Francesco Botticini Paintings & Artwork for Sale | Francesco Botticini Art Value Price Guide

Nov. 13, 2024
Francesco di Giovanni known as Francesco Botticini Florence 1446-Florence 1498 Pietà
Est: €5,000 - €7,000
Francesco di Giovanni known as Francesco Botticini Florence 1446-Florence 1498 Pietà Provenance: Sotheby's "Old Masters Paintings", lot 63, 18 May 2006 tempera and gold leaf on panel 41x30 cm - with frame 50x37 cm formerly Christie's London 11 July 2008, auction 5431, lot 71
Casa d'aste ARCADIA
Oct. 15, 2020
Francesco Botticini (Florence 1446-1498) - Saints Anne and Joachim
Est: $30,000 - $50,000
Francesco Botticini (Florence 1446-1498) Saints Anne and Joachim tempera and gold on panel, unframed, a fragment 8 ½ x 5 3/8 in. (21.6 x 13.5 cm.)
Christie's
Feb. 12, 2019
Francesco BOTTICINI Florence, 1446 - 1498 Pietà Huile sur panneau, diminué dans les angles supérieurs
Est: €6,000 - €8,000
Francesco BOTTICINI Florence, 1446 - 1498 Pietà Huile sur panneau, diminué dans les angles supérieurs h: 41 w: 29 cm Provenance : Vente anonyme ; Londres, Christie's South Kensington, 11 juillet 2008 , n° 71 Estimation 6 000 - 8 000 €
Artcurial
Jun. 15, 2016
ATTRIBUE A FRANCESCO BOTTICINI (FLORENCE 1446 - 1498)LA VIERGE DE L'ADORATION (FRAGMENT)
Est: €15,000 - €20,000
ATTRIBUE A FRANCESCO BOTTICINI (FLORENCE 1446 - 1498) LA VIERGE DE L'ADORATION (FRAGMENT) Panneau de peuplier, deux planches, renforcé Restaurations anciennes 43,5 X 32 CM - 17 1/8 X 12 5/8 IN. The adoration of the Virgin (fragment), poplar panel.
Tajan
Jul. 03, 2013
FRANCESCO BOTTICINI
Est: £150,000 - £200,000
PROPERTY FROM AN ENGLISH PRIVATE COLLECTION FLORENCE 1446 - 1497 THE MADONNA AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST IN A LANDSCAPE oil on a single poplar panel, a tondo diameter: 71 cm.; 28 in
Sotheby's
Nov. 01, 2012
Follower of Francesco Botticini (Italian, 1446-1497) The Madonna and Child in a landscape diameter, 33in (83.8cm)
Est: -
The Madonna and Child in a landscape oil on panel diameter, 33in (83.8cm)
Bonhams
May. 30, 2012
Francesco Botticini (Firenze 1446-1498)
Est: €30,000 - €50,000
Francesco Botticini (Firenze 1446-1498) Madonna in adorazione del Bambino tempera su tavola 73x44,8 cm
Christie's
Jan. 26, 2011
Francesco Botticini (Florence 1446/47-1498)
Est: $150,000 - $250,000
Francesco Botticini (Florence 1446/47-1498) The Madonna and Child enthroned in a niche tempera and gold on panel 27¾ x 17¾ in. (70.5 x 45.1 cm.)
Christie's
Sep. 17, 2010
BOTTICINI, FRANCESCO (ATTRIBUTED TO) (1446
Est: CHF50,000 - CHF70,000
BOTTICINI, FRANCESCO (ATTRIBUTED TO) (1446 Florence 1497) Madonna and Child with the Infant Saint John the Baptist. Tempera and gold on panel. 68 x 47.5 cm. BOTTICINI, FRANCESCO (ZUGESCHRIEBEN) (1446 Florenz 1497) Madonna mit Christusknaben und Johannes dem Täufer. Tempera und Gold auf Holz. 68 x 47,5 cm. Die Komposition dieser Darstellung ist von Andrea del Verrocchios Madonna mit dem Kind in der National Gallery, London inspiriert. Die Figur der Maria greift wiederum auf das Gemälde von Biagio d'Antonio (ebenfalls inspiriert von Verrocchio) im Musée des Beaux-Arts in Budapest zurück.
Koller Auctions
Jul. 25, 2010
Francesco Botticini (Florentine, 1446-1497)
Est: $150,000 - $300,000
Francesco Botticini (Florentine, 1446-1497) "Madonna and Child (Madonna del Latte) with Two Angels", tempera on panel, 43-1/2" x 33-1/2". Presented in an antique Renaissance-style frame. Provenance: Private collection, Europe. Literature: Everett Fahy "Some Early Italian Pictures in the Gambier-Parry Collection", The Burlington Magazine, Vol. 109, No. 768, 1967, Moretti Gallery Pittori Attivi in Toscana dal Trecento al Settecento, Edizioni Polistampa, 2001. Francisco Botticini, an early Italian Renaissance painter, was the son of a painter of playing cards. He studied under Cosimo Roselli and Andrea del Verocchio. After a brief period as Neri di Bicci's assistant, he established his own workshop, known for its decorative work. From 1471 he was a member of the Confraternity of the Archangel Raphael at Santo Spirito and in 1472, Confraternity of St. Luke. His most famous painting is the "Assumption of the Virgin" now in the National Gallery, London. His style draws influences from his contemporaries, Sandro Botticelli, as seen in the composition and the treatment of the Madonna and angels in this particular painting, Domenico Ghirlandaio, Filippo Lippi and Andrea del Verrocchio. This panel was probably made for private worship and enjoyment which was widespread in the late fifteenth century.
St Charles Gallery
Jul. 11, 2008
The Pietà
Est: £7,000 - £10,000
Francesco Botticini (Florence 1446-1497) The Pietà tempera and gold on panel, shaped top 16 3/8 x 11¾ in. (41.6 x 29.8 cm.)
Christie's
May. 13, 2008
Francesco Botticini (Florentine, 1446-1497) THE
Est: £100,000 - £150,000
Francesco Botticini (Florentine, 1446-1497) THE VIRGIN AND CHILD WITH SAINT JAMES AND SAINT JOHN THE EVANGELIST Tempera on panel 55 x 56 ¼ in (140 x 143 cm.) Provenance: Stefano Bardini; his sale, Christie's, 7th June 1899, lot 356, as attributed to Botticini; bought by Leo Nardus (d.1955), Suresnes, near Paris; Arnold van Buuren, Haarlem; with him in 1925; bought by Mr and Mrs Peter Harris, 1955; with Peter Harris in 1963; with Clement Jeremy Harris in 1965; thence by descent. Exhibited: Birmingham, 'Italian Art', 1955, no. 22, as Botticini; Wildenstein & Co, London,'The Art of Painting in Florence and Siena from 1250 to 1500', Feb-April 1965, no. 62, as Botticini Literature: S.Reinach, 'Repertoire des Peintures', 1910, III , no. 339; Bernard Berenson, 1963, p. 146, pl.1055, as attributed to the Master of San Miniato; Lisa Venturini, 'Francesco Botticini', Edifir, Florence 1994, no. 26, p. 110, fig. 30; Everett Fahy, 'L'archivio fotografico storico di Stefano Bardini', Florence 2000 Further to the literature cited above, Everett Fahy of the Metropolitan Museum, New York, has kindly re-confirmed the autograph status of this work (written communication April 2008) Botticini began his apprenticeship in the workshop of Neri di Bicci in Florence at the age of thirteen, but stayed for only a short period; he later established his own workshop. The more significant influences on his work were Andrea Verrocchio, under whom he studied, Andrea del Castagno and, later, both Sandro Botticelli and Filippino Lippi. Indeed, an engraving of this composition was reproduced by Reinach as by Filippino. Many of the paintings now accepted as autograph Botticini works had been previously attributed to, among others,Verrocchio, Cosimo Roselli and the Master of San Miniato, to whom our picture was given by Berenson. The Three Archangels with Tobias of 1474, for instance, now in the Uffizzi, Florence, was believed to be by Verrocchio. Much of the earlier uncertainty in positively identifying Botticini's oeuvre was due to the lack of documented works. There is only one recorded commission, in 1484, from the Compagnia di Sant' Andrea for the Tabernacle of the Holy Sacrament for the Church of Sant' Andrea in Empoli, which was finally installed in 1491. It is now displayed in the Museo della Collegiata di Sant' Andrea in that city. There are clear similarities both in composition and detail between our picture and other altarpieces now accepted as by Botticini. The Madonna and Child with four Saints in the Musee Jacquemart-Andre in Paris (Venturini no. 20) depicts the Madonna in similar pose but facing left, with the Infant Christ standing on her lap, also in an architectural setting with stepped throne and trees seen beyond a high wall. A full condition report is available on request.
Sworders
Oct. 04, 2007
The Madonna and Child with Saint John the Baptist
Est: $50,000 - $70,000
Francesco Botticini Florence 1446/47-1498 The Madonna and Child with Saint John the Baptist tempera and gold on panel 19 5/8 x 14¼ in. 49.8 x 36.2 cm.
Christie's
May. 18, 2006
n - FRANCESCO BOTTICINI FLORENCE 1446 - 1497
Est: $60,000 - $80,000
PROPERTY SOLD WITHOUT RESERVE PIETÀ measurements note 16 1/4 by 11 3/4 in.; 41.3 by 29.9 cm. tempera and gold on shaped panel NOTE Everett Fahy has seen this painting firsthand and identified it as a late work by Botticini. The pose of the Virgin supporting the body of Christ is found in two other works by Botticini, one in the Musée Jacquemart-André, Paris and another, location unknown (see L. Venturi, Francesco Botticini, Florence 1994, reproduced figures 98 and 99).
Sotheby's
Apr. 26, 2001
Francesco Botticini
Est: £15,000 - £20,000
Francesco Botticini Florence 1446 - 1497 the madonna and child enthroned, flanked by two angels tempera on panel, gold ground, unframed 43.5 by 33.5 cm.; 17 by 13 1/4 in. The attribution is due to Everett Fahy who has inspected the painting in the original. He believes the painting to be a late work by the artist, datable to the early 1480s, comparable to the painting of The Madonna and Child with Angels formerly in the Gualino collection, Turin (L. Venturini, Francesco Botticini, Florence 1994, p. 120, cat. no. 56, reproduced fig. 91).
Sotheby's