William (1757) Bulmer Sold at Auction Prices

Framed 18th C. Etching of Holbein's "Lady of Richmond"

Francesco Bortolozzi (Italian, 1727-1815). "The Lady of Richmond" etching after Hans Holbein (German, c. 1497-1543), ca. 1795, from the series "Persons of the Court of Henry VIII" published by John Chamberlaine (1745-1812) and printed by William Bulmer (1757-1830). A stipple etching depicting a bust-length portrait of The Lady of Richmond - facing front and wearing a feathered hat, pearl earrings, a lace choker, and upper garment - after a drawing by Hans Holbein the Younger. Lettered within the image is the title, "The Lady of Richmond" and below the image are artists' names and publication line: "From the Original Drawing by Hans Holbien. [sic] / Engraved by F. Bartolozzi. R. A. Historical Engraver to his Majesty. / In his Majesty's collection. / Publish'd as the Act directs Jan 1. 1793. by I. Chamberlaine." Size of platemark: 12.3" L x 8.875" W (31.2 cm x 22.5 cm) Size of image with striated border: 10.125" L x 7.675" W (25.7 cm x 19.5 cm) Size of frame: 19.375" L x 15.875" W (49.2 cm x 40.3 cm) This piece was created "a la poupee" - a technique in which small pieces of fabric were used to add color to the plate before it was put through the press - with stipple etching on light wove paper. Accompanying this portrait is a manuscript page with biographical text describing The Lady of Richmond. The passage opens as follows, "This sweet portrait represents Mary, only daughter of Thomas Howard, third Duke of Norfolk, by his second Duchess, Elizabeth, daughter of Edward Stafford Duke of Buckingham. She was married, at a very early age, to Henry Fitzroy, Duke of Richmond, a natural son to King Henry the Eighth, by the wife of Lord Talboys, and the style of 'the Lady,' which was no uncommon designation of a princess at that time, was undoubtedly meant to denote her husband's indirect relation to royalty…." See other prints from this series in the British Museum - for example, "The Lady Ratclif" (museum number 1871,1209.3403). Provenance: private Monument, Colorado, USA collection, acquired in the 1950s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #167796