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Wladimir Burliuk Sold at Auction Prices

b. 1886 - d. 1917

Wladimir Burliuk (Ukrainian: / Russian: 27 March [O.S. 15 March] 1886 – 1917) was a Ukrainian avant-garde artist (Neo-Primitivist and Cubo-Futurist), book illustrator. He died at the age of 32 in World War I.

Biography

Wladimir Burliuk was born on March 15, 1886 in Kharkiv, the younger brother of David Burliuk. His family is partly descended from Ukrainian Cossacks who held premier positions in the Hetmanate. His mother, Ludmila Mikhnevich, was of ethnic Belarusian descent.[1]

In 1903 he studied at Azbe School in Munich, and a year later he was a soldier in the Russo-Japanese War. From 1905 to 1910 Burliuk attended the Kiev Art School (KKHU). He lived in various places while going to KKHU, starting in Moscow, where he lived from 1907 until 1908. In 1908 he returned to Kiev and was in close contact with Aleksandra Ekster and Mikhail Larionov. Together with the members of the group The Link (Zveno) Wladimir and David Burliuk organized an avant-garde exhibition in Kiev.

From 1909 to 1910 he lived in St.Petersburg and from 1910 to 1911 he lived in Moscow. In 1910 he became the member of the group Jack of Diamonds together with David Burliuk, Ekster, Malevich (later also Nathan Altman and Wladimir Tatlin). In the same year he became the member of the group of avant-garde artists known as the Soyuz Molodyozhi (Union of the Youth).

In 1911 he joined the art school in Odessa. From 1913 to 1915 he illustrated many futuristic publications in Moscow, including the book The Assistance of the Muses in Spring (1915).[citation needed] He also co-illustrated Velimir Khlebnikov's Roar! Gauntlets, 1908–1914 alongside Kazimir Malevich.[2]

He was drafted into the Imperial army in 1916 and was killed the following year while fighting on the Macedonian Front of World War I.

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      • VLADIMIR BURLIUK (RUSSIAN 1886-1917)
        Jul. 28, 2019

        VLADIMIR BURLIUK (RUSSIAN 1886-1917)

        Est: $12,000 - $20,000

        Signed oil on masonite by the rare Russian modernist and member of the Blue Rider Group and Jack of Diamonds Group. Died in WWI at age of 32. Subject of men in combat with horse. Dated 1915. With later inscription verso. Dimensions: (Frame) H 31.25" x W 43.25" (Board) H 24" x W 34.50" Condition: Panel split in half vertically and reattached. With associated restoration.

        Westport Auction
      • VLADIMIR BURLIUK (RUSSIAN 1886-1917)
        May. 19, 2019

        VLADIMIR BURLIUK (RUSSIAN 1886-1917)

        Est: $50,000 - $100,000

        Signed oil on masonite by the rare Russian modernist and member of the Blue Rider Group and Jack of Diamonds Group. Died in WWI at age of 32. Subject of men in combat with horse. Dated 1915. With later inscription verso. Dimensions: (Frame) H 31.25" x W 43.25" (Board) H 24" x W 34.50" Condition: Panel split in half vertically and reattached. With associated restoration.

        Westport Auction
      • VLADIMIR BURLIUK (RUSSIAN 1886-1917)
        Mar. 31, 2019

        VLADIMIR BURLIUK (RUSSIAN 1886-1917)

        Est: $100,000 - $150,000

        Signed oil on masonite by the rare Russian modernist and member of the Blue Rider Group and Jack of Diamonds Group. Died in WWI at age of 32. Subject of men in combat with horse. Dated 1915. With later inscription verso. Dimensions: (Frame) H 31.25" x W 43.25" (Board) H 24" x W 34.50" Condition: Panel split in half vertically and reattached. With associated restoration.

        Westport Auction
      • Burliuk (David & Vladimir) and others. - Sadok sudei II [A Trap for Judges II],
        Oct. 23, 2014

        Burliuk (David & Vladimir) and others. - Sadok sudei II [A Trap for Judges II],

        Est: £4,000 - £6,000

        Burliuk (David & Vladimir) and others. - Sadok sudei II [A Trap for Judges II], first edition , one of 800 copies, on green paper, 15 letterpress illustrations (6 by Elena Guro; 3 by David Burliuk; 2 by Natalia Goncharova; 2 by Mikhail Larionov; 2 by Vladimir Burliuk), wallpaper wrappers with mounted printed title, rebacked in plain paper, preserved in later patterned drop-back box, [MoMA 53], small 4to, St Petersburg, Zhuravl, 1913. An important example of early Russian avant-garde collaborative effort. The work includes a Futurist manifesto, New Principles of Creation , demanding a new language called zaum (see lot 319) that adopts a typically Futurist take on the usage of grammar, syntax, punctuation & rhythm, and is accompanied by similarly wilful, unconventional illustrations by several of the preeminent Russian Futurist artists.

        Dreweatts 1759
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