Angela Bulloch Sold at Auction Prices

ANGELA BULLOCH (B. 1966). Night Sky Pluto II. LED installation 68 x 134.5cm

ANGELA BULLOCH (B. 1966). Night Sky Pluto II. LED installation 68 x 134.5cm. (2).

Angela Bulloch, 1966, Horizontal Technicolour: Stills with Negative Space (for Parkett No. 66)

42/80. Verso signed with the monogram. (Frame).

Angela Bulloch (n. 1966)"Retrograde Inversion 8", 2005

Angela Bulloch (n. 1966)"Retrograde Inversion 8", 2005 8 DMX modules, black box and wire

Angela Bulloch, Horizontal Technicolour: Stills with Negative Space (for Parkett no. 66)

Angela Bulloch Horizontal Technicolour: Stills with Negative Space (for Parkett no. 66) 2002 C-print image: 8.375 h x 42.375 w in (21 x 108 cm) sight: 11.50 h x 45.375 w in (29 x 115 cm) This work is from the edition of 80 published by Parkett Publishers, Zurich and New York. This work will ship from Lambertville, New Jersey.

Horizontal Technicolour: Stills with Negative Space (for Parkett 66)

BULLOCH, ANGELA 1966 Ontario Title: Horizontal Technicolour: Stills with Negative Space (for Parkett 66). Date: 2002. Technique: C-Print on Fujicolor Crystal Archive Paper on Depiction Size: 21,5 x 108cm. Sheet Size: 31 x 116,5cm. Notation: Signed and numbered. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/80. Frame: Framed. Condition: Sheet minimally wavy at the edges. Minimal scratch in the lower left display area. Dirt adhesion in the right image area on grey case. Verso mounted. Otherwise the work is in a very good condition. The work is based on Bulloch's sculptural installation of the same name from 2002. With Parkett magazine. "Angela Bulloch's work is based on activating the dynamics of [the] relationship between technical possibility and cultural space of perception. the presentation always takes the shape of a mix, contains shifts in size and speed, and can therefore never be reduced to one single interpretation." Martin Prinzhorn, Parkett no. 66, 2002. article on work and artist from Parkett edition no. 66. Explanations to the Catalogue

Angela Bulloch, Artist's books, two

Angela Bulloch Artist's books, two bound printed paper Complete Lot Details Generic English Edition Angela Bulloch, Texte zur Kunst, Berlin, 2001. Numbered. This work is number 22 from the edition of 150. Rules Series Edition Angela Bulloch, Brain Multiples, 1993. This work will ship from Chicago, Illinois.

ANGELA BULLOCH (née en 1966) Friday Midnight, 2003 Installation lumineuse.

ANGELA BULLOCH (née en 1966) Friday Midnight, 2003 Installation lumineuse. Caissons en bois, néons, programme informatique et système électrique. Lichtinstallatie. Houten kisten, neonlichten, computerprogramma en elektrisch systeem. 252.5 x 50, 5 x 50,5 cm

ANGELA BULLOCH

ANGELA BULLOCH (Ontario 1955–lives and works in Berlin) Rock Table. 2000. Waxed birchwood, printed aluminium panel, white glass, diffusion foil, glass, assorted black cables, RGB lightning system. On the underside with the serial number: 11-2000/ MM. 100 × 50 × 50 cm. With the confirmation of authenticity by the artist. We thank Galerie Esther Schipper for their kind assistance. Provenance: - Galerie Schipper & Krome, Berlin. - Purchased from the above by the present owner, since then private collection Switzerland. The artist Angela Bulloch was born in Ontario, Canada, in 1966 and moved to England with her family in 1977. From 1985 to 1988 she studied at the renowned Goldsmiths College in London. From 2001 to 2002 she was a visiting professor at the Academy of Fine Arts in Vienna. In 2018, she became a professor of Time-Based Media at the Hochschule der Bildenden Künste in Hamburg and now commutes between Berlin and London. Angela Bulloch was one of the Young British Artists, which also included Damien Hirst, Tracey Emin and Sarah Lucas. However, she did not adopt a loud, provocative approach, but created calm, sensuous works. She uses sculptures, projections, installations and video installations to analyse systems, patterns and sets of rules. In addition, she explores the history of forms and human interaction. Through the use and combination of light, text, video and sound, she creates impressive multidisciplinary installations. In addition to numerous exhibitions worldwide, Bulloch received the Whitechapel Award in 1986, was nominated for the Turner Prize, the most prestigious contemporary art award, in 1997, and received the National Gallery Prize in Berlin in 2005. "Rock Table" is a variation on Bulloch's Pixel Boxes with which she became famous. Her affinity with the icons of minimalism Donald Judd and Dan Flavin is emphatically demonstrated by these works. While in the Pixel Boxes the discs for the slightly pulsating light are attached to the sides, in our work they are on top. The light does not pulsate either, but offers three initial colours — red, green, blue — which can be combined at will to create different colours — from light pastel shades to almost neon, gaudy colours. This is integrated into a kind of high wooden table, which has a continuous opening at the bottom. However, in order that the play of light can be fully appreciated by the viewer, the height of the table is such that one can easily look down on it while the light shines upwards --------------- ANGELA BULLOCH (Ontario 1955–lebt und arbeitet u.a. in Berlin) Rock Table. 2000. Gewachstes Birkenholz, bedruckte Aluminiumplatte, weisses Glas, Diffusionsfolie, Glas, verschiedene schwarze Kabel, RGB-Beleuchtungssystem. Auf der Unterseite mit der Seriennummer: 11-2000/ MM. 100 × 50 × 50 cm. Mit der Bestätigung der Authentizität der Künstlerin. Wir danken der Galerie Esther Schipper für die freundliche Unterstützung. Provenienz: - Galerie Schipper & Krome, Berlin. - Vom heutigen Besitzer bei obiger Galerie erworben, seitdem Privatsammlung Schweiz. Die Künstlerin Angela Bulloch wird 1966 im kanadischen Ontario geboren und zieht 1977 mit der Familie nach England. Von 1985 - 1988 studiert sie am renommierten Goldsmith College in London. Von 2001 - 2002 erhält sie eine Gastprofessur an der Akademie der Bildenden Künste in Wien. 2018 wird sie Professorin für Zeitbezogene Medien an der Hochschule der Bildenden Künste in Hamburg und pendelt heute zwischen Berlin und London. Angela Bulloch zählt zu den Young British Artists, zu denen u.a. auch Damien Hirst, Tracey Emin und Sarah Lucas gehören. Sie geht in ihren Werken jedoch nicht den lauten, provokativen Weg, sondern erschafft ruhige, sinnliche Werke. Sie nutzt Skulpturen, Projektionen, Installationen und Videoinstallationen, um Systeme, Muster und Regelsysteme zu analysieren. Zudem beschäftigt sie sich mit der Geschichte von Formen und der menschlichen Interaktion. Durch die Verwendung und Kombination von Licht, Text, Video und Ton erschafft sie eindrückliche multidisziplinäre Installationen. Neben zahlreichen weltweiten Ausstellungen erhält Bulloch 1986 den Whitechapel Award, wird 1997 für den Turner Preis, den bedeutendsten Zeitgenössischen Kunstpreis, nominiert und erhält 2005 den Preis der Nationalgalerie in Berlin. „Rock Table“ ist eine Abwandlung von Bullochs Pixel-Boxen, mit denen sie berühmt geworden ist. Ihre Nähe zu den Ikonen des Minimalismus Donald Judd und Dan Flavin zeigen diese Werke eindrücklich auf. Während bei den Pixel-Boxen die Scheiben für das leicht pulsierende Licht an den Seiten angebracht sind, liegt sie bei unserem Werk oben auf. Auch das Licht pulsiert nicht, sondern es gibt drei Ausgangsfarben – rot, grün, blau -, die man beliebig miteinander kombinieren kann, so dass unterschiedliche Farben – von hellen Pastelltönen bis zu fast neon-farbigen, knalligen Farben - entstehen. Eingebunden ist dies in eine Art Bar-Tisch aus Holz, der unten eine durchgehende Öffnung hat. Um das Lichtspiel für den Betrachter aber voll zu entfalten, ist der Tisch so hoch, dass man problemlos auf ihn schauen kann, während das Licht nach oben strahlt.

Angela BULLOCH (Née en 1966) EXTRA TIME - TV SERIES : INTRO AND AD FOOTAGE

Angela BULLOCH (Née en 1966) EXTRA TIME - TV SERIES : INTRO AND AD FOOTAGE 6/5 A : 3U, 2002 Module DMX, demi-module black box, bois ciré, plaque d’aluminium sérigraphiée, verre teinté, système électrique, système lumineux et piètement en métal Durée : 2 min 13 sec Pièce unique 127 × 51 × 50,5 cm – 50 × 20 × 193/4 in. DMX module, half black box module, waxed wood, silk-screened aluminum plate, stained glass, tinted glass, electrical system, lighting system and metal base Duration program : 2 min 13 sec Unique piece Provenance , Galerie Schipper & Krome, Berlin , Collection particulière, Paris

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2 Digital pigment print in colours, 2006, signed, dated, inscribed, and numbered in silver ink verso, on Fujicolor Professional glossy paper; together with two lithographs printed in blacks, 2006, each signed, dated, inscribed and numbered in pencil, each one of twenty-nine artist's proof aside from the edition of 50, each on wove paper, one with a transparent overlay, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2 Digital pigment print in colours, 2006, signed, dated, inscribed, and numbered in silver ink verso, on Fujicolor Professional glossy paper; together with two lithographs printed in blacks, 2006, each signed, dated, inscribed and numbered in pencil, each one of twenty-nine artist's proof aside from the edition of 50, each on wove paper, one with a transparent overlay, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)

ANGELA BULLOCH (NÉE EN 1966) - Fundamental three: Rybw

ANGELA BULLOCH (NÉE EN 1966) Fundamental three: Rybw boîtes de pixels en aluminium, kit DMX de contrôle, lampes et câbles électriques; en trois parties chaque: 51 x 50.5 x 50 cm. (each: 20 1/8 x 19 5/8 x 19 7/8 in.)

ANGELA BULLOCH, It never ends

ANGELA BULLOCH (1966) It never ends 1996 C-print, edizione 1/3 40 x 60 cm PROVENIENZA: Robert Prime, Londra (etichetta al retro) Derbyshire, Londra (etichetta al retro) Collezione privata, Lecco

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2

Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961) Open Pixel Print; Consumables; page 2 Digital pigment print in colours, 2006, signed, dated, inscribed, and numbered in silver ink verso, on Fujicolor Professional glossy paper; together with two lithographs printed in blacks, 2006, each signed, dated, inscribed and numbered in pencil, each one of twenty-nine artist's proof aside from the edition of 50, each on wove paper, one with a transparent overlay, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)

ANGELA BULLOCH -1966

ANGELA BULLOCH -1966 It never ends 1996 C-print 40 x 60 cm Edition 1 of 3 Provenienza Robert Prime, London (Label on the back) Derbyshire, London (Label on the back)

ANGELA BULLOCH | Cadere, Chain B 3:1:52:4

wood, aluminium, white glass, diffusion foil and RGB-lighting system, in four parts

Caso Diablo

Angela Bulloch (B. 1966) Caso Diablo signed, numbered, titled and dated 'Caso Diablo 01.2012 1/2 AP. A.Bulloch' (on the reverse) fine art pigment print on Hahnemühle paper in artist's frame 36 1/8 x 26 3/8in. (91.7 x 67cm.) Executed in 2012, this work is artist's proof number one from an edition of three plus two artist's proofs

ANGELA BULLOCH (B. 1966) Panorama Island c-print 33½ x 46in. (85.1 x 116.8cm.) Executed in 1995, this work is from an edition of ten

Angela Bulloch (b. 1966) Doubleganger:yellow 2001 mixed media lightbox sculpture 50 by 50 by 150 cm. 19 11/16 by 19 11/16 by 59 1/16 in. This work was executed in 2001.

Doubleganger:yellow 2001 mixed media lightbox sculpture 50 by 50 by 150 cm. 19 11/16 by 19 11/16 by 59 1/16 in. This work was executed in 2001.

Angela Bulloch (b. 1966)

Angela Bulloch (b. 1966) Sciak! Sciak! signed with the artist's initials 'aB' (on the slide negative) wall painting dimensions variable Executed in 1992, this work is unique

Angela Bulloch

Red Chance Corner Piece This work is unique and is accompanied by a certificate of authenticity signed by the artist.

ANGELA BULLOCH

Fly-over Genoa This work is unique. Signed ‘Angela Bulloch’ inside the VHS box.

ANGELA BULLOCH Ontario 1966 PLUTO 2 2008 Pigment

ANGELA BULLOCH Ontario 1966 PLUTO 2 2008 Pigment Print auf Hahnemühlepapier. 61,5 x 61,5.

ANGELA BULLOCH

Cyan Catwalk This work is unique and is accompanied by installation instructions signed by the artist.

ANGELA BULLOCH

RGB SPHERES IV

- Angela Bulloch , b.1966 Star Gate Section 9 DMV modules, 1 LAN black box

9 DMV modules, 1 LAN black box

Angela Bulloch (b. 1966)

Angela Bulloch (b. 1966) On/Off Line Drawing Machine steel rail, pulleys, rope, trip switches (one at each end), motor, electronics, brackets, pen and eraser 11 x 115 3/8 x 2 3/8in. (28 x 293 x 6cm.) Executed in 1991, this work is unique

ANGELA BULLOCH

B. 1966 EXTRA TIME 8:5 measurements 75 by 50 by 50cm. alternate measurements 29 1/2 by 19 2/3 by 19 2/3 in. 1 DMX-module, 1 half Black Box module, waxed birchwood, printed aluminium panel, white glass, diffusion foil, assorted black cables, RGB-lighting system, DMX-Controller Executed in 2006. PROVENANCE Donated by the artist, courtesy of Esther Schipper, Berlin NOTE One of the most innovative artists to have emerged during the 1990s, Angela Bulloch combines light, sound, audio, video, text and objects to formulate a constellation that critically explores systems and rules which govern behaviour and perception. Extra Time 8:5, 2006 consists of a pixel box that is part of a larger series of works the artist began to develop in 2000, together with artist Holger Friese. Displayed either individually or collectively in multiple clusters, each pixel box comprises 3 fluorescent colour tubes that when combined are capable of generating a staggering 16,777,216 colours. Yet the randomness suggested behind the sequence of colours, belies a high degree of orchestration. A DMX modular system, connected to each pixel box, enables the artist to choreograph a transition of colours related to processed information. This could be derived from such disparate sources as the structure of a movie; the rhythmic structure of rock music; video footage taken by the artist, or in the case of Extra Time 8:5, a homeopathic dose of 'infotainment' culled from an early morning BBC broadcast of the same name. Frame by frame, the artist selects a specific quantity of pixels from each material via the use of computer software. As with all her work the artist creates a single object or device that generates an entire environment. The room in which this box is presented will be suffused with light, mutating through an entire spectrum of colours. When confronted with the source material thus transformed, the estrangement one feels is often paired with a strange sense of familiarity. This might be located in formal aspects of the pixel box, which clearly resembles Judd's minimalist forms, or a piece of furniture that could be found in a club environment; it could equally be derived from the formalist use of pure colour in the work of artists from Mondrian to Ellsworth Kelly; the evocation of modernist utopias and their search for a universal language; or indeed the source material selected by the artist. This distillation of moments is clearly exemplified and compounded in Extra Time 8:5, which seems to oscillate between an optimistic yearning for the future and nostalgia for the past: the paradox of being transported back to the future. Born in 1966 in Canada, the artist studied at Goldsmiths and was based in London for a number of years before moving to Berlin where she currently lives and works. She has shown extensively across Europe, has been nominated for the Turner Prize and was featured in the Tate Triennale in 2006. Fittingly it was in the form of the group exhibition - Seven Obsessions, 1990 - held at the Whitechapel Gallery, that the artist received her first UK institutional outing; at the time Bulloch was already exploring themes of participation which are at the core of her current-day work. The artist's contribution comprised a version of the work Blue Horizons - a drawing machine that throughout the duration of the exhibition plotted a wall drawing in blue ink, its action systematically triggered upon the presence of the viewer. As well as implicating the viewer in the making of the work, the artist is also interested in the significance of the social preconditions and parameters which prescribe participation. As the artist has stated: "the work outlines the fact that individual choices are more or less meaningless -- the work has already defined the parameters of choice." (the artist cited in David Bussel, "Who Controls What? Interview with Angela Bulloch" in Art From The UK, Munich 1998, p.31) AC

Property of a European Collector ANGELA BULLOCH (b. 1966) DRAWING MACHINE sound-activated drawing machine 74 x 1337/8 in. (188 x 340 cm) executed in 1992 PROVENANCE Interim Art, LONDON