Christuskind mit dahinterliegender großer sichtbarer Weltenkugel trägt, in seiner rechten Hand einen Baum. In der vorliegenden Expertise zieht Delpriori einleuchtende Vergleiche, etwa zu dem Heiligen Christophorus des gleichen Malers im Prado in Madrid sowie einer gleichen Darstellung in der National Gallery of Scotland, Edinburgh, und einer Christophorus-Darstellung nach diesem Künstler als Kupferstich. Während die Landschaft weitesgehend monochrom dargestellt ist, sticht besonders die Kleidung des Christophorus und des Christuskindes farblich heraus und glänzt dem Betrachter in Karmesinrot und Blau entgegen. Delpriori erwähnt fünf bekannte (?) Versionen des gleichen Themas, nämlich die in der Expertise genannte Version in der National Gallery of Scotland in Edinburgh, eine weitere wurde bei Christie´s im Juni 2020 unter Lot 34 angeboten, eine weitere Version befindet sich in der Gemäldegalerie Berlin, eine weitere in einer englischen Privatsammlung und ein Altarblatt in der Nähe von Sevilla, Spanien. All diese Varianten unterscheiden sich ein wenig und sind um 1606-1610 zu datieren. Literatur: Vgl. Ausstellungskatalog, Gianni Papi, Orazio Borgianni, un genio inquieto nella Roma di Caravaggio, Rom 2020, S. 98-101. (1261282) (13) Orazio Borgianni, 1578 Rome - 1616 SAINT CHRISTOPHER Oil on canvas. Relined. 116 x 83 cm. A copy of the expert’s report by Alessandro Delpriori, Florence, is enclosed. Literature: Compare exhibition catalogue, G. Papi, Orazio Borgianni. Un genio inquieto nella Roma di Caravaggio, Rome 2020, pp. 98-101.
Hampel Fine Art Auctions
Jan. 23, 2021
Nachfolger von Orazio Borgianni
Est: -
Nachfolger von Orazio Borgianni (italienischer Maler der manieristischen und frühbarocken Zeit, um 1578 - 1616), Beweinung Christi, 17. Jh., Öl auf Leinwand, Maße: 64 x 79 cm. Das vorliegende Gemälde folgt Orazio Borgiannis Pieta von Fondazione Longhi in Florenz, eine weitere Kopie befindet sich in der Galleria Spada in Rom. Kunstbestand Conzen.
Auktionshaus Demessieur
Dec. 15, 2020
ÉCOLE ITALIENNE FIN DU XVIIe SIÈCLE. ATTRIBUÉ A ORAZIO BORGIANNI (1574-1616). Étude d’un c
Est: €600 - €800
ÉCOLE ITALIENNE FIN DU XVIIe SIÈCLE. ATTRIBUÉ A ORAZIO BORGIANNI (1574-1616). Étude d’un cavalier tatar. Aquarelle, conservée dans un encadrement ancien en bois doré. Rousseur, usure du temps au cadre. À vue : H. : 26 cm – L. : 18,5 cm. Cadre : H. : 37,5 cm – L. : 27,5 cm.
Coutau-Begarie
Aug. 01, 2020
Old Masters, Orazio Borgianni, 1574–1616 St. Christopher with the Baby Jesus
Est: €150,000 - €200,000
Orazio Borgianni, born in Rome, was trained by his brother Giulio Borgianni. He grew up painting under the pontificate of Pope Sixtus V (1585–1590). In 1593 he went to Sicily and then spent several years in Spain until he returned to Rome in 1606 and met the Caravaggism that shaped him. Its most productive phase was between 1605 and 1616. Under a dramatic cloudy sky, the giant Christophorus crosses the course of the river in a wild mountain landscape, the little Jesus child on his shoulders, who is getting heavier and heavier than the world, as Christophorus says to the child. This replied to him that he had borne not only the world, but also the creator of the world (Legenda aurea). The dialogue between the two is expressed in the turns of the head and the touching gesture of the baby Jesus, who puts his hand on the giant's head. Orazio Borgiannis has painted the figures in bright colors and gives Christophorus a dynamic physical expressiveness that reveals determination and willpower to the viewer and reminds one of the examples of Titian's fresco from 1524 in the Doge's Palace in Venice. Borgianni's creative and expressive way of painting with his mystical color tone and the speaking emotional world rightly show that Oriazio Borgianni is one of the best Roman painters of his time. Orazio Borgianni composed the composition of St. Christophorus repeated several times (see report by A. Delpriori). According to A. Delpriori, several versions are considered to be autographs: The painting in the National Gallery Edinburgh, from a private collection auctioned at Christie's (paintings and sculptures by old masters, online, 2-19 June 2020, lot no. 34), an in an English private collection and above all a large altarpiece in Spain, in Gelves near Seville. There is also an etching after the composition, made by Giovanni Giacomo de Rubeo (copy among others in the British Museum), after which copies were made. While the previously known authentic versions are night scenes, the version presented here plays during the day under a dramatic sky, where the sun breaks through the clouds. It shows a background similar to that in the etching. Another difference to the nightly versions is the expansion of the image field upwards. The tree trunk that Christophorus uses ends in a palm crown. The newly emerged version is closer to Roman art in the late 16th century than to Caravaggism in the early 17th century. Another interpretation of the subject by Borgianni is in the Prado in Madrid. Here the scene also takes place during the day and the palm crown of the tree trunk is just hinted at at the top of the picture.
Fine Antiques Prague s.r.o.
Jun. 19, 2020
Orazio Borgianni (Rome c. 1575-1616) Saint Christopher Carrying the Infant Christ
Est: $80,000 - $120,000
Orazio Borgianni (Rome c. 1575-1616) Saint Christopher Carrying the Infant Christoil on canvas381⁄8 x 287⁄8 in. (97 x 73.5 cm.)
Christie's
Jun. 17, 2020
Raffael Santi
Est: €250 -
(1483-1520), nach. Gott erscheint Isaak. Kupferätzung von Orazio Borgiani (1578-1616), monogr. u. dat. 1615. 13,9:17,6 cm. – Bartsch 17, 316, 7. Zum Monogramm: Nagler, Monogr. III, 683. – Bis Plattenrand beschnitten, altmontiert auf Papier.
Schneider-Henn
Dec. 05, 2019
Borgianni, Orazio (Rom 1576-1616)
Est: €30,000 - €36,000
Selbstporträt 1602-06 Brustbildnis in schwarzem Rock und Spitzenkragen. Auf dem mit Orientteppich bedecktem Tisch Pinsel und Farbpalette. Auf Staffeleikante lateinischer Spruch: "QVO MAGIS RIMOR, MAGIS MIROR". Lwd. (doubl.) 71×50 cm. R. Vgl. Gianni Papi. Orazio Borgianni, 1993, S. 106-107 u. 156; Hermann Voss: alcuni inediti di Orazio Borgianni. In: Antichità viva, I, 1962, 2, S. 9-12. Provenienz geprüft durch: The Art Loss Register. Das Selbstbildnis zeigt den römischen Maler Orazio Borgianni im Alter von ca. 25 Jahren; entstanden wahrscheinlich kurz nach seiner Rückkehr aus Spanien, wo er lange gelebt und gewirkt hatte. Das Porträt wurde von Hermann Voss 1962 Borgianni zugeschrieben, nachdem die späteren Übermalungen am Kleid, Kragen und im Hintergrund entfernt wurden, wodurch das Bild wieder seinen originalen Charakter erlangte. (58667)
Leo Spik
Jun. 02, 2019
"The Last Supper" Etching After Raphael By Orazio Borgianni
Est: $100 - $250
Etching of "The Last Supper" after Raphael, by Orazio Borgianni. Signed by artist and framed and matted.
Lettieri Auction & Appraisal
Jan. 16, 2019
Orazio Borgianni (1578-1616) 'Expulsion from the Garden' and 'Moses Presenting the Tablets', Two etchings.
Est: $200 - $400
Orazio Borgianni (1578-1616) 'Expulsion from the Garden' and 'Moses Presenting the Tablets', Two etchings. Largest sheet dimensions: h: 6 1/2 x w: 7 1/8 in.
Gray's Auctioneers
Nov. 18, 2018
ORAZIO BORGIANNI (1574–1616) - Lamentation
Est: Kč625,000 - Kč750,000
Oil on canvas. 76 x 140 cm. Orazio Borgianni was a prominent Italian painter, but he is also known for his etchings. He was born in Rome but spent a large part of his life in Spain. His painting style is a synthesis of the Carracci family and the tenebrism of Caravaggio, which is most evident in the paintings of San Carlo Borromeo in the Church of San Carlo alle Quattro Fontane (1612) and then in the painting of the same saint from 1616, which is now in the Hermitage in St. Petersburg.
Arcimboldo Auctions
Jul. 05, 2018
17th century Italian School, attributable to Orazio Borgianni (1575 - 1616) "Saint Gregory the Great as Pontiff and Doctor of the Church"
Est: €12,000 - €18,000
17th century Italian School, attributable to Orazio Borgianni (1575 - 1616) "Saint Gregory the Great as Pontiff and Doctor of the Church" Oil on canvas. Circa 1610 - 1616. Painting of great quality and accomplished Baroque naturalism. The light at the left side of the picture shines on the saint´s face and the magnificent cape which forms deep folds and falls to the bottom of the canvas. The mastery of the artist can best be appreciated in this treatment of the materials and brocades, which faithfully reproduces the textures, giving a great feeling of volume to the figure. The formal scene and composition have great similarities to the Saint Gregory which is kept at the chapterhouse in Huesca. The painter of this Saint Gregory is unknown. However, there are other paintings with the same name and of the same period which can throw some light on some aspects of the painter. In Spain there are at least three paintings in the same series, identical to this one, of the Fathers of the Church. There is the one kept at the Prado Museum, which was previously attributed by A. L. Mayer to Herrera el Viejo, but is now catalogued as anonymous, 17th century Italian. There is also one at the Episcopal Museum and chapterhouse in Huesca, which Ms. M. C. Lacarra Ducay y C. García listed in the museum catalogue in 1984 as being from the Caravaggio circle, and there is one at Santa María de Palacio, in Logroño. This concentration of three of the best of the series in Spain suggests, according to Ismael Gutiérrez Pastor "that the possibility could be considered that the artist is an Italian painter working in the Spanish sphere. In this case, the figure of Orazio Borgianni fits perfectly with the stylistic and historical circumstances which appear in these paintings. Borgianni spent time in Spain at least twice: from 1595 - 1603 and from 1604 - 1605, with a short stay in Rome in between, and a return to the papal city after 1605, after which his originally mannerist style transforms, under the influence of Caravaggio. In the case that this series of paintings can be attributed to Borgianni, they will be paintings from after his definitive return to Italy, however, the painter never lost contact with his Spanish clientele, and that is why he became one of the first propagators of Caravaggio´s style in Spain." 182 x 100 cm.
La Suite Subastas
Mar. 25, 2017
Der heilige Christophorus reicht dem Jesuskind sei
Est: -
Der heilige Christophorus reicht dem Jesuskind seine HandRömischer Manierist, A. 17. Jh.Öl/Holz. 48 x 36 cm. - Die Aufnahme des Jesusknaben als Darstellung sehr selten; ähnliche Männertypen des Christophorus finden sich im Werk von Orazio Borgianni (1574-1616).
Kunstauktionshaus Schlosser
Jan. 27, 2017
ORAZIO BORGIANNI | A study of a woman, head and shoulders, possibly Saint Mary Magdalene
Est: $30,000 - $50,000
oil on canvas
Sotheby's
Dec. 15, 2015
Orazio Borgianni, (Italian, 1578-1616), St. Christopher
Est: $1,000 - $2,000
Orazio Borgianni (Italian, 1578-1616) St. Christopher etching 15 3/8 x 11 1/2 inches.
Hindman
Apr. 29, 2015
CIRCLE OF ORAZIO BORGIANNI (Rome 1578-1616) The Crucifixion
Est: -
CIRCLE OF ORAZIO BORGIANNI (Rome 1578-1616) The Crucifixion
Bonhams
Nov. 08, 2012
"God Creating Eve From Adam's Rib", Orazio Borgianni (Italian c.1578 - 1616)
Est: $200 - $400
After Raphael, etching on paper with monogram and date 1615. Ref: Bartsch XVII pp. 315ff (53, of which 52 are the Raphael Bible), Bury, p.223. Painter and etcher, he was active in Rome. Prints are apparently all made around 1615. Impression 5-5/8" x 6-7/8", with wide upper and lower margins, overall 8-1/8" x 7". View on AspireAuctions.com"
Aspire Auctions Fine Art & Antiques
Jul. 04, 2012
ORAZIO BORGIANNI
Est: £400,000 - £600,000
THE PROPERTY OF A LADY ROME 1574 - 1616 CHRIST AMONGST THE DOCTORS oil on canvas 78.2 by 104.6 cm.; 30 3/4 by 41 1/4 in.
Sotheby's
May. 02, 2012
Attributed to Orazio Borgianni (Rome 1578-1616)
Est: £2,000 - £3,000
A sacrifice oil on canvas 75.6 x 98.2cm (29 3/4 x 38 11/16in).
Bonhams
Feb. 04, 2012
Borgiani, Orazio
Est: - €120
Borgiani, Orazio (1577/78 Rom 1616). Die Tiere verlassen die Arche Noah. Radierung auf festem Papier, 1615. 15,2 x 16,8 cm. Mit Monogr. "HB " u. Datum re. oben über d. Tür. Unter Passep. mont. Nagler, Monogr. III, 683. Wohl aus der Folge von 52 Blättern nach den Loggien des Raffael. - Ränder tls. knapp beschn. Außen etw. braunfl. - +Dazu: Giuseppe Pesta+ (18. Jh.) zugeschr. Anbetung der Hirten. Rad. 19,7 x 26,7 cm. Li. unten mit Namensz. "Pesta
Kiefer Buch- und Kunstauktionen
Apr. 02, 2008
The Lamentation (B. 2)
Est: £1,000 - £1,500
Orazio Borgiani (1578-1616) The Lamentation (B. 2) etching, 1612, a good impression of this rare print, as usual printing somewhat unevenly, trimmed to or just inside the platemark, a repaired tear in the cloak above the woman's head at right, some foxing, a few small backed patches only visible verso S. 235 x 222 mm.
Christie's
Apr. 25, 2007
The Agony in the Garden
Est: £4,000 - £6,000
Attributed to Orazio Borgianni (Rome c. 1575-1616) The Agony in the Garden oil on canvas 13 5/8 x 12¼ in. (34.6 x 31.1 cm.)
Christie's