Keith Cottingham Sold at Auction Prices

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  • KEITH COTTINGHAM (B. 1965) CALIFORNIAN (THREE)
    Jul. 12, 2023

    KEITH COTTINGHAM (B. 1965) CALIFORNIAN (THREE)

    Est: $500 - $1,000

    FICTITIOUS PORTRAITS TRIPTYQUE, 1993, three color coupler prints on Fujicolor Professional paper, each signed and dated and numbered 6/15 in ink in the margins, images 21 ¾ x 18 ¼”, sheets 24 x 20”, frames 31 ¼ x 28”. (3)

    Clark's Fine Art & Auctioneers Inc.
  • Keith Cottingham. Untitled 2004, chromogenic print
    May. 14, 2022

    Keith Cottingham. Untitled 2004, chromogenic print

    Est: $700 - $900

    (American, b. 1965). Constructed photograph, digital chromogenic print, edition of 6, part of a limited edition set, 59 1/2 x 45 in., framed.

    Alex Cooper
  • Keith Cottingham. Untitled, chromogenic print
    Jun. 16, 2018

    Keith Cottingham. Untitled, chromogenic print

    Est: $700 - $900

    (American, b. 1965). Constructed photograph, digital chromogenic print, unsigned, 59 1/2 x 45 in., framed

    Alex Cooper
  • Phtographs, Keith Cottingham
    Jan. 12, 2014

    Phtographs, Keith Cottingham

    Est: $500 - $700

    (lot of 3) Keith Cottingham (American, b. 1965), Fictitious Portraits (Triptych)," 1993, color c-prints, each signed and dated lower right, editions 11/15, sheets (unframed): 24"h x 20"w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

    Clars Auctions
  • KEITH COTTINGHAM (né en 1965) Fictions portraits,
    Jun. 18, 2011

    KEITH COTTINGHAM (né en 1965) Fictions portraits,

    Est: €3,000 - €4,000

    KEITH COTTINGHAM (né en 1965) Fictions portraits, triptyque, 1993 3 tirages argentiques en couleur sur papier Fujicolor. Signés, datés et numérotés 7/15, dans la marge, par l'artiste. Format moyen de chaque tirage : 61 x 51 cm. Chaque tirage est encadré séparément. Provenance : Galerie Palix, FIAC 1994. "Ce triptyque de photographies de grand format figure des portraits en buste de jeunes adolescents très androgynes : un seul sujet, puis deux puis trois. Ils se ressemblent tellement qu'il est difficile de les distinguer. Leur beauté idéale, leur peau nue, vierge de toute atteinte du temps, se détachent délicatement sur un fond noir et le traitement de la lumière et de l'ombre est digne du Caravage."Anne-Marie Morice, avril 1997.

    Rouillac
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