Gordon Coutts (Scottish, 1868-1937). "Shadow Mountains" oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring a vibrant desert landscape of the American Southwest. A man in a sombrero is shown in the lower right, walking beside a pair of mules as majestic mountains tower above in the background. All is rendered in the soft, glowing light of sunset, the sandy earth boasting pastel hues of peach, lavender, lilac, and jasmine as shadowy blue-green and violet mountain peaks rise against a luminous, canary-yellow sky. The figures are portrayed in magenta, the haziness of the evening sun obfuscating the scene to blur the finer details and create an Impressionistic aesthetic. Size of painting: 29.25" W x 23.5" H (74.3 cm x 59.7 cm); of frame: 36.5" W x 30.5" H (92.7 cm x 77.5 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Fran?ois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide to most countries and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191218
Gordon Coutts (Scottish-American, 1868-1937). Oil on canvas, ca. 1920s. Artist's signature "Gordon Coutts" at lower right. A stunning landscape painting set in the California desert by Gordon Coutts, a Scottish-American artist who lived in Palm Springs, a haven for artists in the early 20th century. In this composition, Coutts invites the viewer to follow the gentle bend of a narrow stream running through a dried out riverbed in the foreground, its golden land marked by desert plants, toward two clusters of trees, perhaps native palms and mesquite, rising in the middle distance, and a broad patch of sunlight dramatically interrupting billowing rainclouds in the sky above. All is rendered with Coutts' fine brushwork and keen eye for color and light, mounted in an attractive custom frame. Size: 24" L x 28" W (61 cm x 71.1 cm) Size (frame): 31.25" L x 35.5" W (79.4 cm x 90.2 cm) More About Gordon Coutts in Palm Springs: "Perhaps the most internationally famous artist to call Palm Springs home during that period was Gordon Coutts (1868-1937). Coutts was a Scotsman, born in Aberdeen. He studied art in Glasgow, London and Paris, and became best known for Moroccan figures, desert scenes and nudes. He lived in Sydney, Australia, for several years, where he was a painting instructor at the Government Art School. He was highly regarded in Australia, where he often painted portraits of celebrities; many of his finest works hang in Melbourne and Sydney museums. Some found their way into important American collections. He was a friend of Winston Churchill, and painted a portrait of steel magnate Andrew Carnegie. The flamboyant red-headed artist traveled the world, leaving his strict Presbyterian home at an early age, because his parents wouldn't let him paint on Sundays. He'd already been married and divorced when he met and married model Gertrude Russell, 30 years his junior. They traveled together and settled for several years in Tangier, Morocco, where he painted Arab sheiks and other celebrities. Coutts loved Morocco, and would have remained, but they visited Palm Springs, liked itand returned to live here in 1914. Coutts had bronchial problems he hoped would improve. In 1924, Gordon and Gertrude Coutts moved to Palm Springs and built their own Moorish castle, 'Dar Marroc,' at 257 S. Patencio Drive. With towers, Moorish arches and domes, keyhole-shaped windows, huge doors, tiled fountains and courtyards dripping with bougainvillea, oleander, palms, olive trees and citrus trees, the Dar Marroc was like a little bit of Tangier dropped onto the Palm Springs landscape. The villagers referred to it as 'Coutts Castle.' At Dar Marroc, the Coutts hosted numerous dignitaries and artists, including Grant Wood (painter of 'American Gothic') and Sir John Lavery, England's great portrait artist. Gordon Coutts became one of Palm Springs' most revered and well-liked residents before passing away following a lingering illness in 1937. Clatworthy was among his pallbearers. Today, the Dar Marroc has been transformed into the Korakia Pensione, a 29-room hotel. G. Douglas Smith, who also owned neighboring properties, purchased the land and began developing the Korakia in 1989. The Korakia has continued to attract artists and writers, including noted abstract painter Brice Marden, Pulitzer Prize winner Judith Thurman, and John Irving. Mexicos famous writer Octavio Paz even reserved a room at the restful inn. Coutts' daughter Jeane, in talking about her father and the early days of Palm Springs, noted: Before the movie colony took over, Palm Springs was an art colony, like Taos." (Greg Niemann. "CV History: Before the Movie Stars Arrived, Palm Springs Was a Haven for Artists, Including Renowned Painter Gordon Coutts" Coachella Valley Independent, September 13, 2022) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191213
Gordon Coutts (Scottish, 1868-1937). "A Merchant of Tangiers" oil on canvas, ca. 1921. Signed at lower right. Gordon Coutts' A Merchant of Tangiers is a captivating Orientalist masterpiece that immerses viewers in the vibrant atmosphere of North African bazaars. The painting exudes warmth and intrigue, depicting a dignified merchant draped in richly textured robes, his thoughtful expression hinting at untold stories of trade and adventure. Coutts' masterful use of light and shadow enhances the depth and realism, bringing to life the intricate details of the scene - from the merchant's flowing garments to the sunlit mountains in the background. With its striking composition and evocative storytelling, A Merchant of Tangiers is a timeless piece that transports viewers to a world of exotic splendor, making it a perfect addition to any collection that values historical charm and artistic excellence. Size of painting: 35.5" W x 25" H (90.2 cm x 63.5 cm); of frame: 43.5" W x 33" H (110.5 cm x 83.8 cm) Gordon Coutts spent time in Morocco in the early 20th century, particularly in Tangiers, where he was captivated by the region's rich culture, architecture, and vibrant marketplaces. Immersing himself in the local scenery, he produced a series of striking Orientalist paintings that captured the exotic allure of North Africa. His works, characterized by masterful use of light, intricate details, and atmospheric compositions, garnered significant interest among collectors and art enthusiasts. The market for his North African paintings remains strong, as they embody a romanticized yet skillful depiction of Moroccan life, appealing to those who appreciate both historical and aesthetic value in Orientalist art. About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191258
Gordon Coutts (Scottish, 1868-1937). Mexican Village with Bridge. Oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring the view of a Mexican village with figures crossing a double-arched, Spanish Colonial bridge dressed in veils and sombreros to shield them from the hot Mexican sun. One man rides a donkey as a domed church rises behind him in the background, all beneath a nearly cloudless, azure-hued sky that beautifully complements the warm terracotta glow of the town. A stream runs beneath the bridge surrounded by sandy earth and verdant greenery with a tree towering to the left. All is rendered with Coutts' skillful brushwork and keen eye for color and light and mounted in a custom frame with a suspension wire on verso for display. Size of painting: 29.5" W x 23.5" H (74.9 cm x 59.7 cm); of frame: 37.5" W x 31.5" H (95.2 cm x 80 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191217
Gordon Coutts (1868-1937) The Pursuit signed 'Gordon Coutts' (lower right) and titled on a gallery label (on the reverse) oil on canvas 24 x 36 in. framed 34 x 45 in.
Gordon Coutts (Scottish, 1868-1937). Oil on canvas, n.d. A beautiful painting by Scottish artist Gordon Coutts featuring a charming view of two horses tethered before a colonnaded edifice furnished with a Spanish tile roof in the evening hours. Warm lamplight glows through a lattice window to the right, and a vermilion glow radiates from an archway to the left that houses a pair of pottery vessels on a low stoop. Tall blossoming wild flowers and tufts of grasses grace the land in the foreground, and tranquil clouds float in the sapphire blue skies above. All is rendered with Coutts' skillful brushwork and keen eye for color and light. Size (painting): 28.25" L x 38.125" W (71.8 cm x 96.8 cm) Size: 35.625" L x 45.4" W (90.5 cm x 115.3 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Fran?ois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Note: The subject matter and the setting of this painting is very similar to a painting by Coutts that sold a John Moran on October 22, 2013, lot 139, for $33,000 Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191259
Gordon Coutts (Scottish, 1868-1937). "A Merchant of Tangiers" oil on canvas, ca. 1921. Signed at lower right. Gordon Coutts' A Merchant of Tangiers is a captivating Orientalist masterpiece that immerses viewers in the vibrant atmosphere of North African bazaars. The painting exudes warmth and intrigue, depicting a dignified merchant draped in richly textured robes, his thoughtful expression hinting at untold stories of trade and adventure. Coutts' masterful use of light and shadow enhances the depth and realism, bringing to life the intricate details of the scene - from the merchant's flowing garments to the sunlit mountains in the background. With its striking composition and evocative storytelling, A Merchant of Tangiers is a timeless piece that transports viewers to a world of exotic splendor, making it a perfect addition to any collection that values historical charm and artistic excellence. Size of painting: 35.5" W x 25" H (90.2 cm x 63.5 cm); of frame: 43.5" W x 33" H (110.5 cm x 83.8 cm) Gordon Coutts spent time in Morocco in the early 20th century, particularly in Tangiers, where he was captivated by the region's rich culture, architecture, and vibrant marketplaces. Immersing himself in the local scenery, he produced a series of striking Orientalist paintings that captured the exotic allure of North Africa. His works, characterized by masterful use of light, intricate details, and atmospheric compositions, garnered significant interest among collectors and art enthusiasts. The market for his North African paintings remains strong, as they embody a romanticized yet skillful depiction of Moroccan life, appealing to those who appreciate both historical and aesthetic value in Orientalist art. About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191258
Gordon Coutts (Scottish, 1868-1937). Mexican Village with Bridge. Oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring the view of a Mexican village with figures crossing a double-arched, Spanish Colonial bridge dressed in veils and sombreros to shield them from the hot Mexican sun. One man rides a donkey as a domed church rises behind him in the background, all beneath a nearly cloudless, azure-hued sky that beautifully complements the warm terracotta glow of the town. A stream runs beneath the bridge surrounded by sandy earth and verdant greenery with a tree towering to the left. All is rendered with Coutts' skillful brushwork and keen eye for color and light and mounted in a custom frame with a suspension wire on verso for display. Size of painting: 29.5" W x 23.5" H (74.9 cm x 59.7 cm); of frame: 37.5" W x 31.5" H (95.2 cm x 80 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191217
Large landscape Signed by Listed Artist Gordon Coutts oil on canvas. Depicting Landscape country hillside with river and two small figures within the countryside in gold gilt ornate frame. Signed lower right by international listed artist Gordon Coutts (Scottish, 1868 - 1937). Measures: Frame: 44-1/2" x 55-1/2" Site: 29-1/2" x 39-1/4".
Gordon Coutts (Scottish, 1868-1937). "Shadow Mountains" oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring a vibrant desert landscape of the American Southwest. A man in a sombrero is shown in the lower right, walking beside a pair of mules as majestic mountains tower above in the background. All is rendered in the soft, glowing light of sunset, the sandy earth boasting pastel hues of peach, lavender, lilac, and jasmine as shadowy blue-green and violet mountain peaks rise against a luminous, canary-yellow sky. The figures are portrayed in magenta, the haziness of the evening sun obfuscating the scene to blur the finer details and create an Impressionistic aesthetic. Size of painting: 29.25" W x 23.5" H (74.3 cm x 59.7 cm); of frame: 36.5" W x 30.5" H (92.7 cm x 77.5 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Fran?ois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide to most countries and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191218
Gordon Coutts (Scottish-American, 1868-1937). Oil on canvas, ca. 1920s. Artist's signature "Gordon Coutts" at lower right. A stunning landscape painting set in the California desert by Gordon Coutts, a Scottish-American artist who lived in Palm Springs, a haven for artists in the early 20th century. In this composition, Coutts invites the viewer to follow the gentle bend of a narrow stream running through a dried out riverbed in the foreground, its golden land marked by desert plants, toward two clusters of trees, perhaps native palms and mesquite, rising in the middle distance, and a broad patch of sunlight dramatically interrupting billowing rainclouds in the sky above. All is rendered with Coutts' fine brushwork and keen eye for color and light, mounted in an attractive custom frame. Size: 24" L x 28" W (61 cm x 71.1 cm) Size (frame): 31.25" L x 35.5" W (79.4 cm x 90.2 cm) More About Gordon Coutts in Palm Springs: "Perhaps the most internationally famous artist to call Palm Springs home during that period was Gordon Coutts (1868-1937). Coutts was a Scotsman, born in Aberdeen. He studied art in Glasgow, London and Paris, and became best known for Moroccan figures, desert scenes and nudes. He lived in Sydney, Australia, for several years, where he was a painting instructor at the Government Art School. He was highly regarded in Australia, where he often painted portraits of celebrities; many of his finest works hang in Melbourne and Sydney museums. Some found their way into important American collections. He was a friend of Winston Churchill, and painted a portrait of steel magnate Andrew Carnegie. The flamboyant red-headed artist traveled the world, leaving his strict Presbyterian home at an early age, because his parents wouldn't let him paint on Sundays. He'd already been married and divorced when he met and married model Gertrude Russell, 30 years his junior. They traveled together and settled for several years in Tangier, Morocco, where he painted Arab sheiks and other celebrities. Coutts loved Morocco, and would have remained, but they visited Palm Springs, liked itand returned to live here in 1914. Coutts had bronchial problems he hoped would improve. In 1924, Gordon and Gertrude Coutts moved to Palm Springs and built their own Moorish castle, 'Dar Marroc,' at 257 S. Patencio Drive. With towers, Moorish arches and domes, keyhole-shaped windows, huge doors, tiled fountains and courtyards dripping with bougainvillea, oleander, palms, olive trees and citrus trees, the Dar Marroc was like a little bit of Tangier dropped onto the Palm Springs landscape. The villagers referred to it as 'Coutts Castle.' At Dar Marroc, the Coutts hosted numerous dignitaries and artists, including Grant Wood (painter of 'American Gothic') and Sir John Lavery, England's great portrait artist. Gordon Coutts became one of Palm Springs' most revered and well-liked residents before passing away following a lingering illness in 1937. Clatworthy was among his pallbearers. Today, the Dar Marroc has been transformed into the Korakia Pensione, a 29-room hotel. G. Douglas Smith, who also owned neighboring properties, purchased the land and began developing the Korakia in 1989. The Korakia has continued to attract artists and writers, including noted abstract painter Brice Marden, Pulitzer Prize winner Judith Thurman, and John Irving. Mexicos famous writer Octavio Paz even reserved a room at the restful inn. Coutts' daughter Jeane, in talking about her father and the early days of Palm Springs, noted: Before the movie colony took over, Palm Springs was an art colony, like Taos." (Greg Niemann. "CV History: Before the Movie Stars Arrived, Palm Springs Was a Haven for Artists, Including Renowned Painter Gordon Coutts" Coachella Valley Independent, September 13, 2022) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191213
Gordon Coutts (Scottish, 1868-1937). Oil on canvas, n.d. A beautiful painting by Scottish artist Gordon Coutts featuring a charming view of two horses tethered before a colonnaded edifice furnished with a Spanish tile roof in the evening hours. Warm lamplight glows through a lattice window to the right, and a vermilion glow radiates from an archway to the left that houses a pair of pottery vessels on a low stoop. Tall blossoming wild flowers and tufts of grasses grace the land in the foreground, and tranquil clouds float in the sapphire blue skies above. All is rendered with Coutts' skillful brushwork and keen eye for color and light. Size (painting): 28.25" L x 38.125" W (71.8 cm x 96.8 cm) Size: 35.625" L x 45.4" W (90.5 cm x 115.3 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Fran?ois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Note: The subject matter and the setting of this painting is very similar to a painting by Coutts that sold a John Moran on October 22, 2013, lot 139, for $33,000 Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191259
Gordon Coutts (Scottish, 1868-1937). Mexican Village with Bridge. Oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring the view of a Mexican village with figures crossing a double-arched, Spanish Colonial bridge dressed in veils and sombreros to shield them from the hot Mexican sun. One man rides a donkey as a domed church rises behind him in the background, all beneath a nearly cloudless, azure-hued sky that beautifully complements the warm terracotta glow of the town. A stream runs beneath the bridge surrounded by sandy earth and verdant greenery with a tree towering to the left. All is rendered with Coutts' skillful brushwork and keen eye for color and light and mounted in a custom frame with a suspension wire on verso for display. Size of painting: 29.5" W x 23.5" H (74.9 cm x 59.7 cm); of frame: 37.5" W x 31.5" H (95.2 cm x 80 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191217
Gordon Coutts (Scottish, 1868-1937). "A Merchant of Tangiers" oil on canvas, ca. 1921. Signed at lower right. Gordon Coutts' A Merchant of Tangiers is a captivating Orientalist masterpiece that immerses viewers in the vibrant atmosphere of North African bazaars. The painting exudes warmth and intrigue, depicting a dignified merchant draped in richly textured robes, his thoughtful expression hinting at untold stories of trade and adventure. Coutts' masterful use of light and shadow enhances the depth and realism, bringing to life the intricate details of the scene - from the merchant's flowing garments to the sunlit mountains in the background. With its striking composition and evocative storytelling, A Merchant of Tangiers is a timeless piece that transports viewers to a world of exotic splendor, making it a perfect addition to any collection that values historical charm and artistic excellence. Size of painting: 35.5" W x 25" H (90.2 cm x 63.5 cm); of frame: 43.5" W x 33" H (110.5 cm x 83.8 cm) Gordon Coutts spent time in Morocco in the early 20th century, particularly in Tangiers, where he was captivated by the region's rich culture, architecture, and vibrant marketplaces. Immersing himself in the local scenery, he produced a series of striking Orientalist paintings that captured the exotic allure of North Africa. His works, characterized by masterful use of light, intricate details, and atmospheric compositions, garnered significant interest among collectors and art enthusiasts. The market for his North African paintings remains strong, as they embody a romanticized yet skillful depiction of Moroccan life, appealing to those who appreciate both historical and aesthetic value in Orientalist art. About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Francois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191258
Gordon Coutts (Scottish, 1868-1937). Oil on canvas, n.d. Signed at lower right. A beautiful painting by Scottish artist Gordon Coutts featuring a charming view of two horses tethered before a colonnaded edifice furnished with a Spanish tile roof in the evening hours. Warm lamplight glows through a lattice window to the right, and a vermilion glow radiates from an archway to the left that houses a pair of pottery vessels on a low stoop. Tall blossoming wild flowers and tufts of grasses grace the land in the foreground, and tranquil clouds float in the sapphire blue skies above. All is rendered with Coutts' skillful brushwork and keen eye for color and light. Size (painting): 28.25" L x 38.125" W (71.8 cm x 96.8 cm) Size: 35.625" L x 45.4" W (90.5 cm x 115.3 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under Fran?ois Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Note: The subject matter and the setting of this painting is very similar to a painting by Coutts that sold a John Moran on October 22, 2013, lot 139, for $33,000 Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191259
Gordon Coutts (Scottish, 1868-1937). "Shadow Mountains" oil on canvas, n.d. Signed at lower right. A gorgeous painting by Scottish artist Gordon Coutts featuring a vibrant desert landscape of the American Southwest. A man in a sombrero is shown in the lower right, walking beside a pair of mules as majestic mountains tower above in the background. All is rendered in the soft, glowing light of sunset, the sandy earth boasting pastel hues of peach, lavender, lilac, and jasmine as shadowy blue-green and violet mountain peaks rise against a luminous, canary-yellow sky. The figures are portrayed in magenta, the haziness of the evening sun obfuscating the scene to blur the finer details and create an Impressionistic aesthetic. Size of painting: 29.25" W x 23.5" H (74.3 cm x 59.7 cm); of frame: 36.5" W x 30.5" H (92.7 cm x 77.5 cm) About the artist: "He was born in the Old Machar district of Aberdeen, Scotland, to a father who gave him a sound trouncing when he was nine for skipping church services so he could complete a sketch. Gordon ran away to Glasgow, where he could study photography and drawing at the Glasgow School of Art, and it was in Glasgow that he met the Irish artist John Lavery, who became his friend and mentor. In the late 1880s, Gordon followed his brother David to Australia, where they ran a business creating art miniatures in Melbourne. Gordon studied three years at the National Gallery of Victoria art school where he won Honorable Mention for his painting Too Late in the school's Traveling Artist Scholarship Competition in 1893. At the National Gallery of Victoria, among his teachers was L. Bernard Hall, who would run the gallery and school for the next several decades. Gordon was also influenced by the Heidelberg School, with whom he exhibited. Frederick McCubbin, a principal Heidelberg artist, was a Master Instructor at the NGV and also a teacher of Gordon. During the 1890s, Gordon earned his living with portrait commissions, including the Prime Minister of Victoria, before being appointed Instructor at the Government Art School in Sydney in 1896 where he taught painting until 1899. In 1902, Gordon set sail for San Francisco, where he married artist Alice Hobbs, who was a painter of miniatures, and of Indian children in the manner of Grace Hudson. They survived the 1906 earthquake and built a house/studio in Piedmont, across the bay. Gordon was a member of the Bohemian Club in San Francisco and exhibited there regularly, as well as at Gump's and the Schussler Gallery, sometimes with Alice. They both illustrated covers for Sunset magazine, and Gordon also illustrated poems and short stories, while doing Marin County landscapes and portrait commissions. Around 1910, he and Alice started traveling abroad regularly. They maintained a studio in Paris, and visited various art colonies. Gordon was enrolled in the Academie Julian under François Flemeng and Adolphe Dechenaud, and had paintings accepted at the Paris salon, including Preparatifs pour le Bal des Quat'z-Arts. But in 1914, WWI obliged the couple to withdraw to the relative safety of their Piedmont home. But Gordon had left unfinished business on the Continent, as well as various paintings and belongings, and, despite the war, in 1916 he decided to return there. Alice declined to go along, and divorced him in 1917, retaining the Piedmont house. 1918 found Gordon in Pasadena, California, where he met Gertrude Russell, a music teacher. They married and spent the next several years living and painting in Spain, where daughter Jeane was born, and then in Morocco. During this time, annual trips to Britain were made to exhibit Gordon's Orientalist landscapes and portraits at the Royal Academy and other galleries. But living abroad was exhausting, and the family moved to Mexico where they spent a year near and around the capital. Gordon painted the local people, their cathedrals, and their street markets. Gordon's bronchial troubles required attention, and in late 1925 the family moved to California. Discovering Palm Springs, and its healthful climate, they had a gallery/studio/home built there in the style of a North African villa they named 'Dar Morroc.' For the next several years the family used their new home as a base for painting excursions around California, the American Southwest, and Mexico. They even traveled as far as Australia in 1927 where Gordon had a retrospective exhibition. For Gordon Coutts, as for many artists, the Great Depression brought about hard times. Though no longer traveling on account of his health, Gordon continued to paint, and daughter Mary was added to the family. But sales had completely disappeared. Exhibitions in Palm Springs, and at the famous Stendahl Galleries in Los Angeles, could spark little interest in his once popular art. Even a long visit by his good friend (the now Sir) John Lavery, for several winter weeks in 1936, could not revive his flagging health and in early 1937 he succumbed to heart failure at 71." (source: artist's website) Provenance: private New York, New York, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #191218
Gordon Coutts (1868-1937) San Pablo Mexico Early 20th Century. The sunlit street scene in a Mexican village is signed lower right front and displayed in an outstanding carved and gilded frame. Canvas measures 11.5 x 14.5 with a framed size of 16.5 x 19.5 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Gordon Coutts (1868-1937 California) ''Golden Glow'' (Landscape) Oil on Canvas 30''x40'' Image. Signed l.r. Original gilt carved framing 33''x43''. It has a .5'' tear near upper center. Overall excellent, original condition.
Gordon Coutts - Scotland, 1868 - United States, 1937 The Dressing Room Oil on canvas, measuring H 50 x W 40 inches Dated 1910 The painting portrays the artist's wife, Alice who was also an artist. Owned by former celebrity. Exhibited: Alaska Yukon Exhibition, 1909 with Gold Medal. Coutts also won medals at the Paris Salom and Panama Pacific International Exhibition in San Francisco in 1915. Previously owned by Hollywood personality.
Gordon Coutts, American (1868-1937) Painting Oil on Canvas Glued to Board. "Doing the Laundry". Signed Lower Left & Dated 1893. Beautifully Framed. Condition: Generally Good w/ a Small Area of Repair by The Laundry Basket. Dimensions: Sight-36" x 24". Frame-41" x 29". Provenance: From a Long Island, NY Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
Gordon Coutts (Scottish, 1868-1937), Cattle, 1905, oil on canvas, signed and dated lower left, sight: 9.5"h x 11.5"w, overall (with frame): 16.75"h x 18.75"w
Gordon Coutts (Scottish, 1868-1937) Oil on Board Undated, signed lower left, 'Tangier' written after signature, a portrait of a young figure, in a gold painted wood frame, retaining Findlay Galleries label verso Provenance: Santa Fe Art Auction Property from: a Private Collector, Rockford, Illinois Category: Fine Art > Paintings Estimated Sale Time: 11:56 am CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: June 3, 2024, 3:05 pm
American, 1868-1937 Near Indio Signed Gordon Coutts (lr); signed Gordon Coutts and inscribed Palm Springs and as titled on the stretcher Oil on canvas 18 x 24 inches (45.7 x 61 cm) Provenance: Sale, Butterfield & Butterfield, San Francisco, Jun. 24, 1981, lot 638 (Frame: 23 1/4 x 29 1/4 inches) Scattered losses; inpainting throughout; repaired break in the canvas in the sky just to the left of the peak, with inpainting and a corresponding patch on the reverse.
Gordon Harrower Coutts (1868 - 1937) Oil on Canvas, Signed Lower Right, Measures ( 29 x 23 inches) w/frame (35 x 28.5 inches) under Lefebvre, Fleury, and Rossi. After his stay in Paris, he moved to Melbourne, Australia where he was an instructor at the Art Society of New South Wales for several years during the late 1890s. Upon returning to London in 1899, he exhibited at the Royal Academy. In 1902 he and his wife, Alice, moved to San Francisco where he became an active member and exhibitor of the Bohemian Club while maintaining a home across the bay in Piedmont. An itinerant globe trotter, he traveled to remote places in search of subject matter. During his early period his work embraced Tonalism; whereas, his style later changed to the brighter, colorful palette of Impressionism.Ill health necessitated his move to a drier climate, and about 1925 he settled in Palm Springs, CA. There he built a French-Moroccan style castle where
Gordon Harrower Coutts (1868-1937) Foothills Farmstead Circa 1900. The serene, rose-tinted composition of cattle in early light and a California foothills farmstead is depicted in tonalism technique and signed by the artist lower left. The work is displayed in an Art Nouveau influence frame of the period. Canvas measures 12 x 18 with a framed size of 16.5 x 22.5 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Gordon Coutts (Scottish, 1868-1937) Oil on Canvas Undated, signed lower left, depicting a forest landscape, in gold-tone gesso on wood frame Property from: a Private Collector, Chicago (Streeterville), IL Category: Fine Art > Paintings Estimated Sale Time: 10:43 am CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: February 6, 2024, 9:40 am
Gordon Harrower Coutts (1868 - 1937) Oil on Canvas, Signed Lower Right, Measures ( 29 x 23 inches) w/frame (35 x 28.5 inches) under Lefebvre, Fleury, and Rossi. After his stay in Paris, he moved to Melbourne, Australia where he was an instructor at the Art Society of New South Wales for several years during the late 1890s. Upon returning to London in 1899, he exhibited at the Royal Academy. In 1902 he and his wife, Alice, moved to San Francisco where he became an active member and exhibitor of the Bohemian Club while maintaining a home across the bay in Piedmont. An itinerant globe trotter, he traveled to remote places in search of subject matter. During his early period his work embraced Tonalism; whereas, his style later changed to the brighter, colorful palette of Impressionism.Ill health necessitated his move to a drier climate, and about 1925 he settled in Palm Springs, CA. There he built a French-Moroccan style castle where
Gordon Coutts (1868-1937) Painting Sierra Foothills Overlooking Sacramento Valley c1910. Signed. Excellent condition. 14"h x 18"w. Original frame 18.5"h x 22.5"w. Spend $7500 or more at this auction and all of your SHIPPING IS FREE within the lower 48 states. SHIPPING We box and ship ourselves, to keep shipping costs low. We do not use a packaging service, unless the customer prefers us to use them. We can ship either USPS or Fed Ex Ground. We deliver most larger pieces ourselves on the west coast and we make a loop around the US within approximately 60 days after the auction. No matter where you live in the lower 48 states, we look forward to personally meeting you and delivering larger pieces directly to your house. Most larger pieces can be hand delivered for $500-$600 almost anywhere in the lower 48 states. For estimated shipping times of larger pieces, please call or email us before you bid.
Gordon Harrower Coutts (1868 - 1937) Oil on Canvas, Signed Lower Right, Measures ( 29 x 23 inches) w/frame (35 x 28.5 inches) under Lefebvre, Fleury, and Rossi. After his stay in Paris, he moved to Melbourne, Australia where he was an instructor at the Art Society of New South Wales for several years during the late 1890s. Upon returning to London in 1899, he exhibited at the Royal Academy. In 1902 he and his wife, Alice, moved to San Francisco where he became an active member and exhibitor of the Bohemian Club while maintaining a home across the bay in Piedmont. An itinerant globe trotter, he traveled to remote places in search of subject matter. During his early period his work embraced Tonalism; whereas, his style later changed to the brighter, colorful palette of Impressionism.Ill health necessitated his move to a drier climate, and about 1925 he settled in Palm Springs, CA. There he built a French-Moroccan style castle where
ARTIST: Gordon Harrower Coutts (Scotland, California, 1868 - 1937) TITLE: Forest Landscape MEDIUM: oil on board CONDITION: Few nail holes along edges. Small damage to lower right corner. Some craquelure. Normal wear along edges. No visible inpaint under UV light. ART SIZE: 13 x 9 inches / 33 x 22 cm FRAME SIZE: 21 x 17 inches / 53 x 43 cm SIGNATURE: lower right CATEGORY: old antique vintage painting for auction sale online AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 126648 US Shipping $60 + insurance. BIOGRAPHY: Gordon Harrower Coutts was a Scottish artist internationally known for his desert landscapes, Moroccan figures, portraits, and nudes. He spent time in Australia, Morocco, and the United States.Coutts was born in Aberdeen, Scotland, on 3 October 1868. He began his art studies at the Glasgow School of Art in 1881, where he became friends with the Irish painter John Lavery, before venturing south to study in London at the Royal Academy. He continued his studies at the Academie Julian, Paris, under Jules Joseph Lefebvre and Adolphe Dechenaud. He went to Australia with his brother David, and continued his studies at the National Gallery School in Melbourne from 1891 to 1893, becoming a teacher immediately afterwards. After this, he taught at the Art Society of New South Wales in Sydney. During his time in Australia, he had regular exhibits with the Victorian Artists Society and the Art Society of NSW.
Gordon Coutts (1868-1937) Mission San Luis Rey signed 'Gordon Coutts' (lower right) and titled and dated (on the presentation plaque) oil on canvas 14 x 18 1/4 in. framed 20 1/2 x 23 3/4 in. Painted circa 1900.
Gordon Coutts (1868-1937) Mission San Juan Capistrano signed 'Gordon Coutts' (lower right) and titled (on the presentation plaque) oil on canvas 14 1/4 x 18 1/4 in. framed 20 1/2 x 24 1/2 in. Painted circa 1900.
Gordon Coutts (1868-1937) Painting Sierra Foothills Overlooking Sacramento Valley c1910. Signed. Excellent condition. 14"h x 18"w. Original frame 18.5"h x 22.5"w. Spend $5000 or more at this auction and all of your SHIPPING IS FREE within the lower 48 states. SHIPPING We box and ship ourselves, to keep shipping costs low. We do not use a packaging service, unless the customer prefers us to use them. We can ship either USPS or Fed Ex Ground. We deliver most larger pieces ourselves on the west coast and we make a loop around the US within approximately 60 days after the auction. No matter where you live in the lower 48 states, we look forward to personally meeting you and delivering larger pieces directly to your house. Most larger pieces can be hand delivered for $300 almost anywhere in the lower 48 states. For estimated shipping times of larger pieces, please call or email us before you bid.
GORDON COUTTS (1868-1937) Portrait of a Gentleman oil on canvas signed lower left: Gordon Coutts 60 x 45cm PROVENANCE The Robert Law Collection, Melbourne Thence by descent
