Miguel Cabrera Paintings & Artwork for Sale | Miguel Cabrera Art Value Price Guide

Oct. 31, 2024
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768)
Est: €9,000 - €15,000
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768) ‘Our Lady of Sorrows' Oil on copper. 57 x 42.5 cm. Cabrera is considered to be the greatest exponent of 18th-century Viceroyalty painting in New Spain, with an output that the Dallas Museum of Art defines as ‘legendary: more than 309 works from his large studio have been documented’. Miguel Mateo Maldonado y Cabrera was born on 27 February 1695 in Antequera, present-day Oaxaca, Mexico, a fact known from the painter's will from 1768. He was the son of unknown parents and the godson of a mulatto couple. He moved to Mexico City in 1719, where he began his artistic training in the studio of Juan Correa in the capital of the Viceroyalty. Cabrera painted altarpieces in the Jesuit church of Tepotzotlán, in the State of Mexico, in the church of Santa Prisca in Taxco, Guerrero, and in the cathedrals of Mexico City and Puebla. Cabrera was not only a painter, but was also involved in the attempt to found an academy of arts in 1753, and in 1756 he established himself as an intellectual, not only as an artist, as he published an account of the image of the Virgin of Guadalupe in 1756 entitled ‘Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura’, an account of the image of the Virgin Guadalupe published by the printing press of the Jesuit college of San Ildefonso. In addition to easel painting, his output includes altarpiece designs, large-format paintings, as well as small ones on copper and nun's shields. Cabrera produced figures of remarkable beauty in his religious painting, a beauty understood through the ideological assumptions of the worship of the period. It is refined art with well-arranged chromatic richness, sustained by great compositional work and, no less important, subtle and expressive drawing. Of all the painters of that period, Cabrera was the one with the greatest personality; the conventional treatment of his figures undoubtedly formed the basis of his style of painting, as he placed in his paintings models that were not ideal, but who were people he knew and dealt with, such as when he incorporated portraits of donors or the so-called ‘prelates’ in some paintings. He had the need to observe directly and copy from nature. He was appointed chamber painter to Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe, an image made from "ayate" - a material made from local plants. Cabrera's version was sent to Pope Benedict XIV, from whom he received the highest recognition as a painter of Guadalupe. Outstanding portraits he painted include the one of Sor JuanaInés de la Cruz, kept in the National Museum of History, and the portrait of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán, Mexico. He was also a painter for the Society of Jesus, producing numerous artworks for their churches. In 1753 he was appointed president for life of the Academy of San Carlos. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756 for the church of San Francisco Javier, is in the Museo Nacional del Virreinato. The Museum of Art in Dallas has a Saint Gertrude the Great by Miguel Cabrera and another painting of Saint Gertrude, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Also of note is an important series of Caste paintings from 1763 in the collection of the Museo de América in Madrid. These depict families, father, mother and child of the various castes and social strata, in everyday situations. Spanish Americas.
La Suite Subastas
Oct. 31, 2024
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1695 - MEXICO, 1768)
Est: €30,000 - €60,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768) ‘Virgin of Guadalupe with apparitions’. Oil on copper. Signed 'Michl Cabrera pinxit' 42,5 x 42 cm. Important representation of the Virgin of Guadalupe, which includes the apparitions and the Indian Juan Diego. It has handwritten legend in Latin: 'Non fecit taliter omni nationi' (He did nothing the same with any other nation) in reference to the words pronounced by Benedict XIV when he was presented with the image of the Virgin of Guadalupe and admiring its beauty, he approved the works of the Guadalupe patronage in Mexico. Cabrera is considered the greatest exponent of 18th century Viceroyalty painting, with a production that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented'. Miguel Mateo Maldonado y Cabrera was born on February 27, 1695 in Antequera, present-day Oaxaca, Mexico, a fact known from the painter's will in 1768. He was the son of unknown parents and godson of a mulatto couple. He moved to Mexico City in 1719, where he began his artistic training, passing through the workshop of Juan Correa in the capital of the Viceroyalty. Cabrera painted altarpieces in the Jesuit church of Tepotzotlán, State of Mexico, in the church of Santa Prisca in Taxco, Guerrero and in the cathedrals of Mexico City and Puebla. Cabrera was not only a painter, but he also participated in the attempt to found an academy of Arts in 1753 and in 1756 he was consecrated as an intellectual, not only as an artist, since he published a narration about the image of the Virgin of Guadalupe in 1756 entitled 'Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura', a narration about the image of the Virgin Guadalupe in the printing press of the Jesuit college of San Ildefonso. In addition to easel painting, his production includes the design of altarpieces, large format works, as well as small copper works and nun's shields. Cabrera's religious painting produces figures of remarkable beauty, a beauty understood under the ideological assumptions of the devotion of the time. It is a refined art that possesses a well-arranged chromatic richness, is sustained by a great work of composition and, no less important, a subtle and expressive drawing. Of all the painters of that time, Cabrera was the one with the greatest personality; the conventional treatment in his figures was undoubtedly the basis of his way of painting, because he placed in his paintings models that were not ideal, but corresponded to people that the artist knew and treated, as when he incorporated in some paintings, portraits of donors or the so-called 'prelates' because he had the need to observe directly and copy from nature. He was appointed chamber painter of Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe, reproducing the ayate. The image was sent to Pope Benedict XIV, from whom he obtained the highest recognition as a painter of Guadalupe. Among the portraits he painted, the one of Sor Juana Inés de la Cruz, kept in the National Museum of History, and the one of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán, Mexico. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was named president for life of the Academy of San Carlos.His work is preserved in many churches and convents in Mexico.It is also present in numerous public and private collections.Two of his images of the Virgin of Guadalupe are in the Vatican Museum.Another, made in 1756, for the temple of San Francisco Javier, is preserved in the National Museum of the Viceroyalty.The Museum of Art of Dallas, conserves a Santa Gertrudis La Magna by Miguel Cabrera and another representation of the Saint, also by Cabrera and dated in 1768, is part of the collection of the Museum José Luis Bello y Zetina of Puebla, Mexico. Likewise, we highlight an important series of the Caste paintings of 1763 that is conserved in the collection of the Museum of America in Madrid. They depict families, father, mother and child of the various castes and social strata, in everyday life situations. Finally, mention should also be made of the Pinacoteca de La Profesa or the Andrés Blaisten Collection in Mexico, as depositories of Cabrera's work. The Museum of America in Madrid is currently exhibiting a very important retrospective of the painter. Procedencia: - Antigua colección Pedro Vindel. Pedro Vindel fue un librero anticuario conquense, como informa la Real Academia de la Historia, “el que llegó a ser el primer librero anticuario español de su época”, con una de las colecciones más importantes de libros de horas. Tal como sigue la RAH, “Pedro Vindel, al estilo de los grandes libreros europeos, publicó sus catálogos desde 1895, y organizó varias subastas de libros, en locales por él alquilados, como la de 1913, cuyo catálogo hizo imprimir. También fue quien inició en España lo que él denominó la “bibliografía gráfica”, al incluir en sus catálogos […] reproducciones fotolitográficas de las portadas u otros elementos de los libros”. Para más información, recomendamos la lectura de “Pedro Vindel: Historia de una librería (1865-1921)”, de Pavl Cid Noé. Reference Bibliography: - Andres Blaisten Museum. (n.d.). https://museoblaisten.com/Artista/79/Miguel-Cabrera - Sánchez Mariana, Manuel. (s.f.). 'Pedro Vindel Álvarez'. https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez. Spanish Americas. Oil.
La Suite Subastas
Jun. 29, 2024
Miguel Cabrera jersey card
Est: -
Will combine shipping!
Duncan Auctions LLC
Jun. 27, 2024
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1695 - MEXICO, 1768)
Est: €48,000 - €60,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768) "The Virgin of Guadalupe surrounded by the apparitions to the Indian Diego" Oil on canvas. Signed and dated 1762. 87 x 70 cm. Important representation of the Virgin of Guadalupe, which includes the apparitions and the Indian Juan Diego. It has handwritten legend in Latin: "Non fecit taliter omni nationi" (He did nothing the same with any other nation) in reference to the words pronounced by Benedict XIV when he was presented with the image of the Virgin of Guadalupe and admiring its beauty, he approved the works of the Guadalupe patronage in Mexico. Cabrera is considered the greatest exponent of 18th century Viceroyalty painting, with a production that the Dallas Museum of Art defines as "legendary: more than 309 works from his great studio have been documented". Miguel Mateo Maldonado y Cabrera was born on February 27, 1695 in Antequera, present-day Oaxaca, Mexico, a fact known from the painter's will in 1768. He was the son of unknown parents and godson of a mulatto couple. He moved to Mexico City in 1719, where he began his artistic training, passing through the workshop of Juan Correa in the capital of the Viceroyalty. Cabrera painted altarpieces in the Jesuit church of Tepotzotlán, State of Mexico, in the church of Santa Prisca in Taxco, Guerrero and in the cathedrals of Mexico City and Puebla. Cabrera was not only a painter, but he also participated in the attempt to found an academy of Arts in 1753 and in 1756 he was consecrated as an intellectual, not only as an artist, since he published a narration about the image of the Virgin of Guadalupe in 1756 entitled "Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura", a narration about the image of the Virgin Guadalupe in the printing press of the Jesuit college of San Ildefonso. In addition to easel painting, his production includes the design of altarpieces, large format works, as well as small copper works and nun's shields. Cabrera's religious painting produces figures of remarkable beauty, a beauty understood under the ideological assumptions of the devotion of the time. It is a refined art that possesses a well-arranged chromatic richness, is sustained by a great work of composition and, no less important, a subtle and expressive drawing. Of all the painters of that time, Cabrera was the one with the greatest personality; the conventional treatment in his figures was undoubtedly the basis of his way of painting, because he placed in his paintings models that were not ideal, but corresponded to people that the artist knew and treated, as when he incorporated in some paintings, portraits of donors or the so-called "prelates" because he had the need to observe directly and copy from nature. He was appointed chamber painter of Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe, reproducing the ayate. The image was sent to Pope Benedict XIV, from whom he obtained the highest recognition as a painter of Guadalupe. Among the portraits he painted, the one of Sor Juana Inés de la Cruz, kept in the National Museum of History, and the one of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán, Mexico. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was named president for life of the Academy of San Carlos.His work is preserved in many churches and convents in Mexico.It is also present in numerous public and private collections.Two of his images of the Virgin of Guadalupe are in the Vatican Museum.Another, made in 1756, for the temple of San Francisco Javier, is preserved in the National Museum of the Viceroyalty.The Museum of Art of Dallas, conserves a Santa Gertrudis La Magna by Miguel Cabrera and another representation of the Saint, also by Cabrera and dated in 1768, is part of the collection of the Museum José Luis Bello y Zetina of Puebla, Mexico. Likewise, we highlight an important series of the Caste paintings of 1763 that is conserved in the collection of the Museum of America in Madrid. They depict families, father, mother and child of the various castes and social strata, in everyday life situations. Finally, mention should also be made of the Pinacoteca de La Profesa or the Andrés Blaisten Collection in Mexico, as depositories of Cabrera's work. The Museum of America in Madrid is currently exhibiting a very important retrospective of the painter. Colonial Spanish Americas.
La Suite Subastas
Jun. 01, 2024
Miguel Cabrera Detroit Tigers MLB Signed Jersey
Est: $100 - $200
An autographed Miguel Cabrera Detroit Tigers MLB signed baseball jersey. Signed on the back in the '24' in silver ink, and included with a The Autograph Zone COA. Sports Memorabilia, Autographs, Signatures, Collectibles, Baseball, MLB
Oakwood Auctions
May. 29, 2024
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame.
Est: €10,000 - €12,000
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame. Size: 77 x 64 cm; 100 x 77 x 6 cm (frame). In this canvas adhered to a board, Jesus Christ is represented as Ecce Homo. The characteristic workmanship of the New Spain painter Miguel Cabrera can be appreciated in his skillful assimilation of Spanish Baroque tenebrism, whose formulas he softened by forging his own typology of suffering figures, especially virgins, saints and Christs like the one we are dealing with. The wiry features have been modeled with nuanced shades that enhance the expressiveness of the face, with two tears running down one cheekbone. Blood drips from the crown of thorns that girdles his forehead. The red cloth, a color associated with the Passion and sacrifice, wraps around his shoulders, leaving his torso naked and vulnerable. Handcuffed, the eyes clouded with pain silently dialogue with God the Father. The hands of fine fingers remain joined by a rope. The skillful handling of the glazes stands out. The devotional painting conveys the extreme loneliness of Jesus at the moment when he is exposed to be judged and condemned. Miguel Cabrera was one of the greatest exponents of the novo-Hispanic baroque painting. Born in the town of Tlalixtac, in Oaxaca, he dedicated his work to religious themes and especially to the figure of the Virgin of Guadalupe, and on this last theme he wrote "American marvel and set of rare wonders observed with the direction of the rules of the art of painting" (1756). Among his most outstanding works are those he made for some chapels of the cathedral of Mexico City, among them the sacristy, which houses in one of its walls a "Woman of the Apocalypse". Cabrera was also the chamber painter of Archbishop José Manuel Rubio y Salinas, and in 1753 he founded the first painting academy in Mexico. He also painted some portraits, such as that of Sor Juana Inés de la Cruz (1751). Miguel Cabrera was especially splendid in his small and medium-sized works, both on canvas and copper. His warm and vivid colors, unparalleled in the Novo-Hispanic school of the 18th century, stand out, as well as his firm drawing and the poetic expressions of the faces of his Virgins, saints and even portraits of characters of his time. He was a very prolific artist, and had a very large workshop with apprentices specialized in specific tasks. When composing his works he used to base himself, sometimes literally, on prints of Spanish and Flemish origin, a common practice not only in America but also in Europe. On the other hand, we see in his production a strong influence of Murillo, which makes us think that he must have worked in the workshop of the Rodriguez Juarez brothers, then at the height of their glory, in Mexico City. Currently his works are kept in several of the main Mexican temples, as well as in the Museo del Virreinato in Tepozotlán, the Museo de América in Madrid, the Museo de El Carmen in San Ángel (Mexico City), the Museo Nacional de las Intervenciones in Coyoacán, the Pinacoteca Virreinal in Mexico City, the Dallas Museum of Art and the Museo de Santa Mónica in Puebla. It presents faults in the frame.
Setdart Auction House
May. 29, 2024
Novo-Hispanic school, 18th century. Circle of MIGUEL CABRERA (Mexico, 1695-1768). ‘Saint Gertrudis Magna. Oil on canvas. It presents faults and perforations. Frame of the XVIII century.
Est: €1,600 - €2,000
Novo-Hispanic school, 18th century. Circle of MIGUEL CABRERA (Mexico, 1695-1768). ‘Saint Gertrudis Magna. Oil on canvas. It presents faults and perforations. Frame of the XVIII century. Measurements: 112 x 83 cm; 127 x 97,5 x 3 cm (frame). Miguel Cabrera was one of the leading exponents of Baroque painting of the Viceroyalty. The present devotional painting is based on a painting by Cabrera in the Dallas Museum of Art. The painter must have belonged to Cabrera's circle, but it is not an exact copy. In Cabrera's case, Gertrude's hand shows two outstretched fingers in a gesture symbolising the dual nature of Christ. In our painting, the saint's snowy hand is extended below the heart, which is haloed with the figure of Christ, which is also present in Cabrera's painting. Gertrude, dressed in rigorous black, reads the Scriptures during her monastic stay. During the 18th century the cult of Saint Gertrude the Great was widespread throughout the Spanish empire, and there are numerous representations of her in Castile, Aragon and Portugal, as well as in Venezuela, Bolivia, Peru and Mexico. The image was disseminated in engravings, canvases, sculptures, nuns' coats of arms and medallions, was placed in altarpieces and was included among the most prominent saints in paintings depicting the heavenly court. In addition, she was mentioned in numerous sermons, novenas, prayers, masses and hagiographies, and her life inspired a play in which the saint was called ‘Christ's most beloved’. Undoubtedly this popular diffusion of her image and her story went hand in hand with the spread of the cult, the peak of which can be seen in the first half of the 18th century.
Setdart Auction House
Mar. 07, 2024
ATTRIBUTED TO MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €15,000 - €20,000
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) "Christ Child as Salvator Mundi" Oil on canvas. 81 x 60 cm. The finely detailed lace and transparent attire that covers the body of the Child suggests that this painting was possibly created for a convent of nuns. As is customary in the Novo-Hispanic world, the Christ Child is depicted with a ring of angels in the background, and is also resting on a group of angels. Miguel Cabrera was one of the most renowned painters in the field of 18th-century New Spanish painting, producing work that the Dallas Museum of Art defines as "legendary: over 309 works have been documented from his large studio." In addition to easel painting, Cabrera's production includes altar design, large-scale works, as well as small artworks on copper and nun's shields. The figures in Cabrera's religious painting are of remarkable beauty, a beauty expressed through the ideological assumptions of worship of the time. It is refined art that possesses well-arranged chromatic richness, as well as great compositional work and, no less important, subtle and expressive drawing. Little is known about his youth; in fact, according to the Andrés Blaisten Museum, it is only through the painter's will in 1768 that we know he was a native of Oaxaca. His first known records are from 1739, the year of his marriage to Ana María Solano, as well as his time in Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was a protector of Cabrera, whom he appointed as his court painter. He was also a painter for the Society of Jesus, for whose churches he created numerous works. In 1753, he was appointed lifelong president of the San Carlos Academy. In 1756, Cabrera published "Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura" (American Marvels and a Collection of Rare Marvels Observed Following the Rules of the Art of Painting), a narration about the image of the Virgin Guadalupe printed at the press of the Jesuit college of San Ildefonso. His works are preserved in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are housed in the Vatican Museum. Another, created in 1756 for the temple of San Francisco Javier, is preserved in the National Museum of the Viceroyalty. The Dallas Museum of Art houses a Santa Gertrudis La Magna by Miguel Cabrera, and another representation of the saint, also by Cabrera and dated 1768, is part of the collection at the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, we should highlight an important series of Casta paintings from 1763, kept in the collection at the Museum of the Americas in Madrid. They depict families, father, mother, and child from various castes and social strata, in situations of everyday life. Reference Bibliography: - Dallas Museum of Art. (s.f.). "Saint Gertrude (Santa Gertrudis)". (2006.37). Https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera. Spanish Americas.
La Suite Subastas
Feb. 24, 2024
Miguel Cabrera jersey card
Est: -
Will combine shipping!
Duncan Auctions LLC
Jan. 25, 2024
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame.
Est: €22,000 - €25,000
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame. Size: 77 x 64 cm; 100 x 77 x 6 cm (frame). In this canvas adhered to a board, Jesus Christ is represented as Ecce Homo. The characteristic workmanship of the New Spain painter Miguel Cabrera can be appreciated in his skillful assimilation of Spanish Baroque tenebrism, whose formulas he softened by forging his own typology of suffering figures, especially virgins, saints and Christs like the one we are dealing with. The wiry features have been modeled with nuanced shades that enhance the expressiveness of the face, with two tears running down one cheekbone. Blood drips from the crown of thorns that girdles his forehead. The red cloth, a color associated with the Passion and sacrifice, wraps around his shoulders, leaving his torso naked and vulnerable. Handcuffed, the eyes clouded with pain silently dialogue with God the Father. The hands of fine fingers remain joined by a rope. The skillful handling of the glazes stands out. The devotional painting conveys the extreme loneliness of Jesus at the moment when he is exposed to be judged and condemned. Miguel Cabrera was one of the greatest exponents of the novo-Hispanic baroque painting. Born in the town of Tlalixtac, in Oaxaca, he dedicated his work to religious themes and especially to the figure of the Virgin of Guadalupe, and on this last theme he wrote "American marvel and set of rare wonders observed with the direction of the rules of the art of painting" (1756). Among his most outstanding works are those he made for some chapels of the cathedral of Mexico City, among them the sacristy, which houses in one of its walls a "Woman of the Apocalypse". Cabrera was also the chamber painter of Archbishop José Manuel Rubio y Salinas, and in 1753 he founded the first painting academy in Mexico. He also painted some portraits, such as that of Sor Juana Inés de la Cruz (1751). Miguel Cabrera was especially splendid in his small and medium-sized works, both on canvas and copper. His warm and vivid colors, unparalleled in the Novo-Hispanic school of the 18th century, stand out, as well as his firm drawing and the poetic expressions of the faces of his Virgins, saints and even portraits of characters of his time. He was a very prolific artist, and had a very large workshop with apprentices specialized in specific tasks. When composing his works he used to base himself, sometimes literally, on prints of Spanish and Flemish origin, a common practice not only in America but also in Europe. On the other hand, we see in his production a strong influence of Murillo, which makes us think that he must have worked in the workshop of the Rodriguez Juarez brothers, then at the height of their glory, in Mexico City. Currently his works are kept in several of the main Mexican temples, as well as in the Museo del Virreinato in Tepozotlán, the Museo de América in Madrid, the Museo de El Carmen in San Ángel (Mexico City), the Museo Nacional de las Intervenciones in Coyoacán, the Pinacoteca Virreinal in Mexico City, the Dallas Museum of Art and the Museo de Santa Mónica in Puebla.
Setdart Auction House
Dec. 13, 2023
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame.
Est: €22,000 - €25,000
MIGUEL CABRERA (Mexico, 1695 - 1768). "Ecce Homo. Oil on canvas, glued to board. Frame of the eighteenth century, with additions of the nineteenth century. Signed in the lower right corner. Presents faults in the frame. Size: 77 x 64 cm; 100 x 77 x 6 cm (frame). In this canvas adhered to a board, Jesus Christ is represented as Ecce Homo. The characteristic workmanship of the New Spain painter Miguel Cabrera can be appreciated in his skillful assimilation of Spanish Baroque tenebrism, whose formulas he softened by forging his own typology of suffering figures, especially virgins, saints and Christs like the one we are dealing with. The wiry features have been modeled with nuanced shades that enhance the expressiveness of the face, with two tears running down one cheekbone. Blood drips from the crown of thorns that girdles his forehead. The red cloth, a color associated with the Passion and sacrifice, wraps around his shoulders, leaving his torso naked and vulnerable. Handcuffed, the eyes clouded with pain silently dialogue with God the Father. The hands of fine fingers remain joined by a rope. The skillful handling of the glazes stands out. The devotional painting conveys the extreme loneliness of Jesus at the moment when he is exposed to be judged and condemned. Miguel Cabrera was one of the greatest exponents of the novo-Hispanic baroque painting. Born in the town of Tlalixtac, in Oaxaca, he dedicated his work to religious themes and especially to the figure of the Virgin of Guadalupe, and on this last theme he wrote "American marvel and set of rare wonders observed with the direction of the rules of the art of painting" (1756). Among his most outstanding works are those he made for some chapels of the cathedral of Mexico City, among them the sacristy, which houses in one of its walls a "Woman of the Apocalypse". Cabrera was also the chamber painter of Archbishop José Manuel Rubio y Salinas, and in 1753 he founded the first painting academy in Mexico. He also painted some portraits, such as that of Sor Juana Inés de la Cruz (1751). Miguel Cabrera was especially splendid in his small and medium-sized works, both on canvas and copper. His warm and vivid colors, unparalleled in the Novo-Hispanic school of the 18th century, stand out, as well as his firm drawing and the poetic expressions of the faces of his Virgins, saints and even portraits of characters of his time. He was a very prolific artist, and had a very large workshop with apprentices specialized in specific tasks. When composing his works he used to base himself, sometimes literally, on prints of Spanish and Flemish origin, a common practice not only in America but also in Europe. On the other hand, we see in his production a strong influence of Murillo, which makes us think that he must have worked in the workshop of the Rodriguez Juarez brothers, then at the height of their glory, in Mexico City. Currently his works are kept in several of the main Mexican temples, as well as in the Museo del Virreinato in Tepozotlán, the Museo de América in Madrid, the Museo de El Carmen in San Ángel (Mexico City), the Museo Nacional de las Intervenciones in Coyoacán, the Pinacoteca Virreinal in Mexico City, the Dallas Museum of Art and the Museo de Santa Mónica in Puebla.
Setdart Auction House
Nov. 23, 2023
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1695 - MEXICO, 1768)
Est: €8,000 - €12,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768) 'Our Lady of Sorrows' and 'Saint Francis of Assisi' Pair of oil paintings on copper. The first signed by Michl. Cabrera pinxit, the second by Michl. Cabrera in 1761. 42 x 56.5 cm each. Miguel Mateo Maldonado y Cabrera was born on February 27, 1695, in Antequera, now Oaxaca City, Mexico. He is considered the foremost exponent of 18th-century New Spanish colonial painting. His parents are unknown and he was the godson of a mixed-race couple. He moved to Mexico City in 1719, where he began his artistic training. Cabrera painted altarpieces in the Jesuit church of Tepotzotlán in the State of Mexico, in the church of Santa Prisca in Taxco, Guerrero, and in the cathedrals of Mexico City and Puebla. Cabrera was not only a painter but also participated in the attempt to found an Academy of Arts in 1753. In 1756, he established himself as an intellectual, not just an artist, as he published a narrative about the image of Our Lady of Guadalupe through the printing press of the Jesuit college of San Ildefonso. In addition to easel painting, Cabrera's production includes altar design, large-scale works, as well as small artworks on copper and nun's shields. The figures in Cabrera's religious painting are of remarkable beauty, a beauty expressed through the ideological assumptions of worship of the time. It is refined art that possesses well-arranged chromatic richness, as well as great compositional work and, no less important, subtle and expressive drawing. Of all the painters of that time, Cabrera had the most personality; the way he typically treated his figures was undoubtedly the basis of his painting style, because he placed models that were not ideal in his paintings, but that corresponded to people whom the artist knew and interacted with, such as when he incorporated portraits of donors or so-called 'prelates' in some paintings, as he needed to observe directly and copy from nature. He was appointed court painter of Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe. The image was sent to Pope Benedict XIV, from whom he obtained the highest recognition as a painter of Guadalupe. Outstanding portraits he painted include the one of Sor Juana Inés de la Cruz, housed in the National Museum of History, and that of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán, Mexico. Cabrera's work is present in numerous public and private collections, such as the Pinacoteca de La Profesa, the Andrés Blaisten Collection in Mexico, and the Museum of the Americas in Madrid, which has a series of caste paintings consisting of sixteen paintings, perhaps one of his greatest masterpieces. Provenance: - Private collection Bilbao. Colonial. Spanish Americas.
La Suite Subastas
Nov. 23, 2023
ATTRIBUTED TO MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €30,000 - €40,000
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) 'Saint Augustine of Hippo meditating on the Holy Trinity' Oil on canvas. 56,5 x 43 cm. Accompanied by an imposing carved and gilded wooden frame from the Charles III period. According to the saint's story, he was sitting by the seashore meditating on the mystery of the Trinity when he saw a child filling a hole in the sand with seawater. Saint Augustine asked him why he was doing it, to which the child replied that he was trying to empty all the water from the sea into the hole. Upon hearing this, the saint told the child that it was impossible, to which the child responded that if that was impossible, it was even more impossible to try to decipher the mystery of the Holy Trinity. Miguel Cabrera presents the protagonists in a scene slightly different from the original story. The saint is not dressed in black with his religious habit but wears vestments and an episcopal mitre, alluding to the bishopric he held in Hippo. Tender faces, finesse in the strokes, this New Spanish painter was known as one of the foremost exponents of Baroque painting of the viceroyalty. Miguel Cabrera was, in fact, one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented.' Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was appointed president for life of the Academy of San Carlos. In 1756 Cabrera published 'American wonder and set of rare wonders observed and directed by the rules of the art of painting', a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty. The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography: - Dallas Museum of Art. (n.d.). 'Saint Gertrude'. (2006.37). https://collections.dma.org/artwork/532850 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera Colonial.Spanish Americas.
La Suite Subastas
Sep. 27, 2023
Circle of Miguel de Cabrera (San Miguel Tlalixtac, Oaxaca, 1695 - Mexico City, 1768), The Annunciation, Mexican Viceregal colonial school of the 17th century
Est: €8,000 - €10,000
Magnificent oil painting on canvas with oval frame. Canvas measurements: 83 x 61, framed measurements: 93 x 71 cm. Miguel Mateo Maldonado y Cabrera (San Miguel Tlalixtac, Oaxaca, February 27, 1695-Mexico City, May 16, 1768) was a painter from New Spain, characterized as one of the greatest exponents of baroque painting of the viceroyalty. He was the chamber painter of Archbishop Manuel José Rubio y Salinas and founder in 1753 of the first painting academy in Mexico. Miguel Cabrera is present in numerous Spanish public and private collections such as the splendid series of castes at the Museum of America in Madrid, perhaps one of his masterpieces. In December 2008, this museum enriched its heritage with the acquisition of three more works by the painter. The appreciation and price in the art market for the works of Miguel Cabrera has grown dramatically during the last quarter of the 20th century. In 2004, in Madrid, 150,000 euros were paid at public auction for one of his works. However, noticeably higher prices have recently been reported for some caste paintings painted on copper. Reference bibliography: Cruz Aguillón, Raúl. 1993. The teacher Don Miguel Cabrera. Mexico City: “Rufino Tamayo” Museum of Pre-Hispanic Art of Mexico. Origin: from a private collection, Madrid. Noticeably higher prices have recently been reported for some caste paintings painted on copper. Reference bibliography: Cruz Aguillón, Raúl. 1993. The teacher Don Miguel Cabrera. Mexico City: “Rufino Tamayo” Museum of Pre-Hispanic Art of Mexico. Origin: from a private collection, Madrid. Noticeably higher prices have recently been reported for some caste paintings painted on copper. Reference bibliography: Cruz Aguillón, Raúl. 1993. The teacher Don Miguel Cabrera. Mexico City: “Rufino Tamayo” Museum of Pre-Hispanic Art of Mexico. Origin: from a private collection, Madrid.
Templum Fine Art Auctions
Jun. 29, 2023
ATTRIBUTED TO MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €5,000 - €8,000
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) 'Saint Joseph Ora Pro Nobis' Oil on copper. 26,5 x 20,5 cm. Miguel Cabrera was one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented.' Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was appointed president for life of the Academy of San Carlos. In 1756 Cabrera published 'American wonder and set of rare wonders observed and directed by the rules of the art of painting', a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty. The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography: - Dallas Museum of Art. (n.d.). 'Saint Gertrude'. (2006.37). https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera Arts of the Spanish Americas
La Suite Subastas
Jun. 29, 2023
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €1,500 - €4,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) 'Saint Joseph and Child' Nun's shield. Oil on copper. Signed. 11,7 x 9 cm. The LACMA in Los Angeles, has a nun’s badge in its collection by the Mexican painter Francisco Martínez (Mexico, 1687-1758) dated circa 1750, with the central theme of The Annunciation surrounded by Saints. (Inv. M.2015.142.1) As Professor Ilona Katzew, Curator and Head of the Latin American Art Department at the LACMA in Los Angeles, notes with respect to these nun’s shields: 'This small-scale painting is a badge worn by nuns of the Order of the Immaculate Conception (also known as Conceptionists) in Mexico as part of their dress. Painted badges originated in Mexico in response to religious reforms introduced by the archbishop Francisco Manso y Zúñiga (ruled 1629-1635), who attempted to curtail the luxury and privilege of the convent lifestyle. He forbade nuns to wear shields made of gold, precious stones, and enamel. The nuns circumvented this rule by commissioning shields painted on copper or parchment, and set into frames made of tortoiseshell. Many of the badges were painted by the best artists of the day.' This genre of devotional art was widespread during the 17th and 18th centuries in Spain and the New Hispanic world. They tended to be small pictures painted or embroidered with religious scenes, which nuns wore on their chests as they took their vows. It is in the classic portraits of crowned nuns, also with flowers, veils and other ornaments, where we can see the relevance these badges had. On occasions, artists of the calibre of José de Páez, Luís Juárez or Miguel Cabrera who was the painter of this shield, made some of these badges. Miguel Cabrera was one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented.' Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was appointed president for life of the Academy of San Carlos. In 1756 Cabrera published 'American wonder and set of rare wonders observed and directed by the rules of the art of painting', a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty. The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography: - Dallas Museum of Art. (n.d.). 'Saint Gertrude'. (2006.37). https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera Arts of the Spanish Americas
La Suite Subastas
Jun. 29, 2023
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €30,000 - €50,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) 'Our Lady of the Rosary with St. Augustine and St. Gregory' Oil on canvas. Signed. 45 x 34,5 cm. At the feet of Our Lady of the Rosary, the painter captures the fervour and devotion of the two Holy Fathers of the Catholic Church, faithful defenders of Mary's virginity, who kneel before her: St. Augustine, who praises the greatness of Mary and her assumption into heaven in the treatise he wrote ('She alone deserved to give birth to a God and man, made the throne of God and the palace of the eternal King'), and St. Gregory, who recognises Mary as the Mother of God ('Behold, the same Virgin and handmaid of the Lord is also called Mother... and she is truly His Mother, because in her womb, He became man by the work of the Holy Spirit and her flesh'). Miguel Cabrera, the New Spanish painter of colours, reflects the sweetness that always surrounds his characters. Moreover, the sacred art he painted is always reverent and shows his devotion. The three figures he has painted are filled with expressiveness and an almost mystical religious voluptuousness, with a contrast of light and shadow that lends realism to the characters, placing us almost as if we were before them as they pray. Miguel Cabrera was one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented.' Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was appointed president for life of the Academy of San Carlos. In 1756 Cabrera published 'American wonder and set of rare wonders observed and directed by the rules of the art of painting', a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty. The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography: - Dallas Museum of Art. (n.d.). 'Saint Gertrude'. (2006.37). https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera Arts of the Spanish Americas
La Suite Subastas
May. 26, 2023
MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €18,000 - €25,000
Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) 'Virgin of Mercy with San Pedro Nolasco y San Ramón Nonato' Oil on copper. Signed. 24 x 18,5 cm. Miguel Cabrera was one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as 'legendary: more than 309 works from his great studio have been documented.' Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty. Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works. In 1753 he was appointed president for life of the Academy of San Carlos. In 1756 Cabrera published 'American wonder and set of rare wonders observed and directed by the rules of the art of painting', a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso. His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty. The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico. Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography: - Dallas Museum of Art. (n.d.). 'Saint Gertrude'. (2006.37). https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera Colonial.
La Suite Subastas
May. 20, 2023
Miguel Cabrera
Est: -
Will combine shipping!
Duncan Auctions LLC
Feb. 18, 2023
Miguel Cabrera
Est: -
Will combine shipping!
Duncan Auctions LLC
Feb. 18, 2023
Miguel Cabrera Heart of the City
Est: -
Will combine shipping!
Duncan Auctions LLC
Nov. 30, 2022
Miguel Cabrera Photo Memorabilia
Est: $100 - $500
Miguel Cabrera 2012 Triple Crown Winner Hand Signed Photo Memorabilia. COA seal applied lower right. League Championship Series 2003. Sight measures 7-1/2" x 9-1/2". Frame measures 13-1/2" x 20-1/8". Condition: Good condition. Estimate: $100.00 - $500.00 Domestic Shipping: $125.00
Kodner Galleries
Nov. 16, 2022
Miguel Cabrera (Mexican, 1695-1768)
Est: €2,000 - €3,000
Miguel Cabrera (Mexican, 1695-1768), The Virgin of Guadeloupe, oil on copper, 43x34 cm, signed and dated 'Mich: Cabrera pinxit/1759' (lower left),
Venduehuis der Notarissen
Nov. 05, 2022
Miguel Cabrera
Est: -
Will combine shipping!
Duncan Auctions LLC
Nov. 05, 2022
Miguel Cabrera Heart of the City
Est: -
Will combine shipping!
Duncan Auctions LLC
Aug. 20, 2022
Miguel Cabrera Game Jersey
Est: -
Will combine shipping!
Duncan Auctions LLC
Feb. 18, 2022
Miguel Cabrera (1695-1768) The Immaculate Conception with Saints Anne and J
Est: $120,000 - $180,000
Miguel Cabrera (1695-1768) The Immaculate Conception with Saints Anne and Joaquim oil on canvas 33 1/8 x 24 in. (84.2 x 61 cm.)
Christie's
Feb. 18, 2022
Miguel Cabrera (1695-1768) The Virgin of the Rosary oil on canvas 23 5/8 x
Est: $60,000 - $80,000
Miguel Cabrera (1695-1768) The Virgin of the Rosary oil on canvas 23 5/8 x 32 3/4 in. (60 x 83.2 cm.)
Christie's
Feb. 18, 2022
Miguel Cabrera (1695-1768) Virgin of Guadalupe oil on copper 16 1/2 x 12 1/
Est: $20,000 - $25,000
Miguel Cabrera (1695-1768) Virgin of Guadalupe oil on copper 16 1/2 x 12 1/4 in. (41.9 x 31.1 cm.)
Christie's
Dec. 14, 2021
MIGUEL CABRERA - Our Lady of Sorrow
Est: €2,000 - €4,000
MIGUEL CABRERA Viceroyalty of New Spain 1695 - 1768 Virgen dolorosa Oil on copper Signed size 24,3 x 20,1 cm
Subastas Segre
Dec. 08, 2021
Miguel Cabrera (Oaxaca 1695-1768 Mexico City) The Virgin of Guadalupe
Est: £8,000 - £12,000
Miguel Cabrera (Oaxaca 1695-1768 Mexico City) The Virgin of Guadalupe signed 'Cabrera fe' (lower left) oil on canvas 87.6 x 65.2cm (34 1/2 x 25 11/16in). For further information on this lot please visit the Bonhams website
Bonhams
Nov. 25, 2021
ATTRIBUTED TO MIGUEL CABRERA (ANTEQUERA DE OAXACA, MEXICO, 1715 / 1720 - MEXICO, 1768)
Est: €22,000 - €23,000
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768) "Nativity" Oil on canvas. 99 x 136 cm. This painting belongs to a series in which only the first and last paintings were signed. Accompanied by a technical study and analysis of the painting by Icono.
La Suite Subastas
Jun. 06, 2021
Circle of Miguel Cabrera (1695 - 1768)
Est: $2,000 - $4,000
Circle of Miguel Cabrera (1695 - 1768) Initialed upper right. Oil on Canvas laid on Board. Image depicts nobleman holding flower to his heart with cherub heads in the sky. Condition: loss to paint and signs of craquelure Sight Size: 27.5 x 14 in. Overall Framed Size: 32 x 18 in. Framed behind glass.
Helmuth Stone
May. 18, 2021
MIGUEL CABRERA - Our Lady of Sorrows
Est: €2,800 - €5,600
MIGUEL CABRERA Viceroyalty of New Spain 1695 - 1768 Our Lady of Sorrows Oil on copper Signed size 24.3 x 20.1 cm
Subastas Segre
Mar. 04, 2021
Attributed to Miguel Cabrera (Oaxaca de Juárez, Mexico, 1695 - Mexico, 1768).
Est: €12,000 - €15,000
Attributed to Miguel Cabrera (Oaxaca de Juárez, Mexico, 1695 - Mexico, 1768). Colonial School. Mexico. 18th century. "Saint Gertrude the Great" Oil on canvas. Relined. 167 x 105,5 cm. The Dallas Museum of Art has a very similar Saint Gertrude the Great by Miguel Cabrera, and there is another painting of the Saint, also by Cabrera and dated 1768, in the collection at the José Luis Bello y Zetina Museum in Puebla, Mexico.
La Suite Subastas
Feb. 27, 2020
Miguel Cabrera Circle. Extasis of Saint Philip
Est: -
MIGUEL CABRERA, CÍRCULO DE. "Extasis de San Felipe". Óleo sobre lienzo. 98 x 73 cm
Duran Arte y Subastas
Jun. 25, 2019
Círculo de Miguel Cabrera. The crowning
Est: -
MIGUEL CABRERA, CÍRCULO DE. "Coronación de la Virgen". Óleo sobre lienzo. Obra tradicionalmente atribuída a Miguel Cabrera (Oaxaca, 1695 - México, 1768). 75 x 62 cm
Duran Arte y Subastas
May. 30, 2019
Miguel Cabrera Signed Baseball
Est: -
Miguel Cabrera Signed Baseball. COA GAA
J Sugarman Auction
Apr. 02, 2019
MIGUEL CABRERA - “Virgen dolorosa”
Est: €900 - €1,350
MIGUEL CABRERA Viceroyalty of New Spain 1695 - 1768 “Virgen dolorosa” Oil on copper Signed Measurements 24.3 x 20.1 cm
Subastas Segre
Feb. 05, 2019
San José con el Niño y donantes
Est: -
ATRIBUIDO A MIGUEL CABRERA (San Miguel Tlalixtac, Oaxaca, 1695 - México, 1768) Encastrado en fragmento de retablo S. XVIII de 100 x 64 cm. Óleo sobre cobre 55 x 40 cm ATTRIBUTED TO MIGUEL CABRERA (San Miguel Tlalixtac, Oaxaca, 1695 - Mexico, 1768) Encastrado in fragment of altarpiece 18th C. 100 x 64 cm. Oil on copper 55 x 40 cm
Isbilya Subastas
Sep. 06, 2018
AVAILABLE ONLY IN MEXICO. Please be aware that you are responsible for complying with any local export or import laws.
Est: $500,000 - $800,000
AVAILABLE ONLY IN MEXICO. Please be aware that you are responsible for complying with any local export or import laws. Estimado $500,000-800,000 MIGUEL CABRERA (MÉXICO, 1695-1768) APARICIÓN DE LA VIRGEN DE LA MERCED A SAN PEDRO NOLASCO Óleo sobre tela. Firmado: "Migl Cabrera Pinxit". Detalles de conservación y estructura. 153 x 113 cm (oval). La Virgen de la Merced, conocida también como Generala de los Ejércitos Celestiales, le encomendó a San Pedro Nolasco la fundación de la Orden de la Merced para la redención de los cautivos que sufrían en las guerras entre moros y cristianos (en el siglo XIII).
Morton Subastas
Sep. 06, 2018
AVAILABLE ONLY IN MEXICO. Please be aware that you are responsible for complying with any local export or import laws.
Est: $60,000 - $80,000
AVAILABLE ONLY IN MEXICO. Please be aware that you are responsible for complying with any local export or import laws. Estimado $60,000-80,000 ATRIBUIDO A MIGUEL CABRERA (MÉXICO, 1695-1768) VIRGEN APOCALÍPTICA MÉXICO, SIGLO XVIII Óleo sobre lámina de cobre. Detalles de conservación. 54 x 40 cm
Morton Subastas
Jul. 07, 2018
MIGUEL CABRERA Detroit Tigers Signed Autographed Baseball Certified CoA
Est: -
Miguel Cabrera Detroit Tigers signed autographed baseball. This hand signed item comes with a Certificate of Authenticity (CoA): Guaranteed Authentic Autographs (GAA) #12056
J Sugarman Auction
Jul. 07, 2018
MIGUEL CABRERA Detroit Tigers Signed Autographed Mini Baseball Helmet Certified CoA
Est: -
Miguel Cabrera Detroit Tigers signed autographed baseball mini helmet. This hand signed item comes with a Certificate of Authenticity (CoA): Guaranteed Authentic Autographs (GAA) #14416
J Sugarman Auction
Dec. 10, 2017
Miguel Cabrera Autographed Baseball.
Est: -
Miguel Cabrera Autographed Baseball. Comes with COA from Sports Immortals Memorabilia mart. Case included. Serial Number 125038
J Sugarman Auction
Dec. 09, 2017
Miguel Cabrera (attrib.), painting
Est: $600 - $800
Attributed to Miguel Cabrera (Mexican, 1695-1768), Pope Clement XII, oil on copper plate, no signature visible, 10.75"h x 7.75"w (panel), 16.5"h x 13.5"w (frame)
Millea Bros Ltd
Nov. 15, 2017
Huile sur toile "Vierge à l'enfant". Signé au milieu à droite Michel Cabrer
Est: €1,200 - €1,600
Huile sur toile "Vierge à l'enfant". Signé au milieu à droite Michel Cabrera et daté 1751. Ecole mexicaine. Dim.:42x35cm.
Vanderkindere
Sep. 21, 2017
MIGUEL CABRERA MARLINS signed autographed card cas certified
Est: -
This is a beautiful autographed card. It is certified / authenticated from: CAS Cas Certified Authentication Services http://casauthenticaion.com/
J Sugarman Auction