Huang Chun-Pi Paintings & Artwork for Sale | Huang Chun-Pi Art Value Price Guide

Jun. 01, 2024
黃君璧HUANG Chun-pi (Taiwanese, 1898-1991)
Est: NT$30,000 - NT$60,000
祥瑞康壽 Lingzhi and Rock 款識：君璧。鈐印：君璧之印（白文） Signed Chun-pi in Chinese With one seal of the artist
Ravenel
Jun. 03, 2023
黃君璧 HUANG Chun-pi (Taiwanese, 1898-1991)
Est: NT$380,000 - NT$600,000
松林山澗圖Pine Wood by the River 釋文:雲展輕紗隱洞天，綠陰掩映碧巖邊，山居自有忘機趣，松瀑風清響玉泉。款識:癸亥夏於白雲堂，八六叟黃君璧。鈐印:黃君璧印(朱文)、君翁(白文)、白雲堂(白文) Signed HUANG Chun-pi in Chinese With three seals of the artist
Ravenel
Jun. 03, 2023
黃君璧 HUANG Chun-pi (Taiwanese, 1898-1991)
Est: NT$190,000 - NT$300,000
衣瓜索瀑布Iguazu Falls 款識:己酉三月，遊巴西衣瓜索觀瀑所臨之稿，南海黃君璧。鈐印:黃君璧印(白文) Signed HUANG Chun-pi in Chinese With one seal of the artist
Ravenel
Dec. 21, 2022
HUANG CHUN-PI CHINESE SCROLL PAINTING
Est: $200 - $400
H:18.5in(46.9cm) W:37in(93.9cm)
Steven's Art & Antiques
Dec. 03, 2022
黃君璧 HUANG Chun-pi (Taiwanese, 1898-1991)
Est: NT$500,000 - NT$800,000
雲山飛瀑 Waterfall in Misty Landscape 釋文：嶺外雲山舊草堂，溪聲淼淼樹蒼蒼。白雲深處烽烟裏，且向丹青憶故鄉。款識：丁未臘月以為坤淦博士吾兄雅教，黃君璧於白雲堂。鈐印：黃君璧印(朱文)、君翁(白文)、白雲堂(白文)、開開博士珍藏書畫(朱文) Signed HUANG Chun-pi in Chinese With three seals of the artist and one seal of the collector 「渡海三家」之一的黃君璧，晚號君翁，早年從嶺南名家李瑤屏習畫，以西洋畫技法入門，後再學習國畫筆墨，是少數由西入中的水墨大家，君翁擅畫山水，長於描繪飛瀑流泉、霜林等景色，其工筆花鳥仕女亦秀逸。綜觀《雲山飛瀑圖》便可領會其對於中西繪畫技法的融合與內化，君翁作畫胸有成竹、下筆迅疾，此作構圖以雲霧隔出三階層疊的山脈走勢為主要佈局結構：中段處以中鋒用筆鉤出主要的山形輪廓，峭巖與下方拔尖的山頭相呼應，呈現出穩中求險絕的態勢，再以短皴、點苔法析出凹凸不平的壁面，設色以澹墨、赭色層層輕敷罩染，分出山石陰陽向背的樣貌；寫景林樹筆法多元，兼用濃墨漬染、朱色醒點，一派初秋景色躍然而生；其中兩壁夾泉為君翁特有的構圖，飛瀑以獨到的「抖筆」、「人字形」筆法摹寫，傾瀉直落的泉瀑與煙雲融為一體，水氣蒸騰之餘更使整體氣勢雄渾。遠山以墨鉤描、淡赭烘染，作雲霧則多用墨色輕掃與留白做出高遠繚繞之感，筆墨氤氳之處更覺蒼勁清新。前景、中景更以兩山夾屋的造景方式描繪出白雲深處有人家、仿如仙境的景緻，制高點均以雙松佇立點景，屋舍裡有兩文仕閑坐觀雲賞景，更顯出平淡閑靜的意韻，此畫雖寫壯麗的雲山飛瀑，但卻隱約透露著君翁寄情山水林泉的心境。 Huang Chun-pi was trained under Li Yao of the Lingnan School to practise western paintings, followed by traditional Chinese ink paintings. Landscape works are well sought after, especially those of waterfalls and misty landscapes. Both Chinese and Western painting techniques are superbly incorporated in this work. Swift strokes were applied with confidence. Three layers of structures could be found in this work with a sketch of mountains in the middle ground. Lofty cliffs and rugged hills create a balance of fragility and sturdiness. Short cun and dots were added to the cliff highlighted with soft layers of ink and ochres, depicting the texture of rocks. A myriad of skills was used to depict the forest by saturated dots of ink and red, highlighting an autumnal scene. Two cliffs open up to a waterfall depicted with shaking strokes and v-shaped lines. As water falls, it merges with the misty clouds gleaming with grandeur. Dark outlines and light ochre were used for the distant hills, while light gray was used to depict the shadow of distant clouds. Such light depiction forms a refreshing scenery. A house hides among the clouds in a utopian mountainous surrounding. Inside the house sit two scholars appreciating the scenery, forming a secluded and relaxing scene. By the depiction of misty waterfall landscape, the artist hinted at his wish for tranquility.
Ravenel
Jun. 04, 2022
黃君璧；陳子和 HUANG Chun-pi (Taiwanese, 1898-1991); CHEN Zi-he (Taiwanese, 1910-1984)
Est: NT$60,000 - NT$120,000
松竹圖 Pine and Bamboo 款識：君武先生壽，癸巳冬，黃君璧竹石，陳子和畫松並題。鈐印：黃君璧印（白文）、子龢（朱文）、百葉館（白文）、謙龢堂心賞（朱文） Signed HUANG Chun-pi and CHEN Zi-he in Chinese With four seals of the artists
Ravenel
Jun. 04, 2022
黃君璧；陳子和 HUANG Chun-pi (Taiwanese, 1898-1991); CHEN Zi-he (Taiwanese, 1910-1984)
Est: NT$50,000 - NT$100,000
松枝幽禽 Sparrow on Pine Tree 釋文：歲寒有風雪，休傍最高枝。款識：從善吾兄正，君翁寫鳥余補松，陳子和。鈐印：子和印信（白文）、君翁（朱文）、謙龢堂心賞（朱文） Signed CHEN Zi-he in Chinese With three seals of the artists
Ravenel
Dec. 04, 2021
黃君璧 HUANG Chun-pi (Taiwanese, 1898-1991)
Est: NT$120,000 - NT$240,000
臨亭觀瀑圖 Appreciating Waterfall 款識：丁末新春畫於白雲堂，黃君璧。鈐印：君璧（白文）、黃君翁（白文）、容客樓（白文） Signed HUANG Chun-pi in Chinese With three seals of the artist
Ravenel
Jul. 17, 2021
黃君璧HUANG Chun-pi(Taiwanese, 1898-1991)
Est: NT$90,000 - NT$180,000
山水 Landscape 款識：君璧。鈐印：黃君璧印（白文） Signed Chun-pi in Chinese With one seal of the artist
Ravenel
Jul. 17, 2021
黃君璧HUANG Chun-pi(Taiwanese, 1898-1991)
Est: NT$170,000 - NT$260,000
溪畔幽居 Residing by the River 款識：秉瑜女士雅屬。乙已出春畫於白雲堂黃君璧。鈐印：黃君璧印（白文）、君翁（朱文）、白雲堂（朱文） Signed Huang Chun-pi in Chinese With three seals of the artist 黃君璧是稱君翁，為近現代水墨山水畫大家，自幼受父親薰陶，雅好筆墨，師從李瑤屏學畫，除專研水墨外，黃君璧也曾受過正統西畫的教育與訓練，更在其中尋找出創新的路徑，因此在其水墨創作中常可見到西畫寫生的構圖風格。君翁早年喜臨漸江，中年後仰夏圭，曾遍臨歷代名跡無數，作品多以流泉飛瀑、霜林雲山等為題材。以畫雲為例，君翁曾言：「我向華山學得畫雲。」其曾於華山暢遊月餘，將當地山煙雲霧變換的情景，觀察得十分透澈精微，落筆畫中則可見山氣蒸騰、雲煙裊裊之態，畫面充滿蓬勃的生機。此作《溪畔幽居》成於1965年，畫面布局以西畫構圖方式思考成圖，前後景深拉出距離，做出透視觀點，讓全幅山水構圖充滿靈動盎然的氛圍。前景坡石型態以王蒙披麻皴意、兼施苔點茸茸，做出一派初春山野蒼潤的風貌，畫符中段的林木老硬，寫出枝枒舒卷萌發的春意，枝上掛滿盛開的朝顏花，敷染極淡的三青，觀之更覺主景蒼勁有力、筆墨氤氳。後坡細筆勾描野草如毛髮、隨風搖曳生姿的景況，左方林樹庇蔭著圍籬茅舍，一派山野村家的田園風格油然而生。遠山取范寬皴點法，山勢雖簡，但觀之仍覺壁聳千仞、高拔凌峻，君翁筆法之剛健，可由山壁塊面的渴筆皴擦看出其師古的用心與深厚的功力。群山被雲煙浩渺所圍繞，景境幽邃，更遠處取寫意敷染做出群青遠山，通幅行筆潤澤，墨瀋淋漓，將山谷的雲氣烟晞描摹如真，可見其善用濕墨營造水氣蒸融的效果，更與石濤筆意相互輝映。《溪畔幽居》由近景乾渴筆法與遠景濕墨鋪陳做出空間層次，兼用西方透視的角度構築出自然比真的畫境效果，畫面充滿墨韻與律動感，實為君翁經典傳世之名作。 Huang Chun-pi was an acclaimed modern landscape painter. Under the influence of his father and his teacher Li Yao-ping, he studied ink and western art, thus both techniques could be observed in his paintings. His early admiration of works by Jian Jiang and Xia Gui, and observations from his travels, allow him to paint waterfalls and misty forest scenes. He learnt how to paint clouds through his observations in Huashan. During his travels, the changes of clouds and mists in the mountains are captured through observation and vividly depicted on the paintings. This work was painted in 1965 with linear perspective and a structure adopted from Western art, creating a vibrant and realistic painting. Axe-cun strokes of Wang Meng and velvety dots were used to depict the surface of the rocks in the foreground. Buds bloom in the trees in the middle, enhancing the lusciousness of Spring. Light green was applied to enhance the mistiness. Fine brushstrokes sketched the movement of grass under the breeze of spring. A cottage behind the forest shows settlements in the countryside. Distance hills were depicted with cun dots, with reference to Fan Kuan. Yet a few dots construct a soaring mountain and rugged cliff. The use of techniques shows the artist's skills and his respect towards old masters. Mists linger in the distant mountains, creating an elusive mysterious scene. Saturated ink was used with swift and skillful brushwork, to enhance the humidity of the surroundings. Such techniques resemble that of Shi Tao. With dried brush for distant objects and saturated brush for nearer objects, further enhanced by linear perspective, the painting captures a moment in time of an animated tranquility.
Ravenel
Dec. 05, 2020
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$500,000 - NT$800,000
花鳥圖 Birds and Plum Blossoms 款識：壬午秋日寫於渝州沙坪壩，南海黃君璧。鈐印：南海黃氏（白文）、君璧（朱文）、君翁（白文）、黃君璧入蜀後作（白文） Signed Huang Chun-Pi in Chinese With four seals of the artist 黃君璧，世稱君翁，其為中國近代國畫藝術家，除藝術成就造詣之高，更是一位致力於傳播藝術知識的教育家，更多與當時文人名士訂交，如:黃賓虹、于右任、徐悲鴻等人；渡海抵台後，台灣藝壇把溥心畬、張大千及黃君璧合稱為「渡海三家」。君翁於廣東公學畢業後，即從李瑤屏習傳統書畫，早年喜習漸江的新安畫派風格，中年後臨遍古畫名蹟，對於宋元水墨的技法多有繼承與發揮，專擅山水、花鳥、人物與書法，是位百年難遇的傳統國畫家，君翁1924年臨華喦《金屋春深圖》更讓張大千題款讚譽為「筆情幽邈，直可亂真」。其後作品長於霜林山景、飛泉流瀑等題材，畫風蒼茫渾勁，水氣蒸融，筆墨氤氳間可得出雄壯的氣概，晚年更致力於雲水流瀑的山水創作，終而形成君翁獨特的繪畫風格，成為一代名家。君翁的花鳥創作清新不染俗塵，抵台前作品多有依循傳統構圖，能作精致細膩的工筆花鳥與人物，融精筆白描、粗筆寫意與工筆重彩於一體。此作《花鳥圖》創作於1942年，時年君翁已抵重慶，在蜀八年期間，游遍蜀中山水，所到之處即進行寫生，畫稿滿匣。《花鳥圖》寫秋景白梅初綻，佈局以梅樹主幹自右橫竄出圖，形態粗放渾厚，雙鉤用筆穩健，以工筆帶皴突顯傳神厚實的姿態；側寫梅枝直上，旁出的枝枒姿態頓挫自然，以白粉點梅，或含苞或綻放，率真中可見生趣；右下側竹葉掩映，與梅樹形成強烈的對比，畫面更加豐富別致。畫面藍雀姿態自然，或與觀者對望、或斂翅理毛，栩栩如真，可見君翁之筆兼工帶寫:雀首焦墨凝滯、白粉敷頰帶羽，兩相形成強烈的對比與生動感；描雀翅輪廓與水線極為精細，花青敷色染背羽、澹墨輕渲雀尾，後以淡赭色暈染前胸，精勾細染之中能得渾厚拙樸的氣韻。通幅色彩溫潤，盡顯一派秋日風光，既有宋人的疏冷又隱有元人的繁密風貌，實為難得一見的珍品逸作。 Huang Chun-Pi, also known as Chun-Weng, was one of the greatest Chinese modern ink artists and a devoted professor in art. He had close relationships with Huang Bin-Hong, Yu You-Ren and Xu Bei-Hong. After arriving in Taiwan, he was ranked as the greatest three artists with Pu Hsin-Yu and Zhang Da-Qian. Huang Chun-Pi graduated from Guangdong School and followed Li Yao-Ping's teaching in Chinese paintings. He practised styles of Xinan School in his early career and copied ancient paintings later, hence his knowledge in Song and Yuan paintings of all genres was profound. This made him an all-rounded artist. His painting after Huayan in 1924 astounded Zhang Da-Qian, who praised his brushwork as authentic to the original work. Huang Chun-Pi's Flower-and-Bird paintings are fresh and pleasant to the modern eye. Works prior to Taiwan period were mostly structured in traditional style with fine strokes of sketches, rough expressions and gongbi strokes on Flower-and-Bird and figure paintings. This painting was created in 1942 when Huang stayed in Chongqing. During his eight years in Sichuan, he visited famous sites and made sketchings during his trip. This painting was made in autumn when plum blossoms started blooming. Flowers bloom in all forms, sketched with fine gongbi and cun strokes. Branches were naturally depicted. White colours were used on buds and flowers, highlighting their innocent forms. Bamboo on the lower right was added as stark contrast with the plum blossom. The whole scene was enriched in realistic approach, with blue birds posing naturally, as one looks straight at the audience, others are tidying their feathers. Concentrated ink was used on their heads and white colour highlights the fluffy feather at the cheeks, creating a vivid depiction. Strokes were extremely fine and colours were meticulously applied to highlight the features on the backs and the tails. Light yellow was used on the chest. Such exquisite depictions enhance the elegance of the painting. Harmonious colours were chosen to form a picturesque autumn scene with hints of respect to the Song's cold and distant style and Yuan's approaching style, making this a unique piece.
Ravenel
Dec. 05, 2020
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$320,000 - NT$550,000
聽泉圖 Residing by the Creek 釋文：山間築屋愛流泉。款識：辛亥夏，黃君璧。鈐印：黃君璧（白文）、君翁日利長年（朱文）、白雲堂（白文） Signed Huang Chun-Pi in Chinese With three seals of the artist 與張大千、溥心畬並列「渡海三家」的黃君璧，同為1949年政局變易以來中國水墨畫壇的代表性人物。三家之中，儘管溥心畬與張大千二人積學深厚、才氣橫溢，山水、花鳥、人物諸門無所不精，不僅師法古人且能自出機杼，各引領水墨畫壇數十年，但若論及投入水墨美術教育影響最巨大，並且對景寫生功力最為深厚、筆下山水充滿氤氳自然之美者，則非黃君璧莫屬！一向重視寫生的黃君璧，自抗戰期間便開始登臨中國大小名山，搜羅雲煙變化之靈奇，渡台後，更藉由辦畫展、講學和考察的機會，走遍世界各地名山大川，或至美洲及非洲參觀瀑布奇景，造就他筆下所繪瀑布如萬馬奔騰、宏偉撼人的氣勢，乃至成為以畫雲水獨步藝壇的大師。本幅《聽泉圖》款識：「辛亥夏，黃君璧。」可知乃君翁74歲時所畫；而題字內容「山間築屋愛流泉」，亦明確點出本幅畫意之所在。全畫採邊角構圖，從畫面一角對於景物以定點透視法描寫，只見左側近景山腳有一蜿蜒小徑往內深入，直達上方水榭，一位文人正坐在屋中觀瀑，其視線前方為一堵壁立如屏的山崖，山壁轉角處有屈曲的瀑布分段流下，湍急的水流順勢沖刷河石，氤氳的水氣瀰漫整個谷間，讓此幽居之地散發迷濛詩意的氛圍。為了表現山巒間水氣蒸騰的效果，山石紋理皆以飽含水分、筆法遒勁的斧劈皺和直皺描繪，且近景用濃墨、中景稍淡，層次分明。而在畫瀑時，黃君璧也拿出獨門絕技，以抖動的顫筆配合烘染來表現飛瀑，而流水的部分，也是運用反襯留白的方式，施濃墨於旁以示河石，再以濃淡、長短不均的墨線來描畫湍急水勢所激起的浪花和波紋，精緻寫實之處，若泉瀑有聲，彷彿躍動奔放的音符，緊緊地扣擊每位觀者的心弦，喚起靈魂深處的強烈共鳴！ Huang Chun-Pi was considered as one of the three greatest postwar artists relocated to Taiwan, along with Zhang Da-Qian and Pu Hsin-Yu. The three artists were all-round scholars excelled at Landscapes, Flower-and-Birds, Figures paintings. They reinvented traditions and led the development of ink paintings for decades. Huang Chun-Pi is undoubtedly one of the most influential people in art education with a solid recognition in Landscape paintings. He promoted drawings through observation and visited famous mountains of China during the war. Sketches of clouds had been collected since then. After relocating to Taiwan, he held exhibitions, lectures and trips to visit majestic landscapes all over the world, including waterfalls in the US and in Africa. Since then, waterfalls painted became majestic similar to galloping horses, making him one of the greatest masters in clouds and waterfall paintings. An inscription of the work reads, "Summer of 1971 by Huang Chun-Pi". This shows the work was done at Huang's 74 years of age. The inscription also describes a scene of a cottage by the running creek. Using a diagonal structure, a one-point perspective was used to position surrounding objects. A pathway meanders from the left leading to the cottage, where a scholar seated looking at a waterfall. In front of him is a cliff with a sideway that allows water to flow through. The force of water created mists in the valley, forming a poetic scene. A wet brush saturated with ink, axe and vertical cun were used to enhance the humid environment in the scene. Dense ink was used for the foreground, lighter at the center, creating visible layers. Huang Chun-Pi used his unique trembling strokes to create a ferocious waterfall. Blank spaces were used on the floating water to juxtapose with dense dark rocks on the river bed. Splashes and ripples were depicted with various density of ink and rugged lines. This realistic approach depicts a dynamic landscape that echoes in the minds of viewers.
Ravenel
Jul. 18, 2020
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$30,000 - NT$60,000
釋文：慶雲樓款識：黃君璧鈐印：白雲堂（朱文）、黃君璧印（白文）、君翁（朱文） Signed HUANG CHUN-PI in Chinese With three seals of the artist
Ravenel
Jul. 18, 2020
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$190,000 - NT$300,000
釋文：湖天山影荻蘆煙，我欲攜家此中住。以甌香館句題。款識：癸巳秋日時客台北，黃君璧。鈐印：黃氏（朱文）、君璧（白文）、白雲堂（白文） Signed HUANG CHUN-PI in Chinese With three seals of the artist
Ravenel
Nov. 30, 2019
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$850,000 - NT$1,300,000
竹籬茅屋 Thatched House in the Woods 釋文：竹籬茅屋趁溪斜，春入山村處處花。無象太平還有象，孤烟起處是人家。款識：甲寅初夏畫於白雲堂，黃君璧。鈐印：黃君璧印（朱文）、君翁（白文） Signed HUANG CHUN-PI in Chinese With two seals of the artist
Ravenel
Jun. 01, 2019
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$700,000 - NT$1,200,000
款識：乙巳秋日畫於白雲堂，黃君璧。鈐印：黃君璧印（白文）、白雲堂（白文） Signed HUANG CHUN-PI in Chinese With two seals of the artist 著錄：《時代與創作—黃君璧精品展》，台北市立美術館，台北，1987 年，圖版41 展覽：「時代與創作—黃君璧精品展」，台北市立美術館，台北，展期1987 年11 月7 日∼ 12 月16 日 ILLUSTRATED: Masterpieces of Hwang Chun-Pi, Taipei Fine Arts Museum, Taipei, 1987, Plate 41 EXHIBITED: Masterpieces of Hwang Chun-Pi, Taipei Fine Arts Museum, Taipei, November 7-December 16, 1987 黃君璧（1898∼1991），原名允瑄，號君翁，為近現代水墨大家中以畫雲水獨步藝壇的大師。他曾自云：「我畫的水與雲是前人所沒有的，我所畫的瀑布的水是會動的水，前人畫水只是用線條勾勒；我所畫的雲也與前人不同，是會動的，前人沒有這樣的表現法。」誠如郭熙在《林泉高致》中提及：「山以水為血脈，以草木為毛髮，以煙雲為神彩，故山得水而活，得草木而華，得煙雲而秀媚。」雲和水，乃是傳達中國山水畫神韻不可或缺的元素。唯早期畫雲水多以線描勾勒為主，至明末清初四僧始大量採用水墨烘染再搭配勾雲法，以表達自然中煙雲浩渺之變化。及至善於臨仿古畫的黃君璧，不僅藉摹古綜合古代大家之所長，亦摻之以平日觀察自然的寫生心得，最終在雲水畫法上開拓自我獨創的表現。本幅《層巒疊嶂》款題：「乙巳秋日畫於白雲堂，黃君璧。」可知乃君翁六十八歲（1965）所畫。全畫採鳥瞰定點透視，兼顧中國山水畫高遠、深遠、平遠之表現。只見畫面重巒疊嶂、浮雲蒼茫，右下角有一蜿蜒河曲往上方逶迤深入，造成縱深的峽谷；另有兩道綿延的雲海橫亙切割畫面、橫鎖山腰，不僅構圖上更見層次井然，也在畫面上營造出迷濛詩意的空間感，可謂匠心獨運。再者，為了表現山巒間水氣蒸騰的效果，山石紋理皆以飽含水分、筆法遒勁的斧劈皺和直皺描繪，且近景用濃墨、中景稍淡、遠方山巒墨色最淡，層次分明。至於層層雲海，則於畫面留白處先以淡墨烘染雲堆凹處，繼以飽含水分的清墨於雲朶上再次漬染，營造雲層堆疊、排雲湧動的靈動感。綜觀全幅交織著蒼勁沉鬱的用筆，與大塊烘染、水分淋漓的墨韻，自湧現出一股勃勃生機，亦傳達出君翁繪事歷程早已進入形神合一、物我兩忘的圓融境界。 Huang Chun-Pi was renowned for his treatment of mist and cloud. He once mentioned, "the mist and cloud I depicted are not copied from previous masters. The mist I created have movement, whereas those depicted by previous masters are only sketched by lines. Same with the clouds I have drawn." As Guo Xi once mentioned in his painting, "Water is the veins of a mountain, plants are its hair, mist gives a mountain its colour. From this logic, water is essential to a mountain’s survival, plants make the mountain look beautiful, whereas mist enhances its beauty." Clouds and mists are the crucial elements in Chinese landscape ink paintings. Early depiction of these elements rely heavily on outlines and sketches. From the Late Ming to Early Qing dynasty, four monks started using the depiction of colour, thus enabled the depiction of movement in clouds. Having been trained through copying old masters, Huang was able to gather the best of ancient ink masters and applied to the paintings according to personal experience, thus achieved Huang’s unique representation from his observation. This painted stated, Huang was 68 years old when he painted this work. From a bird’s eye view, Huang was able to represent spatial depth through height, depth and horizontal distance. From this work, mountainous relief amongst the heavy mist was depicted. A river meanders at the bottom right of the panel towards the center, carving deep into the valley. Mists defined the painting into two parts across the mountain. This clever treatment of mists not only provides a clear structure, it also enhances spatial depiction in the painting. To further heightens the humidity of the area, rocks and plants were depicted using different kinds of brushstrokes including fupizhou and zhizhou. Saturated ink was used in the foreground, lighter ink in the middle ground and the lightest ink was used for distant mountains, enhancing the layering of mountains. Clouds and mists were arranged at the bottom of the valley, depicted as uncoloured area. Using light ink to highlight the layering of clouds, creating movement of heavy mists. With careful structuring and skilled brushstrokes, Huang created this masterpiece of misty mountains.
Ravenel
Jun. 01, 2019
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$120,000 - NT$200,000
釋文：深壑飛泉款識：乙卯新秋，畫於白雲堂，君翁黃君璧，時年七十八。鈐印：黃君璧印（白文）、君翁（朱文）、白雲堂（朱文） Signed HUANG CHUN-PI in Chinese With three seals of the artist
Ravenel
Jun. 01, 2019
黃君璧 HUANG CHUN-PI (Taiwanese, 1898-1991)
Est: NT$50,000 - NT$100,000
釋文：彩雲居款識：黃君璧鈐印：白雲堂（朱文）、黃君璧印（白文）、君翁（朱文） Signed HUANG CHUN-PI in Chinese With three seals of the artist 來源：香港佳士得，2017 年5 月30 日，拍品1521 號 PROVENANCE: Christie's Hong Kong, 30 May 2017, Lot 1521
Ravenel
Dec. 01, 2018
CHEN ZI-HE (CHINESE, 1910-1984); HUANG CHUN-PI (TAIWANESE, 1898-1991) 陳子和；黃君壁
Est: NT$260,000 - NT$400,000
Four Gentlemen 四君子四屏
Ravenel
Dec. 01, 2018
TAI JING-NONG (TAIWANESE, 1902-1990) HUANG CHUN-PI (TAIWANESE, 1898-1991) 臺靜農黃君璧
Est: NT$120,000 - NT$240,000
Lodges along the Winding River 清溪一曲
Ravenel
Jun. 04, 2018
Huang Chun-Pi (1898 - 1991) Landscape
Est: $20,000 - $30,000
Landscape and clouds, with three artist's seal marks, ink and colour on paper, hanging scroll, 40cm x 63 cm
Stunning Arts Auction & Appraisal
Jun. 02, 2018
黃君璧 HUANG CHUN-PI (HUANG JUNBI, CHINESE, 1898-1991) "溪山夕照 MOUNTAIN AND RIVER AT SUNSET"
Est: NT$500,000 - NT$800,000
款識：霧重煙晞，望不窮馬鞍，山色鬱葱葱，斷崖蒼翠，秋無限多，在丹楓夕照中。乙卯初夏畫於白雲堂，君翁，黃君璧。鈐印：黃君璧（白）、君翁（朱）、白雲堂（白）來源：現藏家得自藝術家女兒著錄：《黃君璧作品選集》，中華民國國立歷史博物館，台北，1984年初版，頁65 Signed HUANGCHUNPI in Chinese With three seals of the artist PROVENANCE: Acquired directly from the artist's daughter by the present owner ILLUSTRATED: The Paintings of Huang Chun-Pi, National Museum of History, Taipei, 1984, p.65
Ravenel
May. 24, 2014
Huang Chun-pi (1989-1991) Spring Retreat
Est: ￥100,000 - ￥150,000
Year: 1971 for the inscription: Spring Retreat, painted in autumn clouds appear Xinhai were masters. Seals Junbi (Bai), Jun Weng (Zhu), clouds appear (Bai) HUANG JUNBI (1989-1991) LANDSCAPE Ink and colour on paper, hanging scroll
Ningbo Fubon Auction Co., Ltd.