Keith Cottingham Sold at Auction Prices

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    • KEITH COTTINGHAM (B. 1965) CALIFORNIAN (THREE)
      Jul. 12, 2023

      KEITH COTTINGHAM (B. 1965) CALIFORNIAN (THREE)

      Est: $500 - $1,000

      FICTITIOUS PORTRAITS TRIPTYQUE, 1993, three color coupler prints on Fujicolor Professional paper, each signed and dated and numbered 6/15 in ink in the margins, images 21 ¾ x 18 ¼”, sheets 24 x 20”, frames 31 ¼ x 28”. (3)

      Clark's Fine Art & Auctioneers Inc.
    • Keith Cottingham. Untitled 2004, chromogenic print
      May. 14, 2022

      Keith Cottingham. Untitled 2004, chromogenic print

      Est: $700 - $900

      (American, b. 1965). Constructed photograph, digital chromogenic print, edition of 6, part of a limited edition set, 59 1/2 x 45 in., framed.

      Alex Cooper
    • Keith Cottingham. Untitled, chromogenic print
      Jun. 16, 2018

      Keith Cottingham. Untitled, chromogenic print

      Est: $700 - $900

      (American, b. 1965). Constructed photograph, digital chromogenic print, unsigned, 59 1/2 x 45 in., framed

      Alex Cooper
    • Phtographs, Keith Cottingham
      Jan. 12, 2014

      Phtographs, Keith Cottingham

      Est: $500 - $700

      (lot of 3) Keith Cottingham (American, b. 1965), Fictitious Portraits (Triptych)," 1993, color c-prints, each signed and dated lower right, editions 11/15, sheets (unframed): 24"h x 20"w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

      Clars Auctions
    • KEITH COTTINGHAM (né en 1965) Fictions portraits,
      Jun. 18, 2011

      KEITH COTTINGHAM (né en 1965) Fictions portraits,

      Est: €3,000 - €4,000

      KEITH COTTINGHAM (né en 1965) Fictions portraits, triptyque, 1993 3 tirages argentiques en couleur sur papier Fujicolor. Signés, datés et numérotés 7/15, dans la marge, par l'artiste. Format moyen de chaque tirage : 61 x 51 cm. Chaque tirage est encadré séparément. Provenance : Galerie Palix, FIAC 1994. "Ce triptyque de photographies de grand format figure des portraits en buste de jeunes adolescents très androgynes : un seul sujet, puis deux puis trois. Ils se ressemblent tellement qu'il est difficile de les distinguer. Leur beauté idéale, leur peau nue, vierge de toute atteinte du temps, se détachent délicatement sur un fond noir et le traitement de la lumière et de l'ombre est digne du Caravage."Anne-Marie Morice, avril 1997.

      Rouillac
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