Fabrizio Chiari Paintings & Artwork for Sale | Fabrizio Chiari Art Value Price Guide

Oct. 18, 2024
Fabrizio Chiari (1615 ca 1695) - Triumph of Venus, 17th Century
Est: €18,000 - €99,999
Oil on canvas Expert opinion by Professor Claudio Strinati: "The painting depicting the so-called Homage to Venus (oil on canvas, 171 x 176 cm ) is a very high quality copy and in a fair state of conservation of the very famous painting by Titian Vecellio (currently preserved in the Prado Museum in Madrid) known since ancient times both under the title of Feast of the Cupids (as it is sometimes still cited today) and under the title the much more famous one, Homage to Venus. Titian painted it for the Alabaster Chambers of Alfonso d'Este, Lord of Ferrara. He had prepared in the Ducal Palace of his city a sort of marvelous little studio to decorate which he invited some of the greatest Italian painters active in his time, that is, at the beginning of the sixteenth century. And among these, Titian obviously stood out for his incomparable fame and intrinsic greatness. The "Homage to Venus" was a resounding success, so much so that it became one of the most beloved paintings by the artists themselves and by art critics, so much so that it was copied by many of the most illustrious painters in Europe between the sixteenth and seventeenth centuries, such as Rubens, Reni, Poussin! Our copy, here under examination, probably dates back to the same historical period in the midst of the “neo-Venetian” phase, as Roberto Longhi calls it in his studies on the Este court and its enormous influence. Therefore, our copy could be dated about a hundred years after or a little more than the Titian original executed around 1520, and refer to the Roman environment that had a true cult towards the magnificence of Venetian art when, in the eternal city, the great painter and architect Pietro da Cortona dominated, who, although Tuscan, was a devoted follower of the Venetian masters of the sixteenth century. Among the many students and collaborators of Cortona who dedicated themselves with particular commitment to increasing with their works this fascinating Venetian taste in Rome, I believe it is possible to identify the author of our copy. Evaluating the pictorial material of our copy and the excellent quality of the drawing and what we could call a true reinterpretation of the Titian style, I believe that the one who executed the painting here under examination was a very precise follower of Cortona. This is the Roman Master Fabrizio Chiari (1615ca.-1695), a highly praised artist in his time, a learned classicist and a scholar of Venetian taste as can be seen in one of his masterpieces, the immense and beautiful fresco depicting the Reconciliation of Jacob and Esau in the so-called Gallery of Alexander VII at the Quirinale, executed in the 1650s. I seem to recognize here the same hand that executed the magnificent copy here under examination, of marked naturalistic taste, very fine quality of the pictorial material and of the drawing, typically seventeenth-century. A painting, in short, of notable historical-artistic interest and of excellent quality. Sincerely, Claudio Strinati " The work is accompanied by a study on the pigments carried out by the faculty of nuclear physics of Professor Paolo Romano, of the University of Catania, which certifies the nature of the pigments. This lot is subject to Artists Resale Rights
ArtLaRosa
Jan. 20, 2024
Fabrizio Chiari (1615 ca 1695) - Triumph of Venus, XVI Century
Est: €18,000 - €99,999
Oil painting on canvas Expertise by Professor Claudio Strinati: "The painting depicting the so-called Homage to Venus (oil on canvas, cm . 171 x 176 ) and a copy of the highest quality and in fair condition of conservation of the famous painting by Tiziano Vecellio (currentlypreserved at the Prado Museum in Madrid) known abantiquo col title of the Feast of Cupids (as it is still sometimes cited today) and with < o:p> the more famous one, Homage to Venus. Titian painted it for Alfonso's alabaster dressing rooms |d' Este lord of Ferrara. He had prepared it in the Ducal Palace of his city a sort of wonderful studio to decorate which I invite some of greatest Italian painters active in his time, that is, at the beginning of the sixteenth century. And among these Titian obviously stood out for his incomparable fame and intrinsic greatness. The Homage to Venus was a resounding success, so much so that it has become one of the most loved paintings by the artists themselves and by critics of art so much so be copied by many of Europe's most distinguished painters among the sixteenth and seventeenth centuries like Rubens, Reni, Poussin! Our copy, here in question, probably dates back to the same period historical in the midst of the “neo-Venetian” phase, as RobertoLonghi calls it in his studies on the Este court and its enormous influence. So our copycould be dated about a hundred years later or a little more than the original Titian executed around 1520, and refer to the Roman environment that he had a true cult towards the magnificence of Venetian artwhen, in the eternal city, I dominate the great painter and architect Pietro da Cortona who, although Tuscan, was a very devoted follower of the Venetian mastersof the sixteenth century. Among the many students and collaborators of Cortona who were devoted with particular commitment to increasing with their works this fascinating Venetian taste in Rome, I believe is possible identify the author of our copy. Evaluating the pictorial material of our copy and excellent quality of drawing and what we could call a real reinterpretation of the Titian style, I believe that to execute the painting hereunder examination was a very specific follower of Cortona.This is the Roman master Fabrizio Chiari (1615ca.-1695), an artist highly praised in his time, learned classicist and lover of Venetian taste as can be seen in one of his masterpieces, the immense and beautiful fresco depicting the Reconciliation of Jacob and Esau in the so-called Galleryof Alexander VII at the Quirinale, executed in the 1650s. It seems to me here to recognize in it the same hand that executed the magnificent copy here in question, of marked naturalistic taste, very fine quality of pictorial and drawing material, purely seventeenth-century.A painting, ultimately, of notable historical-artistic interest and excellent quality. Yours faithfully, Claudio Strinati" The work is accompanied by a study on pigments carried out by the professor's nuclear physics faculty Paolo Romano, of the University of Catania, who certifies the nature of the pigments.
ArtLaRosa
Oct. 27, 2023
Fabrizio Chiari (1615 ca 1695) - Triumph of Venus, XVI Century
Est: €18,000 - €9,999,999
Oil painting on canvas From Titian. The work is accompanied by a study on pigments carried out by the nuclear physics faculty of Professor Paolo Romano of the University of Catania, which certifies the nature of the pigments. Present expertise of Prof. Strinati " The painting depicting the so-called Homage to Venus (oil on canvas, cm . 171 x 176) is a copy of the highest quality and in good condition < /o:p> conservation of the famous painting by Tiziano Vecellio (currently preserved at the Prado Museum in Madrid) known abantiquo both by the title of Feast of Cupids (as it is sometimes still cited today) and by o:p> the much more famous one, Homage to Venus. Titian painted it for the alabaster dressing rooms of Alfonso |d' Este lord of Ferrara. He had prepared in the Ducal Palace of his city a sort of wonderful study to decorate which he invited some of the< /o:p> greatest Italian painters active in his time, that is, at the beginning of the sixteenth century. And among these Titian obviously stood out for his incomparable fame and intrinsic greatness. The Homage to Venus was a resounding success, so much so that it became one of the most loved paintings by the artists themselves and by critics of art so much so as to be copied by many of the most illustrious painters of Europe among the sixteenth and seventeenth centuries like Rubens, Reni,Poussin! Our copy, here in question, probably dates back to the same period historian in the midst of the "neo-Venetian" phase, as RobertoLonghi calls it in his studies on the Este court and its enormous influence. So our copy could be dated about a hundred years later or a little more than the original Titian executed around 1520, and refer to the Roman environment which had a real own cult towards the magnificence of Venetian art when, in the eternal city, the great painter and architect Pietro da< dominates /o:p> Cortona who, although Tuscan, was a very devoted follower of the Venetian masters of the sixteenth century. Among the many students and collaborators of Cortona who dedicated themselves with particular commitment to increasing their works with their works: p> this fascinating Venetian taste in Rome, I believe it is possible to identify precisely the author of our copy. Evaluating the pictorial material of our copy and the excellent quality of the drawing and of what we could call a real reinterpretation of Titian's style, I believe that painting here under examination was a very specific follower of Cortona. He is the Roman master Fabrizio Chiari (1615ca.-1695), an artist< /o:p> highly praised in his time, learned classicist and lover of Venetian taste as can be seen in one of his masterpieces, the immense and beautiful fresco depicting the Reconciliation of Jacob and Esau in the so-called Gallery of Alexander VII at the Quirinale, executed in the 1650s. I seem to recognize here the same hand that executed the magnificent copy here in question, with a marked naturalistic taste, very fine quality of pictorial and drawing material, purely seventeenth century. A painting, ultimately, of notable historical-artistic interest and of excellent quality. In faith, Claudio Strinati"
ArtLaRosa
Jun. 23, 2023
Chiari, Fabrizio (Rom, um 1615-1695 ebda.),
Est: €200 - €300
Venus und Mars. Radierung nach N. Poussin. In der Platte sign. und dat. 1635. 28,3 x 38,1 cm. - Auf Trägerkarton mont. Thieme/Becker VI, 485. Le Blanc II, 11, 2. De Vesme 65, 2, I von II).
Zisska & Lacher
Jun. 16, 2023
Fabrizio Chiari (1615 ca 1695) - Triumph of Venus, 16th century
Est: €18,000 - €9,999,999
Oil painting on canvas From Titian. The work is accompanied by a study on pigments carried out by the faculty of nuclear physics of professor Paolo Romano, of the University of Catania, which certifies the nature of the pigments. Present expertise of Prof. Strinati " The painting depicting the so-called Homage to Venus (oil on canvas, cm . 171 x 176) and a very high quality and in fair condition copy of conservation of the famous painting by Tiziano Vecellio (currently preserved at the Prado Museum in Madrid) known formerly both with the title of Festa degli Amorini (as it is sometimes still quoted today) and with the more famous one of Homage to Venus. Titian painted it for the alabaster Camerini of Alfonso |d' Este lord of Ferrara. He had prepared in the Ducal Palace of his city, a sort of marvelous little study to decorate which I invited some of the greatest Italian painters active in his time, i.e. at the beginning of the sixteenth century. And among these Titian obviously stood out for his incomparable fame and intrinsic greatness. The Homage to Venus was a resounding success, so much so that it became one of the most loved paintings by the artists themselves and by critics of art so much to be copied by many of the most distinguished painters of Europe among the sixteenth and seventeenth century like Rubens, Reni,Poussin! Our copy, examined here, probably dates back to the same period historian in full "neo-Venetian" phase, as Roberto Longhi calls it in his studies on the Este court and its enormous influence. So our copy could be dated about a hundred years later or a little more than the original titian executed around 1520, and refer to the Roman environment which had a real own cult towards the magnificence of Venetian art when, in the Eternal City, I dominate the great painter and architect Pietro da Cortona who, although Tuscan, was a devoted follower of the Venetian masters of the sixteenth century. Among the many students and collaborators of Cortona who dedicated with particular commitment to increasing with their works this fascinating Venetian taste in Rome, I think it is possible identify precisely the author of our copy. Evaluating the pictorial material of our copy and the excellent quality of the drawing and of what we could call a real reinterpretation of Titian's style, I believe that to paint here in question was a precise follower of Cortona. He is the Roman master Fabrizio Chiari (1615ca.-1695), an artist praised in his time, learned classicist and lover of Venetian taste as can be seen in one of his masterpieces, the immense and beautiful fresco depicting the Reconciliation of Jacob and Esau in the so-called Gallery by Alexander VII at the Quirinale, executed in the 1650s. I seem to recognize you here as the same hand that executed the magnificent copy in question, with a marked naturalistic taste, extremely fine quality pictorial and drawing material, purely seventeenth-century. All in all, a painting of considerable historical-artistic interest and excellent quality. Truthfully, Claudio Strinati"
ArtLaRosa
Feb. 20, 2016
Chiari, Fabrizio
Est: - €150
Chiari, Fabrizio (1621 Rom 1695). Mars, Venus u. Cupido in einer Landschaft. Kupferstich 1635 n. N.Poussin bei G.J.de Rossi, Rom 1649. 28,5 x 38,5, Blgr. 30,5 x 40,5 cm. Mit den Namensz. u. Daten i.d. Darst. Hinter Passep. aufgezogen (Einfassung meist sichtbar). - Etw. flauer Abdruck, geringf. braunfl. (86)
Kiefer Buch- und Kunstauktionen
May. 19, 2012
Fabrizio Chiari (1615-1695) "Venus and Mercury" etching signed lower left Fabriti Chiaris 1696.
Est: $200 - $400
Fabrizio Chiari (1615-1695) "Venus and Mercury" etching signed lower left Fabriti Chiaris 1696.
Nadeau's Auction Gallery
Jan. 26, 2012
FABRIZIO CHIARI
Est: $40,000 - $60,000
ROME CIRCA 1615 - 1695 THE DEATH OF SAINT ANNE oil on canvas 104 by 69 1/2 in.; 264.2 by 175.3 cm.
Sotheby's
Mar. 31, 2008
-Fabrizio Chiari(Rome 1615-1695) Venus and Mars,
Est: €350 - €400
-Fabrizio Chiari(Rome 1615-1695) Venus and Mars, etching, after Nicolas Poussin, signed and dated Fabritivs Clarvs scvulp. 1635 in the plate, lightly fixed to support at upper margin, some foxing, mounted, unframed, (Sch)
Dorotheum