Matthew Chambers Sold at Auction Prices

λ MATTHEW CHAMBERS (BRITISH, B. 1982), 'PEBBLE GROUP'; 2009

λ MATTHEW CHAMBERS (BRITISH, B. 1982) 'PEBBLE GROUP'; 2009Stoneware, unglazed, concentric spherical forms in alternating integral grey and taupe coloured clays.Incised artist's signature and date33cm high, 33cm wide, 33cm deep

λ MATTHEW CHAMBERS (BRITISH, B. 1982), 'PEBBLE GROUP'; 2010

λ MATTHEW CHAMBERS (BRITISH, B. 1982) 'PEBBLE GROUP'; 2010Stoneware, unglazed, concentric spherical forms in alternating integral grey and taupe coloured clays.Incised artist's signature and date18cm high, 32cm wide, 32cm deep

Matthew Chambers

American, b. 1982 Untitled (Kane), 2008 Signed and dated 08 on the reverse Oil and acrylic on canvas 50 x 40 inches (127 x 101.6 cm) Unframed

Matthew Chambers

American, b. 1982 He Sought Advice and Promised to be Reformed by It, 2008 Signed and dated 08 on the reverse Oil and acrylic on canvas 48 x 47 1/2 inches (121.9 x 120.7 cm) Unframed

λ MATTHEW CHAMBERS (BRITISH, B. 1982); 'PEBBLE GROUP'; 2009

λ MATTHEW CHAMBERS (BRITISH, B. 1982) 'PEBBLE GROUP'; 2009Stoneware, unglazed, concentric spherical forms in alternating integral grey and taupe coloured clays.Incised artist's signature and date33cm high, 33cm wide, 33cm deep

λ MATTHEW CHAMBERS (BRITISH, B. 1982); 'PEBBLE GROUP'; 2010

λ MATTHEW CHAMBERS (BRITISH, B. 1982) 'PEBBLE GROUP'; 2010Stoneware, unglazed, concentric spherical forms in alternating integral grey and taupe coloured clays.Incised artist's signature and date18cm high, 32cm wide, 32cm deep

MATTHEW CHAMBERS (B. 1982). As if He Were Ashamed of the Orgy of Booze and

MATTHEW CHAMBERS (B. 1982). As if He Were Ashamed of the Orgy of Booze and Cards. oil on stitched canvas 96 ¼ x 48 ¼in. (244.4 x 122.4cm.).

MATTHEW CHAMBERS Our Small Party.

MATTHEW CHAMBERS Our Small Party. Acrylic and three part monterey blue enamel and acrylic on canvas, 2014. 2451x1232 mm; 96 1/2x48 1/2 inches. Signed and dated in felt-tip pen and ink, on the stretcher verso. Provenance: Zach Feuer, New York, with the label; private collection, New York.

§ Matthew Chambers (British 1982-) Eclipse 13, 2018

§ Matthew Chambers (British 1982-) Eclipse 13, 2018 signed and dated (to ceramic), stoneware and wooden plinth (ceramic 27.2cm high (10 3/4in high), stand 89.5cm high (35 1/4in high))

Matthew Chambers (British, b. 1982), "Eclipse Sand"

Matthew Chambers (British, b. 1982) "Eclipse Sand", 2022 "Bud II", 2022 "Twist Smooth Red", 2022 "Twist Blue and Orange", 2022 group of four oxide-glazed sand and stoneware sculptures from h. 7", w. 7-1/4", d. 4-1/2" to h. 11-1/2", w. 11", d. 7" Provenance: Cavaliero Finn, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Notes: Chambers' distinctive spiraling and twisting circular vessels begin as wheel-thrown elements which are then embedded within each other. Unglazed and usually monochromatic, any colors are added to the clay before throwing and any oxides or stains are added before final construction.

Matthew Chambers (Boise 1982) - Untitled

oil and acrylic on canvas cm 125 x 244,5 PROVENANCE Turin, Luce Gallery; collezione privata.

MATTHEW CHAMBERS (né en 1982.) - The Performer is answerable to the work in a way that even the most scrupolous review is not, 2012.

MATTHEW CHAMBERS (né en 1982.) The Performer is answerable to the work in a way that even the most scrupolous review is not, 2012. Teinture, bandes et acrylique sur toile. Verven en acryl op doek. 122 x 61 cm Provenance / Herkomst : Galerie Untitled, New York. Collection privée, Bruxelles.

MATTHEW CHAMBERS (né en 1982) - Movement from contemplative to active adventure, 2012.

MATTHEW CHAMBERS (né en 1982) Movement from contemplative to active adventure, 2012. Teinture et acrylique sur toile. Verven en acryl op doek. 122 x 61 cm Provenance / Herkomst : Galerie Untitled, New York. Collection privée, Bruxelles

MATTHEW CHAMBERS (B.1982) Being Told That Everything Is A Matter Of How We

MATTHEW CHAMBERS (B.1982) Being Told That Everything Is A Matter Of How We Look At It acrylic and three-part Monterey blue enamel and acrylic on canvas 96 1/2 x 48 in. (245.1 x 122 cm.)

§ Matthew Chambers (British 1982-) Triplets, 2018

§ Matthew Chambers (British 1982-) Triplets, 2018 each signed and dated, stoneware (each approximately 12cm high (4.74in high)) Qty: (3)

Matthew Chambers, (b. 1982, American), "What Have I Done To Deserve This," 2016, Acrylic, enamel based adhesive, and nylon flocking on

Matthew Chambers (b. 1982, American) "What Have I Done To Deserve This," 2016 Acrylic, enamel based adhesive, and nylon flocking on canvas Signed, dated, and titled verso 71.75" H x 42" W Provenance: Rema Hort Mann Foundation, New York, NY The Blake Byrne Collection

Matthew Chambers, Many People Are Like That, An Object Suddenly Becomes Valuable to Them Because Someone Else Would Like to Have It

Matthew Chambers Many People Are Like That, An Object Suddenly Becomes Valuable to Them Because Someone Else Would Like to Have It 2012 oil and acrylic on canvas 96 h × 48.5 w in (244 × 123 cm) Signed and dated to verso 'Matthew Chambers 2012'. Provenance: The Artist | UNTITLED, New York | Private Collection Exhibited: Matthew Chambers, 3 March - 21 April 2013, UNTITLED, New York This work will ship from Rago in Lambertville, New Jersey. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.

Matthew Chambers, Policy

Matthew Chambers Policy 2011 oil and acrylic on canvas 96 h × 48 w in (244 × 122 cm) Provenance: Unt/tled, New York | Acquired from the previous by the present owner condition: Excellent condition. Unframed.

Matthew Chambers, For Each Time I Stand on Top of My Canvas It Seems As If I Am Painting for the First Time

Matthew Chambers For Each Time I Stand on Top of My Canvas It Seems As If I Am Painting for the First Time 2011 oil and acrylic on canvas 96 h × 48 w in (244 × 122 cm) Signed and dated to verso 'Matt Chambers 2011'. Provenance: Unt/tled, New York | Acquired from the previous by the present owner condition: Very good condition. Unframed.

§ Matthew Chambers (British 1982-) Twist Fade, 2020

§ Matthew Chambers (British 1982-) Twist Fade, 2020 signed and dated, stoneware and oxides (30cm diameter (11.8in diameter))

MATTHEW CHAMBERS | Fine Art Fetishized by Connoisseurs of the Fine Image

MATTHEW CHAMBERS | Tammany Ran Vice Without Using It

Matthew Chambers (American, born 1982) This Is The Grass That Grows Wherever Land Is And Water Is, 2017

Matthew Chambers (American, born 1982) This Is The Grass That Grows Wherever Land Is And Water Is, 2017 signed and dated 'Matthew Chambers 2017' (on the reverse) oil and acrylic on canvas, in the artist-made walnut frame 61 x 49 in. 154.9 x 124.5 cm. Provenance: Praz-Delavallade, Los Angeles Acquired directly from the above by the present owner Exhibited: Los Angeles, Praz Delavallade, Montana Wildflowers | Imagine I'll See In the Spring, 25 March 2017-13 May 2017

MATTHEW CHAMBERS - Providing Superbly Articulate Answers while not Raising Questions

MATTHEW CHAMBERS - Providing Superbly Articulate Answers while not Raising Questions

[§] MATTHEW CHAMBERS (BRITISH, B.1982) YELLOW TWIST, 2014 33cm high, 35cm wide, 21cm deep (13in high, 13.5in wide, 8in deep)

[§] MATTHEW CHAMBERS (BRITISH, B.1982) YELLOW TWIST, 2014 incised artist's signature and dated, ceramic 33cm high, 35cm wide, 21cm deep (13in high, 13.5in wide, 8in deep)

Matthew Chambers (b. 1982) - As if He Were Ashamed of the Orgy of Booze and Cards

Matthew Chambers (b. 1982) As if He Were Ashamed of the Orgy of Booze and Cards oil on stitched canvas 96 1/8 x 48in. (244 x 122cm.)

MATTHEW CHAMBERS | A Utility of Immense Details

oil and acrylic on canvas

ƒ Matthew Chambers (né en 1982)Only the One Sensation Throbbed, 2015

ƒ Matthew Chambers (né en 1982) Only the One Sensation Throbbed, 2015 Huile, acrylique et émail sur toile dans un cadre en bois de peuplier Signée, datée et titrée au dos 83 × 62,5 cm Provenance : galerie Praz-Delavallade, Paris/Bruxelles et atelier de l'artiste Oil, acrylic and enamel on canvas in artist's poplar frame Signed, dated and titled on the back 34 × 26 in Courtesy of Praz-Delavallade Gallery, Paris/Brussels and the artist

Matthew Chambers pottery vessel,

Matthew Chambers pottery vessel, with original receipt of purchase from Inspires Art Gallery, Oxford,

An Expedient For Getting On

Matthew Chambers (B. 1982) An Expedient For Getting On oil and acrylic on canvas 96½ x 48 in. (245.1 x 121.9 cm.) Executed in 2009.

MATTHEW CHAMBERS Pair of Op Art wall

MATTHEW CHAMBERS Pair of Op Art wall constructions. Height 66cm.

A MATTHEW CHAMBERS VASE

A MATTHEW CHAMBERS VASE ENGLISH, 2007 ceramic, initialled and dated 8½ in. (22 cm.) high

A MATTHEW CHAMBERS VASE

A MATTHEW CHAMBERS VASE ENGLISH, CONTEMPORARY ceramic, initialled and dated 8¼ in. (21 cm.) high

Matthew Chambers 'Decrease', a sculptural Form, 2008 Height 26cm (10 1/4in.)

'Decrease', a sculptural Form, 2008 stoneware, brown spherical form revealing alternating cream and brown spherical forms of decreasing size within, incised signature and date Height 26cm (10 1/4in.)