Juan Correa de Vivar Paintings & Artwork for Sale | Juan Correa de Vivar Art Value Price Guide

Mar. 20, 2025
Juan Correa de Vivar Mascaraque (Toledo, 1510 - Toledo, 1566) - STAR LOT - Exceptional Door of the Tabernacle of the Annunciation
Est: €8,000 - €12,000
Oil and gold tempera on board, measuring 55 x 37 cm. Unpublished twin work to the one preserved in the Prado (larger in size) and from an important private collection in Barcelona. Juan de Correa de Vivar, the Toledan artist who must have been born in the 16th century in the town of Mascaraque and who died in the Imperial city in 1566. There are almost forty works in total from the extinct National Museum of the Trinity. As is the case with a good part of the religious painting of the 16th century in Spain, the Toledan artist distinguished himself by his carefully crafted altarpiece ensembles, structures of different typologies where the narrative and stylistic connection was linked to the global perception of the ensemble. Reference bibliography: Ruiz Gómez, Leticia, El Retablo de la Anunciación de Juan Correa de Vivar. Bulletin of the Prado Museum, 2004, p.6-21
Templum Fine Art Auctions
Feb. 06, 2025
The Adoration of the Magi
Est: $150,000 - $200,000
Juan Correa de Vivar Mascaraque, Toledo circa 1510 - 1566 Toledo The Adoration of the Magi oil on panel panel: 55 by 36 ¼ in.; 140.0 by 92.0 cm framed: 63.4 by 43.7 in.; 161 x 111 cm
Sotheby's
Dec. 13, 2023
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel
Est: €40,000 - €45,000
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel. Work published in Mateo Gómez, I. (2015) “New fields open to research from some exhibitions dedicated to the work of El Greco”. Arbor, 191 (776). Measures: 46 x 39 cm; 55 x 48.5 cm (frame). Two soldiers flank the figure of Christ forcing him to take off his clothes. Said soldiers seem to enjoy themselves, while a heavy Christ bows his face downward, accepting the penance and derision. The scene is part of The "Via Crucis" or Way of the Cross refers to the different stages and moments lived by Jesus Christ from the moment he was apprehended until his crucifixion and burial. Theologically, it is a path of prayer that seeks to lead the faithful into the meditation of Jesus on his way to Calvary. It is represented with a series of images of the Passion or "Stations", in total fourteen: Jesus is condemned to death, Jesus carries the cross, falls for the first time and is whipped by the soldiers, he meets the Virgin Mary, Simon the Cyrenean helps her to carry the cross, Veronica cleans her face, leaving the Holy Face marked on the cloth; Jesus falls the second time, comforts the women of Jerusalem, Jesus falls the third time, is stripped of his garments, Juan Correa de Vivar His work has a great influence from the painting of Rafael. An example of this is the use of color and the presence of a delicate anatomy, although it should be noted that his work grew closer and closer to the aesthetic patterns established by Mannerism. His first freelance jobs started when he was twenty years old. Some of the work came to him through family contacts. For example, Juan's paintings for the main altarpiece of the Clarisas de Nectarina, dated between 1532 and 1534, were financed by his uncle Don Rodrigo de Vivar. One of his most important works was the altarpiece in the Almonacid de Zorita church, in Guadalajara. Some of his masterpieces from the 1540s can be found in the San Martín de Valdeiglesias monastery today. In the Prado, and in other art galleries such as Zaragoza or Vigo, and churches such as San Jerónimo el Real de Madrid.
Setdart Auction House
Nov. 29, 2023
Large and Important oil on panel representing the Adoration of the Shepherds, in the manner of Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - April 16, 1566), Spanish Renaissance school of the 16th century
Est: €12,000 - €14,000
Oil on panel, board measurements: 98 x 79, framed measurements: 116 x 98 cm
Templum Fine Art Auctions
Nov. 29, 2023
Large Adoration of Shepherds on panel, manner of Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - 1566), Spanish Mannerist school of the 16th century
Est: €20,000 - €25,000
Large oil painting on panel. Measurements: 186 x 136 cm, provenance: former Valarit collection, Spain.
Templum Fine Art Auctions
May. 22, 2023
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel.
Est: €40,000 - €45,000
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel. Work published in Mateo Gómez, I. (2015) “New fields open to research from some exhibitions dedicated to the work of El Greco”. Arbor, 191 (776). Measures: 46 x 39 cm; 55 x 48.5 cm (frame). Two soldiers flank the figure of Christ forcing him to take off his clothes. Said soldiers seem to enjoy themselves, while a heavy Christ bows his face downward, accepting the penance and derision. The scene is part of The "Via Crucis" or Way of the Cross refers to the different stages and moments lived by Jesus Christ from the moment he was apprehended until his crucifixion and burial. Theologically, it is a path of prayer that seeks to lead the faithful into the meditation of Jesus on his way to Calvary. It is represented with a series of images of the Passion or "Stations", in total fourteen: Jesus is condemned to death, Jesus carries the cross, falls for the first time and is whipped by the soldiers, he meets the Virgin Mary, Simon the Cyrenean helps her to carry the cross, Veronica cleans her face, leaving the Holy Face marked on the cloth; Jesus falls the second time, comforts the women of Jerusalem, Jesus falls the third time, is stripped of his garments, Juan Correa de Vivar His work has a great influence from the painting of Rafael. An example of this is the use of color and the presence of a delicate anatomy, although it should be noted that his work grew closer and closer to the aesthetic patterns established by Mannerism. His first freelance jobs started when he was twenty years old. Some of the work came to him through family contacts. For example, Juan's paintings for the main altarpiece of the Clarisas de Nectarina, dated between 1532 and 1534, were financed by his uncle Don Rodrigo de Vivar. One of his most important works was the altarpiece in the Almonacid de Zorita church, in Guadalajara. Some of his masterpieces from the 1540s can be found in the San Martín de Valdeiglesias monastery today. In the Prado, and in other art galleries such as Zaragoza or Vigo, and churches such as San Jerónimo el Real de Madrid.
Setdart Auction House
Feb. 28, 2023
Possibly JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566). "Virgin of Silence with Saint John"- Oil on copper. It preserves a 19th century frame. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €6,000 - €7,000
Possibly JUAN CORREA DE VIVAR (Mascaraque,Toledo, c. 1510 - 1566). "Virgin of the Silence with St. John"- Oil on copper. Preserves 19th century frame. Provenance: private collection conceived since the 70's between London and Madrid. Measurements: 21 x 17 cm; 27,5 x 23,5 cm (frame). The use of copper as a support for the work enlivens the tonalities and gives them a great luminosity. This piece is a clear reflection of this effect, thus exalting the figure of the Virgin, the Child and Saint John the Baptist. The iconographic theme is the contemplation of the sleeping child while his mother, the Virgin, adores him. It is the combination of the concepts of mother and child in a natural and tender attitude, as well as the mother of God observing the divine and transcendental character of her son. The painter offers us a scene with a very long tradition in the Christian West, worked with subtle gradations of half-tones. Since the end of the Middle Ages artists have insisted on depicting, in an increasingly intense manner, the bond of affection that united Christ with his Mother and the close relationship between the two, and this was encouraged in the Renaissance and, naturally, in the Baroque period, when the exacerbation of emotions characterised a large part of artistic production. This characteristic became increasingly common over the centuries. It is worth noting the symbolism of the colours of the cloth, the blue cloak representing universality, the red tunic alluding to the passion of Christ, and the white cloth showing the purity and innocence of Jesus. Thus, despite the calmness of the Virgin's facial gestures, her clothing defines her as a suffering mother, aware of her son's destiny. The luminosity and the use of the colour palette bring us closer to the work of Juan Correa de Vivar, who was greatly influenced by Raphael's painting. An example of this is the use of colour and the presence of a delicate anatomy, although it should be noted that his work moved increasingly closer to the aesthetic patterns established by Mannerism. His first independent works began when he was in his twenties. Some of the work came to him through family contacts. For example, Juan's paintings for the main altarpiece of the Poor Clares of Nectarine, dated between 1532 and 1534, were financed by his uncle Don Rodrigo de Vivar. One of his most important works was the altarpiece for the church of Almonacid de Zorita, in Guadalajara. Some of his masterpieces from the 1540s can be found in the monastery of San Martín de Valdeiglesias today. In the Prado, and in other art galleries such as those of Zaragoza and Vigo, and churches such as San Jerónimo el Real in Madrid.
Setdart Auction House
Jun. 22, 2022
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel.
Est: €50,000 - €60,000
JUAN CORREA DE VIVAR (Mascaraque, Toledo, c. 1510 - 1566); XVII century. "Christ stripped of his garments." Oil on panel. Work published in Mateo Gómez, I. (2015) “New fields open to research from some exhibitions dedicated to the work of El Greco”. Arbor, 191 (776). Measures: 46 x 39 cm; 55 x 48.5 cm (frame). Two soldiers flank the figure of Christ forcing him to take off his clothes. Said soldiers seem to enjoy themselves, while a heavy Christ bows his face downward, accepting the penance and derision. The scene is part of The "Via Crucis" or Way of the Cross refers to the different stages and moments lived by Jesus Christ from the moment he was apprehended until his crucifixion and burial. Theologically, it is a path of prayer that seeks to lead the faithful into the meditation of Jesus on his way to Calvary. It is represented with a series of images of the Passion or "Stations", in total fourteen: Jesus is condemned to death, Jesus carries the cross, falls for the first time and is whipped by the soldiers, he meets the Virgin Mary, Simon the Cyrenean helps her to carry the cross, Veronica cleans her face, leaving the Holy Face marked on the cloth; Jesus falls the second time, comforts the women of Jerusalem, Jesus falls the third time, is stripped of his garments, Juan Correa de Vivar His work has a great influence from the painting of Rafael. An example of this is the use of color and the presence of a delicate anatomy, although it should be noted that his work grew closer and closer to the aesthetic patterns established by Mannerism. His first freelance jobs started when he was twenty years old. Some of the work came to him through family contacts. For example, Juan's paintings for the main altarpiece of the Clarisas de Nectarina, dated between 1532 and 1534, were financed by his uncle Don Rodrigo de Vivar. One of his most important works was the altarpiece in the Almonacid de Zorita church, in Guadalajara. Some of his masterpieces from the 1540s can be found in the San Martín de Valdeiglesias monastery today. In the Prado, and in other art galleries such as Zaragoza or Vigo, and churches such as San Jerónimo el Real de Madrid.
Setdart Auction House
Jul. 11, 2020
Attributed to Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - 1566).
Est: €40,000 - €50,000
Attributed to Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - 1566) Two fragments of an altarpiece from two vertical sections. This set comprises four panels depicting the baptism of Christ, the Annunciation,??? and the Chair of Saint Peter. It comes with the magnificent carved gilded and polychromed period relief work. 78 49 cm. each panel. Total measurements: 238 x 78 x 21 cm. each. Medieval Art.
La Suite Subastas
Jun. 25, 2020
Attributed to Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - 1566).
Est: €40,000 - €50,000
Attributed to Juan Correa de Vivar (Mascaraque, Toledo, c. 1510 - 1566) Two fragments of an altarpiece from two vertical sections. This set comprises four panels depicting the baptism of Christ, the Annunciation,??? and the Chair of Saint Peter. It comes with the magnificent carved gilded and polychromed period relief work. 78 49 cm. each panel. Total measurements: 238 x 78 x 21 cm. each. Medieval Art.
La Suite Subastas
Jul. 07, 2011
JUAN CORREA DE VIVAR
Est: £40,000 - £60,000
PROPERTY FROM A EUROPEAN PRIVATE COLLECTION MASCARAQUE CIRCA 1510 - 1566 TOLEDO THE ARREST OF CHRIST Oil on panel 92.5 by 77 cm.; 36 1/2 by 30 1/4 in.
Sotheby's
Jul. 08, 2010
JUAN CORREA DE VIVAR
Est: £50,000 - £70,000
JUAN CORREA DE VIVAR MASCARAQUE CIRCA 1510 - 1566 TOLEDO THE TAKING OF CHRIST oil on pine panel 121 by 91.2 cm.; 47 5/8 by 36 in.
Sotheby's
Dec. 03, 2008
Juan Correa de Vivar , Mascaraque circa 1510 - 1566 Toledo Christ on the road to calvary oil on panel
Est: £60,000 - £80,000
oil on panel
Sotheby's