Enrique Chagoya (Mexican, b. 1953), Untitled (Piggy Back Ride), 1983, charcoal on paper, signed and dated lower right mat, sheet: 9"h x 11.5"w, overall (with frame): 13.5"h x 17.5"w
Enrique Chagoya (Mexican, b. 1953), "The Missing Time," 1982, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 4/10, image/sheet: 15"h x 11"w, overall (with frame): 17.5"h x 13.5"w
Enrique Chagoya (American, b. Mexico 1953). "Return to Goya's Caprichos" etchings on paper, 1999. Publisher's prints II. Each hand-signed at lower right beneath image with date. "P.P.II" inscribed at lower left and artist's stamp at lower center. Published by Segura Publishing Company, Tempe, Arizona. An enticing ensemble of eight etchings on paper by Mexican-born American painter, printmaker, and educator Enrique Chagoya, each depicting the artist's view on how Goya's "Los Caprichos" prints would have looked if created in the present. Satirical and humorous yet dramatic and quite riveting, the reinterpreted etchings include: "A caza de dientes" (Out Hunting for Teeth), "Ni mas ni menos" (Neither more nor less), "Que biene el Coco" (Here comes the bogeyman), "De que mal morira?" (Of what ill will he die), "El sueno de la razon produce monstruos" (The dream of reason produces monsters)... Size of image: 5.75" W x 8" H (14.6 cm x 20.3 cm); of sheet: 11" W x 14.5" H (27.9 cm x 36.8 cm); of folder: 11.25" W x 15" H (28.6 cm x 38.1 cm) ..."Quien mas rendido?" (Who surrendered more?), "Linda maestra!" (Pretty teacher!), and "Se repulen" (They spruce themselves up). About the artist: "Enrique Chagoya was born in Mexico City in 1953. He was encouraged to be an artist from an early age by his father, who worked at the national bank of Mexico by day and was himself an artist by night. While studying political economy at the Universidad Nacional Autonoma de Mexico, Chagoya created political cartoons for local student-run newspapers and was an active participant in student and worker protests in Mexico City during the early 1970s. After emigrating to the United States in 1977, he went on to study at the San Francisco Art Institute, receiving a BFA in 1984, and an MFA from the University of California, Berkeley in 1987. He currently lives and works in San Francisco, and has been a professor of art and art history at Stanford University since 1995. Chagoya's art practice is an extension of his political activism. He uses his experiences on both sides of the United States-Mexico border to inform his work, as he tackles themes such as immigration, politics, stereotypes and cultural conflicts 'to construct a narrative, with humor and a more contemporary feel, that is different from the dominant history.' His approach is multivalent and he utilizes a range of media including painting, drawing, sculpture, and prints. An early series of large-scale editorial drawings from the mid '80s rendered mainly in black and red, lampooned current events by conflating cartoon characters such as Mickey Mouse with political figures such as Ronald Reagan. As his work became more pointedly critical of dominant Western cultures, he continued to draw from popular culture, political figures and canonical artworks as fodder for his art, albeit as seen through a nonwestern lens, both poking fun and demanding societal accountability for the pressing issues of the day. Chagoya's method of revisionism, particularly of Western narratives, is through satire, by appropriating historical and pop-cultural figures and depicting them from the perspectives of colonized or defeated cultures. He defines this process as 'reverse anthropology,' and his codices epitomize this: they depict contemporary events using visual language ranging from pre-Columbian imagery to American pop culture icons in the tradition of Mesoamerican book-making, using amate paper folded accordion-style and read from right to left. As a further example of cultural 'borrowing,' Chagoya has appropriated works by artists such as Philip Guston, James Ensor, Vincent Van Gogh, and Claude Monet, but none more comprehensively than Goya: he sees the satirical content in Goya's etchings as continually relevant, even today. Chagoya has continued to develop his satirical approach in recent bodies of work: his series of Illegal Alien's Guides directly engages with border politics, narrating the histories of modern European colonists who settled in the Americas such as Pilgrims and Spanish conquistadors, from the perspectives of the native peoples that they displaced. As well, Chagoya challenges racial stereotypes and the process of 'othering' in his series Aliens Sans Frontieres by creating self-portraits that stereotype himself based on the make-up of his own DNA, or by completely abstracting his figures altogether. Chagoya has exhibited internationally and has been the subject of several survey exhibitions. A mid-career retrospective of his work was organized by the Des Moines Art Center, Iowa in 2007, which travelled to the Berkeley Art Museum and the Palm Springs Art Museum, California. In 2014, a survey of his work was organized by Artium in Vitoria, Spain. He is the recipient of several grants and awards, including the Academy Award for Visual Arts from the American Academy of Arts and Letters in 1997, and an Artadia Foundation Grant in 2005. His work is included in public collections internationally such as the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the San Francisco Museum of Modern Art; the Smithsonian American Art Museum, Washington D.C.; and the Centro Cultural de Arte Contemporaneo, Mexico City, Mexico." (source: George Adams Gallery website) Provenance: private Bozeman, Montana, USA collection, acquired before 2015; consignor was co-owner of Segura Publishing Company, Tempe, Arizona and acquired this piece directly from Segura during his tenure All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191003
You Are Here lithograph in colors and rubber stamp, 2000, signed by both artist, dated and numbered 7/60 in pencil verso, from the You Are Here series. 17 x 17"
Enrique Chagoya Utopian Cannibal.org 2000 lithograph in colors with Chine colle and collage 7.25 h x 91.25 w in (18 x 232 cm) Signed and numbered to lower left '20/30 Enrique Chagoya '00'. This work is number 20 from the edition of 30. Provenance: Shark's Ink, Lyons, CO | Acquired from the previous in 2000, Private Collection This work will ship from Los Angeles, California.
Enrique Chagoya (Mexican/American, born 1953) Enrique Chagoya (Mexican/American, born 1953) Untitled (Thesis/Antithesis), 1998 Etching, signed and dated in pencil, numbered 2/10, with full margins, published/printed by Smith Anderson Editions, Palo Alto, CA., in good condition, framed Signed: l/r 20 x 23 1/2in. (51 x 59.5cm/sheet) 23 x 26 1/2in. (58.5 x 67.4cm/frame) Born in Mexico City, Enrique Chagoya was partly raised by an Indian nurse who helped him to respect the indigenous people of his country and their history. He earned a bachelor's degree in economics at the Universidad Nacional Autonoma de Mexico in Mexico City in 1975. As a student, he was sent to work on rural development projects, an experience that strengthened his interest in political and social activism. From the estate of a Marin County collector
Enrique Chagoya UtopianCannibal.org 2000 lithograph in colors, woodcut, chine colle, and collage closed: 7.50 h x 11.75 w in (19 x 30 cm) open: 7.50 h x 92 w in (19 x 234 cm) Signed and numbered to lower edge of closing page 'PAT.IMP. 2/4 Enrique Chagoya 100'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya The Misadventures of the Romantic Cannibals 2003 lithograph in colors and woodcut closed: 7.625 h x 7.50 w in (19 x 19 cm) open: 7.625 h x 89.25 w in (19 x 227 cm) Signed, dated and numbered to lower edge of closing page 'Enrique Chagoya '03 2/4 PAT. IMP.'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya The Ghost of Liberty 2004 lithograph in colors with chine colle open: 11.5 h x 85 w in (29 x 216 cm) closed: 11.5 h x 8 w in (29 x 20 cm) Signed, dated and numbered to left edge '2/4 PAT IMP Enrique Chagoya 04'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Les aventures des cannibales modernistes 1999 lithograph in colors, woodcut and chine colle on amate 7.5 h x 91.5 w in (19 x 232 cm) Signed, dated and numbered to lower left 'P.I. 3/4 Enrique Chagoya '99'. This work is patron's proof 3 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya La Bestia's Guide to the Birth of the Cool 2014 lithograph in colors with chine colle and gold metallic powder open: 8.25 h x 92 w in (21 x 234 cm) closed: 8.25 h x 11.5 w in (21 x 29 cm) Signed, dated and numbered to left edge '2/4 PAT Enrique Chagoya 14'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Illegal Alien's Meditations on el Ser y la Nada 2012 lithograph in colors with chine colle and gold metallic powder open: 14 h x 88 w in (36 x 224 cm) closed: 14 h x 11 w in (36 x 28 cm) Signed, dated and numbered to lower edge of cover page '2/4 PAT.IMP. Enrique Chagoya '12'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Escape from Fantasylandia: An Illegal Alien's Survival Guide 2011 lithograph in colors open: 9.5 h x 80 w in (24 x 203 cm) closed: 9.5 h x 5 w in (24 x 13 cm) Signed, dated and numbered to left 'Enrique Chagoya 11 2/4 PAT IMP'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya El regreso del canibal macrobiotico 1998 lithograph in colors, woodcut and chine colle on amate 7.5 h x 91.5 w in (19 x 232 cm) Signed, dated and numbered to lower left 'Patrons I.M.P. Enrique Chagoya '98'. This work is a patron's proof apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Double Trouble or Anthropology of the Clone 2005 lithograph in colors and collage 11 h x 74.5 w in (28 x 189 cm) Signed, dated and numbered to left 'Enrique Chagoya 2/4 PAT IMP 05'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Abenteuer der Kannibalen Bioethicists 2001 mixed media on paper open: 7.5 h x 92 w in (19 x 234 cm) closed: 7.5 h x 4.875 w x .75 d in (19 x 12 x 2 cm) Signed, dated and numbered to left edge 'Enrique Chagoya 01 PAT.IMP. 2/4'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Invites Into the World of the Eternal Instant 2015 lithograph in colors image: 19.50 h x 23.625 w in (50 x 60 cm) sheet: 20.50 h x 24 w in (52 x 61 cm) Signed, dated and numbered to lower edge '2/4 PAT. IMP. Enrique Chagoya '15'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya The Pastoral or Arcadian State: Illegal Alien's Guide to Greater America 2006 lithograph in colors 28.5 h x 39 w in (72 x 99 cm) Signed, dated and numbered to lower edge '2/4 PAT IMP Chagoya 06'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Illegal Alien's Guide to Somewhere Over the Rainbow 2010 lithograph in colors with chine colle image: 23.50 h x 39.375 w in (60 x 100 cm) sheet: 24.75 h x 40.75 w in (63 x 104 cm) Signed, dated and numbered to lower edge '2/4 PAT. IMP. Enrique Chagoya '10'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya Illegal Alien's Guide to Critical Theory 2007 lithograph in colors 24 h x 40 w in (61 x 102 cm) Signed, dated and numbered to lower edge '2/4 PAT IMP Chagoya 07'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya The Thingly Thingness of Things 2013 offset lithograph in colors 22.125 h x 30.125 w in (56 x 77 cm) Signed, dated and numbered to lower edge '2/4 PAT IMP Enrique Chagoya 13'. This work is patron's proof 2 of 4 apart from the edition of 30 printed and published by Shark's Ink, Lyons, CO. This work will ship from Lambertville, New Jersey.
Enrique Chagoya (Mexican/American, b. 1953), "Histoire Naturelle des Especies: Illegal Alien's Manuscript," 2008, lithograph and mixed media on paper in UV3 Plexibox, pencil signed and dated on back page/lower right, edition 14/30, overall (open): 11"h x 75"w, box: 12"h x 15.5"w
Enrique Chagoya (American, b. 1953) Estagos de la guerre; Taranduta de charlatnes; Extrana devocion!-Homage to Goya (3 works), 1987-1990 Etching and aquatints on Rives paper, each signed, dated and numbered 26/40, 27/40, 26/40, respectively, each with ink stamps by the artist, each with full margins, published by Segura Publishing Company, Mesa, Az., each framed. 13 x 15in (33 x 38.1cm/each sheet) 14 ½ x 16 1/2in (36.8 x 41.9cm/each frame)
Enrique Chagoya (born 1953) Homage to Goya II (10 works), 1983-2003 The complete portfolio of 10 etchings with aquatint on Rives paper, each signed in pencil, dated and numbered 20/30, with the blindstamp of the publisher Segura Publishing Company, Mesa, Arizona, each with inkstamps of the artist, each with full margins, contained in original portfolio as issued. (10 works) variable 7 x 8 3/8in (17.8 x 21.3cm) each sheet 13 x 15in (33 x 38.1cm)
Enrique Chagoya (Mexican, American, b. 1953) Columbus Brings Some Goodies To Queen Isabella For The 500th Time Charcoal on paper Signed and dated in pencil Enrique Chagoya '92, lower right Titled along edges of paper.
Enrique Chagoya (Mexican/American, b. 1953). Group of eight intaglio prints from the suite "The Return to Goya's Caprichos," printed between March 22 to 27, 1999. Each pencil signed and dated along the lower right; numbered 28/40 along the lower left; each uniquely stamped in red with Museo de Canibalismo y Tecnologia Macrobiotica. Published by Segura Publishing Company in Tempe, Arizona. Including: "A caza de dientes," "se repulen," "El sueno de la razon produce monstruos," "Quien mas remdido," "Linda maestra," "Ni mas ni menos," "Que biene el Coco," and "De gre mal morira."
Enrique Chagoya (Mexican/American, b. 1953), "Que Se Rompa La Cuerda," etching and aquatint, 1987, pencil signed and dated lower right, titled lower center, edition 19/40, gallery label (Paule Anglim, San Francisco, CA) affixed verso, sight: 12.25"h x 14.5"w, overall (with frame): 14.5"h x 16.5"w.
Enrique Chagoya (b. 1953) "My Cat Santos had a Nightmare," 2010 Etching and aquatint in grays and blush, with hand-coloring, on Revere Suede Warm White paper Edition: one of eight artist's proofs aside from the edition of 28 Signed, dated, and inscribed A.P. 1/8 in pencil in the lower margin: Enrique Chagoya; with the blindstamp of the publisher ULAE, Bay Shore, NY in the lower left margin corner
Enrique Chagoya (Mexican, American, b. 1953) Flame Boy (from Collective Impressions Portfolio), 1988 Lithograph on paper ed. 51 of 60 Signed and dated in pencil Enrique Chagoya '98, lower right Published by Segura Publishing Company, Tempe, Arizona. There were also 8 Artist's Proofs. Contained in original sleeve measuring 24.5 x 18.5 (in).
Enrique Chagoya, noted California Mexican contemporary artist, La Libertad (Liberty), 2006. Part of Chagoya's series of reimagined Francisco Goya etchings, based on the original Goya etching Tampoco, Not in This Case Either, with the French soldier replaced with Dopey, from Disney's Snow White and the Seven Drawfs and a vivid red background. Monotype On Somerset Paper. Signed Enrique Chagoya. Exhibited at Des Moines Art Center Modern and Contemporary Art Museum and the Smith Andersen Gallery Editions Liberty Club Exhibition. Also featured in the Art in Print journal, volume 3, number 2. Frame 51.5 x 38.325 x 2 in. Sight 47.75 x 34.5 in. All measurements are approximate.
Enrique Chagoya, Untitled (Pocahontas), 2000. Etching Signed Enrique Chagoya. Featured in Smith Andersen Editions Liberty Club Exhibition. Frame 35.125 x 28.5 x 2 in. Sight 27.5 x 19.5 in. All measurements are approximate.
Enrique Chagoya (Mexican/American, b. 1953) The Dispersal of Matter , 2001 lithograph and wood cut signed, dated and annotated A.P. in pencil 15 x 22 3/4 inches. Provenance: Sold: ASU Art Museum Charity Auction: Carnaval do Rio - Obo!, March 31, 2007, Lot 122
Enrique Chagoya (American/Mexican, b. 1953) Ghosts of Liberty, 2004 color lithograph with chine colle signed, dated and numbered 25/30 in pencil 11 1/2 x 85 inches.
Enrique Chagoya (Mexican/American, b.1953) 2 Prints. "Line Essence I," 1997, drypoint, signed and numbered: 14/20. Unframed. Provenance: Crown Point Press, San Francisco, CA. Together with Untitled (Velasquez Princess) 1999, drypoint, signed and numbered: 1/35. Unframed. Provenance: David Kelso, Oakland, CA. Sizes: 1) 12'' x 9'', 30 x 23 cm (plate); 20'' x 15'', 51 x 38 cm (sheet); 2) 8'' x 6'', 20 x 15 cm (plate); 22'' x 18'', 56 x 46 cm (mat). Ex. Cathryn Cootner Estate Collection, Sonoma, CA.
Enrique Chagoya (American/Mexican, b. 1953), We the Jury, 2006, mixed media monoprint, pencil signed and dated lower right, sheet (unframed): 47.5"h x 35"w
Enrique Chagoya (American/Mexican, b. 1953), "Another Excessive Objectification of the Overgrown," 2009, mixed media monoprint, pencil signed and dated lower right, sheet (unframed): 22.5"h x 30"w
Enrique Chagoya (American/Mexican, b. 1953), We the Jury, 2006, mixed media monoprint, pencil signed and dated lower right, sheet (unframed): 47.5"h x 35"w
Enrique Chagoya Homage to the Un-Square and My Cat Frida 2009 etching with aquatint and drypoint in colors with hand-coloring 20 h × 22 w in (51 × 56 cm) Image measures: 12.75 h x 15.75 w inches Signed, dated and numbered to lower edge '17/23 Enrique Chagoya 09'. This work is number 12 from the edition of 23 published by Universal Limited Art Editions, West Islip, New York. Provenance: Universal Limited Art Editions, New York | Acquired from the previous in 2009, Private Collection, Chicago This work will ship from Wright in Chicago, Illinois. condition: Please note that full sheet is visible and has not been examined outside of frame. Print is free of any surface wear or discoloration. Framed behind glass measuring 21 x 23 x 1 inches.
Enrique Chagoya Pyramid Scheme 2009 aluminum cans with archival pigment print labels 4.75 h × 16 w × 6.25 d in (12 × 41 × 16 cm) Single can measures: 2.5 dia x 4 h inches Signed and numbered to each can '24/40 E.C.'. Work is comprised of ten cans with various archival pigment print labels contained within original box. This work is number 24 from the edition of 40 published by Electric Works, San Francisco. Provenance: Lisa Sette Gallery, Scottsdale | Acquired from the previous, Private Collection This work will ship from Wright in Chicago, Illinois. condition: Hand signature and numbering on cans has somewhat faded. Otherwise cans and packaging are in excellent condition.
Enrique Chagoya (American/Mexican, b. 1953), Face Features, 2000, etching in colors, pencil signed and dated lower right, edition 12/14, image: 16"h x 10"w, sheet (unframed): 26"h x 19"w
Enrique Chagoya (American/Mexican, b. 1953), The Work Thematizes a Certain Lingering at a Threshold Between Heterogeneity and the Monomaniacal, 2009, mixed media print, pencil signed and dated lower right, sheet (unframed): 22"h x 30"w
Enrique Chagoya (Mexican, b. 1953) Flame Boy (from Collective Impressions Portfolio), 1998 Lithograph on paper ed. 52 of 60 Signed and dated in pencil Enrique Chagoya '98, lower right Published by Segura Publishing Company, Tempe, Arizona. There were also 8 APs.
Enrique Chagoya Flame Boy from the Collective Impressions portfolio 1998 screenprint in colors 18 h × 24 w in (46 × 61 cm) Signed, titled, dated and numbered to lower right 'P.P. 2/7 Enrique Chagoya '98 Flame Boy'. This work is number 2 of 7 printer's proofs apart from the numbered edition of 60 published by Landfall Press, Chicago. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.
Enrique Chagoya (Mexican, b. 1953) Flame Boy (from Collective Impressions Portfolio) 1998 Signed and dated in pencil Enrique Chagoya '98, lower right; Published by Segura Publishing Company in original sleeve measuring 18.5 x 24.5 in. There were also 8 APs.
Enrique Chagoya (Mexican/California, b. 1953) "The Enlightened Savage", 2002 screenprint in colors on paper adhered to aluminum cans set of ten in original presentation box, from the edition of 40, published by Trillium Press, San Francisco, each can pencil-numbered "7" and initialed along bottom edge. each can h. 4", dia. 2-5/8", box h. 4-5/8", w. 16", d. 6-1/8" Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.
