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Belisario Corenzio Sold at Auction Prices

b. 1560 - d. 1640

Belisario Corenzio (c. 1558–1643) was a Greek-Italian painter, active in a Mannerist style, mainly in Naples, Italy. He is reputed, with little documentation, to have studied under Tintoretto, in part because his drawings often resemble those of the Venetian painter. He moved to Naples in 1590, where he was prodigiously active.

Corenzio was born in the city of Arcadia (today Kyparissia) in South West Peloponese.[citation needed] According to the Encyclopædia Britannica Eleventh Edition, his style was "careless; soul, unscrupulous". The Encyclopaedia also claims that when Guido Reni came in 1621 to Naples to paint in the Chapel of San Gennaro in the cathedral of the Naples Cathedral, Corenzio suborned an assassin to take his life. The assassin killed Guido's assistant instead, and effectually frightened Reni, who prudently withdrew ultimately to Bologna. It was during this time that Corenzio was said to be part of a triumvirate of painters, the others being Jusepe de Ribera and Battistello Caracciolo, who formed the Cabal of Naples, leading local artists to harass, expel, or poison artists not native to Naples so they would not obtain commissions in the city.[1]

Corenzio, however, only suffered temporary imprisonment, and lived long enough to supplant Ribera in the good graces of the viceroy of Naples, who made him his court painter. Corenzio vainly endeavoured to fill Reni's place in the frescoes for the chapel. His work was adjudged to have been under the mark, and yet the numerous frescoes which he left in Neapolitan churches and palaces, and the large wall paintings which covered the cupola of the church of Monte Cassino (destroyed in 1944) are evidence of uncommon facility, and show that Corenzio was not greatly inferior to the fa prestos of his time. His florid style, indeed, seems well in keeping with the overladen architecture and full-blown decorative ornament peculiar to the Jesuit builders of the 17th century. Corenzio died, it is said, at the age of eighty-five by a fall from a scaffolding.[1] Other sources say he poisoned himself.[2]

One of his pupils was Luigi Rodriguez.[3]

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    • * Corenzio (Belisario, circa 1560-1643). Two Putti in Flight
      Mar. 05, 2020

      * Corenzio (Belisario, circa 1560-1643). Two Putti in Flight

      Est: £800 - £1,200

      * Corenzio ( Belisario , circa 1560-1643). Two Putti in Flight, and a seated allegorical figure, pen, blue and black ink on pale blue paper, heightened with touches of white chalk, slightly irregular sheet size 184 x 245 mm (7.3 x 9.6 ins), framed and glazed, with adhesive printed label to verso (Qty: 1)

      Dominic Winter Auctions
    • * Corenzio (Belisario, 1560-1643). Group of figures lamenting a dead child before an altar
      Mar. 05, 2020

      * Corenzio (Belisario, 1560-1643). Group of figures lamenting a dead child before an altar

      Est: £2,000 - £3,000

      * Corenzio (Belisario, 1560-1643). Group of figures lamenting a dead child before an altar, black chalk, brush and blue ink with blue wash on laid paper, with watermark of three diminishing crescent moons, onlaid to later pale grey-brown backing paper, with slight study sketches of male heads and leg to verso, some surface marks and slight wear with associated discolouration, squared for transfer in black chalk, sheet size 20.5 x 21.5 cm (8 x 8.5 ins), framed and glazed (Qty: 1)

      Dominic Winter Auctions
    • Corenzio, Belisario - Umkreis: Schutzmantelmadonna mit Engeln
      May. 27, 2011

      Corenzio, Belisario - Umkreis: Schutzmantelmadonna mit Engeln

      Est: €700 - €900

      Umkreis. Schutzmantelmadonna mit Engeln in den Wolken thronend. Pinsel in Blau und Braun, weiß gehöht, auf graubraunem Papier. 40 x 56 cm. Wasserränder und vereinzelte Ölflecken.

      Galerie Bassenge
    • Attributed to Belisario Corenzio (1506-1643) Study of Madonna and Child, Oil on Canvas,
      Oct. 28, 2010

      Attributed to Belisario Corenzio (1506-1643) Study of Madonna and Child, Oil on Canvas,

      Est: $600 - $800

      Attributed to Belisario Corenzio (1506-1643) Study of Madonna and Child, Oil on Canvas, Unsigned. Note Condition: Inpainting and paint loss. h:7.50 w:5.75 in.

      Gray's Auctioneers
    • Attributed to Belisario Corenzio (Italian, 1558-1640) Pentecost Unsigned, J. Scholz collector...
      May. 16, 2008

      Attributed to Belisario Corenzio (Italian, 1558-1640) Pentecost Unsigned, J. Scholz collector...

      Est: $1,500 - $3,000

      Attributed to Belisario Corenzio (Italian, 1558-1640) Pentecost Unsigned, J. Scholz collector's mark stamped on the reverse. Ink and wash on paper, squared in red chalk, sheet size 9 x 11 in. (22.9 x 27.9 cm), matted, unframed. Condition: Creases, toning, taped to the front mat on the reverse.

      Skinner
    • Attributed to Belisario Corenzio (Naples 1590-1646)
      Jan. 25, 2007

      Attributed to Belisario Corenzio (Naples 1590-1646)

      Est: $6,000 - $8,000

      The Meeting of Saints Benedict and Totila with inscriptions 'Di Giuseppino' and 'Passigano' red chalk and red wash heightened with white, in an inscribed lunette 9 x 16 1/4 in. (228 x 414 mm.)

      Christie's
    • Belisario Corenzio (c.1560-1643)
      Jul. 10, 2001

      Belisario Corenzio (c.1560-1643)

      Est: $4,230 - $7,050

      The Pope and the Holy Roman Emperor at the deathbed of a pilgrim saint with inscriptions 'H. Roels mort, expos‚ Dans sa biere fait de... en presence de l'empereur et du pape. a la plume, lav‚ d'indigo et rehauss‚ de blanc.' on the backing and '77' pen and blue ink, blue wash heightened with blue on light brown paper 119 x 156 mm.

      Christie's
    • Belisario Corenzio (c.1560-1643)
      Jan. 24, 2001

      Belisario Corenzio (c.1560-1643)

      Est: $10,000 - $15,000

      An assembly of the doctors of the Church: A section of a cupola inscribed 'COD TA' and with number '205' black chalk, brush and blue ink, blue wash heightened with white on brown paper 137/8 x 123/4 in. (353 x 323 mm.) PROVENANCE Anon. sale; Sotheby's London, 26 June 1969, lot 155. with Yvonne Tan Bunzl, London. with Elizabeth Drey, New York. with P. & D. Colnaghi, 1985. LITERATURE M. di Giampaolo, 'Balducci o Corenzio?, un ipotesi', Kunst des Cinquecento in der Toskana, Munich, 1992, pp. 330-1, fig. 8. NOTES Comparable to a drawing by Corenzio in the Metropolitan Museum of Art, New York, J. Bean and L. Turcic, 15th and 16th Century Italian drawings in the Metropolitan Museum of Art, New York, 1982, no. 56.

      Christie's
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