Eugène Constant Sold at Auction Prices

Painter, Photographer

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    • EUGENE JOSEPH CONSTANT PIERRE PETIT, SETTER
      Jan. 25, 2024

      EUGENE JOSEPH CONSTANT PIERRE PETIT, SETTER

      Est: $600 - $800

      Eugene Joseph Constant Pierre Petit (France 1839-1933), Setter. Frame Size: H 12" x W 14" Scene Size: H 7" x W 9"

      Ashcroft and Moore
    • Constant, Eugène: Arch of Titus, Rome
      Dec. 07, 2022

      Constant, Eugène: Arch of Titus, Rome

      Est: €1,800 - €2,000

      Arch of Titus, Rome. Circa 1850. Salt print from a paper negative. 21,7 x 28,7 cm. Mounted to original card, photographer's blind stamp and distributor's (Florence) blind stamp below the image on the mount. - - Eugène Constant was active as a photographer from 1848. In 1852 Constant exhibited with Giacomo Caneva at the exhibition of the Art Society of London. Constant belonged to the circle of artists and landscape photographers known as the Roman Photographic School, which included G. Caneva, Flachéron, A. Norman, A. Davanne and Th. Sutton who met regularly at the Caffé Greco in Rome in the 1850s. At this time Constant began experimenting with relatively new albumen glass negatives, which were gradually replaced by the wet-collodion process. This early salt print by Constant is rare. - - Lit.: Francesa Bonetti (ed.). Roma 1840-1870. La fotografia, il collezionista e lo storico. Fotografie della collezione Orsola e Filippo Maggia. Rome 2008, ill. pp. 71 and 155. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

      Bassenge Auctions
    • Eugène Constant, Temple of Fortuna Virilis, c. 1849/1850
      Dec. 07, 2020

      Eugène Constant, Temple of Fortuna Virilis, c. 1849/1850

      Est: €2,000 - €3,000

      RefRom301120 Flush-mounted to original card, annotated in an unknown hand in ink and pencil below the image on the mount.

      Kunsthaus Lempertz KG
    • Eugène Constant, Arch of Titus, Roman Forum, c. 1849/1850
      Dec. 07, 2020

      Eugène Constant, Arch of Titus, Roman Forum, c. 1849/1850

      Est: €2,000 - €3,000

      RefRom301120 Photographer's blind stamp lower right. Flush-mounted to original card, photographer's blind stamp and blind stamp of the publisher Edouard Mauche, Florence (cropped) below the image on the mount. Annotated in an unknown hand in pencil on the reverse of the mount.

      Kunsthaus Lempertz KG
    • Eugène CONSTANT (actif années 1840-1850). Il ponto rotto. Rome. Italie. 1848. Ép
      Jun. 13, 2014

      Eugène CONSTANT (actif années 1840-1850). Il ponto rotto. Rome. Italie. 1848. Ép

      Est: €500 - €600

      Eugène CONSTANT (actif années 1840-1850). Il ponto rotto. Rome. Italie. 1848. Épreuve d'époque sur papier salé, d'après négatif verre à l'albumine, montée sur bristol. Signature du photographe par un timbre sec en relief en bas à gauche de l'épreuve « Eugène Constant » et un autre sur le montage en bas à droite. 13,8 x 21,5 cm. Montage : 27,1 x 44,5 cm. Littérature : « Rome 1850, le cercle des artistes photographes du Caffé greco », Electra, 2003. Image reproduite et remarque sur le procédé à l'albumine page 121.

      Hôtel des Ventes d'Enghien
    • Constant, Eugène: The Colosseum, Rome
      Jun. 01, 2011

      Constant, Eugène: The Colosseum, Rome

      Est: €1,200 - €1,500

      The Colosseum, Rome. Circa 1852. Salt print from glass-plate negative. 14,8 x 21,8 cm. Photographer's blind stamp in lower left corner, mounted to cream card (some light foxing), photographer's blind stamp in lower right corner on the mount. Eugène Constant was active as a photographer from 1848. In 1852 Constant exhibited with Giacomo Caneva at the exhibition of the Art Society of London. Constant belonged to the circle of artists and landscape photographers known as the Roman Photographic School, which included G. Caneva, Flachéron, A. Norman, A. Davanne and Th. Sutton who met regularly at the Cafe Greco in Rome in the 1850s. At this time Constant began experimenting with relatively new albumen glass negatives, which were gradually replaced by the wet-collodion process. Prints by Constant are rare and this early salt print has exceptionally dark tones. - A few light foxing spots in sky area, otherwise a strong print with a violet-brown tone and in very good condition. Lit.: Rome in Early Photographs 1846 - 1878. Copenhagen 1977, ill. unpaginated.

      Galerie Bassenge
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