Agostino Comerio Sold at Auction Prices

Painter, Sculptor, Engraver

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    • Agostino Comerio (Locate 1784-Recoaro 1834) - Portrait of Domenico Beretta
      Oct. 19, 2023

      Agostino Comerio (Locate 1784-Recoaro 1834) - Portrait of Domenico Beretta

      Est: €1,000 - €1,500

      oil on panel, unframed 42.5 x 33.5 cm on the back titled and signed on the panel: Domenico Beretta / I. R. Commissario distrettuale / Comerio dipinse

      Finarte
    • Comerio, Agostino: Die Geschichte der Psyche im Palazzo del Tè in Mantua
      Jun. 03, 2020

      Comerio, Agostino: Die Geschichte der Psyche im Palazzo del Tè in Mantua

      Est: €460 - €750

      Die Geschichte der Psyche im Palazzo del Tè in Mantua. 10 Umrissradierungen auf Velin, nach Giulio Romano. Je ca. 29,5 x 47,4 cm. Nicht bei Le Blanc. Ursprünglich waren die Radierungen wohl für die bei Negretti erschienene "Istoria Della Vita di Giulio Romano" des Historikers Carlo d'Arco vorgesehen, dessen Name sich unten links auf den Platten wiederfindet. - Ganz ausgezeichnete Drucke auf dem vollen Bogen. Links mit der alten Fadenheftung, etwas fleckig und stockfleckig, kleine Bestoßungen und Einrisse entlang der Ränder, kleine Knick- und Knitterfalten, weitere Alters- und Gebrauchsspuren, sonst gut erhalten. Selten. Beigegeben von Tommaso Piroli 14 Umrissradierungen der Propheten und Sybillen der Sixtinischen Kapelle nach Michelangelo (Le Blanc 4), von Cristoforo Dall'Acqua ein Architekturcapriccio nach Giuseppe Galli Bibiena "Piazza Reale" sowie von Carlo Lasinio nach Benozzo Gozzoli drei Blatt "Abramo vittorioso", "Incontro di Giacobbe, e d'Esau", "Le Tavole della Legge" aus der Serie "Pitture a Fresco del Campo Santo a Pisa" (Le Blanc 10, 15 und 25), insgesamt 28 Blatt. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

      Bassenge Auctions
    • Agostino Comerio (Italian, 1784-1829) Copy after Boltraffo's Madonna with the fl
      Jul. 11, 2019

      Agostino Comerio (Italian, 1784-1829) Copy after Boltraffo's Madonna with the fl

      Est: $200 - $300

      Agostino Comerio (Italian, 1784-1829) Copy after Boltraffo's Madonna with the flower pot Chalk on paper 10-3/4 x 7-1/4 inches (27.3 x 18.4 cm) Signed upper right: A Comerio PROPERTY FROM THE ESTATE OF NEAL GLASS AND KERRY BETENSKY PROVENANCE: Giovanni Piancastelli (1845-1926), painter, collector and Director of the Galleria Borghese, Rome; Estate of Reverend Father Francis Agius (1891-1958) of Our Lady of Counsel, Inwood, Long Island, New York; Sale, New York, by heirs of the above; Harry Glass, Long Island, New York, circa 1950s, acquired from the above; Estate of the above; Neal Glass and Kerry Betensky Long Island, New York by descent; Estate of the above. EXHIBITED: "Italian 19th Century Drawings and Watercolors," Shepherd Gallery, New York, April 1976. LITERATURE: R. Olson, Italian 19th Century Drawings and Watercolors: An Album. Camuccini & Minardi to Mancini & Balla, Shepherd Gallery, New York, April 1976. Modernists and traditionalists will find works to covet within this catalogue. And, without a doubt, this auction presents a singular opportunity for enthusiasts of 19th-century European academic paintings and drawings. The sale boasts a rich array of masterful oils on canvas and panel in beautiful condition by celebrated Italian, French, Belgian, German, Polish, Danish and Spanish painters. Some of them, such as Cesare Detti's monumental Venetian spectacle, Henri III reçu par le doge Muccinigo au palais Foscari, with its cast of 60 figures, earned inaugural exposure to the public at the Paris Salons. One work in the sale, a jewel-like panel of a scullery maid peeling apples by Belgian genre specialist, Charles van Meer, was formerly in the personal collection of Queen Victoria of England and her husband Prince Albert of Saxe-Coburg and Gotha. Collectors will note that our Spring sale contains an attractive selection of 19th-century academic drawings from the estate of Neal Glass and Kerry Betensky. These sheets originate from an immense corpus of over 12,000 drawings assembled into a series of albums in the later 19th century by Giovanni Piancastelli (1845-1926), a painter as well as then-Director of the Galleria Borghese in Rome. During Piancastelli's period of activity, collecting drawings on this scale was not uncommon, particularly for a figure with close ties to an artistic community such as he had. It is notable that the current selection of drawings were contemporary works of art when Piancastelli acquired them. Many of the artists represented were figures Piancastelli knew personally, and who held teaching positions at the Academy of San Luca in Rome. While the fate of Piancastelli's entire drawing collection is unknown, the first batch purchased from it en bloc was sold in 1901 to the American Hewitt sisters, Sarah and Eleanor, who were forming a museum in New York City. Their 3,500 Piancastelli drawings remain in the permanent collection of the Cooper-Hewitt Museum. The Glass/Betensky drawings in the current catalogue share the above provenance, literature and exhibition history, unless otherwise noted in our online catalogue. Please note that the cataloguing for these sheets follows the extensive research and connoisseurship undertaken by the Shepherd Gallery, New York, as published in the catalogue to its 1976 exhibition Italian 19th Century Drawings and Watercolors: An Album. Camuccini & Minardi to Mancini & Balla. HID01801242017

      Heritage Auctions
    • Agostino COMERIO (Côme 1784 - Recoare 1829) Etude d'un prophète pour le décor de la coupole de Saint Sébastien à Milan Crayon noir ..
      Apr. 12, 2013

      Agostino COMERIO (Côme 1784 - Recoare 1829) Etude d'un prophète pour le décor de la coupole de Saint Sébastien à Milan Crayon noir ..

      Est: €800 - €1,000

      Agostino COMERIO (Côme 1784 - Recoare 1829) Etude d'un prophète pour le décor de la coupole de Saint Sébastien à Milan Crayon noir 55 x 35,5 cm Annotations au crayon noir sur le montage au verso (Pliures et quelques taches) Provenance : ancienne collection Prayer, son cachet en bas à droite (L.2044) Le décor n'a pu être exécuté, l'artiste étant mort entre temps

      Piasa
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