Christiaen Gillisz. van Couwenbergh Paintings & Artwork for Sale | Christiaen Gillisz. van Couwenbergh Art Value Price Guide

Feb. 21, 2024
Christiaen van Couwenbergh ( 1604 – 1667) attribué à.
Est: €4,000 - €6,000
Christiaen van Couwenbergh ( 1604 – 1667) attribué à. «Jeune fille en Diane», Huile sur toile, fragment de tableau. Dimensions : 72 cm x 56 cm Provenance : Collection v.Hd'A.,Bruxelles, acquit à La Haye en 1998.
Legia-Auction
Dec. 08, 2023
CHRISTIAEN VAN COUWENBERGH (DELFT 1604-1667 COLOGNE) - Granida and Daifilo
Est: £25,000 - £35,000
CHRISTIAEN VAN COUWENBERGH (DELFT 1604-1667 COLOGNE) Granida and Daifilo oil on canvas 46 x 54 ½ in. (117 cm x 138.5 cm.)
Christie's
Jun. 14, 2023
CIRCLE OF CHRISTIAEN VAN COUWENBERGH (DUTCH 1604-1667)
Est: £4,000 - £6,000
CIRCLE OF CHRISTIAEN VAN COUWENBERGH (DUTCH 1604-1667)A TOPPER IN A TAVERNOil on canvas113 x 147cm (44¼ x 57¾ in.)Provenance:Private collection, Blaisdon Hall, Gloucestershire
Dreweatts 1759 Fine Sales
May. 03, 2023
Christiaen van Couwenbergh
Est: €20,000 - €30,000
(Delft 1604–1667 Keulen) The Finding of Moses, monogrammed and dated upper right: CB·F- / 1640, oil on panel, 124 x 118 cm, framed Provenance: with Weinmüller, Munich, 1974 (as Netherlandish School, 17th Century); Private collection, Germany; sale, Christie’s, Amsterdam, 9 May 2001, lot 130 (as Christiaen van Couwenbergh) Literature: W. C. Maier-Preusker, Christiaen van Couwenbergh (1604–1667), in: Wallraf Richartz Jahrbuch, vol. 52, 1991, pp. 193–194, no. A5, fig. 35 (as Christiaen van Couwenberg, dated 1655/57) The present painting is registered in the RKD database under no. 0000128811 (as Christiaen van Couwenbergh). The present painting relates to a work on canvas of the same subject by Christiaen van Couwenbergh in the Koninklijke Musea voor Schone Kunsten, Brussels (inv. no. 6763). Both subjects are depicted in a similar theatrical composition, with the figures arranged in a pyramidal scheme. Whereas the Brussels painting shows a certain alienation between the groups of figures, in the case of the present painting, the arrangement of the figures appears a lot more dynamic. Contrary to the biblical account, here, the pharaoh’s daughter appears as a bathing nude, resembling the examples of depictions of ancient goddesses. Christiaen van Couwenbergh was among the most important artists active in Delft in the first half of the seventeenth century, along with Leonard Bramer (1596–1674) and Michiel van Mierevelt (1566–1641). He is best known for his large wall paintings of allegories and mythological scenes, populated by majestic life-size nudes. He received numerous commissions from the Orange family to decorate the palaces of Honselaersdijk, Nieuburg, and Noordeinde, though his most significant commission was to participate in the decoration of the Oranjezaal of the Huis ten Bosch in The Hague, where he collaborated with all the major Dutch painters of the time, including Gerrit van Honthorst and Jacob Jordaens. The son of a silversmith and art dealer originally from Malines, Couwenbergh trained in the workshop of Johan van Nes, where the development of his style gravitated away from the influence of the Utrecht Caravaggist painters, including Hendrick ter Brugghen, Dirck van Baburen, and Gerrit van Honthorst, that marked his early years, towards a more classicist style. It is possible that Couwenbergh also trained in Italy, a hypothesis, however, that not all scholars can agree on.
Dorotheum
Oct. 20, 2020
CHRISTIAEN VAN COUWENBERGH (DELFT 1604-1667 COLOGNE),
Est: $30,000 - $50,000
CHRISTIAEN VAN COUWENBERGH (DELFT 1604-1667 COLOGNE) Bacchus holding a roemer and a bunch of grapes, possibly a portrait of the artist oil on canvas 26 7/8 x 22 7/8 in. (68.3 x 58.1 cm.) ,
Christie's
Jul. 05, 2019
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) Diana after the hunt, with a portrait of the artist oil on canvas 87 ½ x 74 7/8 in. (222.8 x 190.4 cm.)
Est: £12,000 - £18,000
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) Diana after the hunt, with a portrait of the artist signed with monogram and dated '1653 / C. B. F.' (lower centre, on the quiver) oil on canvas 87 ½ x 74 7/8 in. (222.8 x 190.4 cm.)
Christie's
May. 01, 2019
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) A merry company drinki
Est: $40,000 - $60,000
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) A merry company drinking and playing music oil on canvas 42 x 58 3/8 in. (106.7 x 148.2 cm.)
Christie's
Apr. 04, 2019
Christian Gillisz Van Couwenbergh (1604 - 1667), Ragazzo con lepre
Est: €800 - €1,000
olio su tela, cm 73x61, Expertise del Prof. Arisi
Cambi Casa d'Aste
Dec. 07, 2018
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) - A merry company playing cards
Est: £25,000 - £35,000
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) A merry company playing cards oil on panel 27 ¼ x 44 ¾ in. (69.2 x 113.6 cm.)
Christie's
Mar. 15, 2017
Christiaen van Couwenbergh, Game Still Life with a Hunter and Maid
Est: €13,000 - €16,000
Christian van Couwenbergh was among the most successful Dutch Carravagesque painters. He belonged to the circle of figure painters around Gerrit van Honthorst and Dirck van Baburen who worked in the monumental chiaroscuro style inspired by Caravaggio. Couwenbergh was highly successful throughout his lifetime, even receiving important commissions from the house of Orange. He moved to Cologne in 1656 and worked there for 11 years before his death in 1667. This painting from the collection of the Count of Stolberg-Stolberg is thought to originate from his later period in Cologne.
Kunsthaus Lempertz KG
Sep. 23, 2016
COUWENBERGH, CHRISTIAEN GILLISZ. VAN
Est: CHF15,000 - CHF25,000
COUWENBERGH, CHRISTIAEN GILLISZ. VAN (Delft 1604 - 1667 Cologne) A hunter and a maidservant with fish and game in a kitchen interior. 1659. Oil on canvas. Monogrammed and dated lower right: C. B. F. 1659. 140.5 x 188.2 cm. Provenance: - Private collection of Count Wilhelm J.O.F.L. zu Stolberg-Stolberg, Slot Puth (Voerendaal), circa 1959-1966. - Christie's, Amsterdam, 8.5.1995, Lot 21. - European private collection. - Dorotheum, Vienna, 18.04.2012, Lot 754. - European private collection. Literature: - Maier-Preusker, W. C.: Christian van Couwenbergh (1604-1667). Oeuvre und Wandlungen eines holländischen Caravaggisten in: Wallraf-Richartz-Jahrbuch, vol. 52, 1991, p. 186, 219, No. A59, ill p. 183, fig. 21. (p. 163236), a private collection in The Netherlands. - Possibly van Gelder, J. G.: De schilders van de oranjezaal, in: Nederlands Kunsthistorisch Jaarboek, 1948/49, p. 164, No. 97 'Een stilleven met gevoegelte met een meid en een knecht. 96 en 97 in een getaxeerde invetaris van 1692'. --------------- COUWENBERGH, CHRISTIAEN GILLISZ. VAN (Delft 1604 - 1667 Köln) Ein Jäger und eine Magd mit Fischen und erlegtem Wild in einem Kücheninterieur. 1659. Öl auf Leinwand. Unten rechts monogrammiert und datiert: C. B. F. 1659. 140,5 x 188,2 cm. Provenienz: - Privatsammlung Graaf Wilhelm J.O.F.L. zu Stolberg-Stolberg, Slot Puth (Voerendaal), um 1959-1966. - Auktion Christie's, Amsterdam, 8.5.1995, Los 21. - Europäische Privatsammlung. - Auktion Dorotheum, Wien, 18.04.2012, Los 754. - Europäische Privatsammlung. Literatur: - Maier-Preusker, W. C.: Christian van Couwenbergh (1604-1667). Oeuvre und Wandlungen eines holländischen Caravaggisten in: Wallraf-Richartz-Jahrbuch, Bd. 52, 1991, S. 186, 219, Nr. A59, Abb. S. 183, Abb. 21. (S. 163236), als in Holland, Privatbesitz. - Möglicherweise van Gelder, J. G.: De schilders van de oranjezaal, in: Nederlands Kunsthistorisch Jaarboek, 1948/49, S. 164, Nr. 97 'Een stilleven met gevoegelte met een meid en een knecht. 96 en 97 in een getaxeerde invetaris van 1692'. Nach Maier-Preusker (ebd.) ist das vorliegende Gemälde das letzte verzeichnete Genrebild des Malers aus seiner Kölner Zeit, wo er sich ca. 1656 niedergelassen hatte. Aus dieser Zeit stammen auch das Gemälde "Joseph und die Frau des Potiphar", "Ein betrunkener Kurtisane und Kupplerin" (1657) sowie zwei Kinderporträts (1658). Couwenbergh inspirierte sich an der flämischen Malerei, besonders an Peter Paul Rubens (1577-1640). Das Gesicht des Jägers erinnert an Werke von Gerrit van Honthorst (1592-1656), die Darstellung der Magd eher an Jordaens. Das Stillleben weist Einflüsse von Adrien van Utrecht (1599-1652) auf. Das Gemälde ist im RKD, Den Haag, als eigenhändiges Werk von Christiaen Gillisz. van Couwenbergh registriert.
Koller Auctions
Jan. 24, 2014
OLD MASTER PAINTING IN THE MANNER OF CHRISTIAEN VAN COUWENBERGH (1604-1667).
Est: $3,000 - $5,000
OLD MASTER PAINTING IN THE MANNER OF CHRISTIAEN VAN COUWENBERGH (1604-1667). Oil on canvas, unsigned. Two putti, one wearing a crown of flowers and the other winged with a bow. 27.5"h. 23.5"w., in an elaborate plaster and carved gilt frame, 38.25"h. 34.25"w.
Garth's Auctioneers & Appraisers
Jun. 20, 2012
Christiaen van COUWENBERGh (Delft 1604 - cologne 1667) Le concertiste Toile 80 x 63 cm Restaurations
Est: €8,000 - €10,000
Christiaen van COUWENBERGh (Delft 1604 - cologne 1667) Le concertiste Toile 80 x 63 cm Restaurations
Tajan
Dec. 08, 2011
CHRISTIAN VAN COUWENBERGH
Est: £8,000 - £12,000
DELFT 1604-1667 COLOGNE AENEAS TAKING LEAVE FROM DIDO oil on canvas 159.5 by 179.5 cm.; 62 7/8 by 70 1/2 in.
Sotheby's
Oct. 26, 2011
Christian van Couwenbergh (Delft 1604-1667 Cologne)
Est: £4,000 - £6,000
Christian van Couwenbergh (Delft 1604-1667 Cologne) The Finding of Moses indistinctly signed 'Couve.b....' (lower centre) oil on canvas 51¾ x 63¼ in. (131.5 x 160.6 cm.)
Christie's
Apr. 13, 2011
Christian van Couwenbergh (Delft 1604-1667 Cologne)
Est: £4,000 - £6,000
Christian van Couwenbergh (Delft 1604-1667 Cologne) The Finding of Moses indistinctly signed 'Couve.b....' (lower centre) oil on canvas 51¾ x 63¼ in. (131.5 x 160.6 cm.)
Christie's
Apr. 01, 2011
COUWENBERGH, CHRISTIAN VAN(Delft 1604 - 1667
Est: CHF35,000 - CHF50,000
COUWENBERGH, CHRISTIAN VAN (Delft 1604 - 1667 Cologne) Portrait of a young man before a covered table. Oil on canvas. 82 x 67 cm. Provenance: - Koller, Zurich, 22. 3. 2002, Lot 3039. COUWENBERGH, CHRISTIAN VAN (Delft 1604 - 1667 Köln) Portrait eines jungen Mannes vor gedecktem Tisch. Öl auf Leinwand. 82 x 67 cm. Provenienz: - Auktion Koller, Zürich, 22. 3. 2002, Los 3039.
Koller Auctions
Dec. 09, 2010
ATTRIBUTED TO CHRISTIAN VAN COUWENBERGH
Est: £8,000 - £12,000
ATTRIBUTED TO CHRISTIAN VAN COUWENBERGH DELFT 1604-1667 COLOGNE AENEAS TAKING LEAVE FROM DIDO oil on canvas 159.5 by 179.5 cm.; 62 7/8 by 70 1/2 in.
Sotheby's
Jun. 03, 2010
CHRISTIAN VAN COUWENBERGH Holland 1604-1667,
Est: kr15,000 - kr20,000
CHRISTIAN VAN COUWENBERGH Holland 1604-1667, tillskriven Porträtt av en ung man Olja på duk, 42 x 35 cm. Attributed to. Oil on canvas. EXPERTIS: Cabinet Turquin, Stéphane Pinta, Paris
Stockholms Auktionsverket
Jun. 04, 2009
Christian van Couwenbergh , Delft 1604-1667 Cologne The Departure of Aeneas from Dido, Queen of Carthage oil on canvas
Est: $20,000 - $30,000
oil on canvas
Sotheby's
Dec. 04, 2008
Christian van Couwenbergh , Delft 1604-1667 Cologne Nymph and satyr oil on panel
Est: £20,000 - £30,000
signed lower left in monogram CB.F. oil on panel
Sotheby's
Dec. 11, 2002
Christiaen van Couwenbergh (Delft 1604-1667 Cologne) A warrior kneeling before a woman on a throne
Est: $18,841 - $28,261
oil on canvas 160 x 180 cm. (63 x 70 7/8 in.) PROVENANCE: Private Collection, Milan LITERATURE: Dutch Classicism of the 17th Century, Exhibition Catalogue, Boijmans Van Beuningen Museum, Rotterdam, 25th September 1999 -9th January 2000; Stadelsches Kunstinstitut, Frankfurt, 9th February 2000-30th April 2000 (ill. p.159, fig.24b.). Christiaen van Couwenbergh, the son of Gillis Gillisz. van Couwenbergh, a goldsmith, engraver and art dealer, studied in Delft in the studio of history and portrait painter Jan Dircksz. van Nes. He is thought to have travelled to Italy, a fact that has subsequently been disputed. Couwenbergh entered into the Guild of Saint Luke in 1627, and later in the Hague, where he was appointed head in 1649 and 1650. He finally settled in Cologne in 1654, where he set up practice as a portrait painter. The influence of northern caravaggists such as Terbrugghen, Baburen and Moyaert is evident in Couwenbergh's early painting, of which the present is, as Professor Albert Blankert points out `an unpublished painting which bears all the hallmarks of his work` (op.cit). We are grateful to Prof. Albert Blankert for confirming the attribution.
Bonhams