Thomas (1814) Clark Sold at Auction Prices

Painter, Engraver, b. 1814 - d. 1883

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  • THOMAS CLARK (Britain, Australia, c1814 - 1883) (attrib.) (At the Estate of Madame Pfund, Mount Macedon), c1868, watercolour, 19 x 27.5cm. Provenance: The estate of G. Page Cooper, auction at the Melbourne Town Hall, July 1936. Joshua McClelland
    Nov. 29, 2020

    THOMAS CLARK (Britain, Australia, c1814 - 1883) (attrib.) (At the Estate of Madame Pfund, Mount Macedon), c1868, watercolour, 19 x 27.5cm. Provenance: The estate of G. Page Cooper, auction at the Melbourne Town Hall, July 1936. Joshua McClelland

    Est: $2,000 - $3,000

    THOMAS CLARK (Britain, Australia, c1814 - 1883) (attrib.) (At the Estate of Madame Pfund, Mount Macedon), c1868, watercolour,  19 x 27.5cm. Provenance: The estate of G. Page Cooper, auction at the Melbourne Town Hall, July 1936. Joshua McClelland attended the auction and wrote a review which was published in "The Argus" on July 10, 1936. Clark arrived in Victoria with his family probably in 1852; according to the Examiner and Melbourne Weekly News, 18 August 1860, he had been well known 'amongst us for several years past' and many of his paintings were in squatters' homesteads. Certainly he had several pictures in the exhibition of the Society of Fine Arts in February 1857. His status established, he was commissioned to paint a portrait of Sir Henry Barkly, governor of Victoria in 1856-63, which was presented to the government in 1868 and is now in the National Gallery of Victoria. In 1869-70 he was briefly instructor in figure drawing at the Carlton School of Design. In 1870 Clark was appointed drawing-master in the newly-created School of Design connected with the National Gallery.  The Swiss-born Madame Elise Pfund (1833–1921) was the wife of James Pfund, the architect and Victorian Surveyor-General. In 1867 Elise Pfund established Oberwyl, a highly regarded girls’ private school in St Kilda, which continued to operate until 1931. The school was named after her home village in Switzerland, and the institution gained a reputation for its French culture. Together with her husband, Madame Pfund was one of the important patrons of Tom Roberts. Around this time Roberts also painted several portraits of Madame Pfund’s husband, James.

    Leski Auctions Pty Ltd
  • Thomas Clark (XX) - Untitled (Abstract) 100 x 121cm
    Oct. 29, 2015

    Thomas Clark (XX) - Untitled (Abstract) 100 x 121cm

    Est: $300 - $500

    Thomas Clark (XX) Untitled (Abstract) acrylic on board 100 x 121cm signed lower left

    Lawsons
  • Thomas Clark (XX) - Metamorphosis - The Glass Doors 122 x 80cm
    Oct. 29, 2015

    Thomas Clark (XX) - Metamorphosis - The Glass Doors 122 x 80cm

    Est: $200 - $400

    Thomas Clark (XX) Metamorphosis - The Glass Doors acrylic on board 122 x 80cm signed & dated '93 lower left

    Lawsons
  • Thomas Clark (British, c. 1814-1883), The Border Neck of Norham Castle, Signed and dated "T Clark 1856" l.r., titled and signed or insc
    Sep. 11, 2015

    Thomas Clark (British, c. 1814-1883), The Border Neck of Norham Castle, Signed and dated "T Clark 1856" l.r., titled and signed or insc

    Est: $1,500 - $2,000

    Thomas Clark (British, c. 1814-1883) The Border Neck of Norham Castle Signed and dated "T Clark 1856" l.r., titled and signed or inscribed on a handwritten note affixed to the stretcher, identified in an inscription on the front of the frame. Oil on canvas, 27 1/8 x 48 in. (69.0 x 122.0 cm), framed. Condition: Patch reinforcement, retouch, small punctures, rippling, scattered abrasions, surface grime.

    Skinner
  • Thomas Clark (British, 1814? -1883) Two London Scenes Near Grays Inn Lane; and From Under...
    Mar. 26, 2009

    Thomas Clark (British, 1814? -1883) Two London Scenes Near Grays Inn Lane; and From Under...

    Est: £300 - £400

    Thomas Clark (British, 1814? -1883) Two London Scenes Near Grays Inn Lane; and From Under Putney Bridge watercolour One dated '1826' and the other '1819' h:13 w: 21 cm

    Cheffins
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