Michel de (1638) Bouillon Paintings & Artwork for Sale | Michel de (1638) Bouillon Art Value Price Guide

Mar. 21, 2024
Michel de Bouillon, tätig 1628 – 1673, zugeschrieben
Est: €8,000 - €10,000
FRÜCHTE- UND BLUMENSTILLLEBEN MIT NAUTILUSPOKAL Öl auf Leinwand. Doubliert. 69 x 52 cm. Für die Autorschaft an den Künstler ist Dr. Fred Meijer zu danken. Vor braunem Hintergrund auf einer mit hellem Tuch bedeckten Tischplatte das prachtvolle edle Stillleben, bestehend aus einem hohen goldenen Prunkdeckelpokal, einem wertvollen Nautiluspokal, sowie einer wohl asiatischen weiß-blauen Porzellanschale, darin ein Blumenarrangement, unter anderem aus Anemonen, Narzissen, Ranunkeln und Hyazinthen. Vor den Pokalen ein Apfel und drei leuchtend gelbe Zitronen, eine mit angeschnittener Schale, die über die Tischkante hängt. Qualitätvolle Malerei mit starkem Hell-Dunkel-Kontrast, die auch an Arbeiten des Georg Johann Hinz (um 1630-1688) erinnert. (13916023) (1) (18)
Hampel Fine Art Auctions
Jun. 29, 2023
Michel de Bouillon, tätig 1628 – 1673, zugeschrieben
Est: €20,000 - €30,000
FRÜCHTESTILLLEBEN Öl auf Leinwand. Doubliert. 114 x 216 cm. Darstellung eines Prunktisches mit zahlreichen Früchten wie Melonen, Birnen, Pfirsichen und einer Fayence-Schale mit Aprikosen und davor liegenden Feigen und Trauben sowie Pflaumen. Links am Rand ein kleinerer Tisch mit Muschel- und Schneckengehäusen. Das Ensemble hinterfangen von einem roten Tuch, das auch die Tischoberfläche ziert und von Posamenten dekoriert wird, die sich wirkungsvoll vor einem leicht bewölkten Himmel abzeichnen. Provenienz: Sotheby’s, Monaco, 18. Juni 1992, Lot 43. (1362173) (1) (13) Michel de Bouillon, active1638 – 1673, attributed STILL LIFE OF FRUITS Oil on canvas. Relined. 114 x 216 cm.
Hampel Fine Art Auctions
Mar. 17, 2023
MICHEL DE BOUILLON (ACTIVE 1638-1674): LAVISH STILL LIFE WITH FRUITS, GLASSWARE AND SHELLS, OIL ON CANVAS
Est: €35,000 - €45,000
Work: 215 x 133,5 cm Frame: 234 x 133,5 cm The painter Michel Bouillon (de Bouillon) was born in Ere. Ca. 1638 he became a member of the painters guild of Tournai. Maybe he was in the sixties active in France. He died most probably in 1674. He is best known for still lifes. (link) Provenance: - Sotheby's, Monaco, Tableaux anciens et du XIXe siècle, June 18 1992, lot 43 (hammer price: FRF 190.000).
Coronari Auctions
Mar. 11, 2023
MICHEL DE BOUILLON (ATTR.) ANDACHTSBILD MIT DER HIMMELFAHRT DER HEILIGEN JUNGFRAU MARIA IN EINER STEINNISCHE UMRINGT VON BLUMENGIRLANDEN
Est: €3,000 - €6,000
ATTRIBUTED TO MICHEL DE BOUILLON 1638 Ere (Tournai) - After 1670 Tournai DEVOTIONAL PICTURE WITH THE ASSUMPTION OF THE HOLY VIRGIN MARY IN A STONE NICHE SURROUNDED BY FLOWER GIRALS Oil on canvas (old relined). 117 x 86 cm (F. 138 x 105 cm). Part. min. old rest., min. old retouching, slight rubbing and min. loss of colour (insignificant). Frame. Provenance: Westphalian private collection. MICHEL DE BOUILLON (ATTR.) 1638 Ere (Tournai) - Nach 1670 Tournai ANDACHTSBILD MIT DER HIMMELFAHRT DER HEILIGEN JUNGFRAU MARIA IN EINER STEINNISCHE UMRINGT VON BLUMENGIRLANDEN Öl auf Leinwand (altdoubl.). 117 x 86 cm (R. 138 x 105 cm). Part. min. altrest., min. Altretuschen, leichte Bereibungen und min. Farbverluste (unbedeutend). Rahmen. Provenienz: Westfälische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 07, 2022
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in flower border". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area.
Est: €7,000 - €8,000
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in a border of flowers". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area. Measurements: 75,5 x 55,5 cm; 107 x 86 cm (frame). In the centre of a profuse and sumptuous floral decoration is inscribed the long bust of a woman. The woman's pearly skin stands out against the dark tonality of the background. Her pious gaze and the accompaniment of the organ define the young woman as Saint Cecilia. It is worth mentioning that the scene is completed by the presence of a face above the organ, which is barely visible. This aesthetic play invites the viewer to think of a representation that goes beyond the portrait of the saint. The artist has given the painting an intuitive, unforced perspective, allowing the figures to breathe, their attitudes and gestures differing greatly. In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers as a framing and enhancing element for a central religious theme. Brueghel de Velurs was the initiator of this type of composition, particularly linked in his work to the depiction of the Virgin and Child. However, it was his pupil, the Jesuit Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. Aesthetically the work is related to the painting of Michel de Bouillon, firstly in its style and composition. Although Michel de Bouillon, as we can see from his catalogued works, was a painter of great quality and remarkable skill, we know little certainty about his biography. He is thought to have been born in Ere, near Tournai in present-day Belgium. In 1638 he joined the painters' guild of Saint Luke in Tournai, where he spent most of his career, as the archives of this institution indicate. There he executed a large ephemeral work as a solemn entrance arch for the arrival in the city of King Louis XIV of France in 1670, two years after his conquest of the city. Bouillon mainly painted still lifes and garlands of flowers, sometimes with religious scenes or grisaille imitating classical reliefs. He was also highly regarded for his still lifes of "vanitas". His works are to be found in museums and important private collections, such as "Garland of Flowers with Landscape and the Flight into Egypt" in the Musée des Beaux-Arts in Tournai, two still lifes with fish and birds in the Musée des Beaux-Arts in Bernay and a "Vase with Flowers, Fruit and Butterflies on an Architectural Background" in the Doucet collection in Paris. In Spain there is a "Still Life of Vanitas with a Vase" in the Royal Academy of Fine Arts of San Fernando, Madrid. Much of his work, however, remains unknown. This is primarily due to the fact that these works are not signed, and their high quality and stylistic closeness to other painters has led to his authorship being confused on numerous occasions with that of other contemporary masters such as Daniel Seghers. In fact, his compositions and the quality of the textures of the flowers, leaves and animals are very similar to those of Daniel Seghers. Although it is not certain that Bouillon was one of Seghers' collaborators, what is certain is that the painter was perfectly familiar with Seghers' work, as is evident from the influence that can be seen in his output. It is also thought possible that he had a certain relationship with the painters Jean Bouillon and Philippe de Champaigne.
Setdart Auction House
Mar. 11, 2022
MICHEL BOUILLON (ACTIVE 1638-1674): STILL LIFE WITH FLOWERS AND MELON, OIL ON CANVAS, 17TH C.
Est: €4,000 - €8,000
Work: 67,5 x 48,5 cm
Coronari Auctions
Jan. 13, 2022
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in flower border". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area.
Est: €30,000 - €35,000
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in a border of flowers". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area. Measurements: 75,5 x 55,5 cm; 107 x 86 cm (frame). In the centre of a profuse and sumptuous floral decoration is inscribed the long bust of a woman. The woman's pearly skin stands out against the dark tonality of the background. Her pious gaze and the accompaniment of the organ define the young woman as Saint Cecilia. It is worth mentioning that the scene is completed by the presence of a face above the organ, which is barely visible. This aesthetic play invites the viewer to think of a representation that goes beyond the portrait of the saint. The artist has given the painting an intuitive, unforced perspective, allowing the figures to breathe, their attitudes and gestures differing greatly. In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers as a framing and enhancing element for a central religious theme. Brueghel de Velurs was the initiator of this type of composition, particularly linked in his work to the depiction of the Virgin and Child. However, it was his pupil, the Jesuit Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. Aesthetically the work is related to the painting of Michel de Bouillon, firstly in its style and composition. Although Michel de Bouillon, as we can see from his catalogued works, was a painter of great quality and remarkable skill, we know little certainty about his biography. He is thought to have been born in Ere, near Tournai in present-day Belgium. In 1638 he joined the painters' guild of Saint Luke in Tournai, where he spent most of his career, as the archives of this institution indicate. There he executed a large ephemeral work as a solemn entrance arch for the arrival in the city of King Louis XIV of France in 1670, two years after his conquest of the city. Bouillon mainly painted still lifes and garlands of flowers, sometimes with religious scenes or grisaille imitating classical reliefs. He was also highly regarded for his still lifes of "vanitas". His works are to be found in museums and important private collections, such as "Garland of Flowers with Landscape and the Flight into Egypt" in the Musée des Beaux-Arts in Tournai, two still lifes with fish and birds in the Musée des Beaux-Arts in Bernay and a "Vase with Flowers, Fruit and Butterflies on an Architectural Background" in the Doucet collection in Paris. In Spain there is a "Still Life of Vanitas with a Vase" in the Royal Academy of Fine Arts of San Fernando, Madrid. Much of his work, however, remains unknown. This is primarily due to the fact that these works are not signed, and their high quality and stylistic closeness to other painters has led to his authorship being confused on numerous occasions with that of other contemporary masters such as Daniel Seghers. In fact, his compositions and the quality of the textures of the flowers, leaves and animals are very similar to those of Daniel Seghers. Although it is not certain that Bouillon was one of Seghers' collaborators, what is certain is that the painter was perfectly familiar with Seghers' work, as is evident from the influence that can be seen in his output. It is also thought possible that he had a certain relationship with the painters Jean Bouillon and Philippe de Champaigne.
Setdart Auction House
Dec. 09, 2021
Michel BOUILLON (act.1638-1668) Nature morte aux fleurs et melon sur un entablement
Est: €6,000 - €8,000
Michel BOUILLON (act.1638-1668) Nature morte aux fleurs et melon sur un entablement Huile sur toile, par Michel Bouillon Dimensions : 68,5 x 48,5 cm Provenance : Collection privée, Gand Belgique Peintre né à Ere où il fût reçu Franc-Maître en 1638, il est actif dans le Nord de la France mais surtout à Tournai près de sa ville natale. Si la carrière et la biographie de l'artiste restent à ce jour assez floues, l'on sait qu'il donne des leçons à Philippe de Champagne et qu'il est particulièrement réputé pour ses représentations d'intérieur mais surtout de fleurs et de fruits. Dans sa manière de les traiter, il restera d'ailleurs influencé par les maîtres hollandais du 17ème siècle. Oeuvres dans les Musées des Beaux-Arts de Tournai et de Bernay.
Accademia Fine Art
Oct. 20, 2021
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673).
Est: €30,000 - €35,000
MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in a border of flowers". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area. Measurements: 75,5 x 55,5 cm; 107 x 86 cm (frame). In the centre of a profuse and sumptuous floral decoration is inscribed the long bust of a woman. The woman's pearly skin stands out against the dark tonality of the background. Her pious gaze and the accompaniment of the organ define the young woman as Saint Cecilia. It is worth mentioning that the scene is completed by the presence of a face above the organ, which is barely visible. This aesthetic play invites the viewer to think of a representation that goes beyond the portrait of the saint. The artist has given the painting an intuitive, unforced perspective, allowing the figures to breathe, their attitudes and gestures differing greatly. In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers as a framing and enhancing element for a central religious theme. Brueghel de Velurs was the initiator of this type of composition, particularly linked in his work to the depiction of the Virgin and Child. However, it was his pupil, the Jesuit Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. Aesthetically the work is related to the painting of Michel de Bouillon, firstly in its style and composition. Although Michel de Bouillon, as we can see from his catalogued works, was a painter of great quality and remarkable skill, we know little certainty about his biography. He is thought to have been born in Ere, near Tournai in present-day Belgium. In 1638 he joined the painters' guild of Saint Luke in Tournai, where he spent most of his career, as the archives of this institution indicate. There he executed a large ephemeral work as a solemn entrance arch for the arrival in the city of King Louis XIV of France in 1670, two years after his conquest of the city. Bouillon mainly painted still lifes and garlands of flowers, sometimes with religious scenes or grisaille imitating classical reliefs. He was also highly regarded for his still lifes of "vanitas". His works are to be found in museums and important private collections, such as "Garland of Flowers with Landscape and the Flight into Egypt" in the Musée des Beaux-Arts in Tournai, two still lifes with fish and birds in the Musée des Beaux-Arts in Bernay and a "Vase with Flowers, Fruit and Butterflies on an Architectural Background" in the Doucet collection in Paris. In Spain there is a "Still Life of Vanitas with a Vase" in the Royal Academy of Fine Arts of San Fernando, Madrid. Much of his work, however, remains unknown. This is primarily due to the fact that these works are not signed, and their high quality and stylistic closeness to other painters has led to his authorship being confused on numerous occasions with that of other contemporary masters such as Daniel Seghers. In fact, his compositions and the quality of the textures of the flowers, leaves and animals are very similar to those of Daniel Seghers. Although it is not certain that Bouillon was one of Seghers' collaborators, what is certain is that the painter was perfectly familiar with Seghers' work, as is evident from the influence that can be seen in his output. It is also thought possible that he had a certain relationship with the painters Jean Bouillon and Philippe de Champaigne.
Setdart Auction House
Sep. 29, 2020
Michel BOUILLON Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre
Est: €3,000 - €4,000
Michel BOUILLON Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre signé et daté 'M. Bouillon / 164(?)' en bas à gauche h: 37,50 w: 28,50 cm Estimation 3 000 - 4 000 €
Artcurial
Jun. 19, 2020
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose, a tulip and other flowers in a low vase with flowers in a roemer on a stone ledge with a relief and curtains
Est: $10,000 - $15,000
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose, a tulip and other flowers in a low vase with flowers in a roemer on a stone ledge with a relief and curtainssigned and dated 'M Bouillon . 1654' (lower left) oil on panel211⁄8 x 273⁄4 in. (53.7 x 70.5 cm.)
Christie's
May. 28, 2019
Michel Bouillon (1616-1674) - Panier de fruits, choux et légumes sur une tablette
Est: €20,000 - €30,000
Huile sur toile. Signé et daté 1642 en bas à gauche. Dimensions: 112 x 184 cm.
Brussels Art Auctions
May. 01, 2019
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose,
Est: $20,000 - $30,000
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose, a tulip and other flowers in a low vase with flowers in a... oil on panel 21 1/8 x 27 ¾ in. (53.7 x 70.5 cm.)
Christie's
Feb. 12, 2019
Attribué à Michel BOUILLON Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile
Est: €12,000 - €15,000
Attribué à Michel BOUILLON Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile h: 104 w: 138 cm Provenance : Collection particulière, Paris Commentaire : La carrière de Michel Bouillon est encore peu connue. On sait qu''il fut reçu maître à Ere, sa ville natale, près de Tournai en 1638. Il vécut probablement dans cette ville et y participa aux décorations de l''entrée solennelle de Louis XIV en 1670. L''originalité de sa manière s''explique par sa double appartenance à l''Ecole française ainsi qu''à celle des Pays-Bas espagnols. Le peintre affectionne les ordonnancements théâtraux comme dans notre tableau où un rideau, un tapis et une guirlande de fleurs mettent en scène différents instruments et ornements relatifs aux arts. La Sculpture est ainsi symbolisée par une tête en marbre et un relief dont le sujet, le choix d''Hercule, reprenant une composition d''Annibal Carrache, évoque la Peinture et fait ainsi le lien avec la palette et les pinceaux posés devant lui. Architecture et Musique sont également présentes dans cette allégorie tandis qu''une montre, des pièces de monnaie et des fruits rappellent le vocabulaire des Vanités et notre finitude. Par sa richesse et son ambition, notre composition peut-être rapprochée d''un autre tableau de Michel Bouillon, signé et daté de 1654 et conservé dans une collection particulière, présentant également un très grand nombre de motifs et de détails1. Le traitement des draperies, des fleurs mais également des personnages sculptés dans les deux tableaux est tout à fait comparable et permet d''étayer notre attribution. Nous remercions Madame Nathalie Fraquet pour son aide à la rédaction de cette notice. 1. Voir E. Coatalem, ''La nature morte française au XVIIe siècle'', Dijon, 2014, p. 116-117
Artcurial
Nov. 13, 2018
Attribué à Michel Bouillon Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile
Est: €20,000 - €30,000
Attribué à Michel Bouillon Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile Allegory of Arts, oil on canvas, attr. to M. Bouillon h: 104 w: 138 cm Provenance : Vente anonyme ; Me Aguttes, 12 décembre 2006, n° 41 (comme attribué à Jean-Baptiste Belin de Fontenay) Vente anonyme ; Me Aguttes, 12 juin 2007, n° 46 (comme attribué à Jean-Baptiste Belin de Fontenay) ; Collection particulière, Paris Commentaire : La carrière de Michel Bouillon est encore peu connue. On sait qu'il fut reçu maître à Ere, sa ville natale, près de Tournai en 1638. Il vécut probablement dans cette ville et y participa aux décorations de l'entrée solennelle de Louis XIV en 1670. L'originalité de sa manière s'explique par sa double appartenance à l'Ecole française ainsi qu'à celle des Pays-Bas espagnols. Le peintre affectionne les ordonnancements théâtraux comme dans notre tableau où un rideau, un tapis et une guirlande de fleurs mettent en scène différents instruments et ornements relatifs aux arts. La Sculpture est ainsi symbolisée par une tête en marbre et un relief dont le sujet, le choix d'Hercule, reprenant une composition d'Annibal Carrache, évoque la Peinture et fait ainsi le lien avec la palette et les pinceaux posés devant lui. Architecture et Musique sont également présentes dans cette allégorie tandis qu'une montre, des pièces de monnaie et des fruits rappellent le vocabulaire des Vanités et notre finitude. Par sa richesse et son ambition, notre composition peut-être rapprochée d'un autre tableau de Michel Bouillon, signé et daté de 1654 et conservé dans une collection particulière, présentant également un très grand nombre de motifs et de détails1. Le traitement des draperies, des fleurs mais également des personnages sculptés dans les deux tableaux est tout à fait comparable et permet d'étayer notre attribution. Nous remercions Madame Nathalie Fraquet pour son aide à la rédaction de cette notice. 1. Voir E. Coatalem, 'La nature morte française au XVIIe siècle', Dijon, 2014, p. 116-117 Estimation 20 000 - 30 000 €
Artcurial
Nov. 14, 2017
Michel Bouillon Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre
Est: €6,000 - €8,000
Michel Bouillon Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre Signé et daté 'M. Bouillon / 164(?)' en bas à gauche Vase of flowers on an entablature, oil on copper, signed and dated, by M. Bouillon h: 37,50 w: 28,50 cm Estimation 6 000 - 8 000 €
Artcurial
Oct. 11, 2016
Michel Bouillon Actif entre 1634 et 1660 Vase de tulipes sur un entablement recouvert de velours vert Huile sur panneau de chêne
Est: €3,000 - €4,000
Michel Bouillon Actif entre 1634 et 1660 Vase de tulipes sur un entablement recouvert de velours vert Huile sur panneau de chêne signé et date 'MBouillon / 1634' en bas à droite (Fentes consolidées au verso) h: 39 w: 28 cm Provenance : Collection Guy Stein ; Collection particulière, Paris Bibliographie : Michel Faré, 'Le Grand Siècle de la nature morte en France. Le XVIIe siècle', Fribourg-Paris, 1974, p. 264, repr. Commentaire : Nous remercions Monsieur Eric Coatalem pour les compléments apportés à la rédaction de cette notice.
Artcurial
Nov. 13, 2013
Michel Bouillon Actif entre 1638 et 1660 Bas-relief avec la Vierge à l'Enfant entouré d'une guirlande de fleurs Panneau de chêne, un.
Est: €4,000 - €6,000
Michel Bouillon Actif entre 1638 et 1660 Bas-relief avec la Vierge à l'Enfant entouré d'une guirlande de fleurs Panneau de chêne, une planche (Restaurations) 'BAS-RELIEF WITH THE VIRGIN AND CHILD', PANEL, BY M. BOUILLON h: 54 w: 73 cm Provenance : Collection particulière, Belgique Commentaire : La carrière de Michel Bouillon est encore peu connue. On sait qu'il fut reçu maître à Ere, sa ville natale, près de Tournai en 1638. Il vécut probablement dans cette ville et y participa aux décorations de l'entrée solennelle de Louis XIV en 1670. L'originalité de sa manière s'explique par sa double appartenance à l'Ecole française ainsi qu'à celle des Pays-Bas espagnols. Le peintre affectionne les ordonnancements théâtraux comme dans notre tableau où une riche draperie devant un entablement de pierre sert d'écrin au bouquet de fleurs. Ses coloris sont riches et variés et il prête une attention particulière au rendu réaliste des différentes variétés de fleurs. Nous remercions Madame Claudia Salvi qui a confirmé l'attribution à Michel Bouillon.
Artcurial
Dec. 03, 2008
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?)
Est: £12,000 - £18,000
Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) A garland of roses, tulips and other flowers above a ledge, over a mirror reflecting a terrace with an extensive park landscape beyond signed and dated 'M Bouillon · 1667' (lower left) oil on panel 24½ x 17½ in. (62.3 x 44.5 cm.)
Christie's

Lots Per Page:

Michel de (1638) Bouillon Sold at Auction Prices

Still life painter

Upcoming Lots

Past Lots

0 Lots

Auction Date

Seller

Seller Location

Price Range

Michel de Bouillon, tätig 1628 – 1673, zugeschrieben

Michel de Bouillon, tätig 1628 – 1673, zugeschrieben

MICHEL DE BOUILLON (ACTIVE 1638-1674): LAVISH STILL LIFE WITH FRUITS, GLASSWARE AND SHELLS, OIL ON CANVAS

MICHEL DE BOUILLON (ATTR.) ANDACHTSBILD MIT DER HIMMELFAHRT DER HEILIGEN JUNGFRAU MARIA IN EINER STEINNISCHE UMRINGT VON BLUMENGIRLANDEN

MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in flower border". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area.

MICHEL BOUILLON (ACTIVE 1638-1674): STILL LIFE WITH FLOWERS AND MELON, OIL ON CANVAS, 17TH C.

MICHEL DE BOUILLON (Belgium, act. 1638 - 1673). "Saint Cecilia in flower border". Oil on oak panel. It has a frame following 17th century models. It has slight restorations and a crack in the upper area.

Michel BOUILLON (act.1638-1668) Nature morte aux fleurs et melon sur un entablement

MICHEL DE BOUILLON (Belgium, act. 1638 - 1673).

Michel BOUILLON Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre

Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose, a tulip and other flowers in a low vase with flowers in a roemer on a stone ledge with a relief and curtains

Michel Bouillon (1616-1674) - Panier de fruits, choux et légumes sur une tablette

Michel de Bouillon (Ere, near Tournai before 1638-1674 ?) Poppies, a rose,

Attribué à Michel BOUILLON Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile

Attribué à Michel Bouillon Actif entre 1638 et 1660 Allégorie des Arts Huile sur toile

Michel Bouillon Actif entre 1638 et 1660 Bouquet de fleurs sur un entablement Huile sur cuivre

Michel Bouillon Actif entre 1634 et 1660 Vase de tulipes sur un entablement recouvert de velours vert Huile sur panneau de chêne

Michel Bouillon Actif entre 1638 et 1660 Bas-relief avec la Vierge à l'Enfant entouré d'une guirlande de fleurs Panneau de chêne, un.

Michel de Bouillon (Ere, near Tournai before 1638-1674 ?)

Popular Artists

Bid On-the-Go!

Michel de (1638) Bouillon Sold at Auction Prices

Still life painter

Upcoming Lots

Past Lots

0 Lots

Categories

Auction Date

Seller

Seller Location

Price Range

Popular Artists

Get Invaluable on Your Phone

Bid On-the-Go!